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The B Magazine Gets An A+. Publisher Michelle Thorpe Petricca, To Samir “Mr. Magazine™” Husni: “There’s Absolutely A Desire For Certain Segments Of A Population To Enjoy The Print Experience.” The Mr. Magazine™ Exclusive New Launch Interview…

June 19, 2023

“We tend to reach consumers over 40 plus or 50 plus, who grew up with magazines, loved the experience of magazines; who miss magazines. They’ll tell you stories of what their favorite magazines were and how they’ve changed.”

“I believe that there are consumers who want to guarantee that this magazine comes to them. That when they go, when the weather turns and the leaves fall and they move to their second home in Florida or California or Palm Springs or back to Boston or back to the city, they want it in their mailbox. And that consumer is absolutely going to pay for it and go to their mailbox.”

The B, a magazine of the Berkshires, is a regional title that is both very well connected to the Massachusetts area and is a new launch. Michelle Thorpe Petricca is the publisher of the magazine and brings immense talent and experience to this position. Michelle has been a fixture at Condé Nast in the past and carries a lot of deeply held beliefs about magazines, especially print ones.

The B celebrates life in the Berkshires and beyond, but also provides entertainment and knowledge about the area for people moving there or visiting. It’s a stylish title with a host of possibilities. Mr. Magazine™ suggests that you find your copy today. 

So please enjoy the Mr. Magazine™ interview with Michelle Thorpe Petricca, Publisher Of The B Magazine.

But first the sound-bites:

On how it feels to work on a smaller-sized publication than she’s used to: I love a launch. And I was part of Condé Nast with the launch of Lucky magazine, from the very beginning. And it has the same energy and the same excitement. Obviously, not the depths of floors of departments and support, however it’s energizing and thrilling for me to be part of that.

On one of her Condé Nast colleagues’ starting his own media company and magazine: I worked with Alan Katz’s wife for years at Self Magazine. I think Alan and Cheryl are just two very talented people. And I think what it shows is that there are stories to be told in this region, and there’s a lot of enthusiasm and passion for this region. And the fact that both are doing very well speaks to this untapped market in many ways. There’s a real hunger to be closer to the community.

On why she thinks people like herself still believe in magazines and in print: There’s absolutely a desire for certain segments of a population to enjoy the print experience. And I would say that that segment of the population in our community is not going to be Gen. Z though they are enjoying it. We tend to reach consumers over 40 plus or 50 plus, who grew up with magazines, loved the experience of magazines; who miss magazines. They’ll tell you stories of what their favorite magazines were and how they’ve changed.

On whether only print can link the past with the future in the present: You definitely found one of the most powerful platforms that we have at The B, and that literally is the archives of the Eagle which are situated in the basement here of the Clock Tower Building in Pittsfield. And if you came to the Berkshires and I brought you down there, your mind would be blown by the files and the archives of the history of Norman Rockwell, of Tanglewood and the Boston Symphony Orchestra.

On whether the magazine was an easy launch: My husband was from the Berkshires. His family has been here for 100 years. His grandfather moved here from Italy, slept in a tent, built a wonderful business that’s going strong. And I didn’t think that this opportunity was possible, to be able to tap this passion I have for print. And I feel so fortunate that the Eagle recognized and held a high value to print and that they invested in me.

Michelle Petricca, right, with editor in chief Amy Conway.

On any challenges or roadblocks they had to overcome: So what have we overcome? I would say that introducing a new print product, you really had to pass a lot of litmus tests here because I think they’ve seen other publications in the area before and they weren’t always done by magazine people. They may have been done by newspaper people ensuring that you were going to deliver what you promised.

On whether the magazine is moving from controlled circulation to subscription: That is in the works. I believe that there are consumers who want to guarantee that this magazine comes to them. That when they go, when the weather turns and the leaves fall and they move to their second home in Florida or California or Palm Springs or back to Boston or back to the city, they want it in their mailbox. And that consumer is absolutely going to pay for it and go to their mailbox.

On the wantedness factor that print inspires: Yes, exactly. I was spending some time in Barnes & Noble in Pittsfield the other day. Magazines seem to still be alive by the number of publications and special interest titles and the ones that are still available to consumers.

On anything she’d like to add: As far as the B, people want a connection to the community, so much so that even on the grounds where we live there’s a massive reckoning going on with the Native American tribes that lived here. Many of the cultural institutions, like Jacob’s Pillow, which is one of the oldest historic dance sites in the country and Beckett Hits in Beckett. Massachusetts; at the bottom of every single of their email signatures, they say we are on the lands of the Munsee Native Tribes, so there’s a whole connection. The good and the painful in our community. That’s why there’s still so many untold stories here.

On what keeps her up at night: From a professional level, it would be to make sure that we got it right. That it was factually correct. We have a responsibility to do it right. And so oftentimes I circulate stories to the editors here, to other people in our community. To have them look through it to make sure it’s right, because the last thing I ever want to do is have any stain that reflects any print  journalist that is here. So getting it right is important. That keeps me awake at night. 

And now the lightly edited transcript of the Mr. Magazine™ interview with Michelle Thorpe Petricca, publisher The B Magazine.

Samir Husni: Congratulations on The B Magazine.

Michelle Thorpe Petricca: Thank you, I appreciate that.

Samir Husni: How does it feel? Moving from magazines like Lucky and Allure with hundreds of thousands in circulation to launch a small-sized publication, a beautiful publication, but one that elevates like fifteen thousand in circulation?

Michelle Thorpe Petricca: I love a launch. And I was part of Condé Nast with the launch of Lucky magazine, from the very beginning. And it has the same energy and the same excitement. Obviously, not the depths of floors of departments and support, however it’s energizing and thrilling for me to be part of that. 

And then I was also part of US Weekly when it turned from a monthly to a weekly magazine. So I was prepared for the unexpected because the unexpected always happens with a launch. But I would say that being a part of the Berkshire Eagle, which is one of the longest continuously run newspapers in the country, it started in 1892, they have the same commitment to facts and credibility and to getting it right. Much like Condé Nast always wanted to do and does and still does. 

Samir Husni:  Your previous colleague, Alan Katz, also started The Mountains magazine. Now there’s two or three graduates from Condé Nast who started and launched magazines outside.

Michelle Thorpe Petricca: That’s right. In fact, I worked with Alan Katz’s wife for years at Self Magazine. I think Alan and Cheryl are just two very talented people. And I think what it shows is that there are stories to be told in this region, and there’s a lot of enthusiasm and passion for this region. And the fact that both are doing very well speaks to this untapped market in many ways. There’s a real hunger to be closer to the community. 

Alan, his focus is seven counties, so it’s broader. He’s got Sullivan County, Catskills, seven counties. I’m focused on three counties, Berkshire County, Columbia County and Litchfield County. So there is a point of difference there. And there’s a point of difference with our voices. But that being said, I think it’s fabulous. I really do. Allen and his team are doing a great job.

Samir Husni: Michelle, it’s so rare to see small, regional magazines bringing in top publishers,  top editors, national folks, like in your case. Like Amy Conway, who’s been the editor of Health Magazine, and Martha Stewart Wedding. Why do you think people like you and Amy still believe in this business, in print and in bringing a magazine into the world?

Michelle Thorpe Petricca: That’s a great question. There’s absolutely a desire for certain segments of a population to enjoy the print experience. And I would say that that segment of the population in our community is not going to be Gen. Z though they are enjoying it. We tend to reach consumers over 40 plus or 50 plus, who grew up with magazines, loved the experience of magazines; who miss magazines. They’ll tell you stories of what their favorite magazines were 

and how they’ve changed. And maybe they’re not happy about some changes. So there was certainly a desire to bring magazines back into their life.

More importantly, they want the things that magazines are, well-written and visually appealing. And it’s interesting, when I worked at Allure and worked for Linda Wells, she would often talk about how a magazine would bring you to this magical place, and Allure would share possible visions of a different self, of all the possibilities that were out there for you. And how you want to present yourself to the world. 

And so that aspiration and that inspiration is found in print, in these glossy, four color magazines. And when you come to a community, particularly like the Berkshires, you’re seeking pleasure. You’re seeking entertainment. You’re seeking visual experience of the outdoors, art, culture, theater. And so they’re pleasure-seekers and magazines bring a lot of pleasure. They’re very proud of where they live or where they have second homes, or where they’re visiting. And they have it in their homes. That is the greatest compliment. When someone says to me. I have guests coming up this weekend, and I made sure The B was in the guest room for them because they want to know more about where they’re visiting. And so print brings you closer to the experience. I think that that’s why it’s resonating with consumers today. 

The other part of my experience was spending time at a company called Modern Luxury, which published 84 magazines in 22 markets. And so I worked at Modern Luxury while I lived here in the Berkshires and I commuted back and forth. I got to see just how personal it was for these city titles to these particular communities. 

I remember it was Erin Lauder at Estee Lauder who wanted us to plan an event in Dallas,  Neiman Marcus for a launch of one of her fragrances. And I heard from her team that these were the dates available in Dallas. So I call up Neiman’s and said this is when we’re going to have the luncheon and they said, whoa, we can’t do it that date. And I’m like, it’s Aaron Lauder, of course you can do it that day. And they explained, oh, no, that’s the Texas/OU football game day. And all the jets fly in from Oklahoma. And there are big Gala’s and parties all around his event. 

So, I was able to bring that information back from the Dallas team of our local boots on the ground, and of Neiman Marcus local and go back to Estee lauder and say, well, here’s why that date doesn’t work. 

So, understanding the ebbs and flows of a local community are really important and it makes you have a better event or better print project product. Or helps you connect brands and advertisers to that community in a more relevant and more powerful way.

Samir Husni: That art of storytelling is so obvious since you are also reaching to the archives of the newspaper from 1789 on and using some of those pictures. Do you think only print can link the past with the future during the present?

Michelle Thorpe Petricca: What a great question. You definitely found one of the most powerful platforms that we have at The B, and that literally is the archives of the Eagle which are situated in the basement here of the Clock Tower Building in Pittsfield. And if you came to the Berkshires and I brought you down there, your mind would be blown by the files and the archives of the history of Norman Rockwell, of Tanglewood and the Boston Symphony Orchestra.

You’re transported when you walk downstairs and you go into these files of pictures that you’re holding that the Eagle owns. And so I don’t have any obstacles of publishing them. And knowing that there are people here that I can turn to… in fact, they have two Pulitzer Prize winning journalists on their editorial advisory board here. And being able to get it right, which is so important here at the Eagle is to tap those archives to connect the past of our community to the present. 

And so when we take a topic, the summer issue right now is at press, and the theme is music. And music plays an outsized role here in the Berkshires, as you can imagine with the home of Boston Symphony Orchestra all summer long. But it goes back even further than that. 

And our goal is, when this magazine comes out, that local mavens who have lived here for generations, to the tourists who happen to be staying at the Red Lion Inn, to a second homeowner from Williams College who loves the Berkshires, is to surprise them and to educate them, to help bring them closer to this community. 

So we literally went into the fields of a place called The Music Inn, which is in Stockbridge, and was part of an old gilded-age estate called Wheatleigh. The Music Inn was a home in the 1960s  of something called the Lenox School of Jazz, where black musicians would teach white musicians who came over from Tanglewood at night. And that school then turned in the ‘70s into something called The Music Inn where Bruce Springsteen played, the Allman Brothers,  BB King, and we literally went for the music issue and spent time in a place called the Potting Shed, which is a home to this woman now who has a plaque to all the musicians that played on those grounds. 

And so being able to walk those fields and give the history and bring the photographers, such as the talented Ben Garver, who is photographer for the Berkshire Eagle really helps bring the music experience to life. And then it also happened that really well known journalists like Tony Gervino, who was the editor in chief of Billboard Magazine and is currently the editor in chief of Jack Dorsey’s Title, a streaming music platform, happens to have a home in the Berkshires, and he’s like, I’d love to write an article for The B. And so when you live in a community where you can tap this talent, it helps make it an even stronger editorial product.

Samir Husni: You sound like you’re on Cloud Nine. Tell me, has the magazine launch been a walk in a rose garden for you?

Michelle Thorpe Petricca: It was really hard for me to leave Condé Nast in 2013. I mean, Allure was on fire. It was just so successful. And I loved the team. And I loved working with Agnes Chapski and Linda Wells and the whole Condé Nast family.  

I moved for love. My husband was from the Berkshires. His family has been here for 100 years. His grandfather moved here from Italy, slept in a tent, built a wonderful business that’s going strong. And I didn’t think that this opportunity was possible, to be able to tap this passion I have for print. And I feel so fortunate that the Eagle recognized and held a high value to print and that they invested in me. 

And then, of course, Amy Conway, our editor in chief, whose voice… it’s what she’s been able to accomplish in such a short amount of time. And you can tell she was Martha Stewart’s right arm for 20 years. And Amy knows how to tell a story. She really does. And she has been a complete joy and delight to work with, and I mean it. We speak the same language, and we were able to tap a local designer here, Julie Hammil, who creates a lot of visuals for a lot of the cultural economy institutions here such as Berkshire Botanical Gardens, or the Berkshire School. And so we were able to really go local here. And that meant a lot. Yes, I am on Cloud Nine. (Laughs)

Samir Husni: Any challenges or roadblocks that you have had to overcome?

Michelle Thorpe Petricca: So what have we overcome? I would say that introducing a new print product, you really had to pass a lot of litmus tests here because I think they’ve seen other publications in the area before and they weren’t always done by magazine people. They may have been done by newspaper people ensuring that you were going to deliver what you promised. 

So it happened fast. I literally was at an event with Hans Morris, who was one of the saviors of the Berkshire Eagle with a few other individuals who saved this incredible historic newspaper brand. And I was at an event with him, I guess maybe September or October. And we started talking. He used to be president of Visa and now is at NYCA Partners in New York and he knew my experience in magazines. He said let’s do it and I asked, seriously? And he said yes. 

So going from October to launching a magazine in basically April was fast without having hired an editor, without even having a name or an editorial calendar, the specs and the press. It was definitely a lot of sleepless nights. But it was so personal. And that would be an obstacle because I didn’t want to walk into my local grocery store and say hi to my butcher or the florist and for them to say it didn’t really work. I really wanted to make them proud and I would say that was an obstacle. Having to deliver, I would say that was a challenge. 

And then advertising, people literally writing checks from their own bank accounts, ensuring that you are going to deliver on what you’re promising. And ensuring trust in you. It is helpful that they knew who I was and they knew my husband. And they knew the Berkshire Eagle. That could be considered an obstacle. But my goodness, we doubled the number of advertisers and revenue in the summer issue. 

But let’s be clear. This is not necessarily a done success. We have three more issues to go with different editorial themes. We’re experimenting with a wedding issue. And so some of these things are unproven. But I do believe that we have the perfect alchemy at the moment and that things look positive, but it’s not done. You know that path, there could still be plenty of obstacles, especially as we try to figure out a formula for subscriptions versus controlled circulation. Figuring and navigating that I’m sure will be an interesting endeavor. 

Samir Husni: Are you moving from controlled circulation to subscription?

Michelle Thorpe Petricca: That is in the works. I believe that there are consumers who want to guarantee that this magazine comes to them. That when they go, when the weather turns and the leaves fall and they move to their second home in Florida or California or Palm Springs or back to Boston or back to the city, they want it in their mailbox. And that consumer is absolutely going to pay for it and go to their mailbox. 

But I also believe that we could do a hybrid model that has some control distribution in places like Canyon Ranch or fine museums or restaurants. And that we can also still sell it in some places because there isn’t going to be an unlimited number of copies floating around. People are going to see it and they’re going to want it. And if they can’t find it, they’re not going to be happy about it. There’s a wantedness to this and there’s a scarcity model to this, so I do believe that a hybrid model will work. 

Samir Husni: I think that wantedness is an important word you mentioned because. Again that’s what continues to differentiate print from the rest of the media that’s out there.

Michelle Thorpe Petricca: Yes, exactly. I was spending some time in Barnes & Noble in Pittsfield the other day. Magazines seem to still be alive by the number of publications and special interest titles and the ones that are still available to consumers. 

I just think that this is personal to people here. And so when it’s personal and you’re writing about their community, they’re not seeing this online. They’re not reading about this really anywhere else. That it means something different and there’s a different value to it. Especially when you’re supporting their causes that are their passion points. We live in a community that wants to give back, that wants to help out, that supports the arts. That is incredibly inclusive. And our intention is always to profile those saints and eccentrics that really romp our beloved County. And people want to support that and want to be part of that. 

Samir Husni: Is there anything you’d like to add?

Michelle Thorpe Petricca: I guess the question is, if you lived here, Samir, or you were a second homeowner, would you subscribe to The B? 

Samir Husni: (Laughs) Of course I would. My wife always asks me, why are you still getting magazines after we donated all our magazines to the University of Missouri where they are establishing the Samir Husni magazine collection in the library?

Michelle Thorpe Petricca: That’s incredible.

Samir Husni: 188,300 magazines. It took two 18-wheelers. 

Michelle Thorpe Petricca: Do you have photos or a video of that happening? 

Samir Husni: Yes. Actually they are doing a video on the whole transfer of the magazines from my storage units to the Library of Missouri.

Michelle Thorpe Petricca: Will it be on your blog?

Samir Husni: Once they send it to me, I will definitely put it on the blog.

Michelle Thorpe Petricca: Thank you! That’s magical. I can’t wait to see that. As far as The B, people want a connection to the community, so much so that even on the grounds where we live there’s a massive reckoning going on with the Native American tribes that lived here. Many of the cultural institutions, like Jacob’s Pillow, which is one of the oldest historic dance sites in the country and Beckett Hits in Beckett. Massachusetts; at the bottom of every single of their email signatures, they say we are on the lands of the Stockbridge-Munsee Community, so there’s a whole connection. The good and the painful in our community. That’s why there’s still so many untold stories here. 

Samir Husni: As long as you continue telling stories, you will continue to thrive and succeed.

Michelle Thorpe Petricca: I hope so. 

Samir Husni: My typical last question, what keeps you up at night?

Michelle Thorpe Petricca: From a professional level, it would be to make sure that we got it right. That it was factually correct. We have a responsibility to do it right. And so oftentimes I circulate stories to the editors here, to other people in our community. To have them look through it to make sure it’s right, because the last thing I ever want to do is have any stain that reflects any print  journalist that is here. So getting it right is important. That keeps me awake at night.

Even when we lay out the magazine, not being sensitive to advertisers as to where they are placed. Maybe that goes back to my Condé Nast days where, and this is probably not an appropriate story, but I was at Self magazine and we were laying out the magazine and we had a Revlon ad and the Revlon ad said, it’s a good hair day, and it was opposite of a Wonder Bra 

ad that said, who cares if it’s a bad hair day. (Laughs) 

And that was probably 1996 and it still haunts me to this day. You have to make sure that you’re sensitive to if I am this architect or this shop  and I’m opposite this editorial, how does that impact me. And that keeps me up at night on a professional level, because I think about it. It’s their business and they care so much about this ad. And it doesn’t matter if it’s a one six or full page, this means so much to them into their budget into their marketing plans that I really 

want to be sensitive to where that message lands.

Samir Husni: Thank you. 

Check out the second issue of The B here.

Posted in A Launch Story..., Innovation in print, Magazine Power, New Launches, News and Views, The Mr. Magazine™ Interview | Leave a Comment »

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The Old Farmer’s Almanac, The Little Engine That Could And Would.  The Mr. Magazine™ Interview With Longtime Publisher Sherin Pierce. 

June 4, 2023

“We really believe that in the end you need to give your customers a choice of how they want to find you. And many of them want print. Our customers want the print product and we offer them four different versions of that.”

“As it gets harder and harder, we have to understand that we’re in this together. And that each of us has a responsibility of making sure we deliver the products to our readers. When we make it accessible to our readers, when we make it plain to them why magazines are important, I think the readers respond really well.”

The Old Farmer’s Almanac has been around for 232 years. It has been present in most of our lives forever. We have come to depend on it and to look for it every year. And it’s still as relevant and significant as it was when it first began.

Sherin Pierce is publisher of the magazine and has been for over 25 years. According to the magazine’s website Sherin leads a team responsible for the long-term strategic planning of the Almanac brand, including new product development, oversight of editorial, and management of the book’s finances and ancillary businesses. She also oversees the Almanac’s robust promotional and marketing activities, including the Almanac’s expansive social media channels. 

In Mr. Magazine’s mind, she puts the magazine out there and meets people where they are, be that on digital or in print, or any other way they want to find it. Something she believes in strongly.

So please enjoy the Mr. Magazine™ interview with Sherin Pierce, vice president and publisher, The Old Farmer’s Almanac. 

But first the sound bites:

On how The Old Farmer’s Almanac has survived almost two and a half centuries: I like to say how it’s thrived all these years is simply because I think when the Almanac started, it started with a very clear and simple premise: to always be useful with a pleasant degree of humor. 

On how important it is for a magazine publisher to stay true to the magazine’s concept and not change with the wind: I think being authentic, being real, and understanding what your mission is and what people expect from you year after year, is absolutely the North Star for us. There are times, especially when people are faced with a pandemic such as COVID or faced with recession or inflation, they turn to things that are simpler and things that will help them in their daily lives.

On the competitors of The Old Farmer’s Almanac: In every publication we do with the name The Old Farmer’s Almanac, we pay so much attention and care to what we are putting out there for our readers. They get the experience of the Almanac in various forms, through calendars, through our gardening books, they get that whole experience, which is what our competitors haven’t been able to do.

On the circulation of The Old Farmer’s Almanac: We distribute 2.5 million copies. We have four different editions: a mass market edition, newsstand edition and two bookstore editions, with a hardcover as well. And why we’ve done this is because we want to make sure that all the different editions serve our multiple channels of distribution.

On having a minute number of editors over the last 232 years: We’ve had 13 editors and our 13th editor is retiring after close to 23 years. We’ve just hired the 14th editor in our Almanac’s history. It really builds the consistency of the product and the voice. People have time to hone what the message should be. We don’t have a revolving door. But to that point, there’s been 13 editors, but 23 publishers. The publishers always get fired. (Laughs)

On whether her job as publisher has been a walk in a rose garden: Oh no, not at all. It’s a walk in the field; it’s a walk in the woods; it’s a walk in deer-filled gardens and vegetable gardens, in shrubs and fruit trees. I think we would have been remiss if years ago we had said we’re going to just stick to print and not bother with the other mediums. But the group publisher in 1996 said we had to go on the Internet. 

On some of the major challenges they’ve had: One of the biggest challenges we’ve had has been in retail. In one part of our retail presence we have our bookstore edition, which has been doing tremendously well, both in stores and on Amazon. We have our own direct distribution to Tractor Supply and to Ace and to the nontraditional bookstore accounts. Again the Almanac, being the type of product that can transfer different types of retail has done very well there.

On whether The Old Farmer’s Almanac is mostly older readers: No, it’s been surprising what readers have come to us for. I think the younger generation, many folks grew up without getting advice on most basic things in life. Look up at the sky, look at the planets. what are the signs of nature? How do you start a little garden? How do you do a container garden?

On 250,000 of the Veggie Garden Vegetable Gardener’s Handbook going into print: Yes, and for a gardening book  that’s a lot. We printed six times. It’s a gardening book, but it came out at the time when COVID stuck in people at home, and they wanted something.

On anything she’d like to add: I think the Almanac is always a surprise. And when people read it, they always say they grew up with it, they always saw it in their grandparents house, or on the farm of a relative or something. And I always urge people to pick it up again for the first time. Remember. McCall’s ad campaign, read it again for the first time, it’s the same thing.

On what keeps her up at night: I think what keeps me up is that I would hope our distribution channels realize that it’s really a partnership. And that all of us have a responsibility of making sure that our publications reach our audience.

And now the lightly edited transcript of the Mr. Magazine™ interview with Sherin Pierce, vice president and publisher, The Old Farmer’s Almanac.

Samir Husni: Recently you were featured on Jeopardy and they asked about the little 

yellow magazine that has a punch hole in the corner. Your magazine, The Old Farmer’s Almanac is almost two and a half centuries old. Tell me what’s going on; how does it survive all of these years?

Sherin Pierce: Well, I like to say how it’s thrived all these years is simply because I think when the Almanac started, it started with a very clear and simple premise: to always be useful with a pleasant degree of humor.

So it started with that premise, to always be useful with a pleasant degree of humor. And I think the one thing that we’ve always tried to deliver ever since the first publication, the first issue in 1792 is to give people the information they need for their daily lives, which was very simple when it first started. The nation was an agrarian nation, and so it talked about the seasons, the calendar, the heavens, any other information that was pertinent, the holidays, the coach roots, everything that was important to people at that time. 

And that’s what the Almanac has continued to do through the centuries, 232 years of continuous publication. It has always looked to see what do people need within the purview of what the almanac provides. We’re very clear about what we provide to our readers. We don’t stray in different directions, we talk about astronomy, the weather, gardening and other things such as food, home remedies, things that are useful to people’s lives. 

We talk about the sunrise and the sunset; how to read the planets, things that yes, are available in many other mediums or in many other ways, but we put them together; we curate them; we fact check; we make sure that we fulfill what our readers expect from us year after year and also give them a little more. The expectations and the surprises are what keep the Almanac front and center and beloved because it fulfills its mission, hopefully, every single year.

Samir Husni: With all the changes that are taking place in society, somehow the Old Farmer’s Almanac has stayed true to its focus. It did not cover COVID: it did not cover the pandemic at all; it didn’t cover any civil war either. So tell me how important is it for a magazine publisher to stay true to the concept and not change with the wind?

Sherin Pierce: I think being authentic, being real, and understanding what your mission is and what people expect from you year after year, is absolutely the North Star for us. There are times, especially when people are faced with a pandemic such as COVID or faced with recession or inflation, they turn to things that are simpler and things that will help them in their daily lives. 

Gardening was huge during COVID. And for us, people came to the magazine wanting to know how to garden. They wanted the most basic advice about how to grow vegetables; how to understand what they should do to fulfill this urge and need to garden and to understand that. 

I think authenticity, building your credibility, and building people’s trust is very important, because that’s how they come back to you year after year in print, and in any way they can access the Almanac. They come back to you because you are curating the best advice and giving that to people. Trust and credibility you have to earn, it’s not something you demand, you earn it. 

Samir Husni: Through the years you’ve had so many competitors, but you’ve managed to grow and grow. How big is this small publication?

Sherin Pierce: Well, first of all, the Old Farmer’s Almanac is our trademark name, as opposed to Farmer’s Almanac, which is a generic term for any farmer’s almanac. And there have been plenty of people who, when you’re the number one in the field, you have a lot of imitators. 

And they say imitation is the sincerest form of flattery, but only if the imitators are good.

I think people have been distracted and picked up and imitated. Again, it goes back to the quality of the information. The care and the quality of what we are gathering together for our readers is really important. And once you see what ours is, as opposed to what the other farmer’s almanacs have been trying to offer, I think people realize that you can’t rest on your laurels and say, well, I’m the oldest, therefore, I’m the best. The competition is fierce and you have to prove it year after year. You go back every single year and prove it. 

And not just the Almanac itself. In every publication we do with the name The Old Farmer’s Almanac, we pay so much attention and care to what we are putting out there for our readers. They get the experience of the Almanac in various forms, through calendars, through our gardening books, they get that whole experience, which is what our competitors haven’t been able to do. 

So as long as we’re able to keep the Mother publication, The Old Farmer’s Almanac, really vibrant and robust, useful and forward-looking, we’re good. We want backward-looking only with respect to the tradition. We want to be in the present and in the future, forward-looking because that’s how we want to take our readers with us to give them the best advice along this journey. Forward.

Samir Husni: And in a day and age where we are seeing circulations shrinking. what’s the circulation of The Old Farmer’s Almanac?

Sherin Pierce: We distribute 2.5 million copies. We have four different editions: a mass market edition, newsstand edition and two bookstore editions, with a hardcover as well. And why we’ve done this is because we want to make sure that all the different editions serve our multiple channels of distribution. 

We also want to make sure that it’s not just retail distribution that we have all our focus on. We have subscription programs as well with the hardcover edition and reprints of the 100 and 200th anniversary edition. As a publication that has an archive that you can pull on and draw on, you can offer these special type of programs within The Old Farmer’s Almanac. We also have the Almanacs in a gardening club and an almanac club. So we’ve tried to find different ways of producing the Almanac. In total, with all the different editions, we’re 2.5 million copies.

Samir Husni: I think one of the reasons for your success and longevity is that consistency in the mission and in the concept. You don’t have a revolving door for editors. You don’t change editors every month. For the last 232 years, you have had twelve editors?

Sherin Pierce: We’ve had 13 editors and our 13th editor is retiring after close to 23 years. We’ve just hired the 14th editor in our Almanac’s history. It really builds the consistency of the product and the voice. People have time to hone what the message should be. We don’t have a revolving door. But to that point, there’s been 13 editors, but 23 publishers. The publishers always get fired. (Laughs)

Samir Husni: Is your job as publisher of The Old Farmer’s Almanac a walk in a rose garden?

Sherin Pierce: Oh no, not at all. It’s a walk in the field; it’s a walk in the woods; it’s a walk in deer-filled gardens and vegetable gardens, in shrubs and fruit trees. I think we would have been remiss if years ago we had said we’re going to just stick to print and not bother with the other mediums. But the group publisher in 1996 said we had to go on the Internet. We had to have our own website: almanac.com. We started that in 1996 and it really taught us a lot. We didn’t take the whole Almanac and put it on the website. Almanac.com gave us an opportunity, 24/7, to talk about all the various elements in the Almanac that you can’t cover in print and update because it’s an annual publication. 

We could update that personally. We could give you your weather forecast based on your zip code. And we could do a lot of other things that you can’t do in print. So we found ways to pull people into The Old Farmer’s Almanac. The website sent people to print and print also promoted the website. They worked together, hand in glove, in tandem. Really enhancing one another. 

Also on the website and through our email newsletters, we could talk to our customers and readers every single day. So that became important again because they had ways to reach out to us and to talk to us through feedback. 

Social media just accelerated that or accentuated that more through Facebook. We have close to 1.7 million social media followers, Instagram and Pinterest too of course. What we do is make sure that people have access to us online in social media. But we also bring them back to our print products. 

So everything we do, whether it’s our Veggie Gardener’s Handbook, which is a bestseller and Amazon’s number one vegetable gardening handbook,  everything we do we’re able to cross promote and cross pollinate the information so that in our world all boats rise when you talk about everything. It’s not just we’re going to abandon print because print is dead as they said 15 years ago. Everything’s going to be on EPUB. When we have the Almanac as a Kindle publication or an iPad or Nook, we have that for people who want to access us that way. 

But we really believe that in the end you need to give your customers a choice of how they want to find you. And many of them want print. Our customers want the print product and we offer them four different versions of that. 

So we’ve had to listen and adapt and continually change some error to be a relevant part of the marketplace. And that’s what we’ve had to do as a small company with our limited resources, we’ve had to really be flexible and nimble and keep adapting.

Samir Husni: Being flexible is one issue you’re dealing with, but what are some of the major challenges you’re facing today?

Sherin Pierce: One of the biggest challenges we’ve had has been in retail. In one part of our retail presence we have our bookstore edition, which has been doing tremendously well, both in stores and on Amazon. We have our own direct distribution to Tractor Supply and to Ace and to the nontraditional bookstore accounts. Again the Almanac, being the type of product that can transfer different types of retail has done very well there. 

And I’m really thankful for that because the newsstand as you know, of which we’ve always been a huge supporter and part of, has really presented a lot of challenges and a lot of increased expenses in terms of distribution costs, which every publisher is facing, every publisher. And we’ve all had to in the face of the supply issues. distribution cost, distribution to the store’s cost, and then the wholesaler distribution cost. Being constantly asked about increasing a discount.  All these things, we’ve had to face all of that and figure out how do we fit in this newsstand marketplace where these huge wholesaler groups that are controlling our destiny.

For us, it’s been a huge curve over the last year that’s been the challenge that everybody’s facing. We’ve had to really review all our print orders and floor display programs. We don’t sell a single display for the Almanac without another product being in it. There’s always going to be an Almanac for kids or a calendar to help us offset and increase our sales so we can face some of these increased expenses. We’ve had to make those changes as well and push back and say no, this is as much as we’re going to be able to do. and this is the type of configuration we’re going to sell And that’s been our challenge. 

And despite the merchandising problems that everybody experienced last year, the Almanac sales on the newsstand have been down 4 percent. But without those merchandising problems 

we would have equaled or exceeded our 2022 numbers. So I’m really hopeful about 2024. Merchandising should hold. These are things beyond our purview, but last year that was a double whammy, the logistics fees and the merchandising problems. But we are able to still make our way through. We don’t want a repeat of that, at least the merchandising problems. And that’s the challenge. 

So my advice always is make sure you have diverse channels of distribution so you’re not dependent on anyone for your success in distribution. That’s really important. And that’s really helped us.

Samir Husni: People keep on saying that only old people now care for print or look for print. Yet you have The Old Farmer’s Almanac for kids. Are all your readers mostly older? 

Sherin Pierce: No, it’s been surprising what readers have come to us for. I think the younger generation, many folks grew up without getting advice on most basic things in life. Look up at the sky, look at the planets. what are the signs of nature? How do you start a little garden? How do you do a container garden? 

All these most basic things have not been passed down recently. It’s like saying, well my grandfather taught me this.  Everyone’s been so busy. And life has been so challenging and evolving, constantly on the move. 

People haven’t had time to really master the basics and some of the basics that we can teach really well, they come to us for through online, through social media. People have come back to print. Proof is in the pudding. The veggie gardener’s handbook, which is a book, is now in its 6th printing. Over three years we’ve printed 250,000 copies and when you read the comments of people who are buying it, so many are like I was looking for basic information to teach and guide me as to how to do something. And this explains everything so clearly. I can follow it and it gives me confidence to do what I need to do. 

And that’s what has been amazing. It’s young families, people starting out. They care about the environment. They care about sustainability. They want to know what kind of food they’re feeding their families. You have something within your control. You can do that. We can help you do that. 

Reading, now that you get feedback very quickly through your social media, on almanac.com. I read the comments on Amazon all the time to see what people are saying when they’re reviewing the books. There’s so many ways people get back to. You know that the demographic that’s reading The Old Farmer’s Almanac is far younger than one would imagine it to be. And we are guiding another generation and saying, there are ways to do things. You don’t always have to have the biggest and the best. Sometimes you start small, you have success and you grow.

Your first little success grows into something bigger. But it’s a confidence in the advice and the truth. What people are looking for.

Samir Husni: And you said 250,000, right? 250,000 of the Veggie Garden Vegetable Gardener’s Handbook has been in print?

Sherin Pierce: Yes, and for a gardening book  that’s a lot. We printed six times. It’s a gardening book, but it came out at the time when COVID stuck in people at home, and they wanted something. 

So we’ve already licensed the Veggie Gardener’s Handbook to a publisher in New Zealand. And that’s our first foreign license. And now I got an inquiry to license it to a publisher in Italy as well. It’s just a common theme: how to grow vegetables? What are the pests? What are the things about the soil?  You start with soil. That’s the most important thing. We have places where you can make notes and you can journal in the book. So it becomes a very interactive book in print. People have a level of comfort. How do you do companion planting; it’s all  there. 

Samir Husni: Before I ask you my typical last question, is there anything else you would like to add?

Sherin Pierce: I think the Almanac is always a surprise. And when people read it, they always say they grew up with it, they always saw it in their grandparents house, or on the farm of a relative or something. And I always urge people to pick it up again for the first time. Remember. McCall’s ad campaign, read it again for the first time, it’s the same thing. 

People think they know it, but when they actually settle down with it and can read it in small chunks, they don’t have to read it in this one big binge, they’ll find that it is always so useful. It’s going to guide you in your life. It’s going to tell you; it’s going to give you that reassurance that every year, every day, the sun is going to rise, and the sun is going to set. And you’re  going to know that every single day. 

The seasons, you’re going to have four seasons. And no matter what happens, there’s a certain continuity to life. And that’s what the Almanac gives you. It gives you that optimism and that hope that you can get through anything. And I hope in each of our publications, our voice, and how we present the product, good value is what you’ll see running through each of the publications.

Samir Husni: My typical last question, what keeps you up at night? 

Sherin Pierce: I think what keeps me up is that I would hope our distribution channels realize that it’s really a partnership. And that all of us have a responsibility of making sure that our publications reach our audience. 

As it gets harder and harder, we have to understand that we’re in this together. And that each of us has a responsibility of making sure we deliver the products to our readers. When we make it accessible to our readers, when we make it plain to them why magazines are important, I think the readers respond really well. 

But in these times when there’s a lot of trouble, when everyone’s faced with all the challenges, we need for everyone to understand that we have to work together. And it’s not a combative thing. It’s like understanding all the pressures that all of us have. But we have to work together to ensure that magazines stay a relevant and significant part of people’s lives. 

That’s what worries me, but that’s why on the Almanac we found different ways of making sure that people find that little Yellow Book. (Laughs) That they can find it and can look at it and refer to it throughout the year.

Samir Husni: Thank you. 

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