ENLIGHTENED NORTHERN LIGHTS
ISSUE 13
CONTENTS FOREWORD
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By Frances Conlon & John Fleming SEEKING REFUGE
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Bespoke lighting scheme for The Refuge by Volta at The Principal Manchester WORKING WITH MICHAELIS BOYD Luke Rowett talks about working with us to for The Refuge
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THE ITALIAN JOB Creative lighting for Obicà St Paul’s
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NEW COLLECTION Introducing Aurelia, Caledon and our new lighting suites
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THE MAKING OF AURELIA A behind the scenes look at the design and manufacturing process
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THE SKY’S THE LIMIT
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Team Northern Lights talks about how our standard product ranges and bespoke service can work together to create the perfect unique project VENICE COLLECTION
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Introducing Milo and Viola
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FOREWORD Hello again Northern Lights has had a great start to 2017 following the launch of a major new product collection – the first by our recently appointed Head of Creative, Donna Gridley. These new ranges have been well received by both the press and the design community. As you might expect, all can be easily manufactured here in the UK, ensuring good lead times and quality, the focus being on the detail of the fabrication and finish. Some are featured in this issue – for further information on the whole collection please visit our website - www.northern-lights.co.uk/article/Introducing-our-newcollections The strength of our new standard range means, that in conjunction with our ability to and our reputation for manufacture of bespoke items, we are getting ever closer to our aim of having a uniquely balanced product and service offer. A true source of Unlimited Lighting. In later pages we have covered other recent outstanding projects. The Refuge in Manchester has already been featured in many of the major trade magazines. It is an impressive design with stunning lighting and we make no apology for covering it here as well. Also thanks to Michaelis Boyd for their background piece. Obicà St Paul’s – the Italian mozzarella bar has already made its mark on London’s dining scene, the dining experience enhanced by the unusual and different lighting we produced for this project. It is almost conceptual rather than functional in its appearance yet it very much contributes to the ambience of the interior. On another note, Paul Wade, our Managing Director has moved on to new challenges. We wish him well for the future. We will not be replacing him and are excited to move back into managing our business. Thank you so much for reading this edition of Enlightened. In our recent customer service survey, you asked us to provide even more inspiration – we hope that you find it in these pages. Kind regards Frances Conlon and John Fleming Owners and Directors Northern Lights
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SEEKING REFUGE The thoughtfully developed bespoke fittings for The Refuge at The Principal Manchester help to restore the former glory of the iconic building whilst ushering in a new era of comfort and luxury.
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With its striking red brick and terracotta cladding and iconic clock tower, the former Refuge Assurance Building has been a landmark building in the centre of Manchester since it was constructed in the late 1800s. The building was converted into a hotel in 1996. And in 2016 it became the flagship hotel of Starwood Capital’s new luxury hotel group ‘Project 1898’ after a complete renovation. The large food and beverage area - The Refuge Bar & Restaurant - is the true centre of activity and interest at the hotel. Taking its name from the building’s original owner, it is run by Manchester-based Volta, a small plate concept curated by DJs turned restaurateurs Luke Cowdrey and Justin Crawford.
Combining an eclectic mix of design features within this iconic venue, the interior designers from Michaelis Boyd have succeeded in creating an atmosphere of electrifying opulence against the backdrop of the glorious neo Gothic Victorian architecture. Working from the designer’s brief, we supplied a wide range of decorative lighting throughout the 10,000sq ft space. The mid-century style and industrial fittings help to create a warm and welcoming atmosphere as well as making sure the heritage elements are plain for all to see. At the 40ft long granite bar, which has an impressive 18 drinks taps, a row of giant wall lights with ribbed glass shades and blackened steel metalwork add industrial chic to the dramatic bottle wall. The circular chandeliers featuring frosted glass tubes inject a touch of sophisticated glamour. Metal screens with integrated LED strips were installed around the pillars, protecting as well as showcasing the exquisite ornamental details.
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In the main restaurant, the mid-century inspired pendants featuring opal glass balls are set off by bespoke brass frames. The banquette lighting along the window uses a similar brass finish with more contemporary smoked dark grey glass balls. Along the seating booths the integrated table lamps with clear glass balls provide soft ambient lighting. Instead of the metal screen used in the bar, bespoke column lights were developed to showcase the pillars.Â
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In the Den, an open multi-function place, single opal glass ball pendants are used to create a subtle link between the different areas. The plywood seating lamps with natural birch finish and spun shades bring in modern flair, complementing the ambience of the space. Talking about the project, Lee Grieve, Lighting Designer for Northern Lights said: ‘We are delighted to work with Michaelis Boyd to transform their vision into reality. The layered lighting solution in the restaurant area plays a key role in creating the intimate and vibrant ambience required by an on trend restaurant, whilst highlighting the sense of space created by the double height ceiling. The contemporary elements such as industrial pendants sit in harmony with the rich original features. It is wonderful to see the re-birth of a historical building with an added level of modern sophistication.’
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The Principal Manchester is the debut venue of The Principal Company, a collection of urban, luxury lifestyle hotels based in landmark buildings in exceptional locations across the UK. Situated in a magnificent Grade II listed building in the heart of Manchester, the hotel has a history dating back to the 1890s when it first opened as The Refuge Assurance Company headquarters. With its striking red brick and terracotta cladding and iconic clock tower, the building is not only reminiscent of the city’s heyday during the industrial revolution, but also embodies the enduring innovative spirit and glowing confidence that once again put the city on the world stage in the digital era.
The recent renovation started in 2015 and continued until completion in September 2016. The multi-million pound transformation restored many original features as well as bringing in a subtle modern aesthetic and upgraded specifications across all of the bedrooms and public areas. Michaelis Boyd provided a comprehensive service including interior architecture, interior design, FF&E specification as well as the design of the custom furniture and fixtures. Throughout the hotel, whether looking at the rooms, the F&B or the conferencing suites, our design was driven by a desire to accentuate and celebrate this extraordinary building. The hotel’s F&B offering is The Refuge by Volta, a collaboration between Principal and the popular south Manchester-based Volta. There are three sections: a bar, a restaurant and a winter garden. Our design sought to return the space to its former glory, removing partitions and repairing original details throughout. Whilst the vast space and soaring ceiling provided a perfect backdrop for the eclectic food on offer, they also presented a huge challenge: a ten thousand square foot double height space does not immediately lend itself to intimate dining or a cocktail bar.
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We have sensitively divided up the space with low-level glazed screens to maintain the impressive scale, allowing views through but providing a number of spaces within so that each area has its own function and personality. Lighting is one of the most effective ways to overcome the possible feeling of being overwhelmed that could be generated by the high ceiling. From the start we decided we needed a bespoke lighting solution – anything off the shelf would not meet the requirements of either the design detail or the scale. To realise our vision we enlisted the services of Northern Lights with whom we have worked on several Byron restaurants. We were particularly impressed by their ability to quickly grasp the design intent and then present a practical and cost-effective solution to turn our vision into reality. It was reassuring to know that we were working with a team that had both an eye for the artistic elements whilst at the same time having the technical expertise in the latest lighting developments, materials and manufacturing methods.
Together we have introduced some great features. It was a really good opportunity to design something that worked in exactly the way we needed it to - from the large brass pendants hanging from the coved ceiling, to lower level pivoting lights that reach over the banquettes to cast light on to the tables. The stunning large scale chandeliers accentuate the rich decoration on the original ceiling, adding to the grandeur and drama, whilst making the space more comfortable and friendly. The contrasting styles in each area highlight the different styles whilst the consistent finishes create a sense of continuity. The purpose-made banquette and pivoting lights in the restaurant introduce some mid-century sophistication, which helps to bring together the original features and the contemporary furniture designs. The warm glow from the visible decorative lamps ensures guests enjoy the cosy and informal feeling required in a modern restaurant. When working on a historic building project, the interior designer often has to work within the structural constraints, as was the case with The Refuge. The column lights in the restaurant were a prime example. We were not allowed to fix the lights to the original columns as they were large, vast structures which are also quite slender. We therefore had to design special frames with integrated lighting to protect as well as highlight the intricate decorative details. With help from Northern Lights, we were able to manufacture the required fittings to the exact specification showcasing the heritage columns without spoiling them. 10
Michaelis Boyd is a design-led architecture practice that has earned a reputation for simple, elegant architecture with a creative approach and an emphasis on sustainable and environmentally sound building techniques. Founded by Alex Michaelis and Tim Boyd in Notting Hill, London in 1995, the practice began with a primary focus on the luxury residential sector where they gained a strong reputation not only for contemporary additions to historic houses, but also new build residential projects. 108 Palace Gardens Terrace Kensington London W8 4RT +44 [0] 20 7221 1237 hello@michaelisboyd.com 11
THE ITALIAN JOB Creative lighting for Obicà St Paul’s The stylish mozzarella bar’s flagship London restaurant offers the freshest and finest Italian delicacies with some serious cool lighting too 12
Meaning ‘here it is!’ in Neapolitan, Obicà is a casual eatery specialising in Italian small plates, pizza, pasta and salads, using the best mozzarella money can buy - Mozzarella di Bufala Campana DOP. Its London flagship, a 120-seat restaurant in St Paul’s, also includes a deli, private dining room and terrace. Design consultancy Superfutures has created a warm, inviting space with an Italian neighbourhood vibe through a combination of natural materials and contemporary detailing. To truly reflect the unique personality and authenticity of the restaurant, the designer had a vision of an array of bespoke light fittings and once again enlisted Northern Lights’ service to turn these into reality.
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On a small scale but equally striking are the disc pendants. Featuring angled double discs with exposed LED lamps, the pendants have a dynamic yet delicate feel. They are finished in powder coat brushed copper and crispy white.
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A 3.7m diameter LED ring pendant was installed in the main restaurant, injecting a sense of drama into the otherwise relaxed setting. The blackened steel finish offsets the oak wall and provides a sharp contrast to the copper and stainless steel details throughout the venue. Along the round arch are quirky ceiling lights featuring a spun shade with a circular perforated metal sheet which diffuses the light beautifully. Bringing in a touch of contemporary Italian design flair, the unique shape is as fresh and distinctive as the authentic food on offer. Obicà Mozzarella Bar, Pizza and Cucina - St Paul’s Unit 4, 5-7 Limeburner Lane EC4M 7AX
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NEW COLLECTION This is the debut collection from Donna Gridley since joining Northern Lights as Head of Creative. The collection features seven ranges from highly decorative chandeliers to co-ordinated lighting suites. We will highlight some key pieces in the next few pages. To see the full collection, please visit: northern-lights.co.uk and click on collections and then new products. 14
AURELIA The Aurelia range is inspired by textile designs from the 1950s and then abstracting the shape into a fluid Art Nouveau form. The smoke tinted spheres in warm brown and grey hues complement the metal finishes. An opulent silk tassel can be added to the design to soften the silhouette. Laser cut in mild steel for rigidity and strength, Aurelia is available in two finishes: Tarnished Gold, a distressed dark umber finish applied to a satin brass base coat and finished with an eggshell lacquer and Flamed Blackened Steel, an industrial yet painterly finish with different depths of tone and elements of bronze within the patina. Available as a chandelier, pendant and wall light.
CALEDON The mid-century inspired Caledon range features a contrasting yet sympathetic combination of elegantly curved timber fins in rose teak alongside the brass conical stem and the metal detailing finished in a soft antique patina. The pendants utilise globe or squirrel filament warm white LED lamps diffusing the light through the fins and creating exquisite spiralling shadows. Also available as table and floor lamps.
NEW LIGHTING SUITES Simple, elegant design enhanced by the finest detail and hand-made shades, these co-ordinated ranges are great in creating a distinctive look in both hotel bedrooms and public areas.
MARCADE
MONDO
HUXLEY
The Marcade range is designed to embrace the clean lines of Art Deco, but with an industrial edge. This is enhanced by the finish - the steel detailing is antiqued to create a deep, almost green black patina. This is softened by the brass elements, which are tarnished to a warming bronze.
An enduring classic, the Mondo range lifts this tripod design by using fine brass detailing to the legs and centre body feature, which beautifully complement the black eggshell finish. Complete with a Chartreuse satin shade with gold PVC lining, it is a perfect solution for both residential and hospitality schemes.
Influenced by wooden furniture and metal inlay designs from the 1960s, the Huxley range combines shaped routed rectangular wooden pieces which are finished in Rose Teak with brass accents. The brass details are intricately assembled after a soft antique patina has been applied. A rectangular antique brass base completes the fitting, resulting in an impressively solid and serious piece. An Ivory Satin Oval shade with Gold PVC Lining completes the desired finish.
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THE MAKING O
Here we talk to our ne Donna Gridley, about making of the A
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OF AURELIA
ew Head of Creative, the inspiration and Aurelia range.
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When she joined us from Heathfield & Company last year, Donna was continuing 27 years of working in the Lighting Industry since graduating from Camberwell School of Art. Here we discuss her inspirations for new designs and look at how Northern Lights realised these ideas utilising all the technologies and processes that make us unique amongst our peers within the UK. What are your influences? I continue to be inspired by an eclectic range of influences. I still love Mid-Century design and I like the way it can be adapted to still be as relevant today. With my background in Fine Art and Ceramics, texture and finishes fascinate me and there are endless possibilities to create exciting new finishes here. You can create some very painterly effects with real depths of patinas. Having spent time in the Northern Lights factory soon after joining the company I looked at what was being achieved in fabrication using technology such as the new laser cutting machine. This also helped greatly to realise my Aurelia design. What was your starting point for the Aurelia ranges? I was looking at textile designs and patterns from the 1950s and started sketching some shapes. When formulating an idea I usually have several pages of sketches which I play around with until something takes shape. Once I had drafted up a design I discussed the viability of the form as I had sketched it with Michael Jackson, our Head of Design. He then realised it technically and we had a fitting ready for manufacture. Describe the processes involved in the manufacture of the Aurelia pendant? Michael prepared separate DXF files for the laser cutter. Once all the fins and connective parts had been produced they were sent to fabrication where one of the teams of highly skilled welders assembled and soldered all the parts to create the raw steel form. We decided to make the Aurelia in steel as it is structurally stronger and easier to weld neatly – it was important for me that the detailing of the weld was tidy and precise as it needed to be a clean canvas for the finish. How did you decide the finish and how was it realised? I had been experimenting with both paint and acid finishes when I joined Northern Lights and wanted to showcase an area which they do not exploit. We have a fantastic paint facility with in-house powder coating, paint spraying, water based finishes and, of course, acid antiquing where you can create some stunning effects and patinas on both steel and brass.
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To create the patinated gold effect on the steel we applied a chrome and then gold powder coat to create a base. Then I applied some artists’ paints using stippling, sponging and ragging techniques to create an antique patina. I wanted a rich antique finish for the gold Aurelia, which I think we achieved. For the steel Aurelia I used the acid to create a blackened steel effect which I then flamed in some areas. This resulted in a luxurious yet industrial finish really showcasing the beauty of raw distressed steel.
The finishing touches? What was the inspiration for the fine detailing? Over the years you build up an extensive and varied range of great suppliers. I liked the idea of using Smoke and Anthracite coloured glass to diffuse the G9 LED lamps that we used to light the fitting. And the tassel! I knew that this could be an option to lend opulence to some designers’ schemes yet was realistic enough to know that it was a “Marmite” option. The versions without the tassels have additional turned details courtesy of our incredibly skilled machining department. The tassels can also be a bespoke item and can be ordered in a variety of colours to complement a particular scheme. What next? Having designed my first collection, showcasing what we can do here with our processes and finishes, I am developing further ranges that utilise our inhouse capabilities. I am also working with some of the great ceramic, glass and metal companies that we work with so our own standard range becomes ever more versatile with something for every project, restaurant, hotel and home.
THE SKY IS THE LIMIT Lighting for the new age of individuality Northern Lights is unlike any other company. The unique combination of our extensive range of inspiring products, genuine bespoke services and comprehensive production facilities give our clients almost endless creative opportunities and the ability to create an unparalleled customer experience. Unlimited Lighting, tailored to your needs. Only the sky’s the limit. - John Fleming, Director 24
There has never been a more exciting and challenging time for decorative lighting. Whilst designers are looking at more and more elaborate designs and fine detailing to channel their creativity and brand identities, functionality, value for money and delivery times are all important factors to consider. We asked our departmental heads why Northern Lights is uniquely positioned to provide a holistic approach to deliver the lighting solutions that meet all these requirements. Here are their answers:
Donna Gridley, Head of Creative As Head of Creative, an important part of my job is new product development. My first new designs are not only available as standard products but are also a source of inspiration. We have already used bespoke versions of these designs in a variety of projects. Simply by changing the size, finish and aspects of the detailing these designs can be applied to a myriad of schemes. They are also the result of our unique interpretation of lighting trends in terms of both design and technology. I also work closely with our manufacturing teams to utilise the extraordinary array of processes and skills that enable us to make exclusive pieces. We innovate with new materials and finishes that give designers that extra choice when specifying products. Take my first collection for example. The flowing lines, geometric shapes and sometimes painterly detailing of the pieces are brought to life by bold, opulent glass colours, exquisite finishes and echoes of industrial design. From the 1950s textile-inspired Aurelia chandeliers to the mid-century inspired Mondo table and floor lamps - many structures and textures were only achieved through working with our skilled machine operators and artisan workers. Another advantage of working closely with our production teams is the ability to modify our standard products based on what is required for a particular project. The Wynwood table lamp for example - this fitting was designed by Michael Jackson, our Head of Design, to highlight the interaction between light and natural materials. Grapes Design liked the concept for the KuPP restaurant in Exeter but needed to adapt the table lamps to pendants to fit the space above the staircase. We modified the sizes slightly and revised the design to convert it to a pendant. This resulted in a quirky and memorable display for the restaurant.
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Michael Jackson, Head of Design To provide a genuine bespoke design service is at the heart of what we do here in the Northern Lights Design Department. We have a young but experienced team with a combined lighting design experience of more than 50 years and more importantly a ‘can do’ attitude. We work with designers from the initial concept stage, whether it is an image, a sketch or a brief description. Variety really is the spice of our life. There is no set formula to what size, shape, material, finish or lighting source the designer can use. We look at each project, starting with the aesthetics, function and lighting effects required, then we take into consideration the budget and lead times. If a lower cost or quicker delivery is needed we will look for ways to simplify the design using alternative production processes to meet the customer’s requirements, whilst retaining the essence of the original concept. From laser-cut metal frame ceiling features for Dirty Martini, channelling their concept of ‘spirited sophistication’, to special wire frame pendants for Premier Inn highlighting the playful ambience, our aim is not just to develop the most elaborate fittings. However, on the occasions they are required, it is very rewarding. Our overriding principle is to produce new and original solutions that are unique and appropriate to deliver the brand identity and customer experience envisaged by the designers and clients.
Keith Underwood, Head of Operations We have one of the largest bespoke lighting manufacturing factories in the UK – with a traditional stained glass workshop at one end of the factory and a laser process centre at the other. Having these comprehensive facilities means we manage most processes in-house. This gives our designers and clients the most flexibility in terms of what they can produce or the ability to make any urgent modifications – communication and the ability to react quickly is so much easier with everything under one roof. 26
We are also able to keep the reaction time to a minimum and can offer an industry leading delivery time. As we rarely need to use a third-party contractor, we can pass on savings to our customers as well. Take our latest investment in our laser cutting machine for example. Our quotation time for a laser-cut part has been reduced from 3 days to a few hours. As we can make use of entire metal sheets we can offer very competitive prices for the materials as well. Not only have we invested in machinery, but also people. Our workforce is highly skilled with a versatility that is rarely found in other companies. Our artisan teams regularly turn their hand to stained glass, wire forming, metal fabrication and specialist finishing as well as fabric shade making. We regularly run lean manufacturing workshops so that our teams can also use modern production processes to reduce cost and improve lead times. Our CNC and laser cutting machine operators, metal workers and welders also receive constant training to improve their skills to ensure we have the most efficient and productive systems.
Lee Stone, Head of Procurement I joined Northern Lights in 1993 and I still remember the days when I was only responsible for the purchasing of a few items. Nearly 25 years on, we have hundreds of component parts and fittings, over 20 simultaneous projects in production and many more for quotation. Purchasing and procurement, more than ever, play an important role in delivering a quick and flexible service to our customers. 27
With our production volumes reaching an all-time high and most processes managed in-house, we have strong purchasing power. With some careful planning, we can purchase raw materials in large quantities which enables us to negotiate good prices. We have established long-term relationships with many specialist suppliers who are happy to support us with favourable delivery times and pricing. Stock is held on a project by project basis. We talk to our clients about their project schedules and then plan components and stock levels accordingly to ensure on time delivery. This is particularly critical for restaurant and hotel roll-out programmes. The diverse requirements of our clients also demand that we have a diverse base of suppliers both in terms of cost and capability. After first venturing into China fifteen years ago, we are now enjoying an established network of both high volume and specialist manufacturers in many disciplines with trusted logistical partners. We also work with European suppliers specialising in glass, castings, spinnings and turned components, ceramics and fabrics. Donna Bruce, Head of Sales As Head of Sales very often I am asked: what makes Northern Lights different? In this new age of individuality, designers of all types of venues are looking for ways to create personality. As a lighting supplier, playing an important part in this process it is not enough just to provide part of the services required be it products or design. At Northern Lights we have a holistic approach with the expertise, experience and facilities to support it. If you are looking for inspiration, we have a broad range of exclusively designed collections. Our design and production teams can also fine tune the details to suit the customer’s specific requirements whether it is a special finish or a size modification. If you are looking for bespoke development, we have a strong design team supported by one of the largest purpose-built lighting factories in the UK. From show-stopping centrepieces to a unique range of fittings, we will turn your vision into reality. And backed by our experienced procurement team, you will have always have great product at a fair price. If you are looking for assurance for roll-out programmes, not only can we develop a large range of fittings at the same time, but the whole project will be managed through our factory from receipt of order to the point of despatch. Meeting all quality, budget and delivery requirements is never a bonus but a guarantee from us. If you have an idea in mind or a project in the pipeline, you are always welcome to give our experienced sales consultants a call to discuss what is possible. We are sure you will be amazed and delighted by what we can achieve together. 28
THE VENICE COLLECTION Introducing Milo and Viola Milo
Viola
Using the shapes of Victorian glass pendants as a starting point for our designs and then abstracting them to create something more contemporary, these free blown fluted glass pendants are available in four colours: Smoke, Anthracite, Teal Ombre and Viridian Ombre. Finished with oiled bronze machined bosses, vintage lamp holders and fixed with decorative industrial gallery screws, these versatile fittings can be suspended singularly and in linear, clustered or staggered groups.
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NORTHERN LIGHTS ENLIGHTENED EDITION 13 HEAD OFFICE
DUBAI OFFICE
www.northern-lights.co.uk
Hardwick View Road, Holmewood Industrial Estate, Chesterfield, Derbyshire, S42 5SA
Instagram: @NORTHERNLIGHTS8180 Twitter: @N_LIGHTS
+44 (0)1246 858 750 sales@northern-lights.co.uk
C/O Vann Furniture & Interior Design JLT, Contact: Espino Soodbakhsh P.O.Box 643614 Dubai, UAE +97 14360 5269 / : www.vann-fid.com info@vann-fid.com
PHOTOGRAPHY
LIGHTING DESIGN
EDITORIAL & GRAPHIC DESIGN
The Refuge by Volta Northern Lights with Michaelis Boyd
Editorial
The Refuge: Luke White Byron Strand: pictures courtesy of Byron Obicà Mozzarella Bar: pictures courtesy of Obicà Mozzarella Bar Dirty Martini Cardiff: Michael Franke Photography KuPP Exeter: Michael Franke Photography
Obicà Restaurant Northern Lights with Superfutures Dirty Martini Northern Lights with Grapes Design
Judy Zhou Donna Gridley Frances Conlon Graphic Design Hannah Tindale
Kupp Northern Lights with Grapes Design Northern Lights New Collection Donna Gridley
If you do not wish to receive further issues of this magazine please email: editor@northern-lights.co.uk E & OE Disclaimer Statement: Whilst every effort has been made to ensure the accuracy of the information herein, Northern Lights cannot be held responsible for any errors and omissions
ISSUE 13 ENLIGHTENED
NORTHERN LIGHTS