278 International Auction by Charlton Hall Auctioneers

International Sale CHARLTON HALL - 11 September

Important Estates & Private Collections Southern Institutional Library Deaccessions Edward Morrison Brown Collection Dr. Joseph T. Harris Collection Joseph Tullie Holleman, Sr. Estate Tennessee Estate Canadian Private Collection Also Including Private and Public Collections From Arizona California Florida Georgia Kansas Maryland Massachusetts Minnesota Nevada New York North Carolina Pennsylvania South Carolina Virginia

Discovering Extraordinary Objects For 86 Years Explore With Us at www.CharltonHallAuctions.com

International Sale SALE DATE & TIME: Friday 11 September, beginning 10am (Lots 1-457)

PREVIEW EXHIBITION: Opening Reception: Saturday 5 September (4–7pm) Wednesday 9 September (12noon–8pm) Thursday 10 September (10am–6pm) Friday 11 September (9am–12noon) and by prior appointment

CHARLTON HALL AUCTIONEERS 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Catalogue $20 at gallery Sale No. SC278

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1 HOLLAND & HOLLAND 12 BORE ROYAL HAMMERLESS EJECTOR SXS

2 PAIR JAMES PURDEY & SONS 12-BORE SIDELOCK EJECTOR SXS

SHOTGUN

SPORTING GUNS

SN 23994, walnut checkered forearm, straight English stock, automatic ejectors, floral scroll engraving, detachable sideplates, double triggers, in fitted case with some equipment, barrels marked: HOLLAND & HOLLAND 13, BRUTON STREET, LONDON, flats marked: 729’ 2 1/2” 3 TONS 2 3/4 3 1/4 TONS; barrel L28” overall L44 3/4” trigger pull 14 1/2” ***FFL REQUIRED***

SN 16830 and SN 16831, Beesley patent top lever operated, self-opening actions. Best rose and scroll engraved action and seven pin sidelocks, removable firing pins, retaining some hardening color. Both guns with 15 1/4” highly-figured replacement best French walnut, straight-hand stocks with checkered hand, forearm and butt, vacant gold initial oval, splinter forends with Anson pushrod fastening. 30” chopper-lump barrels with 2 1/2” chambers, game rib and London nitro proof. Barrels and furniture reblued. Weight 6lb 10oz. Guns have recently been serviced and renovated to the very highest standard. They are supplied in their leather double motor case with Purdey trade label. ***FFL REQUIRED***

$10,000-15,000 Provenance: Georgia private collection

$18,000-25,000 Other Notes: Purdey & Sons kindly confirmed the guns are a true pair and were made in 1900.

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11 SEPTEMBER 2015 -

International Sale

3 BROWNING GRADE 5 12GA O/U SHOTGUN, SIGNED F. FUNKEN

F. Funken engraved mounts 3

circa 1954, SN 42888, walnut checkered forearm, half pistolgrip stock, automatic ejectors, receiver engraved with ducks and grouse, signed: F Funken, triggerguard engraved with hares, selective single trigger, ventilated rib, in fitted case, barrel marked: BROWNING ARMS COMPANY-ST. LOUIS, MISSOURI SPECIAL STEEL-12GA.-SHELLS 2 3/4” MADE IN BELGIUM; barrel L26 3/8” overall L44” trigger pull 14 1/4” ***FFL REQUIRED***

$4,000-5,000 Provenance: Georgia private collection

4 BROWNING 12GA SUPERPOSE LIGHTNING GRADE 1 STANDARD TRAP MODEL O/U SHOTGUN circa 1963, SN 7470 S3, walnut checkered forearm, full pistolgrip stock, automatic ejectors, scroll engraving, FKLT, ventilated rib, barrels marked: BROWNING ARMS COMPANY ST. LOUIS MO. & MONTREAL P.Q. 12 GA-SHELLS 2 3/4”-MADE IN BELGIUM; barrel L32” overall L48 1/2” trigger pull 13 7/8” ***FFL REQUIRED*** 4

$900-1,200 Provenance: Georgia private collection

5 BROWNING CITORI SUPERLIGHT GRADE VI 28GA O/U SHOTGUN

SN 35856NXF73, walnut checkered forearm, straight English stock, automatic ejectors, receiver and triggerguard engraved with gold ducks, pheasants, setter, and grouse, selective single trigger, ventilated rib one barrel improved modified, one barrel improved choked, barrels marked: BROWNING ARMS COMPANY MORGAN, UTAH & MONTREAL P.Q. MADE IN JAPAN SPECIAL STEEL 28GA 2 3/4” - 26” flats marked: NP SP 2 3/4; barrel L26” overall L42 3/4” trigger pull 14 1/4” ***FFL REQUIRED***

$1,500-2,000 Provenance: Georgia private collection

6 BROWNING BPS FIELD MODEL 12GA PUMP SHOTGUN SN 30324PN152, synthetic checkered forearm, full pistolgrip stock, ventilated rib, barrel marked: BROWNING ARMS COMPANY MORGAN UTAH & MONTREAL P.Q. MADE IN JAPAN INVECTOR BPS SPECIAL STEEL 12GA-2 3/4” AND 3” FIELD MODEL28”; barrel L28” overall L48 1/2” trigger pull 14 1/4” ***FFL REQUIRED*** 6

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$300-500 Provenance: Georgia private collection

7 BROWNING CITORI LIGHTNING GRADE 3 410GA O/U SHOTGUN SN 38718NV883, walnut checkered forearm, half pistolgrip stock, automatic ejectors, grouse and quail engraving, single selective trigger, ventilated rib, barrels marked: BROWNING ARMS COMPANY MORGAN, UTAH & MONTREAL P.Q. MADE IN JAPAN SPECIAL STEEL .410 BORE - 2 1/2” AND 3”, flats marked: SP NP 3; barrel L26” overall L43” trigger pull 14 1/4” ***FFL REQUIRED*** 7

$1,400-2,000 Provenance: Georgia private collection

8 BROWNING A5 MAGNUM 12GA AUTOMATIC SHOTGUN circa 1963, SN 63V29085, walnut checkered forearm, full pistolgrip stock, scroll engraving, ventilated rib, barrel marked: BROWNING ARMS COMPANY ST. LOUIS MO. & MONTREAL P.Q. MADE IN BELGIUM SPECIAL STEEL-12 GAUGE-SHELLS 3”; barrel L32” overall L51” trigger pull 14” ***FFL REQUIRED***

$700-1,000 8

Provenance: Georgia private collection

9 BROWNING A-5 MAGNUM TWELVE 12GA AUTOMATIC SHOTGUN SN 09036PT151, walnut checkered forearm, full pistolgrip stock, ventilated rib, accompanied with invector choke system with three chokes total, barrel marked: BROWNING ARMS COMPANY MORGAN, UTAH & MONTREAL P.Q. MADE IN JAPAN AUTO - 5 INVECTOR SPECIAL STEEL 12 GA. SHELLS - 3” - 30”; barrel L30” overall L49 3/4” trigger pull 14 1/4” ***FFL REQUIRED***

$600-900 Provenance: Georgia private collection 9

10 WINCHESTER PARKER REPRODUCTION TWO-BARREL SET MODEL DHE 20GA SXS SHOTGUN SN 20-2425, walnut checkered forearm, full pistolgrip stock, automatic ejectors, engraved with pointer, setter, and pheasants, single selective trigger, in fitted case, barrels marked: PARKER REPRODUCTION BY WINCHESTER - 20 GAUGE. 2 3/4” EAST ALTON IL. U.S.A., flats marked: MOD, IMP. CYL 20 - 02425 and FULL MOD; barrel choked full and modified L28” trigger pull 14 1/4” ***FFL REQUIRED***

$3,000-4,000 10

Provenance: Georgia private collection

11 SEPTEMBER 2015 -

International Sale

11 WINCHESTER MODEL 101 20GA O/U SHOTGUN, CUSTOM-BUILT FOR RUFFED GROUSE SOCIETY

SN RGS-20161E, walnut checkered forearm, half pistolgrip stock, automatic ejectors, receiver engraved with setter and grouse, ventilated rib, single selective trigger, in fitted case, barrels marked: CUSTOM BUILT FOR THE RUFFED GROUSE SOCIETY BY WINCHESTER - 20GA. 2 3/4” & 3” EAST ALTON IL. U.S.A. MADE IN JAPAN WINCHESTER PROOF STEEL; barrel L25 1/2” overall L42 1/4” trigger pull 14” ***FFL REQUIRED***

$1,400-1,800 Provenance: Georgia private collection

12 WINCHESTER PARKER REPRODUCTION MODEL DHS 28GA SXS SHOTGUN

SN 28-105, checkered walnut forearm, straight English stock, automatic ejectors, engraved with pointer, setter, and pheasants, in fitted case, barrels marked: PARKER REPRODUCTION BY WINCHESTER - 28 GAUGE. 2 3/4” - 70 MM EAST ALTON IL. U.S.A., flats marked: MOD INP. CYL 28 - 00105; barrel L26” overall L43” trigger pull 14” ***FFL REQUIRED***

$2,500-3,500 Provenance: Georgia private collection

13 WINCHESTER MODEL 23 CLASSIC 28GA SXS SHOTGUN SN CL 28-821E, walnut checkered forearm, full pistolgrip stock, automatic ejectors, scroll and gold grouse engraving, single selective trigger, ventilated rib, in fitted case, barrels marked: WINCHESTER MODEL 23 CLASSIC - 28 GA. 2 3/4” EAST ALTON IL. U.S.A. WINCHESTER PROOF STEEL, flats marked: 821 28 - 2 3/4 WINCHESTER; barrel L26” overall L42 1/2” trigger pull 14 1/2” ***FFL REQUIRED***

$1,500-2,000 13

Provenance: Georgia private collection

14 WINCHESTER MODEL 101 12GA O/U SHOTGUN circa 1963, SN 56362, walnut checkered forearm, full pistolgrip stock, automatic ejectors, scroll engraving, single selective trigger, ventilated rib, barrels marked: MODEL 101-WINCHESTER-12 GAUGE-2 3/4, upper barrel marked: FULL, lower barrel marked: MOD; barrel L28” overall L44 3/16” trigger pull 13 5/8” ***FFL REQUIRED***

$600-900 Provenance: Georgia private collection 14

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15 COLT BUNTLINE SPECIAL 44-40 3RD GENERATION SINGLE ACTION REVOLVER

SN SA88702, carved handles, factory nickel-plated barrel, receiver, hammer, triggerguard, and backstrap, accompanied with 44” overall suede-lined cowboy holster, barrel marked: COLTS PT. F. A. MFG. CO., HARTFORD, CT. U.S.A. COLT BUNTLINE SPECIAL 44-40; barrel L12” ***FFL REQUIRED***

$1,000-1,500 15

Provenance: Georgia private collection

16 RUGER MARK II TARGET PISTOL AND HIGH STANDARD REVOLVER SN 224-93737, Ruger Mark II Target pistol, made in USA 1982-2005, .22 cal. rimfire, 10 shot, magazine fed, autoloading recoil (blowback) operated pistol, single action, blued, synthetic; barrel length 5.5” overall length 9.5”; with case, 2 magazines, instruction manual SN 151980, High Standard .22 Sentinel Deluxe R-106 revolver, made in USA, circa 1965, 9 shot cylinder, .22 cal., single-action multiple ejection, swing-out cylinder, non-slip scored trigger, walnut checkered grip, blued, with black leather holster (2pcs) ***FFL REQUIRED***

$300-500 16

Provenance: Property sold to benefit the Christ School, a non-profit Episcopal school in Asheville, North Carolina

17 P. BERETTA S686 SPECIAL 12GA O/U SHOTGUN

SN E36157B, walnut checkered forearm, full pistolgrip stock, automatic ejectors, scroll engraving, ventilated rib, barrels marked: P. BERETTA-GARDONE V.T.-ITALY 12GA 3” - 26” BERBEN CORPORATION N.Y. - N.Y. MADE IN ITALY EXCELSIOR HIGH STRENGTH ALLOYED STEEL CAL. 12; barrel L26” overall L43 1/2” trigger pull 14” ***FFL REQUIRED***

$1,000-1,500 Provenance: Georgia private collection

18 P. BERETTA MODEL AL-2 20GA AUTOMATIC SHOTGUN

SN A20319E, walnut checkered forearm, full pistolgrip stock, scroll engraving, ventilated rib, barrel marked: ALLOYED CR. MO. QUENCHED HIGH TENSILE STEEL P. BERETTA 20 GA. 2 3/4 IN. - 26 INCHES IC; barrel L26” overall L45 3/4” trigger pull 14” ***FFL REQUIRED***

$400-600 Provenance: Georgia private collection

11 SEPTEMBER 2015 -

International Sale

19 P. BERETTA MODEL A-302 20GA AUTOMATIC SHOTGUN SN F72584E, walnut checkered forearm, full pistolgrip stock, scroll engraving, ventilated rib, barrel marked: P BERETTA - MADE IN ITALY 20 GA. 2 3/4 IN. - 28 INCHES M BERBEN CORPORATION N.Y. - N.Y.; barrel modified L28” overall L47 1/2” trigger pull 14” ***FFL REQUIRED***

$300-500 Provenance: Georgia private collection 19

20 RARE J.P. SAUER & SOHN ROYAL 12GA BOXLOCK SXS SHOTGUN SN 393257, checkered walnut forearm, full pistolgrip stock, automatic ejectors, receiver with Greener cross-bolt and scalloped frame, cocking indicators, double triggers, in fitted case, barrels marked: SPECIAL-GEWEHR-LAUF STAHL GERMANY, rib marked: J.P. SAUER & SOHN SUHL, flats marked: 12/70 M/M; barrel L28 5/16” overall L44 1/4” trigger pull 14 1/4” ***FFL REQUIRED***

$1,000-1,500 20

Provenance: Georgia private collection

21 STURM RUGER RED LABEL 20GA O/U SHOTGUN SN 400-07988, walnut checkered forearm, full pistolgrip stock, automatic ejectors, selective single trigger, barrel marked: 20 G.A. 3” CHAMBERS SKEET; barrel L26” overall L43” trigger pull 14” ***FFL REQUIRED***

$900-1,200 Provenance: Georgia private collection 21

22 REMINGTON MODEL 1100 12GA AUTOMATIC SHOTGUN SN M979925V, walnut checkered forearm, full pistolgrip stock, scroll engraving, ventilated rib, barrel marked: 12 GA. FOR 2 3/4 IN. SHELLS FULL REMINGTON ARMS CO. INC. ILION, N.Y. MADE IN U.S.A.; barrel L30” overall L50 1/4” trigger pull 13 7/8” ***FFL REQUIRED***

$400-600 22

Provenance: Georgia private collection

23 BAKER BATAVIA LEADER 12GA SIDELOCK SXS SHOTGUN circa 1950, SN 6775F, walnut checkered forearm, full pistolgrip stock, sidelock extractors, double triggers; barrel L28” overall L45” trigger pull 14 7/8” ***FFL REQUIRED***

$300-500 Provenance: Georgia private collection 23

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24 WINCHESTER LOW WALL 32-40CAL SINGLE SHOT RIFLE SN 1446, walnut forearm, pistolgrip stock, set trigger, barrel L23 1/2” overall L41 1/2”, barrel marked: PAUL SHUTTLEWORTH 32-40; accompanied with second 38-55 caliber barrel L28”, marked: PAUL SHUTTLEWORTH 38-55; together with target stock, palm rest, and two Hoch molds ***FFL REQUIRED***

$1,400-2,000 24

25 ARMSPORT MODEL 4501 357-MAGNUM LEVER ACTION RIFLE SN 10011660, straight grip, full octagonal barrel, receiver engraved with 6 extensive game scenes, barrel marked: ARMSPORT INC MIAMI - FLA. MODEL 4501; barrel L24” overall L42 1/2” ***FFL REQUIRED***

$400-700 Provenance: Georgia private collection

26 WINCHESTER HIGH WALL 45-70CAL SINGLE SHOT RIFLE, FULLY CUSTOMIZED

SN 14539, walnut forearm, straight stock, double-hooded long range front sight with interchangeable inserts and horizontal level, 700 yard Lyman style rear receiver sight, leveling bubble, barrel marked: 45-70; barrel L32” overall L49”; accompanied with Paul Jones mold ***FFL REQUIRED***

$800-1,500 26

27 COLT SAUER 300 WINCHESTER MAGNUM SPORTING RIFLE SN CR4454, walnut checkered forearm, Monte Carlo cheek piece, bolt action with detachable 4 round magazine, full pistolgrip stock, Bianchi Model 64 cobra leather sling, factory scope mounts, Leupold Vari x III 3.5x10x42 scope, barrel marked: COLTS PT. F. A. MFG. CO., HARTFORD, CT. U.S.A. COLT SAUER CAL. 300 WIN. MAG.; barrel L24” overall L43 3/4” ***FFL REQUIRED***

$700-1,000 Provenance: Georgia private collection 27

28 ARMSPORT MODEL 4503 357-MAGNUM LEVER ACTION RIFLE SN 33881659, straight grip, receiver engraved with six extensive game scenes, front and rear iron sights, barrel marked: ARMSPORT INC MIAMI - FLA. MODEL 4503; barrel L28” overall L39” ***FFL REQUIRED***

$400-700 Provenance: Georgia private collection 28

11 SEPTEMBER 2015 -

International Sale

29 BROWNING BL22 GRADE II 22CAL LEVER ACTION

33 600 SERIES CLASSIC

RIFLE

DOUBLE CASE BY

SN 05444PM226, walnut checkered straight stock, scroll engraving, barrel marked: BROWNING ARMS COMPANY MORGAN, UTAH & MONTREAL P.Q. BL - 22 CALIBER. 22 SHORT, LONG & LONG RIFLE; barrel L20” overall L36 1/4” ***FFL REQUIRED***

UGARTECHEA

$300-500

H4” L30 1/4” D10”; accompanied with leather fitted case, H4” L35” D8 3/4” (2pcs)

$200-400

Provenance: Georgia private collection

30 KIMBER OF OREGON MODEL 82 22CAL LONG

34 KOWA TSN-601

RIFLE

SPOTTING SCOPE ON

manufactured 1980-86, SN 4513, bolt action, walnut checkered forearm, full pistolgrip stock, barrel marked: KIMBER OF OREGON, INC., CLACKAMAS, OREGON, U.S.A. MODEL 82, CAL 22 LR; barrel L22” overall L40 1/2” ***FFL REQUIRED***

STAND

$600-900

accompanied with 25x Long Eye Relief eyepiece and scope cover

$300-500

Provenance: Georgia private collection

35 UNERTL 16X TARGET SCOPE

31 GIRAFFE SKIN RUG

WITH MOUNTS

with case

9’4” x 7’11”

$200-400

$900-1,400 Provenance: Canadian private collection

32 AFRICAN KUDU ANTELOPE TAXIDERMY SHOULDER MOUNT

H53” W29” D50”

$500-800 Provenance: South Carolina private collection

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36 MILITIA OFFICER’S SWORD AND SCABBARD circa 1810, eagle head and carved handle over decorated blade and scabbard, L33 1/2”

$700-1,000 Provenance: North Carolina private collection

37 CIVIL WAR ERA BOWIE KNIVES

mid 19th century, one marked: G. WOSTENHOLM WASHINGTON WORKS, L13 1/4”, other unmarked, L14 3/4” (2pcs)

$700-1,000 Provenance: North Carolina private collection

38 BOOKS: THE DERRYDALE PRESS LIMITED EDITIONS,

ANGLING TITLES

AMERICAN BIG GAME FISHING. Ed. Eugene V. Connett. New York: The Derrydale Press, 1935. Limited first edition, one of 850, with contributions from Ernest Hemingway and S. Kip Farrington, Jr. Buckingham, Nash. BLOOD LINES: TALES OF SHOOTING AND FISHING. New York: The Derrydale Press, 1938. Limited first edition, numbered 741/1250. Connett, Eugene V. FISHING A TROUT STREAM. New York: The Derrydale Press, 1934. Limited first edition, numbered 209/950. Connett, Eugene V. RANDOM CASTS. New York: The Derrydale Press, 1939. Limited first edition, numbered 267/1075, with mottled blue-green cloth, gilt decoration and lettering. Jennings, Preston J. A BOOK OF TROUT FLIES. New York: The Derrydale Press, 1935. Limited first edition, numbered 300/850. Phair, Charles. ATLANTIC SALMON FISHING. New York: The Derrydale Press, 1937. Limited first edition, one of 950, with dust jacket. Smith, Jerome V.C., TROUT AND ANGLING. New York: The Derrydale Press, 1929. Three copies. Sturgis, William Bayard. NEW LINES FOR FLYFISHERS. New York: The Derrydale Press, 1936. Limited first editions of 950, with dust jackets. one unnumbered review copy. White, Frederick. THE SPICKLEFISHERMAN AND OTHERS. New York: The Derrydale Press, 1928. Two copies with marbled paper-covered boards and printed labels. Wise, Colonel Hugh D. TIGERS OF THE SEA. New York: The Derrydale Press, 1937. Limited first edition, numbered 737/950. Light blue cloth with gilt lettering and decoration. together with: Connett, Eugene V. ANY LUCK? New York: Winward House, 1933. First edition, with dust jacket. Farrington Jr., S. Kip. ATLANTIC GAME FISHING. New York: Kennedy Brothers, 1937. First edition, with introduction by Ernest Hemingway. Poor, Charles Lane. MEN AGAINT THE RULE: A CENTURY OF PROGRESS IN YACHT DESIGN. New York: The Derrydale Press, 1937. Limited first edition, numbered 676/950, with two-tone blue cloth board with gilt lettering and decoration. (17vols)

$600-900 Provenance: Southern institutional library deaccessions

11 SEPTEMBER 2015 -

International Sale

39 BOOKS: THE DERRYDALE PRESS LIMITED EDITIONS, HUNTING TITLES Annabel, Russell. TALES OF A BIG GAME GUIDE. New York: The Derrydale Press, 1938. Limited edition, numbered 897/950. Buckingham, Nash. MARK RIGHT! TALES OF SHOOTING AND FISHING. New York: The Derrydale Press, 1936. Two limited first editions, numbered 466/1250 and 1055/1250. Foote, John Taintor. JING. New York: The Derrydale Press, 1936. Two limited first editions, numbered 111/950 and 634/950. Grand, Gordon. COLONEL WEATHERFORD’S YOUNG ENTRY. New York: The Derrydale Press, 1935. Grand, Gordon. OLD MAN AND OTHER COLONEL WEATHERFORD STORIES. New York: The Derrydale Press, 1934. Red covers with gilt lettering and decoration. Hart, Scott. THE MOON IS WANING. New York: The Derrydale Press, 1939. Limited first edition, numbered 335/950, with blue cloth and gilt decorations and lettering. HUNTING TRAILS ON THREE CONTINENTS: A BOOK OF THE BOONE AND CROCKETT CLUB. Ed. George Bird Grinnell, et al. New York: The Derrydale Press, 1933. Limited first edition, numbered 61/250. Montgomery, Rutherford G. HIGH COUNTRY. New York: The Derrydale Press, 1938. Limited first edition, numbered 781/950. O’Connor, Jack. GAME IN THE DESERT. New York: The Derrydale Press, 1939. Limited first edition, one of 950, unnumbered review copy. Smith, Edmund Ware. TALL TALES AND SHORT. New York: The Derrydale Press, 1938. Limited edition, numbered 333/950. Smith, Edmund Ware. THE TOMATO CAN CHRONICLE. New York: The Derrydale Press, 1937. Limited edition, numbered 695/950. Spiller, Burton. GROUSE FEATHERS. New York: The Derrydale Press, 1935. Limited edition, numbered 262/950. Williams, Ben Ames. THE HAPPY END. New York: The Derrydale Press, 1939. Limited edition, numbered 924/1250. (15vols)

$600-800 Provenance: Southern institutional library deaccessions

40 BOOKS: 19TH CENTURY BRITISH ANGLING TITLES An Angler [Sir Humphrey Davy]. SALMONIA: OR DAYS OF FLY FISHING. 2nd ed. London: John Murray, 1829. Rebound; with bookplate: W. Waldegrave Pelham Clay. Akerman, John Yonge. SPRING-TIDE; OR, THE ANGLER AND HIS FRIENDS. 2nd ed. London: Richard Bentley, 1852. Blaine, Delabere P. AN ENCYCLOPAEDIA OF RURAL SPORTS. London: Longman, Orme, Brown, Green, and Longmans, 1840. First edition, with bookplates: Thomas Harrison and Dean Sage. Bowlker, Charles and Richard Bowlker. BOWLKER’S ART OF ANGLING. Ludlow: R. Jones, 1839. First edition, rebound with original boards. Bowlker, Charles and Richard Bowlker. BOWLKER’S ART OF ANGLING. Ludlow: R. Jones, 1854. Revised edition, rebound with green cover and gilt lettering. Daniel, Rev. William B. RURAL SPORTS. Vol. II. London: Longman, Hurst, Rees, and Orme, 1812. Rebound; with bookplate: Dean Sage. Dennys, John. THE SECRETS OF ANGLING, 1613. London: W. Satchell & Co., 1883. With bookplates: Avis H. and D.L. Vaughan. Fisher, P. THE ANGLER’S SOUVENIR. Ed. G. Christopher Davies. London: Frederick Warne and Co., 1877. With impressed gilt-decorated red cloth. Francis, Francis. A BOOK ON ANGLING. 6th ed. London: Spottiswoode and Co, 1885. Purple cloth with gilt lettering on spine; inscribed front endpaper: To Rowlie/ from his affectionate Uncle/ Christmas 1886. Hackle, Palmer. HINTS ON ANGLING. London: W.W. Robinson, 1846. With bookplate: Dean Sage. Knox, A.E. AUTUMNS ON THE SPEY. London: John Van Voorst, 1872. First edition, with green cloth covering and gilt decoration to covers and spine. Lakeland, R. THE TEESDALE ANGLER. Barnard Castle: printed at the office of R. Baker, 1858. First edition, red cloth with paper label. Lang, Andrew. ANGLING SKETCHES. London: Longmans, Green and Co., 1891. First edition, with original gilt-decorated green cloth. Penn, Richard. MAXIMS AND HINTS FOR AN ANGLER, AND MISERIES OF FISHING. London: John Murray, 1833. First edition, rebound; with bookplate: Mr. J.F. Jones and others (24vols)

$500-700 Provenance: Southern institutional library deaccessions 39

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42 BOOKS: TROUT FISHING

41 BOOKS: SALMON FISHING Bridges, Antony. MODERN SALMON FISHING. London: Adam and Charles Black, 1939. First edition with red cloth and gilt lettering to spine. Clericus [Rev. William Cartwright]. FACTS AND FANCIES OF SALMON FISHING. London: Cassell, Petter, and Galpin, 1874. First edition with green cloth and impressed gilt decoration. Ephemera [Edward Fitzgibbon]. THE BOOK OF THE SALMON. London: Longman, Brown, Green, and Longmans, 1850. Two first editions with replaced covers; one with bookplate: Charles F. Humbert, Hertfordshire and inscribed front endpage: Nouaille Rudge Esqr.; one with bookplate: Dean Sage. Gathorne-Hardy, Hon. A.E. THE SALMON: FUR, FEATHER, & FIN SERIES. Ed. Alfred E.T. Watson. London/ New York/ Bombay: Longmans, Green, and Co., 1898. First edition, rebound. Griswold, F. Gray. A SALMON RIVER. New York: Dutton’s. Limited first edition, one of 250. Hallock, Charles. THE SALMON FISHER. New York: The Harris Publishing Company, 1890. Hunt, Richard Carley. SALMON IN LOW WATER. The Angler’s Club of New York, 1950. First edition with green cloth and paper label, with slip case. Hutton, J. Arthur. THE LIFE-HISTORY OF THE SALMON. Aberdeen: The University Press, 1924. First edition with brown cloth and brown boards. La Branche, George M.L. THE SALMON AND THE DRY FLY. Boston/New York: Houghton Mifflin Company: The Riverside Press Cambridge, 1924. Limited edition, numbered 559/775. La Branche, George M.L. THE SALMON AND THE DRY FLY. Boston/New York: Houghton Mifflin Company: The Riverside Press Cambridge, 1924. Limited edition, numbered 604/775, with dust jacket and original slip case. SALMON FISHING IN CANADA. Ed. Col. Sir James Edward Alexander. London: Longman, Green, Longman, and Roberts, 1860. First edition, rebound; with bookplate: Dean Sage. (12vols)

ANGLER’S CHOICE: AN ANTHOLOGY OF AMERICAN TROUT FISHING. Ed. Howard T. Walden II. New York: The MacMillan Company, 1947. First edition with dust jacket. Crowe, John. THE BOOK OF TROUT LORE. New York: A.S. Barnes & Company, 1947. First edition. Du Bois, Donald. THE FISHERMAN’S HANDBOOK OF TROUT FLIES. New York: A.S. Barnes and Company, 1960. First edition with dust jacket. FAMILY CIRCLE’S GUIDE TO TROUT FLIES AND HOW TO TIE THEM. New York: Family Circle, Inc., 1954. First edition with dust jacket. Hills, John Waller. THE HISTORY OF FLY FISHING FOR TROUT. London: Philip Allan & Co., 1921. First edition, green cloth with gilt lettering. Holland, Dan. TROUT FISHING. New York: Thomas Y. Crowell Company, 1949. First edition, with dust jacket. Ingraham, Henry Andrews. AMERICAN TROUT STREAMS. New York: The Anglers’ Club of New York, 1926. First edition, numbered 163/350. Skues, George Edward MacKenzie. THE WAY OF A TROUT WITH A FLY. London: Adam & Charles Black, 1921. First edition with brown cloth and gilt lettering to spine. and others (10vols)

$200-400 Provenance: Southern institutional library deaccessions

43 BOOKS: PISCATORIAL GEOGRAPHY

$300-600

A HISTORY OF THE SCHUYLKILL FISHING COMPANY OF THE STATE IN SCHUYLKILL, 1732-1888. Philadelphia, 1889. Inscribed: Israel W. Morris/ presented by/ William H. Gaw/ April 15, 1891. Bashford, H.H. FISHERMAN’S PROGRESS. London: Constable and Company, 1946. First edition with blue cloth. Blake, William H. IN A FISHING COUNTRY. Toronto: The MacMillan Company, 1922. Two first editions, one with dust jacket, one impressed Presentation Copy. Elliott, William. CAROLINA SPORTS BY LAND AND WATER. New York: Derby & Jackson, 1859. First edition; bookplate: Dean Sage. Hansard, George Agar. TROUT AND SALMON FISHING IN WALES. London: Longman, Rees, Orme, Brown, Green & Longman, 1834. First edition, rebound, with bookplate: Dean Sage. Palmer, C.H. THE SALMON RIVERS OF NEWFOUNDLAND. Boston: Farrington Printing Co., 1928. First edition with soft cover and fold-out map. THE ANGLER’S GUIDE BOOK AND TOURISTS’ GAZETTEER OF THE FISHING WATERS OF THE UNITED STATES AND CANADA. Ed. William C. Harris. New York, 1885. together with: four documents by The Atlantic Salmon Association and the Department of Fisheries, Government of Quebec, authored by Percy Nobbs, dated 1948-1949. (12vols)

Provenance: Southern institutional library deaccessions

$200-400 Provenance: Southern institutional library deaccessions

11 SEPTEMBER 2015 -

International Sale

44 BOOKS: NATURAL AND PISCATORIAL HISTORY

Boulenger, E.G. BRITISH ANGLERS’ NATURAL HISTORY. London: Collins, 1946. First edition with dust jacket. GAME FISH OF THE WORLD. Ed. Brian VeseyFitzgerald and Francesa LaMonte. London: Nicholson & Watson, 1949. Griswold, F. Gray. FISH 44 FACTS AND FANCIES. New York: Charles Scribner’s Sons, 1926. Limited edition of 750, with green paper boards with gilt lettering and decoration. Hoover, Herbert Clark. A REMEDY FOR DISAPPEARING GAME FISHES. New York: Huntington Press, 1930. Two first editions, with marbled boards in original slip cases. Malloch, P.D. LIFE-HISTORY AND HABITS OF THE SALMON, SEA-TROUT, TROUT, AND OTHER FRESHWATER FISH. London: Adam and Charles Black, 1910. First edition with gray boards, gilt lettering, and photographic decoration. Morris, Rev. Francis Orpen. A HISTORY OF BRITISH BUTTERFLIES. 7th ed. London: John C. Nimmo, 1883. Phillips, John C. AMERICAN GAME MAMMALS AND BIRDS. Cambridge: The Riverside Press, 1930. First edition with green cloth and gilt spine. Saunders, Roy. QUEEN OF THE RIVER. London: Oldbourne, 1961. First edition with dust jacket. Simeon, Cornwall. STRAY NOTES ON FISHING AND NATURAL HISTORY. Cambridge: MacMillan and Co., 1860. First edition with red leather boards and gilt decoration. THE ANGLERS’ CLUB STORY: OUR FIRST FIFTY YEARS 1906-1956. New York: The Anglers’ Club of New York: 1956. First edition, with original beige cloth and orange paste-on labels, housed in brown leather-finished box. Todd, Frank S. WATERFOWL: DUCKS, GEESE, AND SWANS OF THE WORLD. New York: Sea World Press, 1979. First edition with dust jacket. (12vols)

$200-400 Provenance: Southern institutional library deaccessions

45 BOOK: RARE IRISH ANGLING TITLE Greendrake, Gregory and Geoffry Greydrake [J. Coad and Thomas Ettingsall]. THE ANGLING EXCURSIONS OF GREGORY GREENDRAKE. Dublin: Grant and Bolton, 1832. First edition, rebound with frontispiece, map, erratum slip, and replaced covers. (1vol)

$200-400

Arms, Dorothy Noyes. FISHING MEMORIES. New York: The MacMillan Company, 1938. First edition with blue cloth and gilt lettering. Boosey, Thomas. ANECDOTES OF FISH AND FISHING. London: Hamilton, Adams & Co., 1887. First edition with blue cloth and gilt lettering. Boosey, Thomas. PISCATORIAL REMINISCENCES AND GLEANINGS. London: William Pickering, 1835. First edition, rebound; with bookplate: Howard Phipps. Day, Frank Parker. THE AUTOBIOGRAPHY OF A FISHERMAN. New York: Minton, Balch & Company, 1932. Blue cloth and gilt lettering. Mather, Fred. MEN I HAVE FISHED WITH. New York: Forest and Stream Publishing Co., 1897. First edition with green cloth and gilt lettering. Oliver, Stephen. SCENES AND RECOLLECTIONS OF FLY-FISHING IN NORTHUMBERLAND, CUMBERLAND, AND WESTMORLAND. London: Chapman and Hall, 1834. First edition, rebound. Perry, Bliss. FISHING WITH A WORM. Boston/New York: Houghton Mifflin Company, 1916. Blue boards with paper label title; inscription to front endpaper. Shepard, Odell. THY ROD AND THY CREEL. Hartford: Edwin Valentine Mitchell, 1931. Stoddart, Thomas Tod. ANGLING SONGS. Edinburgh and London: William Blackwood and Sons, 1889. Blue cloth with gilt lettering; with bookplate: Avis H. and D.L. Vaughan. THE AUTOBIOGRAPHY OF A THE LATE SALMO SALAR. London: Day & Son, Limited, 1867. First edition, rebound; with bookplate: Dean Sage. Wiggins, Maurice. THE PASSIONATE ANGLER. London: Sylvan Press, 1949. With dust jacket. Zouch, Thomas. THE LIFE OF ISAAC WALTON; INCLUDING NOTICES OF HIS CONTEMPORARIES. London: Septimus Prowett, 1823. (12vols) Provenance: Southern institutional library deaccessions

45 WWW.CHARLTONHALLAUCTIONS.COM

46 BOOKS: FISHING MEMOIRS AND REMINISCENCES

$200-400

Provenance: Southern institutional library deaccessions

47 BOOKS: GENERAL FLY FISHING Grey, Sir Edward. FLY FISHING. London: J.M. Dent & Sons, 1928. Red cloth and gilt lettering. Horsley, Terence. FISHING FOR TROUT AND SALMON. London: H.F. & G. Witherby, 1945. Reprint, with green cloth and gilt spine. Leitch, A. A SCOTTISH FLY-FISHER. Paisley: Alexander Gardner, 1911. First edition with green cloth and gilt-decorated covers. Sage, Dean. SALMON AND TROUT. New York: The MacMillan Company, 1902. First edition with green cloth and gilt lettering and decoration. Shipley, William. A TRUE TREATISE ON THE ART OF FLY-FISHING. Ed. Edward Fitzgibbon. London: Simpkin, Marshall and Co., 1838. First edition with green impressed cloth and gilt lettering to spine. Smedley, Harold Hinsdill. FLY PATTERNS AND THEIR ORIGINS. 4th ed. Muskegon: Westshore Publications, 1950. Blue cloth with gilt lettering. Wells, Henry P. FLY-RODS AND FLY-TACKLE: SUGGESTIONS AS TO THEIR MANUFACTURE AND USE. New York: Harper Brothers Publishers, 1901. Revised edition with illustrated covers. Wetzel, Charles M. PRACTICAL FLY FISHING. 2nd ed. Boston: The Christopher Publishing House, 1945. together with: Fallodon, Sir Edward, Viscount Grey of. FALLODON PAPERS. Cambridge: The Riverside Press, 1926. (9vols)

$200-300 Provenance: Southern institutional library deaccessions

48 BOOKS: 19TH CENTURY AMERICAN ANGLING

49 BOOKS: SHOOTING AND GAME HUNTING

TITLES

CLASSICS OF THE AMERICAN SHOOTING FIELD. Ed. John C. Phillips and Lewis Webb Hill, MD. Boston and New York: Houghton Mifflin Company, 1930. First edition. Forbush, Edward Howe. A HISTORY OF THE GAME BIRDS, WILD-FOWL AND SHORE BIRDS OF MASSACHUSETTS AND ADJACENT STATES. Boston: Wright & Potter Printing Company, 1912. Front endpaper inscribed: Spencer Trotter/ March 18, 1916. Millais, John Guille. THE WILDFOWLER IN SCOTLAND. London, New York, Bombay: Longmans, Green & Co., 1901. First edition with half vellum and gray paper boards; with bookplate: William Mitchell Van Winkle NORTH AMERICAN BIG GAME: A BOOK OF THE BOONE AND CROCKETT CLUB. New York: Charles Scribner’s Sons, 1939. First edition, with red cloth, gilt lettering and decoration. Ormond, Clyde. HUNTING OUR BIGGEST GAME. Harrisburg: The Stackpole Company, 1956. First edition, with dust jacket. Pattillo, T.R. MOOSE-HUNTING, SALMON-FISHING AND OTHER SKETCHES OF SPORT. London: Sampson Low, Marston & Company, 1902. Phillips, John C. A SPORTMAN’S SCRAPBOOK. Boston and New York: Houghton Mifflin Company, 1928. First edition with red cloth with impressed design. (7vols)

Brown, John C. THE AMERICAN ANGLER’S GUIDE, OR, COMPLETE FISHER’S MANUAL FOR THE UNITED STATES. 4th ed. New York: D. Appleton and Company, 1857. Blue cloth with impressed gilt decoration. Hallock, Charles. THE SALMON FISHER. New York: The Harris Publishing Company, 1890. Scott, Genio C. FISHING IN AMERICAN WATERS. New York: Harper & Brothers, 1869. Two copies, first editions, with purple cloth and gilt decoration to front and spine, one inscribed: William A. Reed, June 4, 1869. Wells, Henry P. THE AMERICAN SALMON FISHERMAN. New York: Harper & Brothers, 1886. Two copies, green cloth with gilt spine, both with bookplates: Albert H. Chester & Dan Brenan. Yale, Leroy M., et al. THE OUT OF DOOR LIBRARY: ANGLING. New York: Charles Scribner’s Sons, 1896. Blue cloth with gilt lettering. (7vols)

$200-300 Provenance: Southern institutional library deaccessions

11 SEPTEMBER 2015 -

International Sale

50 BOOKS: EARLY 20TH CENTURY BRITISH ANGLING TITLES

51 BOOKS: ANGLING MANUALS AND GUIDES

FISHERMEN’S WEATHER. Ed. F.G. Aflalo. London: Adam and Charles Black, 1906. First edition with blue boards and gilt decoration. Halford, Frederic M. MAKING A FISHERY: THE HALFORD DRY-FLY SERIES. Vol. III. London: Vinton and Company, 1902. First edition with blue cloth and gilt lettering. Halford, Frederic M. THE DRY-FLY MAN’S HANDBOOK: A COMPLETE MANUEL. London: George Routledge & Sons, 1913. First edition, with notes and inscription on front endpage: R. E. Bradford, 7 April 13. Harmsworth, Cecil, Lord. A LITTLE FISHING BOOK. London: Frederick Muller Ltd, 1942. First edition with green cloth and gilt lettering and decoration. Hartman, Robert. ABOUT FISHING. London: Arthur Barker, Ltd., 1935. First edition, with dust jacket. Hodgson, W. Earl. SALMON FISHING. London: Adam and Charles Black, 1906. Blue cloth with gilt decoration and lettering; with bookplate: Harold Wilson. Hodgson, W. Earl. TROUT FISHING. London: Adam and Charles Black, 1904. Blue cloth with gilt decoration and lettering. Reynolds, W.F.R. ANGLING CONCLUSIONS. London: Faber & Faber Ltd., 1947. First edition with green cloth and gilt spine. THE BOOK OF THE FLY-ROD. Ed. Hugh Sheringham and John C. Moore. London: Eyre and Spottiswoode, 1931. First edition, with four colored and eight black-and-white plates. Tidy, Gordon. SURTEES ON FISHING. New York: Richard R. Smith Inc., 1931. Limited first American edition with green cloth and gilt lettering; with green paper dust jacket. Turrell, W.J. ANCIENT ANGLING AUTHORS. London: Gurney and Jackson, 1910. First edition, with original green cloth and gilt lettering to front cover and spine. Vesey-Fitzgerald. BRITISH GAME. London: St. James’s Place, 1946. Reprint, with dust jacket. (12vols)

Bergman, Ray. WITH FLY, PLUG, AND BAIT. New York: William Morrow and Company, 1947. First edition with red cloth. Haig-Brown, Roderick. FISHERMAN’S SPRING. New York: William Morrow & Company, 1951. First edition with green cloth. Holden, Dr. George Parker. STREAMCRAFT: AN ANGLING MANUAL. Cincinnati: Steward & Kidd Company, 1919. First edition with green cloth and gilt lettering. Penn, Richard. MAXIMS AND HINTS FOR AN ANGLER, AND MISERIES OF FISHING. Philadelphia: F. Bell, 1855. Salter, Thomas Frederick. THE ANGLER’S GUIDE. 5th ed. London: R. Carpenter and Son, 1823. With two aquatint plates, illustrations, and map in replaced covers. Salter, Thomas Frederick. THE ANGLER’S GUIDE. 5th ed. London: R. Carpenter and Son, 1825. Rebound. Schaldach, William J. COVERTS AND CASTS: FIELD SPORTS AND ANGLING IN WORDS AND PICTURES. New York: A.S. Barnes and Company, 1943. First edition. TRICKS AND KNACKS OF FISHING. Bristol: The Horton Manufacturing Company, 1911. First edition, blue cloth covers. Van de Water, Frederic F. IN DEFENSE OF WORMS AND OTHER ANGLING HERESIES. New York: Duell, Sloan and Pearce, 1949. First edition with dust jacket. (9vols)

Bailey, William. THE ANGLER’S INSTRUCTOR. London: Longman and Co., 1857. First edition, with impressed green cloth and gilt lettering.

$200-300

Provenance: Southern institutional library deaccessions

WWW.CHARLTONHALLAUCTIONS.COM

$200-300 Provenance: Southern institutional library deaccessions

52 BOOK: IMPORTANT BRITISH ANGLING TITLE

53 BOOKS: FISHING LITERATURE A CREELFUL OF FISHING STORIES. Ed. Henry Van Dyke. New York: Charles Scribner’s Sons, 1932. First edition, with dust jacket. Lambert, Samuel W. WHEN MR. PICKWICK WENT FISHING. New York: Edmond Byrne Hackett- The Brick Row Book Shop Inc., 1924. First edition with dust jacket. Piscator [George P.R. Pulman], RUSTIC SKETCHES: BEING POEMS ON ANGLING. Taunton: W. Bragg, 1842. First edition with green cloth and gilt lettering. Robb, James. NOTABLE ANGLING LITERAURE. London: Herbert Jenkins Limited, n.d. [1947]. Two first editions with dust jackets. Venable, Clark. FLEETFIN. Chicago: The Reilly & Lee Co., 1925. First edition with marbleized green cloth and paper title tag. Williamson, Henry. SALAR THE SALMON. Boston: Little, Brown, and Company, 1936. With dust jacket. together with: Mumey, Nolie. A STUDY OF RARE BOOKS. Denver: The Clason Publishing Company, 1930. Limited first edition, numbered 82/1000. Author-signed. Orcutt, William Dana. IN QUEST OF THE PERFECT BOOK. Boston: Little, Brown & Company, 1926. First impression of the trade edition with brown covers, gilt impressed decorations, and gilt pages. (9vols)

$200-300

54 BOOKS: EDWARD RINGWOOD HEWITT FIRST

55 BOOKS: THOMAS BEST ANGLING TITLES

EDITIONS

Best, Thomas. A CONCISE TREATISE ON THE ART OF ANGLING. 4th ed. London: B. Crosby, 1798. Best, Thomas. THE ART OF ANGLING. 10th ed. London: B. and R. Crosby & Co., 1814. Rebound. (2vols)

Hewitt, Edward Ringwood. A TROUT AND SALMON FISHERMAN FOR SEVENTY-FIVE YEARS. New York: Charles Scribner’s Sons, 1948. With dust jacket. Hewitt, Edward Ringwood. BETTER TROUT STREAMS. New York: Charles Scribner’s Sons, 1931. First edition, blue cloth with gilt lettering. Hewitt, Edward Ringwood. TELLING ON THE TROUT. New York/ London: Charles Scribner’s Sons, 1926. First edition with green cloth and gilt lettering. Hewitt, Edward Ringwood. SECRETS OF THE SALMON. New York: Charles Scribner’s Sons, 1925. First edition with green cloth with gilt lettering. (4vols)

$100-200 Provenance: Southern institutional library deaccessions

Provenance: Southern institutional library deaccessions

11 SEPTEMBER 2015 -

International Sale

56 GEORGE III CARVED MAHOGANY BACHELOR’S

57 CHIPPENDALE STYLE MAHOGANY SILVER TABLE

CHEST

mid-19th century, rectangular molded-edge top, blind fretwork skirt with pierced carved apron on cabriole legs with ball-and-claw feet; H31 1/2” W41 1/2” D21 1/2”

circa 1800, serpentine top with molded and carved edge, over brushing slide and four long drawers, on highly carved bracket and blocked feet; H34 1/4” W40” D21”

$2,000-3,000

$800-1,200 Provenance: South Carolina private collection

Provenance: South Carolina private collection

58 DIMINUTIVE GEORGE II STYLE WALNUT CHEST ON CHEST

early 19th century, molded crown over two short and three long drawers, flanked by fluted chamfered corners, lower part with pullout brushing slide, three drawers and concave starburst decoration, on bracket feet; H68 1/2” W28 1/2” D20”

$1,500-2,500 Provenance: North Carolina private collection

WWW.CHARLTONHALLAUCTIONS.COM

61 HEPPLEWHITE STYLE D-SHAPE INLAID MAHOGANY GAMES TABLE

19th century, with drawer; H29 1/4” W39 1/2” D18 3/4”

$400-600 62 HEPPLEWHITE STYLE INLAID SIDEBOARD late 19th century, crossbanded top, bowed front, above drawers and tapered legs with spade feet; H37 1/2” W60” D22 1/2”

$700-1,000 61

63 SHERATON STYLE MAHOGANY DOUBLE-PEDESTAL DINING 59

59 EDWARDIAN INLAID MAHOGANY TABLE circa 1900, round crossbanded top, tapered legs, joined by platform stretcher; H49 1/2” Dia.30”

$500-700

TABLE

rectangular top with rounded corners, on urn-shape pedestals supported by saber legs on casters, fitted with 22 3/4” leaf; H28 3/4” W48” L90 1/2” open

$800-1,200 60 HENKEL HARRIS CARVED MAHOGANY DINING CHAIRS, SET OF EIGHT

Provenance: McClellanville, South Carolina private collection

comprised of: two arms, six sides; yoked crest and strapwork splat, slip seat, chamfered legs unified by H-stretcher; arm BH39 1/4” SH20” W24 1/4” D21”, side BH39 1/4” SH20” W30 1/2” D21”

$1,000-1,800

Provenance: North Carolina private collection

11 SEPTEMBER 2015 -

International Sale

65 GEORGE III MAHOGANY BACHELOR’S CHEST first quarter 19th century, crossbanded molded top, brush slide above drawers and bracket feet; H32” W35” D19 1/2”

$800-1,200 Provenance: North Carolina private collection

66 GEORGE III MAHOGANY KNEEHOLE DESK early 19th century, rectangular banded top above conforming case fitted with drawer over knee recess, flanked by drawers on molded base with ogee bracket feet; H29 1/4” W34 1/4” D20 3/4”

$500-1,000 Provenance: Eastern North Carolina collection 64

67 ENGLISH MAHOGANY LINEN PRESS late 19th century, architectural pediment with spool molding centering keystone, over pair flat-panel doors with quarter-fan spandrels, on lower part with two short and two long drawers, with bracket base; H90 1/4” W56 1/2” D25”

$1,500-2,500 64 UNUSUAL EDWARDIAN SECRETARY BOOKCASE

Provenance: Georgia private collection

late 19th century, brass-bound flat frieze over leather-inset doors opening to shelves; on lower part with carved fallfront, opening to fitted interior, above leather-inset doors on bracket base; H91 1/2” W43 3/4” D17 3/4”

68 GEORGIAN MAHOGANY PEMBROKE TABLE

$1,200-1,800

circa 1800, rectangular top with shaped drop leaves, single drawer opposing faux drawer, on tapered legs; H28 3/4” W37” open D32”

Provenance: North Carolina collection

$400-600 Provenance: Edward Morrison Brown collection

WWW.CHARLTONHALLAUCTIONS.COM

69 PAIR ENGLISH CHIPPENDALE STYLE MAHOGANY SIDE CHAIRS

first half 19th century, waved crest over strapwork splat, slip seat in plain rails, on chamfered legs unified by H-stretcher; BH38 1/4” SH19 1/2” W20 1/2” D19 1/2”

$200-300 Provenance: North Carolina private collection

70 SHERATON STYLE INLAID MAHOGANY SERPENTINE BRANDY BOARD

last half 19th century, crossbanded top, configuration of five drawers, tapered legs with spade feet on casters; H30 1/2” W48” D24”

$800-1,200 71 GEORGIAN INLAID MAHOGANY GAMES TABLE early 19th century, fan paterae-inlaid rectangular hinged top, opening to felt playing surface and recesses, above frieze drawer on turned legs and pad feet with casters; H27 3/4” W29 3/4” D28 3/4” open

$600-800 Provenance: Eastern North Carolina collection.

72 PAIR GEORGE III MAHOGANY SIDE CHAIRS 70

circa 1790, shaped crestrail, pierced splat over molded skirt and square legs; BH38 1/2” SH20” W24” D20 1/2” (2pcs)

$300-400

73 GEORGIAN STYLE MAHOGANY BUTLER’S DESK circa 1840, molded edge top, fall-front desk drawer with fitted interiors, above long drawers and bracket feet; H42 1/2” W43” D21”

$800-1,200 74 ENGLISH PINE CORNER CABINET 18th/19th century, dentil-molded crown with canted corners, over conforming case with pair of six-light doors before shelves, on waist-molded lower part with raised panel doors and shaped bracket base; H43 1/2” W61 1/2” D31”

$1,000-2,000 71

Provenance: North Carolina private collection

11 SEPTEMBER 2015 -

International Sale

75 ENGLISH MAHOGANY TALL CASE CLOCK first half 19th century, swan’s-neck pediment over arched door flanked by colonettes, before paint-decorated works marked: Geo Steele Chesterle Street, central case with paneled door, engaged quarter columns and half-round molding, on stepped lower part with scalloped base; H89 5/8” W24 1/2” D10 1/4”

$800-1,400 Provenance: North Carolina private collection

76 GEORGE III CARVED MAHOGANY TILT-TOP TABLE circa 1800, shaped molded-edge round top, fluted baluster pedestal, on cabriole legs with ball-and-claw feet; H28” Dia.29 1/2”

$500-800

77 GEORGE III MAHOGANY HANGING CORNER CABINET

circa 1810, dentil-molded crown over scrolling divided glazed panel door; H46” W36 1/4” D22 1/2”

$500-800 Provenance: South Carolina private collection

78 GEORGIAN STYLE INLAID MAHOGANY CHEST OF DRAWERS

mid 19th century, integrated and crossbanded top over case with two short and three long graduated drawers, on splay feet; H42” W41 1/2” D19 1/2”

$700-1,000 Provenance: North Carolina private collection

79 GEORGE III MAHOGANY DRESSING/WRITING TABLE

circa 1810, molded edge top, two short drawers on square legs; H29” W31 1/2” D18 1/2”

$400-800

WWW.CHARLTONHALLAUCTIONS.COM

80 QUEEN ANNE STYLE CHOINOISERIE AND CANE SIDE CHAIRS

early 20th century, shell-carved crest over vasiform splat, with cane seat and cabriole legs; BH37 3/4” SH17 1/2” W18 1/2” D18 1/2” (4pcs)

$600-800 81 ANGLO-INDIAN CARVED HARDWOOD DAVENPORT late 19th/early 20th century, pierce-carved back fitted with small drawers, hinged lid, and side door; decorated with carved figural supports and stylized dragon feet; H52” W26” D25”

$600-900

84 VICTORIAN INLAID MIXED WOOD PEDESTAL

Provenance: North Carolina private collection 80

late 19th century, square top over tapered and faceted body, on stepped plinth, with urn and basket inlays issuing flowers; H47” Sq.11 5/8”

82 GEORGIAN STYLE INLAID MAHOGANY SIDE TABLE 19th century, rectangular top over two drawers on tapered legs and spade feet joined by X-stretcher; H32” W32” D21”

$200-400 Provenance: North Carolina private collection

$500-700 Provenance: South Carolina private collection

83 SHERATON MAHOGANY SIDE CHAIRS, SET OF SIX first half 19th century, pierced shield back, serpentine seatrail, tapered legs with stretchers; BH38” SH18” W19” D20” (6pcs)

$600-900

11 SEPTEMBER 2015 -

International Sale

85 AMERICAN FEDERAL MAHOGANY CARD TABLE, MID-ATLANTIC STATES early 19th century, shaped fold-over top above conforming frieze, on ring-turned and reeded legs and arrow feet; H29 1/2” W36 1/4” D34” open

$300-500

88 GEORGIAN MAHOGANY COMMODE circa 1820, tray top, case with shallow drawer, pair doors and pullout for chamberpot, on beaded legs; H31 1/2” W22” D18 3/4”

$300-500 Provenance: North Carolina private collection

Provenance: Eastern North Carolina collection.

86 CHIPPENDALE STYLE CARVED MAHOGANY DINING CHAIRS, SET OF TEN 87

shell-carved toprail, pierced splat, molded seatrail, carved cabriole legs with ball-and-claw feet; BH40” SH19” W23” D18” (10pcs)

89 PAIR JACOBEAN STYLE UPHOLSTERED CARVED YEW STOOLS

late 19th/early 20th century, rectangular top on turned carved legs with block feet; H19” W16” D12 1/2” (2pcs)

$300-500

$800-1,200 Provenance: South Carolina private collection

90 JACOBEAN STYLE OAK GATELEG TABLE

87 ENGLISH MAHOGANY CHEST OF DRAWERS

18th century, oval drop-leaf top, turned legs joined by molded stretchers; H28 1/4” W35” L47 3/4” open

mid 19th century, rectangular form with two short over three long graduated drawers, on bracket feet; H40 1/4” W45” D21 1/8”

$300-400

$400-600 Provenance: North Carolina private collection

WWW.CHARLTONHALLAUCTIONS.COM

91 PIERRE LE ROMAIN MIGNARD (French, 1612-1695) PORTRAIT OF THE DUCHESS OF TUSCANY oil on canvas, framed, signed & dated lower right, 1667 H40” W29 1/2”

$5,000-8,000 Provenance: South Carolina private collection Other Notes: Pierre Le Romain Mignard was a French painter, the elder brother of the much better-known Pierre Mignard. He executed much of his work in Provence; his style was colder and drier than that of his brother, but showed the same attention to drawing. His compositions tended to be based on Italian models. The French painter was the rival of Le Brun but an exponent of the same Academic theories. Like Le Brun he was a pupil of Vouet, but he went to Rome in 1636 and remained there until 1657, forming his style on the approved models of Carracci, Domenichino and Poussin. He returned to Paris on the orders of Louis XIV and decorated the dome of the Val-de-Grace (1663), but his principal importance was as portrait painter to the Court. He revived the earlier Italian type of allegorical portrait, and a good example is the MARQUISE DE SEIGNELAY AS THETIS (1691, London, National Gallery). He was strongly opposed to the Academie Royale and, in spite of his own stylistic origins, championed the Venetian or “colourist” school; this, however, was probably only to oppose Le Brun. When Le Brun died in 1690 Mignard was at once made “premier peintre,” and, on the King’s orders, the Academy appointed Mignard an Associate, Member, Rector, Director and Chancellor of the body he had so long opposed. His paintings can be found in the Royal Collection, Windsor, Honolulu, London and many French museums.

92 CONTINENTAL SCHOOL, 19TH CENTURY WATERFALL LANDSCAPE WITH COWS oil on canvas, framed, signed lower right illegibly H12” W20”

$2,000-3,000 Provenance: Georgia private collection

11 SEPTEMBER 2015 -

International Sale

93 JOHN GIFFORD (British, d. 1900) THE DAY’S BAG oil on canvas, framed, signed lower left H24” W36”

$2,000-4,000 Provenance: Florida private collection

94 WILLIAM MELLOR (British, 1851-1931) PAIR OF NORTHERN WELSH LANDSCAPES: ON THE LLEDR and TORRENT WALK, NR DOLGELLAU oil on canvas, framed, one signed lower right, other initialed lower left H30” W20” (2pcs)

$2,000-4,000 Provenance: South Carolina private collection

95 JAN FRANS VAN DAEL (Flemish, 1764-1840) pair works: FLORAL STILL LIFES oil on vellum mounted to panel, framed, signed & dated lower left: J. Vandael, 1795 H10 1/2” W8” (2pcs)

$1,000-2,000 Provenance: South Carolina private collection

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98 STEPHEN REID (British, 1873-1948) THE CHALLENGE oil on canvas, framed, signed & dated lower right, 1895 H12” W14”

$800-1,200 Provenance: Georgia private collection

99 C. AUSTIN 96

(American/British, 19th century) WOMAN ON BRIDGE IN LANDSCAPE oil on canvas, signed & dated lower right, 1876 H30” W25”

$800-1,200 Provenance: South Carolina private collection

96 GEORGE ARMFIELD

(British, 1808-1893) TERRIERS ON THE HUNT oil on canvas, framed, signed lower left H10” W12”

100

$1,000-1,500 Provenance: Georgia private collection

100 LOUIS ROBBE

97 ALFRED AUGUSTUS GLENDENING SR.

(Belgian, 1806-1887) COWS IN PASTURE oil on canvas, framed, signed lower right H20” W24”

(British, 1840-1910) ENGLISH COUNTRY LANDSCAPE oil on canvas, framed, signed and dated lower right: A.W. Glendening 71 H18” W32”

$800-1,400 Provenance: North Carolina private collection

$1,000-2,000 Provenance: Georgia private collection 98

11 SEPTEMBER 2015 -

International Sale

101 CONTINENTAL SCHOOL, 19TH CENTURY COUNTRYSIDE LANDSCAPE WITH FIGURES oil on canvas, framed, unsigned H28” W41”

$500-1,000 Provenance: North Carolina private collection

101

102 CONTINENTAL SCHOOL, 19TH CENTURY

DUTCH COASTAL SCENE oil on canvas, framed, unsigned H12” W18”

$500-1,000 Provenance: Georgia private collection

103 BRITISH SCHOOL, 19TH CENTURY EARLY MORNING ROUTINE oil on canvas, framed, unsigned H21 3/4” W27 1/4”

$500-700 Provenance: Georgia private collection

102

104 NEAPOLITAN SCHOOL, LATE 19TH CENTURY

VESUVIUS ERUPTION VIEWS gouache, framed, unsigned sight H15 1/2” W24” (4pcs)

$500-800 Provenance: Edward Morrison Brown collection

103

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104

105 PHILLIP BOYDELL (British, b. 1896) SUMMER LANDSCAPE WITH FIGURES NEAR STREAM oil on canvas, framed, signed lower left H10” W18”

$300-500 Provenance: Georgia private collection

106

108

108 REGENCY FAUX BAMBOO AND MAHOGANY CHEST OF DRAWERS, POSSIBLY WILLIAM WILKINSON

106 CONTINENTAL SCHOOL, 19TH CENTURY STILL LIFE WITH FRUIT AND ROBIN oil on canvas, framed, H10 1/2” W3 3/4” Provenance: Georgia private collection

circa 1815, rectangular crossbanded top with lobed front corners, over configuration of six drawers, flanked by faux bamboo column supports terminating in turned bulbous feet; H36 1/4” W38 1/2” D22 1/2”

107 BRITISH SCHOOL, 20TH CENTURY

Provenance: South Carolina private collection Purchased at the prestigious Olympia International Art and Antiques Fair in 1987.

$200-400

$2,000-3,000

VIEW OF SAINT PAUL’S CATHEDRAL FROM THE RIVER THAMES watercolor on paper, framed, signed illegibly lower right H11 1/2” W15 1/2”

109 GEORGE III INLAID MAHOGANY SECRETARY BOOKCASE

circa 1810, dentil-molded crown, arched divided glazed panel doors, lower part with hinged lid opening to fitted interiors, configuration of two short and three long drawers, flanked by fluted quarter columns on ogee bracket feet; H93” W46 1/4” D22 1/2”

$200-400 Provenance: South Carolina private collection

$2,000-3,000 Provenance: South Carolina private collection

109

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110

111

110 PAIR GEORGE III STYLE CARVED MAHOGANY

112

112 GEORGE III MAHOGANY CHEST OF

ARMCHAIRS

DRAWERS

late 19th century, shaped crestrail and arch-carved pierced splat on overupholstered and square molded legs; BH36 1/4” SH17 1/2” W22” D21 1/2” (2pcs)

$600-800

early 19th century, rectangular molded top over case with four long graduated drawers, on bracket base; H38” W37 1/2” D20 3/4”

Provenance: Eastern North Carolina collection

$700-1,000 Provenance: North Carolina private collection

111 HEPPLEWHITE INLAID MARQUETRY CARD TABLE circa 1800, rectangular top with chamfered corners on tapered legs and spade feet; H29” W36 1/2” D18”

113 INLAID MAHOGANY DINING TABLE

$400-600

crossbanded top fitted with 24” leaf, over conforming skirt and tapered legs with oval paterae and bellflower drops; made by Safran’s Reproductions, Columbia, South Carolina; H30” W48” L72” open

Provenance: South Carolina private collection

$1,400-2,000 Provenance: Georgia private collection

114

114 CHIPPENDALE STYLE CARVED MAHOGANY DINING CHAIRS, SET OF TEN late 19th century, carved crestrail, splat and cabriole legs on ball-and-claw feet; comprising: two arms and eight sides; BH38” SH18” W24” D20” (10pcs)

$1,400-2,000 Provenance: South Carolina private collection

113

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115 REGENCY STYLE MAHOGANY SOFA TABLE first half 19th century, rectangular top, drop leaves, pilaster supports with saber legs and brass casters joined by turned stretcher; H29 1/2” W42” D22 1/2”

$800-1,200 116 GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS

first quarter 19th century, molded edge top, three long drawers, splay feet; H33” W40 1/2” D21”

$700-900 117 KNOLE UPHOLSTERED SOFA BY BAKER

115

118

BH31” W68” D34”

120 REGENCY STYLE INLAID MAHOGANY VITRINE

$800-1,200 Provenance: South Carolina private collection

118 REGENCY MAHOGANY SIDE CHAIRS, SET OF FOUR circa 1815, molded crestrail, pierced splat on turned legs; BH33 1/2” SH17” W20” D17” (4pcs)

late 19th century, pagoda-form cover with hinged glazed lids over glass-panel case, on fine tapered legs unified by X-stretcher and medial oval shelf; H31 1/2” W32 7/8” D25 1/2”

$500-800 Provenance: North Carolina private collection

$400-700 119 QUEEN ANNE STYLE MAHOGANY TILT-TOP TEA TABLE

19th century, with snake pad feet; H28” Dia.33”

116

$500-700 Provenance: Georgia private collection

117

121 GEORGIAN INLAID MAHOGANY CHEST OF DRAWERS

circa 1800, integrated top and case with two short and three long drawers, all with boxwood purfling, on splay feet; H36 1/8” W44” D20 1/2”

$600-900

119

120

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122

123

122 QUEEN ANNE STYLE CARVED WALNUT ARMCHAIRS, SET OF SIX late 19th/early 20th century, shaped upholstered back and seat, molded armrests, on acanthus-carved cabriole legs; BH41” SH20” W24” D23” (6pcs)

$1,200-1,800 Provenance: South Carolina private collection

123 SHERATON STYLE INLAID MAHOGANY DINING TABLE BY HEKMAN FURNITURE CO rectangular crossbanded top with incut corners, on turned pedestals with reeded saber legs with brass casters; H30” W48” L120”

$800-1,200 Provenance: South Carolina private collection

124 GEORGE III MAHOGANY BOOKCASE ON CABINET early 19th century, molded crown, divided glazed panel doors, lower part with molded panel doors on plinth; H92” W47” D19 1/2”

$1,000-2,000 125 ENGLISH INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS

late 19th century, shaped top over conforming case with two short over four long drawers, on short tapered legs; H47 7/8” W42 5/8” D24 1/2”

$500-800 Provenance: Edward Morrison Brown collection 125

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124

126 GEORGIAN INLAID MAHOGANY BEAU BRUMMEL 19th century, hinged square top opening to three holes over drawer and two doors concealing open storage above sliding commode, square tapered legs; H33 3/4” Sq.20”

$400-600 Provenance: Canadian private collection

127 GEORGE III MAHOGANY WRITING DESK circa 1800, hinged slant lid, fitted interiors, over long drawers and bracket feet; H42 1/2” W44” D23”

$700-1,000 130 126

128 ENGLISH MAHOGANY BOX/SILVER CHEST ON

130 GEORGIAN MAHOGANY SERPENTINE GAMES TABLE

STAND

circa 1790, hinged top, serpentine skirt and square legs; H29” W34” D17”

18th/19th century, rectangular hinged lid box over long drawer and tapered legs; H22 1/4” W19” D9 1/2”

$400-600 Provenance: South Carolina private collection

$500-700 131 HEPPLEWHITE STYLE INLAID MAHOGANY SIDEBOARD

129 REGENCY STYLE INLAID MAHOGANY CELLARETTE ON STAND

127

20th century, canted octagonal form, hinged lid over storage well, brass bands and lion’s-head ring pulls, conforming stand with tapered legs; H26 3/4” Dia.20 3/8”

circa 1890, crossbanded top, chamfered front, over drawer and doors, on tapered legs; H36” W60” D23 1/2”

$700-1,000

$500-700 Provenance: Edward Morrison Brown collection

128

129

131

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132

133

134

132 GEORGIAN MAHOGANY CORNER CABINET circa 1800, architectural crown, glazed doors, fluted columns, on molded base, H44” W32” D19”

$500-800 133 RARE CHINESE CHIPPENDALE MAHOGANY ARMCHAIR

circa 1780, latticework back and arm panels, on square legs joined by stretchers; BH37” SH17” W23 1/2” D20”

$500-700 136

134 WILLIAM & MARY STYLE INLAID WALNUT CHEST OF DRAWERS

late 18th century, rectangular crossbanded top, canted corners, conforming case of three short drawers over three long graduated drawers, on molded base and bun feet; H38 3/4” W38 7/8” D20 5/8”

six sides and two arms; shaped toprail, pierced splat, carved cabriole legs ball-and-claw feet; BH42” SH18” W24” D21” (8pcs)

$800-1,200

Provenance: South Carolina private collection

Provenance: Georgia private collection

135 ENGLISH MAHOGANY PEMBROKE TABLE mid 19th century, rectangular top, drop leaves, single drawer opposing faux drawer, chamfered legs; H28” W35 1/4” open D28 1/4” 135

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136 CHIPPENDALE STYLE CARVED MAHOGANY DINING CHAIRS, SET OF EIGHT

$300-600 Provenance: North Carolina private collection

$800-1,200

PAIR ADAM STYLE PAINT-DECORATED PEDESTALS late 19th/early 20th century, square molded top over tapered shaft and stepped base, decorated with drapery and bellflowers; H48” Sq.12 3/4”

$500-700 Provenance: North Carolina private collection

140 HEPPLEWHITE INLAID MAHOGANY D-SHAPE GAMES TABLE

circa 1790, crossbanded top, molded skirt, tapered legs; H28 1/2” W39” D18”

$500-800 137

141 GEORGIAN INLAID MAHOGANY BOOKCASE ON CABINET

circa 1820, shaped crown with brass finials over divided glazed panel doors, lower part with two drawers and paneled doors, splay feet; H84” W34 1/2” D18”

$1,000-1,500 Provenance: North Carolina private collection

140 138

137 GEORGIAN STYLE THREE-PEDESTAL MAHOGANY BANQUET TABLE

rectangular top with beaded edge and round corners, fitted with two 17 3/4” leaves, three baluster-turned column supports, four saber leags terminating in brass paw feet and casters; H29 5/8” W48” L136 3/4” open

$2,000-3,000 Provenance: North Carolina private collection

138 WILLIAM & MARY OAK CHEST OF DRAWERS circa 1780, molded top over paneled case, three drawers with coffered and applied panels, with spindle molding and bun feet; H38 1/2” W38 1/4” D20 5/8”

$600-900 Provenance: Edward Morrison Brown collection 139

141

139

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142

142 GEORGIAN STYLE MAHOGANY ARMCHAIRS, SET OF

144

146 ENGLISH MAHOGANY TUBULAR CHIME TALL CASE

SIX

CLOCK

shaped crestrail, scrolling armrest, square legs; BH39 1/2” SH19” W23” D22” (6pcs)

circa 1890 swan’s-neck pediment with rosettes and acanthus, arched door flanked by colonettes before Whittington and Westminster chimes, central case with glazed door and fluted quarter columns, stepped lower part and plinth; H95” W25” D13 3/4”

$700-1,000 143 QUEEN ANNE OAK LOWBOY

$800-1,200 Provenance: Georgia private collection

18th century, molded edge top, above drawers and shaped skirt, turned legs on ball feet, joined by stretchers; H28 3/4” W30 1/2” D20 7/8”

$700-1,000 144 DIMINUTIVE SCOTTISH MAHOGANY SIDEBOARD circa 1830, brass gallery, lobed front corners, with wine and other drawers; overall H47” W62” D23”

$900-1,400 145 HEPPLEWHITE STYLE INLAID MAHOGANY BOWFRONT DISPLAY CABINET

early 20th century, molded shaped crown over pediment inlaid with bows and acanthus, case with glazed doors and sidelights on tapered legs; H69 3/8” W27” D19 1/2”

$400-600 Provenance: Georgia private collection 143

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146

148 PAIR LOUIS XVI STYLE BRONZE-DORE MOUNTED MARBLE CANDELABRA

19th century, rouge marble vessel with Classical mounts, electrified; H30” Dia.13” (2pcs)

$1,000-2,000 Provenance: Canadian private collection

149 CHIPPENDALE STYLE CARVED GILTWOOD MIRROR mid to late 19th century, leaf, shell and scroll Rococo frame, centering looking glass panels; H83” W52 1/2”

$1,500-2,500 Provenance: Deaccessioned by a Georgia institution

150 ENGLISH CARVED GILTWOOD OVAL MIRROR 147

mid 19th century, ribbon pediment on molded and beaded frame; H52” W38”

148

147 PAIR NAPOLEON III BRONZE-DORE AND MARBLE FIVE-LIGHT CANDELABRA

$700-1,100 Provenance: South Carolina private collection

19th century, flame finial on ram’s-head and garland-decorated stem issuing acanthus-laden scrolling arms ending in floral bobeche, pedestal base bisected with marble slab and bronze feet; H28” W12” D10” (2pcs)

149

151 CONTINENTAL CARVED AND GILDED OVERMANTEL MIRROR

mid 19th century, H65 3/4” W45 3/8”

$1,500-2,000

$500-900

Provenance: Canadian private collection

Provenance: Florida private collection

150

151

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152

153

152 PERSIAN HERIZ CARPET

156 PERSIAN SAROUK CARPET

early 20th century, 11’8” 18’5”

10’ x 16’

$10,000-15,000

$1,500-2,500

Provenance: South Carolina private collection

Provenance: North Carolina private collection

153 SEMI-ANTIQUE PERSIAN KERMAN

157 PERSIAN KASHAN CARPET

CARPET

circa 1920, 8’9” x 12’3”

circa 1930, 11’11” x 25’10”

$1,000-2,000

$2,000-4,000

Provenance: North Carolina private collection

Provenance: Canadian private collection

154

154 TURKISH OUSHAK CARPET 12’ x 16’6”

$2,000-3,000 Provenance: Charlotte, North Carolina collection

155 PERSIAN MAHAL CARPET circa 1930, 11’2” x 15’2”

$3,000-5,000 Provenance: South Carolina private collection 156

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155

157

158

159

158 SEMI-ANTIQUE MAHAL CARPET

161 PERSIAN BAKHTIARI CARPET

164 CHINESE KASHAN CARPET

circa 1950, 10’8” X 12’”

garden design, 8’9” x 11’8”

9’10” x 14’3”

$1,000-2,000

$1,000-1,500

$500-700

Provenance: South Carolina private collection

Provenance: Charlotte, North Carolina collection

159 PERSIAN HERIZ CARPET

162 INDO HUNTING TABRIZ CARPET

9’1” x 12’

$1,000-2,000

$800-1,200

Provenance: Arizona private collection

Provenance: Georgia private collection

160 PERSIAN KERMAN CARPET

163 PAKISTAN TABRIZ CARPET

10’1” x 14’2”

9’2” x 12’5”

$1,000-2,000

$700-1,000

Provenance: Charlotte, North Carolina collection

Provenance: Charlotte, North Carolina collection 163

160

161

162

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Estate Jewerly 165

166

165 OPAL AND DIAMOND PENDANT

167 ART DECO DIAMOND AND PLATINUM FILIGREE

20.15ct cabochon natural opal, flanked by 2.12ctw round and baguette diamonds, color G-J, clarity VVS2-SI2, in 14K gold setting, H1 1/2” W1” D3/4”, 13.1gr all in

circa 1940, 2.01ct Old European-cut diamond, color G-H, clarity VS1 accented by two small diamonds in filigree setting, size 7

$2,000-3,000

$14,000-18,000

Provenance: Georgia private collection

Other Notes: Accompanied by EGL report US 910734701D.

167

RING

Other Notes: Accompanied by PGS certificate 4007000101.

168 GOLD COILED SNAKE BANGLE

166 PAIR DIAMOND STUD EARRINGS

18K gold mesh flexible coil band ending with ruby-eyed serpent head; L17”, and 73.0g all in

2 round brilliant-cut diamonds, 2.03ctw, color E-F, clarity SI3-I1, in 14K white gold setting

$2,000-2,500

$6,000-9,000 Other Notes: Accompanied by UGS certificate number 909961006D. 168

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CELEBRATING 86 YEARS

DISCOVERING EXTRAORDINARY OBJECTS

169

171

169 ART DECO DIAMOND AND PLATINUM FILIGREE BROOCH

circa 1935, shaped bar pin centering 0.91ct Old European-cut diamond, color E-F, clarity SI1, and flanked by 2.15ctw side and accent diamonds, color E-F, clarity VVS2-I1; H3/4” L2 1/2”, and 9.4gr all in.

$2,000-4,000 Provenance: Georgia private collection Other Notes: Accompanied by PGS certificate 4007000095.

170 EMERALD AND DIAMOND PENDANT approx. 0.75 round-cut emerald surrounded by 0.6ctw diamonds in 14K white gold setting, H1 1/4” W1/2”

$500-800 Provenance: North Carolina private collection

173

173 VINTAGE ITALIAN ENAMELED GOLD DRAGON BRACELET

170

171 DIAMOND LINE BRACELET fifty-three emerald-cut diamonds, 13.25ctw, color D-E, clarity VS, L7”

vibrantly enameled 18K gold articulated serpent link band ending with double dragon-mask clasp with diamond eyes and ruby cabochon release; marked 18K, Italy, L7” and 72.0g all in

$1,200-1,800

$18,000-25,000 172 VINTAGE DIAMOND AND PLATINUM BRIDAL SET approx. 1.25ct transitional-cut diamond, color H, clarity SI2 in unusual adjustable band, size 5.25

$2,000-3,000 172

Provenance: North Carolina private collection

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176 COLORLESS DIAMOND RING 2.99ct oval brilliant-cut diamond, color E, clarity VVS1, in 18K white gold setting, size 6.5

$15,000-20,000 Provenance: North Carolina private collection Other Notes: Accompanied by GIA certificate number 5171273941.

176

174 DIAMOND, GEMSTONE AND GOLD EARRINGS AND BROOCH pair diamond and emerald earrings, H1” W1/2” ruby and diamond earrings, H1” W1/4” ruby and diamond crescent brooch, H1” W1” pair diamond oval hoops, H1” W1/2” in 14K-18K gold-tested setting total 30.0g all in (7pcs)

174

$800-1,400 Provenance: North Carolina private collection

175 SAPPHIRE AND DIAMOND BROOCH, AND DIAMOND TENNIS BRACELET blue sapphire and colorless diamond-studded 18K yellow gold floriform brooch, Dia.1 7/8”, together with 60 melee diamonds prong set in 14K gold flexible setting, L7”; Total 42.0gr all in (2pcs)

$1,200-1,800 Provenance: Georgia private collection

175

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CELEBRATING 86 YEARS

DISCOVERING EXTRAORDINARY OBJECTS

177

178

181

177 BLUE SAPPHIRE AND DIAMOND RING

179 DIAMOND AND EMERALD BANGLE

181 FANCY YELLOW AND COLORLESS DIAMOND

9.81ct cushion-cut violet-blue sapphire, flanked by 0.64 ctw trapezoid-cut diamonds, in 18K white gold setting, size 7 1/4

sixteen square emeralds, 1.37ctw and twelve diamonds, 0.96ctw in 18K gold-hinged bangle; marked: 18KP; H2” W2 1/2” and 20.0g all in

$12,000-18,000

$1,000-2,000

Other Notes: Accompanied by GIA certificate number 6173200500.

Provenance: North Carolina private collection Purchased from Gubelin-New York in 1985.

ETERNITY BAND

eighteen natural yellow cut-cornered diamonds, 11.24ctw, clarity VS2-SI1, accented by eighty-two round brilliant-cut diamonds, 1.69ctw, color F-G, clarity VS1-SI2 in platinum and 18K yellow gold setting, size 7

$20,000-25,000 178 ART DECO EMERALD, DIAMOND, AND PLATINUM

180 DIAMOND NECKLACE

RING

one hundred and seventeen graduated round brilliant-cut diamonds, from 0.74ct, color G, clarity VS1 to 0.02ct, full-cut, color G, clarity VS2; approx. 11.95ctw, prong-set in 18K white gold, L17”, 35.0g all in

approx. 0.5ct emerald-cut diamond flanked by 0.5ctw emeralds and 0.5ctw diamonds in platinum setting, size 6

$1,000-2,000 Provenance: North Carolina private collection

Other Notes: Accompanied by EGL certificate number US913332502D.

$5,000-8,000 Provenance: South Carolina private collection

179

180

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182

183

184

182 DIAMOND SOLITAIRE PENDANT

184 DIAMOND AND PLATINUM EARRINGS

3.45ct round brilliant-cut diamond, color L-M, clarity VVS2, in 18K white gold four-prong setting, 3.0gr all in

leaf-and-vine design encrusted with sixty marquis- and baguette-cut diamonds, 10.0ctw, color G-H, clarity VS, supporting two pear-shaped diamond drops, 1.35ctw, well-matched color and clarity, H1 3/4” W1” (2pcs)

$5,000-10,000 Provenance: Georgia private collection

$13,000-18,000 Other Notes: Accompanied by PGS certificate 4007000097.

183 PAIR AMETHYST DROP EARRINGS 13.1x15.1x7.6mm and 14.2x15.57.5mm cushion-cut amethyst prong and pendant set on 18K tested gold, L1 1/2” W5/8”

$500-800

185 COLOMBIAN EMERALD AND DIAMOND COCKTAIL RING

approx. 7.0ct rectangular-cut emerald surrounded by 3.15ctw round diamonds in 14K gold setting, size 5

$12,000-18,000 Other Notes: Accompanied by AGL certificate number CS668.

Provenance: North Carolina private collection Purchased from Gubelin-New York in the 1980s.

186 DIAMOND AND GEMSTONE RINGS

ruby and diamond cluster, size 6 opal, emerald and diamond, size 6.25 diamond and diamondaccented, size 6 each in 14K white or yellow gold setting (3pcs)

$1,000-2,000 Provenance: North Carolina private collection

187 DIAMOND AND GOLD BRACELET

approx. 3.75ctw round diamonds in 14K gold openwork flexible bracelet, L6.5” and 20.0g

$1,500-1,800 Provenance: North Carolina private collection

185

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186

CELEBRATING 86 YEARS

187

DISCOVERING EXTRAORDINARY OBJECTS

188 EMERALD, DIAMOND AND GOLD NECKLACE

approx. 8.75ctw oval-cut emeralds accented by 0.4 round diamonds set in 14K gold ornate link collar-style necklace, L16 1/4”, 60g all in

$1,500-2,000 Provenance: North Carolina private collection

189 ART DECO DIAMOND AND PLATINUM FILIGREE RING

1.2ct Old European-cut diamond, color G-H, clarity VS2, accented by 0.3ctw diamonds, color E-F, clarity VS2-I1, in ornate openwork setting, size 5 3/4

$8,000-12,000 Other Notes: Accompanied by UGS certificate number US910413905D. 191

188

190 GOLD INTERLOCKING LINK FLEXIBLE BRACELET marked: 14K, L9”, and 80.5gr

$1,400-1,800 Provenance: Georgia private collection

191 DIAMOND PENDANT ON CHAIN

192 CUSTOM-MADE DIAMOND AND GOLD RING

1.2ct trillion-cut diamond and 0.5ct trapezoid diamond, color G-H, clarity VS, with 14K white gold chain, L17”

18K gold band set with 1.1ct heart-shaped diamond, color E-F, clarity VS2, accented by 0.39ctw full-cut diamonds, color G, clarity VS1, all spelling LOVE, size 7;16.0g all in

$6,000-9,000

$1,500-2,500 Provenance: South Carolina private collection

189

190

192

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194

197

195

193 DIAMOND ENGAGEMENT RING 1.1ct round brilliant-cut diamond, color J-K, clarity SI1, and accented by small diamond in 18K white gold by-pass style setting, size 6.75, 4.3gr all in

$1,000-2,000 Provenance: Georgia private collection

196 VINTAGE PATEK PHILIPPE GOLD MAN’S WRISTWATCH, FOR GUBLIN circa 1975, gold oval dial with Roman numerals with 18-jewel manual movement (Movement No. 1.224.995) in 18K gold case with mesh wristband; Reference No. 3548/001; L7 1/2” and 81.0g all in

$3,000-5,000 Other Notes: Accompanied by PGS certificate 4007000100.

194 DIAMOND AND PLATINUM ETERNITY BAND approx. 7.5ctw marquis-cut diamonds, color F-G, clarity VS-VS1, size 5 3/4

$7,000-10,000 195 DIAMOND AND RUBY BRACELET

Provenance: North Carolina private collection Purchased from Gubelin-New York in 1975.

197 BUCHERER LADY ’S GOLD WRISTWATCH oval dial with gold baton hand and hour markers, marked BUCHERER, within 18K gold integrated textured mesh bracelet, stamped: 22804; L6”, and 38.0gr all in

$800-1,200 Provenance: Georgia private collection

30 small round rubies interspaced by 33 small round diamonds in 18K gold setting, L6 1/2” and 35.0g all in

$800-1,400 196

Provenance: North Carolina private collection

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CELEBRATING 86 YEARS

DISCOVERING EXTRAORDINARY OBJECTS

201

198 VINTAGE OMEGA CONSTELLATION AUTOMATIC CHRONOMETER WRISTWATCH circa 1980, brushed silver dial, baton hour markers, day-date just, 18K gold mesh band, L7 1/2”, and 95.0g all in

199 EBEL BELUGA DIAMOND AND GOLD LADY ’S WRISTWATCH

$1,000-1,500

blue nacre dial with diamond hour markers, marked: Ebel Switzerland, within diamond-accented 18K gold flexible band marked: Beluga, 866969, 42111172, 18K, Swiss, approx. L6 1/2”, 75.0g all in

Provenance: North Carolina private collection

$2,000-3,000 Provenance: South Carolina private collection

198

200 VINTAGE AUDEMARS PIGUET ROYAL OAK TWO-TONE STAINLESS WRISTWATCH graphite-color Petite Tapisserie pattern dial with baton hour markers and datejust, and integrated wristband; marked: Audemars Piguet, Royal Oak, No. 1983.

$1,500-3,000 Provenance: North Carolina private collection

201 ROLEX DIAMOND AND GOLD LADY ’S WRISTWATCH square dial with gold baton hand and hour markers, marked ROLEX PRECISION, with in 18K white gold integrated textured mesh bracelet, L7 1/4”, and 55.5gr all in

$800-1,200 Provenance: Georgia private collection

199

200

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204

202 BUTTERFIELD-STYLE SILVER SUNDIAL COMPASS, NICOLAS BION

202

horizontal hexagonal engraved dial-plate, set with glass-covered compass, marked: N Bion A Paris, with hinged, engraved, and bird-decorated gnomon; reverse engraved with latitudes of twenty-five French and European cities; in felt-lined fitted case; dial H2 5/8” W2 3/8” D1/4”

$600-800

205

204 CARTIER LIGHTER AND CIGAR CUTTER rich gold-tone finish, lighter, H2 3/4” and cutter, H2 1/8” (2pcs)

$200-300 Provenance: South Carolina private collection

205 CONTINENTAL GOLD AND TORTOISESHELL CASE

Provenance: North Carolina private collection

19th century, 14K yellow gold hinged case inset with shell panels, marked: 585; L3 1/4” W2 3/4”

Other Notes: Bion (French, 1652-1733) served as royal maker of mathematical instruments under King Louis XIV and, in 1709, published an influential and abundantly illustrated treatise titled THE CONSTRUCTION AND PRINCIPAL USES OF MATHEMATICAL INSTRUMENTS.

$300-500

203 CONTINENTAL STERLING AND ENAMELED

206 DIAMOND AND GOLD FLEXIBLE CUFF BRACELET articulated 18K gold diamond- and lozenge-form design, set with 150 round brilliant-cut diamonds, approx. 11ctw, color E-F, clarity VS, L7”, 104.0g all in

$12,000-18,000

DIMINUTIVE CLOCK

Foreign assay London, dated 1887; enameled dial and ornate case; H4” W2 3/4”

207 GOLD FILIGREE NECKLACE AND EARRING SET

$300-400

intricate ring, rosette and orb design, possibly Turkish, tests 14K indistinctly marked, necklace L15”, earrings H2”, and 55.0g

Provenance: South Carolina private collection

$800-1,200 Provenance: North Carolina private collection 203

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CELEBRATING 86 YEARS

DISCOVERING EXTRAORDINARY OBJECTS

206206

208 PINK SAPPHIRE AND DIAMOND LAVALIERE NECKLACE

six pear-shaped pink sapphires, approx. 4.25ctw, suspended in a conforming 18K white gold pendant on double chain, accented by one hundred and seventy round diamonds, approx. 3.0ctw

210 FIRE OPAL AND DIAMOND RING

$5,000-7,000

$800-1,200

17.1ct oval fire opal flanked by 0.2ctw diamonds in 14K gold setting, size 6 Provenance: North Carolina private collection

209 EMERALD AND DIAMOND RING approx. 6.0ct emerald-cut emerald, flanked by 1.4ctw trillion-cut diamonds in 14K gold setting, size 6.25

$2,000-4,000 Provenance: North Carolina private collection 209

207

208

210

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211 BLUE SAPPHIRE AND DIAMOND BRACELET twenty-one oval-cut natural blue sapphires, 17.5ctw, accented by 3.75ctw small round brilliant-cut diamonds, in 18K white gold, L7 1/4”

$7,000-9,000 212 ART DECO FILIGREE AND DIAMOND BROOCHES AND BRACELET

bar pin, L3” oval brooch, L2” bracelet, L7” 14K white gold, Total 20.0gr all in (3pcs)

211

$500-800 Provenance: Georgia private collection

213 GEMSTONE AND GOLD PENDANTS AND EARRINGS approx. 4ct oval amethyst pendant and matching 5ctw amethyst earrings approx. 5ct oval rhodolite garnet and matching 2.5ctw rhodolite earrings approx. 1.3ctw ruby and diamond earrings all in 14K gold settings (8pcs)

$500-800 Provenance: Virginia private collection

214

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213

214 PAIR CARTIER-STYLE TUTTI-FRUTTI EARRINGS

215 SOUTH SEA PEARL AND DIAMOND COCKTAIL RING

37.0ctw carved natural emeralds and blue sapphires accented by seventy-four small round brilliant-cut diamonds, approx. 1.1ctw, in 18K white gold setting, H2 1/4” W1” (2pcs)

15.5mm pearl set high on 18K yellow and white gold dome-style setting, accented by one hundred and thirty-eight round- and baguette-cut diamonds, approx. 4.0ctw, color F-G, clarity VS, size 7

$6,000-9,000

$4,500-6,500

215

CELEBRATING 86 YEARS

212

DISCOVERING EXTRAORDINARY OBJECTS

218 PAIR GOLD BOX-LOOP EARRINGS 18K gold, H1 3/4” W1”, and 22.0g (2pcs)

$500-800 Provenance: North Carolina private collection

219 DIAMOND DRAGONFLY BROOCH, AND DIAMOND AND SEED PEARL PENDANT/BROOCH 216

diamond pave-set 14K gold design with articulated tail, L2 1/4” W2 1/2”, and floral-form 14K gold pendant/brooch, H1 1/2” W1 1/8”; Total 17.5gr all in (2pcs)

$500-800 Provenance: Georgia private collection 219

220 DIAMOND AND GOLD RING 0.5ct marquise-cut diamond flanked by smaller diamonds in 14K mixed-color setting, size 8.5.

$600-900 Provenance: South Carolina private collection 218

216 GOLD BRACELETS AND CHAINS 14K wide two-tone band, L7 1/2” 14K Italian filigree, L7” 14K nugget design, L8” 14K interlocking link, L7” 2 white gold chains, 14 and 18K, L18” and 23” Total 104.0gr (6pcs)

221 SAPPHIRE BROOCH AND GEMSTONE PENDANT blue sapphire and 14K gold floral-form brooch, H2” W1 1/4”; and cabochon gemstone set in 18K gold geometric design, H3” W1 1/4”; gold tested; and 29.0g all in (2pcs)

$500-800

220

Provenance: North Carolina private collection

$1,200-1,800 Provenance: Georgia private collection

217 FRENCH FANCY DIAMOND AND ENAMELED GOLD NECKLACE eighty-seven round-cut fancy brown-yellow diamonds, 11.0ctw, clarity VS-VSI, in 14K two-tone gold setting with enameled accents, L16 1/4”

$7,000-10,000

217

221

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225 RARE BALTIMORE PICTORIAL MOURNING PENDANT/BROOCH dated 1786, en grisaille painted scene of seated woman beside urn with initials AB (Andrew Buchanan, 1734-1786); within 10K gold case engraved: Andrew Buchanan, dt. March 12, 1786, dt54 H1 1/8” W3/4”

$500-800 Provenance: Pennsylvania private collection

222

222 DIAMOND AND GOLD BAND 18K yellow gold channel-set with baguette diamonds, approx. 1.5ctw, size 7 1/4; and 7.5g all in

$800-1,200 Provenance: South Carolina private collection

223

Literature: Francis Heitman, HISTORICAL REGISTER OF THE CONTINENTAL ARMY DURING THE WAR OF THE REVOLUTION. Washington, DC: The Rare Book Shop Pub. Co., 1914. Patricia Law Hatcher, ABSTRACT OF GRAVES OF REVOLUTIONARY PATRIOTS, Vol1-4. Dallas: Pioneer Heritage Press, 1987. Other Notes: Born in 1734, Andrew Buchanan spent the majority of his life as a merchant and judge in the Baltimore area. When the Revolution broke out in 1776, he was a Brigadier General in the Maryland Militia. He died and was buried in Baltimore March 12, 1786.

224

223 AMETHYST AND DIAMOND RING AND EARRING SUITE

10.2x14.0mm oval amethyst flanked by diamonds, size 6; and pair 8.1x10.2mm oval amethyst and diamond earrings, all in 18K gold settings (3pcs)

$800-1,400 Provenance: North Carolina private collection

224 RETRO ORCHID BROOCH AND EARRING SET multi-tone 18K gold design with pearl accents, marked: 18K and JT, H3 1/4” W2” and H3/4” (3pcs)

$500-700 Provenance: North Carolina private collection

225

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CELEBRATING 86 YEARS

DISCOVERING EXTRAORDINARY OBJECTS

226 GARNET PENDANT ON CHAIN, AND DIAMOND PENDANT ON CHAIN

16.2x11.3mm deep-red oval garnet on 14K gold chain, L15” diamond-set bar pendant on 14K white gold chain, L16” (2pcs)

$500-800 Provenance: North Carolina private collection

227 SOUTH SEA PEARL NECKLACE 226

12-13mm white well-matched pearls with 14K gold clasp, L28 1/2”

$400-700 Provenance: Virginia private collection

228 ENDLESS STRAND CULTURED PEARLS fifty-six 9mm cultured pearls, ending with 14K gold clasp, L58”

$400-700 Provenance: Virginia private collection

229

229 COLLECTION GOLD AND GEMSTONE JEWELRY 14K and diamond ring, size 8 14K and topaz floral ring, size 9 14K and diamond kinetic ring, size 7 1/4 10K and green amethyst ring, size 8 14K rope twist bracelet, L7” 10K filigree bracelet, L8 1/2” 14K ruby and sapphire bracelet, L7” and matching earrings 10K charm bracelet, L7 1/2” faceted peridot pendant on 14K chain, L18” 14K and peridot pendant on chain, L14” Chinese gold coin on 14K chain, L18” pair faceted topaz earrings total 80.0g all in (15pcs)

$1,000-2,000 227

Provenance: South Carolina private collection

230 MIKIMOTO AND HERITAGE CULTURED PEARL NECKLACES

Mikimoto single strand of 5mm white pearls with sterling clasp, L15”; and Heritage single strand of 7mm white pearls with 14K white gold clasp, L16 1/4”; with original boxes (2pcs)

$400-600 Provenance: South Carolina private collection

228

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231 AMETHYST, PERIDOT, AND TOPAZ NECKLACE AND BRACELET SET

floral and bead pendant supported by thick alternating polished bead and pebble necklace, L19 1/2”; and matching bracelet, L9 1/2” (2pcs)

$200-400

232

Provenance: South Carolina private collection

232 MOONSTONE, AMETHYST, AND PERIDOT BRACELET

flexible floral design in sterling setting with toggle clasp, L8 3/4”

$100-200 233 STERLING BROOCHES AND EARRINGS

233

231

lily brooch, H4” rose brooch, H4” butterfly brooch, H2” W3” filigree floral brooch, Dia.3” pair filigree earclips, H2 1/2” Total 127.0g (6pcs)

$100-200 Provenance: North Carolina private collection

234 JUDITH LEIBER PRINCE CHARMING FROG MINAUDIERE

Austrian crystal-studded body with cabochon gemstone accents and button clasp; gold-tone shoulder strap; lame-lined divided interior with mirror and comb; stamped; H4” W5” D2 3/4”

$600-800 Provenance: North Carolina private collection

234

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239 MINK DRIVING COAT

242 MINK SHORT JACKET

approx. medium size, L33” and sleeve L19”

approx. medium size, L23” and sleeve L20”

$300-500

$200-300

240 REVILLON FUR JACKET, RETAILED BY SAKS

243 VINTAGE ALLIGATOR AND HARTMANN LUGGAGE

probably chinchilla, approx. medium size, L30” and sleeve L23”

Air Vice alligator case, H9” W26 1/2” D16 1/2” 2 Hartmann cases, H8” W26” D20 1/2” (3pcs)

$300-500 235

235 BOTTEGA VENETA WOVEN LEATHER

237 GERHARDT FULL-LENGTH MINK

BAGS

COAT

dark brown, H16” W20”; and beige, H20” W19” (2pcs)

approx. medium to large size, L48”

$300-500

Provenance: North Carolina private collection

Provenance: Canadian private collection

236 VINTAGE SCHMEREL BROS. FULL-LENGTH MINK COAT approx. medium size, L45” and sleeve L19 1/2”

$300-500

238 VINTAGE SCHMEREL FUR DRIVING

241 MINK CAPE AND HATS

$200-400 Provenance: Canadian private collection

Best & Co cape (approx. S/M size); McComber hat and Lord & Taylor chinchilla hat (3pcs)

$300-400 Provenance: North Carolina private collection

COAT

probably beaver, approx. medium size, L45”and sleeve L21”

$300-500

$400-600

243

236

237

238

239

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244

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CELEBRATING 86 YEARS

DISCOVERING EXTRAORDINARY OBJECTS

244 GUY CARLETON WIGGINS (New York/Connecticut, 1883-1962) NEW YORK SKYLINE, FROM A STATEN ISLAND FERRY BOAT oil on canvas in original frame, signed & inscribed lower left and verso: Wiggins, NA H25” W30”

$15,000-25,000 Provenance: Commissioned by Mrs. Charles Rolf Dent, and by descent to present South Carolina private collection. Exhibitions: “Carolina Collects”, Columbia Museum of Art, June 27-August 17, 2008

245 EDMUND DARCH LEWIS (Pennsylvania, 1835-1910) MOUNTAIN VIEW OF LAKE oil on canvas, framed, signed & dated lower left, 1867 H37” W63”

$4,000-6,000 Provenance: Georgia private collection 245

246 LOUIS KRONBERG

247 LOUIS KRONBERG

(New York/Massachusetts, 1872 - 1965) LIGHTHOUSE, BOSTON HARBOR, 1901 oil on canvas, framed, signed & dated lower right H14” W18”

(New York/Massachusetts, 1872 - 1965) EUGENIE FOUGERE, dancer with tambourine pastel, framed, signed & dated: mid right, Boston, 1900 sight H19” W11 3/4”

$1,000-2,000

Provenance: North Carolina private collection

248 GEORGE FISH (Massachusetts/New York, wk. 1849-1880) PORTRAIT OF YOUNG GIRL, 1859 pastel on canvas, framed, signed & dated lower left: G.S. Fisher, New York sight H49 1/2” W34 1/2”

$1,000-1,500 Provenance: Arizona private collection 246

247

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249

250

251

249 AMERICAN SCHOOL (19TH CENTURY )

251 AMERICAN SCHOOL PORTRAIT, 19TH CENTURY

253 MARY CASSATT

PORTRAIT OF YOUNG CHILD oil on canvas, framed, unsigned H36” W29”

WOMAN IN LACE BONNET AND SHAWL oil on canvas, framed, unsigned H30” W25”

$1,000-1,500

$500-800

Provenance: North Carolina collection

Provenance: North Carolina private collection

(Pennsylvania, 1844-1926) MARGOT WEARING A LARGE BONNET, circa 1904 print on paper, framed, signed in plate sheet H7 1/2” W5 1/2”

$500-800 250 AMERICAN SCHOOL, 19TH CENTURY CHILD’S

252 AMERICAN SCHOOL, 19TH CENTURY

PORTRAIT

PORTRAIT OF WOMAN oil on canvas, frame, unsigned H24” W19 1/2”

SEATED YOUNG DARLING oil on canvas, framed, unsigned H36” W29”

$1,000-1,500

$500-800 Provenance: South Carolina private collection

Provenance: South Carolina private collection

Provenance: North Carolina private collection

254 JAPAN EXPEDITION SCENES BY SARONY & CO published 1855, two works: FIRST LANDING OF AMERICANS IN JAPAN and LANDING OF COMMODORE PERRY, OFFICERS & MEN OF THE SQUADRON, colored lithographs, framed, sight H19 3/4” W31 1/2” (2pcs)

$500-800 Provenance: Caroline Perry Belmont Bessie Morgan Belmont Timmerman Hence by descent to present heir

252

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254

255

256

258

257

255 LAURA HILLS

257 AMERICAN QUEEN ANNE MAPLE HIGHBOY

(Massachusetts, 1859-1952) GRAPE STILL LIFE watercolor on paper, framed, signed lower right sight H10” W13”

early 19th century, molded crown above case, five graduated drawers, on lower part with cove-molded waist, two long drawers and shaped skirt, cabriole legs; H73 1/4” W40 3/4” D20 1/4”

$400-600

$1,500-3,000

Provenance: South Carolina private collection

258 MASSACHUSETTS NEOCLASSICAL MAHOGANY SIDE CHAIR, WILLIAM FISKE Boston or Salem, circa 1788-1793, carved, molded and pierced shield-shaped backrest, above overupholstered seat, serpentine seatrail, square legs joined by stretchers; stamped: WF on side of backrail; BH37” SH18” W22” D19”

$1,000-2,000 256 CHARLES MORGAN (American, 20th century) MORNING BY THE SEA oil on canvas, framed, signed lower left H14” W24”

$300-600

Provenance: South Carolina private collection Literature: Bjerkoe, Ethel Arthur. THE CABINETMAKERS OF AMERICA. Exton: Schiffer, 1978. Ketchum, William C. AMERICAN CABINETMAKERS: MARKED AMERICAN FURNITURE, 1640-1940. New York: Crown, 1995.

Provenance: Georgia private collection Other Notes: William Fiske is considered one of the more important cabinetmakers in Massachusetts. These chairs are in the collection of the Boston Museum of Art.

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259 AMERICAN CLASSICAL BRASS-INLAID MAHOGANY CARD TABLE, NEW YORK circa 1825, hinged rectangular top, canted corners, above conforming skirt and twist-turned columns to quadripartite platform, on acanthus-carved legs with paw feet and casters; H27 3/4” W36 3/8” D35 3/4” open

$1,000-2,000 Provenance: South Carolina private collection

260 AMERICAN MAHOGANY CHEST OF DRAWERS circa 1835, rectangular top over case, deep upper drawer over three long graduated drawers flanked by beaded pilasters, short turned legs; H43 3/4” W44 1/4” D19 1/2”

259

$400-600 Provenance: North Carolina private collection

261 SOUTHERN FEDERAL WALNUT BUREAU BOOKCASE, VIRGINIA late 19th century, dentil-molded broken-arch pediment, arched panel doors opening to fitted interiors decorated with initials IL and numerals 9 and 3; lower part with hinged lid concealing fitted pigeonholes, document drawers and prospect door, over four graduated drawers and ogee bracket feet; yellow pine and walnut secondary woods; H97” W38” D21”

$1,500-3,000 Provenance: Southern gentleman’s private collection

262 COUNTRY PINE CORNER CABINET

260

261

262

263

19th century, molded canted crown over open case with scalloped surround, on lower part with flat-panel door and shaped base; H66 1/4” W40” D20 1/2”

$500-800 Provenance: Edward Morrison Brown collection

263 CHILD’S HORN CHAIR AND OTTOMAN early 20th century, BH27” SH12” W30” D16”, and ottoman H6” W16” D11” (2pcs)

$500-900 Provenance: Georgia private collection

WWW.CHARLTONHALLAUCTIONS.COM

264 AMERICAN GRAIN-PAINTED BUREAU BOOKCASE circa 1800, H81 1/2” W45 1/2” D18”

$500-900 Provenance: Edward Morrison Brown collection

265 GOTHIC REVIVAL WALNUT BOOKCASE, PROBABLY NEW ORLEANS late 19th century, carved molded crown, arched glazed panel doors, on lower part with panel doors and molded base; H106 1/2” W95” D15”

$2,000-4,000 Provenance: North Carolina private collection Other Notes: Bookcase was originally in a New Orleans convent, later moved to Sacred Heart Convent, St. Joseph, Missouri; and again to Conrad House on the corner of 9th and Robidoux Street in the same city. Some years later it was purchased from an antiques dealer by the present owners.

266 AMERICAN CURLY MAPLE CHEST OF DRAWERS early 19th century, bevel-edge top with rounded corners, over conforming case with two over four long drawers, on bun feet; H47 1/2” W43 1/4” D20 1/2”

$600-900 Provenance: Edward Morrison Brown collection 265

267 VICTORIAN ROCOCO REVIVAL MAHOGANY CHAIR, POSSIBLY MEEKS late 19th century, tall pierce-carved back over upholstered seat and cabriole legs with scroll feet; BH41 1/4” SH16 1/2” W16 1/2” D19”

$300-500 Provenance: Eastern North Carolina collection

264

266

267

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268 MAHOGANY APOTHECARY CABINET mitered case fitted with twenty-five drawers; H43 3/4” W40” D11 3/4

$400-700 Provenance: North Carolina private collection

269 SOUTHERN WALNUT CORNER CABINET 19th century, broken-arch pediment with canted corners centering finial, over pair ten-light doors, on lower part with flat-panel doors, stiles extending to feet; H92 3/4” W52” D22 1/2”

$800-1,500 Provenance: North Carolina private collection

270 AMERICAN CHERRY STEPBACK CUPBOARD 19th century, molded crown over pair thirteen-light doors before shelves, on lower part with drawers over doors, on plinth; H80 1/2” W49 3/8” D19 1/2”

$800-1,200 Provenance: Edward Morrison Brown collection

271 COUNTRY PINE STEPBACK CUPBOARD molded crown over shelved open cabinet, on lower part with three drawers over pierced fretwork, on turned legs unified by undertier; H73 1/2” W53 3/4” D13 1/2”

269

270

268

271

$600-900 Provenance: North Carolina private collection

272 RENAISSANCE REVIVAL STYLE BEDSTEAD ornate carved head and footboard with gilt accents; H96” W91” W95”

$1,000-2,000 Provenance: Georgia private collection

273 PENNSYLVANIA DUTCH CAST-IRON FIREBACK 18th century, rectangular form depicting biblical scene and verse; H25 1/2” W22 7/8”

$200-300 Provenance: Maryland private collection

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272

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274 275

274 PAIR BALL, BLACK & CO STERLING COVERED TUREENS late 19th century, stag finials, ovoid domed covers, squat pedestal urns engraved with initial: R, flanked by grotesque handles; marked: Ball, Black & Co, New York, 925/1000; H7 1/2” W8” D5”, and 44.0ozT (2pcs)

$800-1,200 Provenance: Canadian private collection

275 AMERICAN STERLING MINT JULEPS set of 5 William Nost, H4 1/8” pair of Frank Smith, H3 1/2” 2 others, H3 2/4” and 4” each engraved with initials including A.M. L., and marked. Total 32.0ozT (9pcs)

276

$500-800 Provenance: Canadian private collection

276 AMERICAN STERLING BEVERAGE PITCHER AND PAIR TAZZAS Gorham pitcher, H8 1/2”; together with pair tazzas, H7 3/4” Dia.7 3/4”. Total 40.0oz T (3pcs)

$500-700 Provenance: Canadian private collection

277 TIFFANY & CO STERLING GUMBO SPOONS, AND GORHAM FISH SLICE circa 1884 and 1880, 5 Wave Edge engraved with initials: BRR, L8” Empress pattern fish slice, L10 1/4”; Total 14.5ozT (6pcs)

$400-700 Provenance: South Carolina private collection

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277

278

278 NEWPORT STERLING MINT JULEP SET H3 3/4” and 30.0ozT (8pcs)

$400-600 Provenance: South Carolina private collection

279 AMERICAN STERLING PLACE CARD HOLDERS SET BY BINDER BROTHERS New York, first half 20th century, each in the form of sailing vessel, marked; H2”, and 5.5oz Troy (10pcs)

$300-500 Provenance: Canadian private collection 279

280 WATSON STERLING BEVERAGE PITCHER pattern number 8564, H9” and 19.5ozT

$300-400 Provenance: South Carolina private collection

280

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281 J & F NORTON DECORATED SALTGLAZED STONEWARE JUG

Bennington, Vermont, circa 1855, cobalt Pheasant-on-Stump, stamped: J. & E. NORTON, BENNINGTON, VT above number 2; cylinder body with tapered shoulder, rounded spout, and strap handle; H14”

$700-1,000 Provenance: Nevada private collection

282 SOUTHERN BROWN-GLAZED STORAGE JAR, PROBABLY ALABAMA

282

19th century, tooled rim, shoulder and cylinder-form body, flanked by ear-form handles; incised numeral 2; H12” W8”

$300-500 Provenance: New York private collection

283 EDGEFIELD DISTRICT ALKALINE-GLAZED STONEWARE STORAGE JAR, RHODES MAKER South Carolina, 19th century; flared rim and squat body flanked by ear-form handles, H11”

$500-700 Provenance: South Carolina private collection 281

283

285

284

284 UPSTATE SOUTH CAROLINA STONEWARE PITCHER

circa 1900, ovoid form with wide spout; H9”

$200-300 Provenance: South Carolina private collection

285 PAIR SCOTTISH WHISKEY BARRELS, HY KENNEDY BARROWFIELD POTTERY GLASGOW converted to stools, stamped; H23” Dia.14 1/2” (2pcs)

$300-500

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287

286

286 PRE-COLUMBIAN CHIRIQUI PHASE TARRAGO BISCUIT WARE VESSELS Diquis zone of Costa Rica, circa 1200-1550CE, decorated double spout flanked by anamorphic adornos above bulbous amphora; H6” Dia.6”; and another with single spout, H5” Dia.5” (2pcs)

$300-600 Provenance: South Carolina private collection

287 PRE-COLUMBIAN CHIRIQUI PHASE TARRAGO BISCUIT WARE TRIPOD RATTLE VESSELS

Panama, circa 1200-1550CE, fish vessel with shark rattle legs and twist handle; H7 1/2” W7”; and the other with lizard rattle legs, H5” W6 1/4” (2pcs)

$400-600 Provenance: South Carolina private collection

288 PRE-COLUMBIAN CHIRIQUI PHASE TARRAGO BISCUIT WARE TRIPOD VESSEL Costa Rica, circa 1200-1550CE, wide rim on bulbous bowl flanked by jaguar handles, on turtle feet; H4” Dia.5 1/4”

$300-400 288

Provenance: South Carolina private collection

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289 RARE SOUTHERN SPORTING BOOK

291 COLLECTION ELIZABETH O’NEILL VERNER

Elliott, William. CAROLINA SPORTS, BY LAND AND WATER; INCLUDING INCIDENTS OF DEVIL-FISHING. 1st ed. Charleston: Burges and James, 1846. In original dark brown boards with gilt lettering. together with: Elliott, William. CAROLINA SPORTS, BY LAND AND WATER; INCLUDING INCIDENTS OF DEVIL-FISHING. 2nd ed. New York: Trehern & Williamson, Steam Power Presses, 1850. Bound in dark brown/black boards with original paper cover laid in. (2pcs)

POSTCARDS

$700-1,000 Provenance: South Carolina private collection

approximately 240 postcards of views from Charleston, Virginia, and New England, some with inscriptions together with: book: MELLOWED BY TIME: A CHARLESTON NOTEBOOK. Columbia: Bostick and Thornley, Inc., 1941; signed special edition, numbered 76/110. personal drivers license: Elizabeth O Verner/ 38 Tradd St/ Charleston SC/ expired June 30, 1945 20 personal checks, dated 1925-1962 lithograph, H12” W15” miscelleneous cards, correspondence, articles, publications

$600-800 290 COLLECTION JOHN BENNETT SILHOUETTES, BOOKS, AND EPHEMERA comprising: 3 silhouettes, 2 framed, sight H9 1/2” W15”, H10 1/2” W8”; 3 books: MASTER SKYLARK: A STORY OF SHAKESPEARE’S TIME. Toronto: The MacMillan Company, 1950. Canadian school edition. THE DOCTOR TO THE DEAD: GROTESQUE LEGENDS AND FOLK TALES OF OLD CHARLESTON. Columbia: The University of South Carolina Press, 1995. PIGTAIL OF AH LEE BEN LOO: WITH SEVENTEEN OTHER LAUGHABLE TALES AND 200 COMICAL SILHOUETTES. New York, London: Longmans, Green & Co., 1928. Front endpaper with lengthy inscription from the author to his daughter, Susan Adger Bennett, for Christmas 1928, and pasted original silhouette design used on front cover; original protective paper never removed. Album containing silhouettes, envelopes, cards, postcards, character studies, newspaper clippings, book pages, and correspondence between Bennett and his children and friends; many pieces containing drawings, doodles, and inscriptions by John Bennett, dated 1897-1947. (6pcs)

Provenance: Joseph Tullie Holleman, Sr. estate

292 MILL’S MAPS OF SOUTH CAROLINA

289

circa 1825, comprising: Lexington County, Chesterfield County, and Orangeburg County (from the Mill’s Atlas) overall sheet H21” W27” to H25 1/2” W40” (3pcs)

$400-700 Provenance: South Carolina private collection

293 RARE NEW ENGLAND MAP, BY JOHN RUSSELL London, circa 1795, MAP OF THE NORTHERN, OR, NEW ENGLAND STATES OF AMERICA, COMPREHENDING VERMONT, NEW HAMPSHIRE, DISTRICT OF MAIN, MASSACHUSETTS, RHODE-ISLAND, AND CONNECTICUT; published by Henry Delahoy Symonds, hand-colored, framed size H22” W25”

290

$200-300 Provenance: Edward Morrison Brown collection

$700-900 Provenance: Joseph Tullie Holleman, Sr. estate

292

WWW.CHARLTONHALLAUCTIONS.COM

291

295 ELIZABETH O’NEILL VERNER (South Carolina, 1883-1979) SIDE ENTRANCE, CHARLESTON etching, framed, signed & titled in pencil plate H5 1/4” W3 1/4”

$800-1,200 Provenance: South Carolina private collection

296 ELIZABETH O’NEILL VERNER (South Carolina 1883-1979) ROOFTOPS etching, unframed, signed & titled lower margin in pencil plate H2 5/8” W2 1/8”

$200-400 Provenance: Joseph Tullie Holleman, Sr. estate

297 ANTOINETTE FRANCESCA RHETT (South Carolina, 1884-1964) IN OLD CHARLESTON, SOUTH CAROLINA etching, unframed, unsigned sheet H4 1/2” W4 1/2”

$300-500 Provenance: South Carolina private collection 297

294

294 ELIZABETH O’NEILL VERNER (South Carolina, 1883-1979) ROSALIE pastel on board in original frame, signed & titled, lower right and verso H16 1/2” W12 1/2”

$6,000-9,000 Provenance: Purchased in the 1940s in Charleston, hence by descent to present owner, a Minnesota private collector.

295

296

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298 EDWARD VON SIEBOLD DINGLE (South Carolina, 1893-1975) BLUE JAY WITH CAMELLIA, 1927 gouache, framed, signed sight H17 1/2” W23 1/2”

$5,000-7,000 Provenance: South Carolina private collection

299 EDWARD VON SIEBOLD DINGLE (South Carolina, 1893-1975) ROBIN AMONGST BERRY TREE BRANCHES watercolor, framed, signed lower right sight H17” W11”

$1,000-2,000 Provenance: South Carolina private collection

300 EDWARD VON SEIBOLD DINGLE (South Carolina, 1893-1975) HUMMINGBIRD gouache, framed, signed sight H12 1/2” W6”

298

$1,000-2,000 Provenance: South Carolina private collection

301 EDWARD VON SIEBOLD DINGLE (South Carolina, 1893-1975) CARDINAL AND MAGNOLIA BLOSSOM watercolor, framed, signed lower right sight H12” W11”

$1,000-2,000 Provenance: South Carolina private collection

299

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300

301

302 ALFRED HUTTY (South Carolina/New York, 1877-1954) FRENCH PEASANTS IN COURTYARD (Ile de Noirmoutier) watercolor, unframed, signed sheet H16 1/2” W18 1/2”

$1,000-1,500 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

303 ALFRED HUTTY (South Carolina/New York, 1877-1954) CREPE MYRTLE TREE watercolor, unframed, signed: Alfred Hutty and Patience Hutty board H15” W12” 302

303

$800-1,200 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

304 ALFRED HUTTY (South Carolina/New York, 1877-1954) BARNYARD (Ile de Noirmoutier) watercolor, unframed, signed sheet H15 1/2” W20”

305

$1,000-1,500 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

305 ALFRED HUTTY (South Carolina/New York, 1877-1954) BROADVIEW QUARRY and CATSKILLS-AUTUMN watercolor, unframed, signed and one signed: Patience Hutty board H22” W30” and H15” 20” (2pcs)

$1,000-2,000 304

Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

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306

307

306 ALFRED HUTTY

309 ALFRED HUTTY

(South Carolina/New York, 1877-1954) CATSKILLS-FALL, OVERLOOK MOUNTAIN PASTURE, N.E. VIEW FROM ALFRED HUTTY STUDIO AT BROADVIEW, and GREEN HILLS watercolor, unframed, signed and one signed: Patience Hutty sheet H15” W20” to H19 1/2” W26 1/2” (4pcs)

(South Carolina/New York, 1877-1954) EARLY CATSKILLS FALL watercolor, unframed, signed sheet H12” W15”

308

$500-1,000 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

$1,000-2,000 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

307 ALFRED HUTTY

309

(South Carolina/New York, 1877-1954) COTTAGE & BARN-BROADVIEW, WOODSTOCK BARN, WITTENBERG BARNS, and ROCKS & TREES watercolor, unframed, signed: Alfred Hutty and Patience Hutty overall H20” W28” to H12” W18” (4pcs)

310 ALFRED HUTTY (South Carolina/New York, 1877-1954) NUDE SKETCHES graphite, unframed, few initialed sheet H6” W9” to H19” W12 1/4” (40pcs)

$1,000-1,500

$1,200-1,800

Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

308 ALFRED HUTTY (South Carolina/New York, 1877-1954) ULSTER COUNTY FARM watercolor, unframed, signed: Alfred Hutty and Patience Hutty sheet H19” W26”

$600-900 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

WWW.CHARLTONHALLAUCTIONS.COM

310

313 ALFRED HEBER HUTTY (South Carolina, 1877-1954) OFF FOR THE DAY, 1954 drypoint, framed, signed plate H7” W10 1/2”

$1,000-2,000 Provenance: Kansas private collection Literature: Arnold, Sara C. THE LIFE AND ART OF ALFRED HUTTY. Columbia: USC Press, 2012, p.159, fig.210.

311

314 ALFRED HUTTY

312

311 ALFRED HUTTY

(South Carolina/New York, 1877-1954) three rare ST. MICHAEL’S PORTICO (first, third and fourth states) drypoint, unframed, signed, titled and inscribed in pencil sheet H14 1/2” W11”

(South Carolina/New York, 1877-1954) HASTINGS; ARCHWAY; and SAUGERTIES BARN STUDIES graphite, unframed, signed, titled & two dated: 1926 sheet H13” W15 1/4”, H13” W15”, and H12” W15 1/2” (3pcs)

$1,000-1,500 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

$500-1,000 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty Literature: Arnold, Sara C. and Stephen G. Hoffius, eds. THE LIFE AND ART OF ALFRED HUTTY: WOODSTOCK TO CHARLESTON. Columbia: The University of South Carolina Press, 2012, p.139, fig.90

Literature: Arnold, Sara C. and Stephen G. Hoffius, eds. THE LIFE AND ART OF ALFRED HUTTY: WOODSTOCK TO CHARLESTON. Columbia: The University of South Carolina Press, 2012, p.73 and 138, fig. 80

313

312 ALFRED HUTTY (South Carolina/New York, 1877-1954) SOUTHERN TREE STUDIES graphite, unframed sheet H13 1/2” W10 1/4” to H20” W24” (9pcs)

$800-1,200 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

314

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315

316

315 ALFRED HUTTY

317 ALFRED HUTTY

(South Carolina/New York, 1877-1954) rare ST. MICHAEL’S IN SUNLIGHT (first state) drypoint and pencil, unframed, signed, titled and inscribed in pencil sheet H17” W14”

(South Carolina/New York, 1877-1954) five PORTRAITS and thirteen FIGURES STUDIES graphite, unframed, few signed sheet H6 3/4” W5” to 18” W12” (18pcs)

$500-800

Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty

Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty Literature: Arnold, Sara C. and Stephen G. Hoffius, eds. THE LIFE AND ART OF ALFRED HUTTY: WOODSTOCK TO CHARLESTON. Columbia: The University of South Carolina Press, 2012, p.147, fig.138

316 ALFRED HEBER HUTTY (South Carolina, 1877-1954) CAROLINA PINES, c. 1935 drypoint, framed, signed sight H15” W10 1/2”

$500-800 Provenance: Kansas private collection Literature: Arnold, Sara C. THE LIFE AND ART OF ALFRED HUTTY. Columbia: USC Press, 2012, p.148, fig.142.

317

$500-900

318 ALFRED HUTTY (South Carolina/New York, 1877-1954) DR. LEROY WILEY MCKAY, 1933 (preliminary, 2nd state-proof 1 & 3, and final issue) drypoint, unframed, few signed sheet H6 3/4” W5” to 18” W12” (4pcs)

WWW.CHARLTONHALLAUCTIONS.COM

320 ALFRED HUTTY (South Carolina/New York, 1877-1954) DEAN ANDREW FLEMING WEST, 1933 drypoint unframed,signed and annotated: Fine Prints of the Year, 1933 sheet H12” W12 1/4”

$500-800 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty Literature: Arnold, Sara C. and Stephen G. Hoffius, eds. THE LIFE AND ART OF ALFRED HUTTY: WOODSTOCK TO CHARLESTON. Columbia: The University of South Carolina Press, 2012, p.145, fig.124 320

321 ALFRED HUTTY (South Carolina/New York, 1877-1954) MR. HULETT, circa 1923 salt and electric process etching, unframed, signed and inscribed sheet H15” W11 1/2”

$400-600 319

Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty Other Notes: Pencil inscription reads: From a salt & electric process developed by Dr. George A. Hulett for Alfred Hutty. It is of Dr. Hulett’s father-one of the first sitters of Pittsburgh. Hulett and Hutty worked together in the primitive laboratory but never developed anything further than this etching.

322

319 ALFRED HUTTY

322 ALFRED HUTTY

(South Carolina/New York, 1877-1954) DR. WILLIAM HENRY WELCH , circa 1930 pencil sketch, first printing and final published lithograph, unframed, signed and annotated sheet H18 1/4” W12 1/4”, H16 1/2” W14”, H12” W10” (3pcs)

(South Carolina/New York, 1877-1954) PORTRAIT OF UNIDENTIFIED MAN and DEAN ANDREW FLEMING WEST , circa 1933 drypoint unframed, signed and annotated sheet H10 1/4” W12 3/4” and H12 1/4” W12 1/2” (2pcs)

$500-900 Provenance: Alfred Hutty artist collection by descent to his granddaughter Patience Hutty Literature: Arnold, Sara C. and Stephen G. Hoffius, eds. THE LIFE AND ART OF ALFRED HUTTY: WOODSTOCK TO CHARLESTON. Columbia: The University of South Carolina Press, 2012, p.141, fig.99

321

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323

324

323 MARK HORTON

326 ALICE SCOTT

(South Carolina, b. 1960) CREEK VIEW, CAROLINA MARSHLAND oil on canvas, framed, signed H30” W40”

(South Carolina, 1924-2005) three works: FLOWER VENDORS watercolor, framed as two, signed sight H4 1/2” W3” and H4” W3” (2pcs)

$1,200-1,800

$200-400

Provenance: South Carolina private collection

Provenance: New York private collection

324 MARK HORTON (South Carolina, b. 1960) CAROLINA COAST AT DUST oil on canvas, framed, signed H24” W36”

327

$800-1,400

327 BLUE SKY WATERCOLOR, FRAMED

Provenance: South Carolina private collection

(South Carolina, 20th century) ROCK FORMATION watercolor, signed framed size H26 1/2” W32”

325 KATHY MILLER

$300-500

(Georgia, 20th century) EGRET HAVEN, ST. SIMONS ISLAND GEORGIA oil on canvas, framed, signed lower left H36” W24”

Provenance: South Carolina private collection

$300-500 Provenance: Florida private collection 325

WWW.CHARLTONHALLAUCTIONS.COM

326

328 CHARLESTON COIN SILVER GOBLET BY HAYDEN & GREGG South Carolina, circa 1835-43; chased chalice form, engraved: State Agriculture Society, 1848 to Col. Jonathan Davis, for the Best Bull over 3 Years old. (Captain Jonathan R. Davis, 1816-1887) H5 1/2”, 5.5ozT

$800-1,200 Provenance: South Carolina private collection

329 COLUMBIA COIN SILVER DIMINUTIVE GOBLET, WILLIAM GLAZE South Carolina, circa 1838-1882; chased chalice form, engraved: SC State Ag. Soc. To {rubbed} for the best Sow Under 1 Yr. old, 1844 H4”, and 2.2ozT 329

328

$500-800 Provenance: South Carolina private collection

330 SOUTH CAROLINA SILVER SPOONS, TW RADCLIFFE (Columbia/Camden, circa 1827-1870) Tipt pattern engraved with initials: BMM, marked; L6 1/4” and 3.5ozT (5pcs)

$300-400 Provenance: South Carolina private collection

330

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331

333

335

337

331 PERSIAN SAROUK CARPET

333 PERSIAN SAROUK CARPET

335 INDO OUSHAK CARPET

337 TURKISH OUSHAK CARPET

4’5” x 6’7”

4’4” x 6’7”

5’6” x 8’3”

circa 1930, 3’8” x 5’11”

$1,000-2,000

$600-900

$500-700

$400-700

Provenance: South Carolina private collection

Provenance: Columbia, South Carolina private collection

Provenance: Charlotte, North Carolina collection

332 SEMI-ANTIQUE PERSIAN QUM

334 SEMI-ANTIQUE PERSIAN KERMAN

336 PERSIAN HAMADAN CARPET

338 PERSIAN TABRIZ CARPET

CARPET

5’4” x 10’

3’3” x 5’

circa 1950, 3’6” x 5’9”

3’1” x 6’5”

$400-700

$300-500

$800-1,200

$500-800

Provenance: Columbia, South Carolina private collection

Provenance: North Carolina private collection

Provenance: Columbia, South Carolina private collection

332

334

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336

338

340

339

341

339 TURKISH OUSHAK RUNNER

340 AZERBAIJAN KAZAK CARPET

341 KESHMIRI HERIZ RUNNER

2’7” x 23’4”

2’9” x 9’9”

2’6” x 13’5”

$700-900

$500-700

$400-700

Provenance: Edward Morrison Brown collection

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342

342 GEORG JENSEN ACORN STERLING FLATWARE

Danish, circa 1915, comprising: 18 hollow handle knives, L9” 12 hollow handle fruit knives, L6 1/2” 12 hollow handle butter spreaders, L5 3/4” 18 forks, L7 1/2” 18 salad/fish forks, L6 1/4” 12 oyster/pastry forks, L5 1/2” 12 cocktail forks, L5 1/2” 18 soup/dessert spoons, L7” 18 teaspoons, L6” 12 iced tea spoons, L7 1/4” 24 demitasse, L3 3/4” marked: Georg Jensen Sterling Denmark Total 160.2ozT weighable (174pcs)

343 PAIR CONTINENTAL SILVER SEVEN-LIGHT CANDELABRA late 19th century, marked: 800 and what appears to be French import punch; H24” Dia.14”, and 107.0ozT (2pcs)

$1,400-1,800 Provenance: Canadian private collection

$4,000-7,000 Provenance: North Carolina private collection

343

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344

344 ASTRO-HUNGARIAN SILVER FLATWARE AND SERVING PIECES, J.C. VON KLINKOSCH Vienna, circa 1866-1886, comprising: 17 hollow handle knives, L10 1/8” 6 hollow handle knives, L9” 17 forks, L8 3/4” 5 forks, L7 1/4” 6 forks, L5 1/2” 6 spoons, L7 1/4” 7 teaspoons, L6” large serving tongs, L10” ladle, L14” gravy ladle, L7 1/2” 4 serving spoons, L8 1/2” serving spoon, L10 3/4” fish server, L11 1/2” 2 serving forks, L9 1/4” and 11” each with Hungarian 4th standard, Hoflieferant double-headed eagle, and maker’s mark: JCK, and engraved with initial M. Total 145.5ozT weighable (75pcs)

345

345 GEORG JENSEN ACORN STERLING DESSERT FLATWARE AND SERVING PIECES Denmark, circa 1915, comprising: hollow handle cake knife, L10 1/2” cream ladle, L6 3/4” sugar shovel, K4” sugar tongs, L4” lemon fork, L4 3/4” sugar spoon, L6” 8 teaspoons, L6 1/2” 8 demitasse, L4” 8 iced teaspoons, L7 1/2” 4 pastry forks, L5 1/2” 6 hollow handle pastry knife, L6 3/4” 8 flat end spreaders, L6” each marked: Georg Jensen, Denmark Total 34.0ozT weighable (48pcs)

$1,200-1,800 Provenance: Virginia private collection

$1,200-1,800 Provenance: North Carolina estate

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346

347

346 GEORG JENSEN ACORN STERLING SERVING PIECES

347 GEORG JENSEN ACORN STERLING FISH AND LOBSTER SET

Danish, circa 1915, comprising: large serving spoon and fork set, L9 1/2” medium serving spoon and fork set, L9” small serving spoon and fork set, L8” 2-piece hollow handle salad-serving set, L9 1/4” gravy ladle, L7 3/4” 2 meat forks, L7 3/4” 2 hollow handle cheese knives, L7 1/2” hollow handle cake knife, L10 1/2” pancake/tomato server, L8 3/4” cake server, 7 3/4” hollow handle pastry/pie server, L9” sugar spoon, L4” hollow handle grape shears, L5 3/4” sugar tongs, L4” 2 enameled salt cellars with spoons marked: Georg Jensen Sterling Denmark Total 34.0ozT weighable (24pcs)

Denmark, circa 1915, comprising: 8 fish forks, L6 1/2” 8 fish knives, L8 1/4” 5 lobster forks, L7 1/2” each marked: Georg Jensen, Denmark Total 32.0ozT (21pcs)

$1,000-2,000 Provenance: North Carolina private collection

WWW.CHARLTONHALLAUCTIONS.COM

$1,000-1,500 Provenance: Virginia private collection

348

349

348 GEORG JENSEN ACORN STERLING FLATWARE Danish, circa 1915, comprising: 9 hollow handle knives, L9” 8 forks, L7 1/4” 8 salad forks, L5 3/4” 8 teaspoons, L5 3/4” marked: Georg Jensen, Sterling, Denmark Total 29.5ozT weighable (33pcs)

$800-1,200 Provenance: North Carolina private collection

349 GEORG JENSEN ACORN STERLING LUNCHEON FLATWARE AND SERVING PIECES

Denmark, circa 1915, comprising: 8 forks, L7 1/2” 8 hollow handle knives, L8” 2-piece salad serving set, L9 1/4” 2-piece carving set, L12 1/2” cold meat fork, L7 3/4” 4 hollow handle knives, L4 1/2” hollow handle bar knife, L8 1/4” each marked: Georg Jensen, Denmark Total 17.0ozT weighable (26pcs)

$800-1,200

350

350 CHINESE SILVER CENTERBOWL ON STAND Canton, early 20th century, on carved hardwood stand, H4” L10” D7 1/2”, and 20.0ozT

$600-900 Provenance: South Carolina private collection

Provenance: Virginia private collection

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352

351

351 ENGLISH SILVERPLATE WINE TROLLEY

354 FRENCH SILVER DEMITASSE CUP AND SAUCER SET

19th century, double coasters on functioning wheels, H4” L17 1/2” W7 1/2”

$500-800

19th century, set of 12 cups with scrolling band design with matching saucers; marked; H2 1/4”, and 29.0ozT (24pcs)

Provenance: South Carolina private collection

$400-700 Provenance: Canadian private collection

352 GEORG JENSEN STERLING NO. 433 INDIVIDUAL SHAKERS

circa 1935, each marked: Jensen, Denmark, H1 1/4” and 5.5ozT (8pcs)

$500-800 Provenance: Virginia private collection

355 GEORGE III SILVER OVAL TEA CADDY, POSSIBLY BY WILLIAM VINCENT London, dated 1790, chased oval hinged design, engraved with crest, complete marks; H4 3/4” W5” D3 1/4”, 13.5ozT

354

$400-600 353 ENGLISH STERLING AND AMERICAN SILVER

Provenance: South Carolina private collection

FLATWARE AND SERVING PIECES

18th century and later, comprising: George III rice/stuffing spoon, L12” William IV serving spoon, L9” set of 5 Victorian forks, L8” 2 pairs Victorian teaspoons, L5 1/2” pair Victorian serving spoons, L8 3/4” together with 5 American coin silver spoons, L5 1/2” to 9 1/8”; fork, L7 1/2”; 8 Whiting hollow handle sterling knives, L9” to 9 1/2”; and sterling gravy ladle, L6 1/2” Total 40.0ozT (28pcs)

$500-700 Provenance: South Carolina private collection 353

WWW.CHARLTONHALLAUCTIONS.COM

355

356

357

356 FRENCH SILVER ASPARAGUS SERVER, SAUCE BOAT, AND TRAY 19th century, comprising: asparagus serving tongs, L9 3/4” Rococo style sauce boat, H3 1/4” L5 3/4” diminutive oval tray, L8” engraved initials: CHW, and variations of Alice B. Bowler and Williamson; marked with French 1st standard and other punches; Total 20.0oz T (3pcs)

$300-500 Provenance: Canadian private collection

357 FRENCH SILVER BEAKERS

358A

358

358 CARTIER STERLING TEA CADDY early 20th century, carved finial on cartouche-form hinged top and conforming body with rope-twist bands, engraved: C and marked; H4 1/2”, and 6.2ozT

$200-400 Provenance: South Carolina private collection

358A ENGLISH CRYSTAL SIX-LIGHT CHANDELIER, PROBABLY WATERFORD late 19th/early 20th century, baluster stem supporting scrolling and S-shape arms and spearhead decorations; H44” Dia.34”

$1,500-2,500 Provenance: South Carolina private collection

first half 19th century, 1st and 2nd standard, comprising: vermeil floral-decorated, H3 1/4” plain form, H3” banded design, H3” Total 7.0ozT (3pcs)

$200-400 Provenance: Canadian private collection

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International Sale

359 CONTINENTAL MARQUETRY-INLAID WALNUT SECRETARY BOOKCASE

18th/19th century, rocaille cresting and scalloped pediment above doors opening to shelves, on lower part with slant lid opening to fitted interior, above drawers, on ball-and-claw feet; H94” W46 1/2” D28”; together with similar side chair; BH44” SH18 3/4” W21 1/2” D19” (2pcs)

$4,000-6,000 Provenance: Canadian private collection

360 BAROQUE POLYCHROME CARVED WOOD SOLOMONIC COLUMN, PROBABLY ITALIAN 17th/18th century, Corinthian capital above helical shaft on octagonal base; H88” W1” D15”

$1,500-2,500 Provenance: Georgia private collection

361 PAIR LOUIS XV STYLE PAINT-DECORATED SINGLE BEDS 359

late 19th century, padded headboard within serpentine bead-and-channel frame centering shell cartouche with flowerheads, low footboard with outscrolled posts, unified by shaped rails; H46 3/4” W42” L80”

$500-700 Provenance: North Carolina private collection

360

361

WWW.CHARLTONHALLAUCTIONS.COM

362

362 PAIR BIEDERMEIER FRUITWOOD CHAIRS mid 19th century, concave crest and pierced splat above slip seat and saber legs; BH35 1/4” SH19” W19” D19” (2pcs)

$400-600 Provenance: Eastern North Carolina collection

363 PAIR LOUIS XV STYLE MARQUETRY INLAID COMMODES

late 19th/early 20th century, beige and rouge-veined marble tops over two drawers on splay legs with bronze mounts; H33” W35” D17” (2pcs)

363

364 LOUIS XV STYLE BRONZE-MOUNTED MAHOGANY DRESSING STAND WITH MIRROR

circa 1890, cartouche-form frame with beveled mirror, on bowfront kneehole case with four drawers and cabriole legs, with bronze moldings, chutes and sabots; H65 1/2” W42” D22 1/4”

$800-1,200 Provenance: Georgia private collection 366

$1,000-1,500 Provenance: South Carolina private collection

365 CONTINENTAL MARQUETRY INLAID WALNUT COMMODE

late 18th/early 19th century, rectangular top with rounded corners, four-drawer case, scalloped apron and splay feet; H32 3/4”37” D21”

$1,000-2,000 Provenance: Canadian private collection

366 REGENCY STYLE WALNUT DINING CHAIRS, SET OF TWELVE

circa 1900, curved oval upholstered back and serpentine seat, molded tapered legs with spade feet; BH38” SH18” W21” D18” (12pcs)

$1,000-2,000 Provenance: South Carolina private collection 364

365

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367

368

369

367 RUSSIAN NEOCLASSICAL PAINT AND GILT-DECORATED TABOURET OR STOOL

369 CONTINENTAL PAINT-DECORATED BOWFRONT

370 CONTINENTAL MARQUETRY INLAID DAYBED

CABINET

late 19th/early 20th century, upholstered seat above plain apron and valance of swagged drapery with tassels, tendon-emphasized legs with carved hairy knees and paw-and-claw terminals; H22 3/4” Dia.16”

circa 1800, shaped top over conforming case, frieze with olive branch and butterflies within gilt-metal frames, central door with wreath and swans holding musical instruments, flanked by colonettes and bowed doors, on plinth with rosettes; H40 5/8” W61 7/8” D17”

19th century, curved crestrail with Classical inlays, shaped rails, H41 3/4” W81 1/2” D42”

$600-900 Provenance: Georgia private collection Other Notes: Similar examples can be found in RUSSIAN FURNITURE: THE GOLDEN AGE 1780-1840, by Antoine Cheneviere. Made for the Greek Hall, Pavlovsk Palace, in imitation of an antique bronze; carved and gilded. The design is by Voronikhim, the sculpture by the workshop of Karl Scheibe, and the gilding by the workshop of F. Koelner, 1803-1804. p.157, illus.153. Chair from the Hillwood Museum with sculpted wood drapery hanging from rail, circa 1800. p.178, illus.179. The painted rails are very similar to this stool, circa 1810-1825. p.214, illus.228.

$1,000-2,000 Provenance: Canadian private collection

$800-1,400 Provenance: North Carolina private collection

368 FRENCH RESTAURATION PERIOD FRUITWOOD COMMODE

circa 1825, frame-and-panel construction, rectangular top over chest with four-drawer configuration, with brass mounts; H33 3/4” W40 1/2” D22 1/2”

$400-600 Provenance: South Carolina private collection Purchased in New Orleans, Louisiana in May 1996.

WWW.CHARLTONHALLAUCTIONS.COM

370

371

372

371 LOUIS XVI STYLE PAINT-DECORATED AND UPHOLSTERED SETTEE

last quarter 19th century, reed and ribbon frame with padded oval back, bench seat flanked by acanthus-carved arms, on fluted legs; BH34 1/2” SH18 1/2” D23” L50”

$500-700 Provenance: North Carolina private collection

372 CONTINENTAL MARQUETRY-INLAID MAHOGANY HEADBOARD

19th century, scroll crestrail, divided headboard, downswept sides on tapered legs on brass casters; H48 1/2” W88 1/2” D15 3/4”

374

374 CONTINENTAL PINE CHEST OF DRAWERS

$800-1,200 Provenance: Canadian private collection

373 FRENCH PROVINCIAL FRUITWOOD VASSELIER 19th century, molded-edge crown, on upper part with shell-carved crest above shelves, lower part with drawers, doors and shaped feet; H90” W52” D23”

late 19th century, shaped top over molded chamfered corners flanking three drawers, on scroll feet; H32” W44 1/2” D22”

$500-800 Provenance: North Carolina private collection

$1,000-2,000 Provenance: South Carolina private collection 373

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375 JACOBEAN STYLE OAK SIDE TABLE

molded edge top, molded panel doors, turned legs joined by stretcher; H31 1/2” W70” D20”

$700-900 376 PROVINCIAL LOUIS XV CARVED PINE ARMOIRE

18th/19th century, deep coved crown with rounded corners, over conforming pegged frame-and-panel case, cupboard doors carved with flowerheads and foliage, on short legs; H85 1/2” W58 1/2” D23 1/2”

375

$1,000-2,000 Provenance: North Carolina private collection

377 CLAUDE MICHEL CLODION (French, 1738-1814) TAMBOURINE PLAYERS AND YOUNG SATYR bronze, signed and with AH foundry mark H30 1/2” W13 1/2” D10”

376

$3,000-5,000 Provenance: Georgia private collection

378 JEAN-BAPTISTE AUGUSTE CLESINGER (French, 1814-1883) SAPHO bronze with dark brown patina (possibly silvered) on marble base, signed & dated on base: 1867 H19” Dia.8”

$1,500-2,500 Provenance: Georgia private collection

377

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378

381

379

380 383

379 ITALIAN CARVED MARBLE FIGURE OF ST. FRANCES early 20th century, H49”

$500-800 Provenance: North Carolina private collection

380 CHARLES ANFRIE (French, 1833-1905) FIGARO bronze with dark brown patina, signed H18 1/2”

$500-700 Provenance: South Carolina private collection

381 ANNA GLENNY DUNBAR (New York, b. 1880 or 1888) RECLINING NUDE bronze with dark patina on slate base, signed, edge near head H3” L9 1/2”

$500-800 Provenance: New Yowk private collection

383 PAIR FRENCH ORIENTALIST BRONZE BUSTS, SIGNED DUCAM late 19th/early 20th century MAN and WOMAN bronze with dark brown patina on hardwood base, signed on base H10 1/4” W8” (2pcs)

$300-600 Provenance: Canadian private collection

382 CESARE SCHEGGI (Italian, 1833-1876) YOUNG MUSICIAN carved alabaster, signed on verso H161/2” W7” D6 1/4”

$300-500 Provenance: Georgia private collection

382

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384

385

384 FRENCH LOUIS XV STYLE CLOCK GARNITURE, JAPY FRERES & CIE

BRACKET CLOCK

late 19th century, painted porcelain plaquette framed by gilt-metal case centering circular clock with Japy Freres time-and-strike movements; accompanied by matching side urns; all on wood bases; works marked; clock H19” W10” D9 1/2”, urns H16” W5 1/2” D4 3/4” (3pcs)

late 19th/early 20th century, black slate architectural-form case topped with turned gallery, flanked by fluted columns, and figural frieze panels below; dial marked: Bigelow Kennard & Co Boston; H15 1/4” W10”

$800-1,200

$300-500

Provenance: Canadian private collection

Provenance: North Carolina private collection

385 FRENCH ORMOLU AND PORCELAIN CLOCK third quarter 19th century, ornate case inset with decorated porcelain panels on carved giltwood stand; H17 1/2” W12” D6”

387 BIGELOW, KENNARD & CO SLATE

388 OAK CASED BAROMETER, SIGNED BURROW MALVERN $300-500

Provenance: South Carolina private collection

19th century, stippled and chased case with beveled glass fitted enamel dial with Roman numerals, impressed on base: 415; key present; H7” W3 1/2” D3 1/8”

$500-800 Provenance: North Carolina private collection

387

late 19th century, H39”

$600-900

386 FRENCH BRASS AND GLASS CARRIAGE CLOCK

386

389 ENGLISH INLAID MAHOGANY MANTEL CLOCK

late 19th/ early 20th century, domed case centering painted dial, flanked by columns, on brass ogee feet; H11 1/4” W7 3/4” D3 1/2”

$200-400 Provenance: North Carolina private collection

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389

388

390

390 FRENCH BRONZE-MOUNTED MARBLE MANTEL CLOCK

last quarter 19th century, heavily veined rouge marble case centering dial and flanked by figures, housing later works; H11 3/4” W25 1/2” D5 1/2”

393

391 AMERICAN AESTHETIC CERAMIC VASE, ATTRIBUTED TO FAIENCE MANUFACTURING CO

$200-400

New York, circa 1886-92, elongated neck on bulbous vase flanked by dolphin handles, gilt-decorated Aesthetic motifs on yellow ground; impressed: 694; H22”

Provenance: Georgia private collection

$1,000-1,500 Provenance: Canadian private collection

392 PAIR ITALIAN FAIENCE CARYATID-FORM BRACKETS H38” W17” D10 1/2”

$700-1,000 Provenance: South Carolina private collection

393 ROYAL COPENHAGEN FLORA DANICA PATTERN PORCELAIN CACHEPOT

oval form with applied handles and flowers at either side; marked: ANEMONE COERULESCENS; H6 1/2” W11” D6 1/4”

$800-1,200 Provenance: Georgia private collection

391

392

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394 MASSIVE CAPODIMONTE COVERED URN ON PEDESTAL

marked, H32”

$800-1,200 Provenance: South Carolina private collection

395 MEISSEN TEAPOT, COVERED ECUELLE, AND UNDERPLATE

395

19th century, floral and bird design teapot, H4 3/4”; yellow-ground covered ecuelle and underplate with painted European harbor scenes in quatrefoil cartouches; ecuelle H4 1/2” Dia.7”; underplate Dia.8 5/8”; each with underglaze-blue crossed swords (3pcs)

$400-600 Provenance: North Carolina private collection

396 MEISSEN PORCELAIN TEAPOT, CUPS AND SAUCERS, COUNT CAMILLO MARCOLINI

396

19th century, puce-painted floral design, comprising: teapot, H4” 10 cups, H2” 12 saucers, Dia.5” marked with underglaze-blue crossed sword, some with asterisk and others with pellet (23pcs)

$500-800 Provenance: Property of a gentleman

397 WEDGWOOD CERAMIC CANE WARE TEA SERVICE

circa 1871, with blue bamboo-patterned concave body and green leaf decoration, comprising: teapot, H6 1/4” covered sugar, H3 3/4” creamer, H3” each with English registry mark (3pcs)

$300-500 394

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397

Provenance: South Carolina private collection

399 PAIR FRENCH PORCELAIN-MOUNTED GILT-BRONZE CANDLEHOLDERS

first half 19th century, twig and leaf-form frame mounted with porcelain blossoms enveloping figures; H10 1/2” W10” D7” (2pcs)

$300-500 Provenance: Georgia private collection

400 POTTERY PIGGY BANKS AND DOG-FORM WHISTLE 19th century, yellow-glaze bank, H4” L5”; spongeware bank, H2 1/2” L5”; and spongeware whistle, H2” L2 3/4” (3pcs)

$200-400

401

Provenance: New York private collection

401 VIENNA DECORATED PORCELAIN CACHEPOT 398

398 WEDGWOOD BLACK JASPER HANGING PLANTER late 19th century, with applied white Classical relief, interior stamped: WEDGWOOD ENGLAND; H6 1/2”

19th century, botanical specimen design; underglazeblue beehive mark; H6 1/2” W9 1/2”

$200-300 Provenance: Tennessee estate

402 HEREND MARKET GARDEN PATTERN PORCELAIN SOUP PLATES

20th century, scattered motifs of fruits and insects with scalloped, gilded edges; Dia.9 1/2” (6pcs)

$200-300 Provenance: North Carolina private collection

$300-500 Provenance: South Carolina private collection

400

399

402

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404 CHINESE CARVED HARDWOOD WRITING DESK

late 19th century, pierce-carved dragon gallery top over pigeonholes, doors and drawers; above serpentine carved banded top with drawers, carved skirt and cabriole legs; BH60”, writing surface H32” W52” D27”

$900-1,200 Provenance: South Carolina private collection

405 CHINESE HARDWOOD SCHOLAR’S CHAIRS

403

403 CHINESE EXPORT FOUR-PANEL SCREEN 19th century, black lacquer panels decorated with gilt decorations of figures in pagodas and landscape, amidst birds and dragons. H85” L87”

last quarter 19th century, one with spindle back, pair with carved backsplat, all with frame-and-panel seat and straight legs with stretchers; single BH41 1/2” SH21 1/4” W24 1/4” D19 1/4, pair BH38 1/2” SN21” W22 7/8” D17” (3pcs)

404

$600-900 Provenance: Edward Morrison Brown collection

$1,000-2,000 Provenance: Canadian private collection

406 CHINESE HARDWOOD ALTAR TABLE 19th century, single board rectangular top supported by open trestle ends; H32 3/4” W60 1/4” D16 3/4”

$400-600 Provenance: Eastern North Carolina collection

405

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406

407

408

407 GUSTAVO MONTOYA

408 ZHOU BROTHERS (DAHUANG AND SHANZUO ZHOU)

(Mexican, 1905-2003) BOY HOLDING A TOY HORSE oil on canvas, framed, signed lower right H25” W18 3/4”

(Chinese-American, b. 1952,1957) SOUND OF NATURE II, 1993 mixed media on paper, framed, signed & dated sheet H40” W30”

$5,000-7,000

$2,500-3,500

Provenance: North Carolina private collection

Provenance: Dr. Joseph T. Harris collection Acquired from Nahan Galleries, New York, 1994. Other Notes: Accompanied by Nahan Galleries 1994 Zhou Brothers exhibition catalogue (illustrated pg.6).

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410

409

409 CHARLES NEAL

411 KEN CHRISTOPHER

(British, b.1951) SOUTH WEY PATH, SUSSEX oil on canvas, framed, signed lower right H48” W60”

(Canadian, b.1942) DESERT SERIES #16, 1983 acrylic on canvas, framed, signed and titled verso H49” W83”

$2,000-4,000

$1,000-2,000

Provenance: Dr. Joseph T. Harris collection

Provenance: North Carolina private collection

410 SUSAN LANE

Other Notes: Verso bearing old label, Gallery 1, Toronto, Ontario, Canada; inventory/stock #2997.

(British, 20th century) THE RIVER WEY IN JUNE, SURREY oil on canvas, framed, signed lower right, and gallery label on verso H32” W48”

$1,000-2,000 Provenance: Dr. Joseph T. Harris collection Wally Findlay Galleries

411

412 EMANUEL GLICENSTEIN ROMANO (New York, 1897-1984) FISH AND FORMS, AN ABSTRACTION, 1954 oil on board, unframed, signed lower center H23 1/2” W35 7/8”

$1,000-1,500 Provenance: New Yowk private collection 412

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413 ANDREW (ANDRZEJ) SKORUT (Utah/Polish, b. 1969) CALM STREAM, 1999 oil on canvas, framed, signed, titled & dated, lower right and verso H51” W62”

$1,000-1,500 Provenance: North Carolina private collection

413

414 RUTH GONZALES 417

(Mexican, b.1959) LUZ Y SOMBRAS, 1999 oil on canvas, signed, dated, and titled on verso H62” W72

417 ERNESTINE TAHEDL (Austrian/Canadian, 20th century) RECEDING MIST acrylic on canvas, framed, signed & titled lower right and verso H40” W70”

$1,000-1,500 Provenance: North Carolina private collection

415 JOHN MILLER

$800-1,200 Provenance: North Carolina private collection

(British, 1931-2002) CORNISH GARDEN IN SANCREED oil on canvas, framed, signed on verso H28” W30”

Other Notes: Verso bearing old Contemporary Fine Art Services, Toronto, Canada label, No. 89561.

$1,000-2,000 Provenance: Dr. Joseph T. Harris collection David Messum Gallery, London 414

416 ELIYAHU GAT (Israeli, 1919-1987) FLOWERS oil on board, mounted, framed, signed on verso: GAT 79 H27 1/2” W19 3/4”

$800-1,000 Provenance: Dr. Joseph T. Harris collection

415

416

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418

419

418 JULIAN TREVELYAN

421 HIRANI

(British, 1910-1988) WESSEX (from the London Parks Suite ñ 1969-70) etching with aquatint, framed, signed, titled & numbered in pencil, 41/75 image H19” W13 1/2”

(American, 20th century) PANSIES mixed media on Arches paper, framed, signed lower right H26” W29 3/4”

$500-900

$500-700

Provenance: South Carolina private collection

Provenance: Dr. Joseph T. Harris collection

419 DAVID WYNNE

422 KAREL APPEL

(British, b. 1926) EMBRACING COUPLE bronze, signed and numbered: DW 2/6 H10”

$1,000-1,500

(Dutch/New York, 1921-2006) CHIEN DE FACE, 1977 color lithograph, artist’s proof, framed, signed and dated lower right H41” W27 1/2”

Provenance: New York private collection

$400-600

420

422

421

Provenance: Dr. Joseph T. Harris collection

420 CONTEMPORARY PAINTING, SIGNED JCM, III LATE SUMMER-FALL PALETTE, mixed media (oil, wax, fire and water), framed size H74” W48 1/2”

$500-800 Provenance: North Carolina private collection

423 PHILIP MULLEN (South Carolina, b. 1942) ENGLISH GOLD print, framed, signed, titled & numbered: upper left 19/31 sheet H23” W31”

$300-500 Provenance: South Carolina private collection 423

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425

428 LUC WARNECK (Morroccan, b.1959) CHAIR mixed media on paper, framed, signed lower left, marked lower right: 34/86 sight H25 1/2” W19 1/2”

427

424

424 I. WIANARD (American, 20th century) BLUE ABSTRACT painted and embossed paper, framed, signed & numbered: 12/18 sheet H26 1/2” W20”

$200-300 Provenance: Dr. Joseph T. Harris collection

$300-500 Provenance: Dr. Joseph T. Harris collection

425 CONTEMPORARY BRONZE SCULPTURE (20th century) ABSTRACT, cold-painted bronze, unsigned, underside with label reading: Piedra Lorca; overall H18” W25” D6”

$300-500 Provenance: North Carolina private collection

426 KATE REIGHTLEY (Washington/New Mexico, 20th century) VIEW FROM BELOW #1 mixed media on paper sheet H44” W95”

$300-500 Provenance: North Carolina private collection

426

429 ABSTRACT WITH BLUE AND RED, FRAMED

427 SOUTHERN ART BY MARY ELLEN SUITT, CARL BLAIR, AND CARRIE BROWN Suitt (South Carolina, 1918-2013) VIBRANT COLORS and MUTED COLORS, watercolor and waterwork, framed size H14 1/2” W14 1/2” and H12 1/4” W10 1/4” Blair (South Carolina, b.1932) OLD ORCHARD, colored pencil, framed size H14” W12” Brown (South Carolina, 20th century) LANDSCAPE, watercolor, framed size H18 1/2” W14 3/4” (4pcs)

$200-400 Provenance: South Carolina private collection

428

(20th century) screenprint, signed illegibly lower center, marked: 3/75 H34 1/2” W15 1/4”

$100-200 Provenance: Dr. Joseph T. Harris collection Mark Humphrey Gallery, Southampton, New York 429

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431

432 LALIQUE LUXEMBOURG CENTERBOWL AND ISPAHAN VASE marked: Lalique France, H8 1/8” Dia.12” and H9 1/2” (2pcs)

$700-1,000 Provenance: Dr. Joseph T. Harris collection

433 MURANO ART GLASS EGG, VASE AND ORB SCULPTURES, SEGUSO A.V. (Italian, 20th century) , signed and one bearing gold label: CAM Murano 34716; egg H14” W7” D6 1/2”; vase H17 1/8” Dia.5 3/4”; and orb H8” Dia.7 1/2” (3pcs)

430

430 WARREN PLATNER DINING TABLE designed 1966, black veined marble top on plated steel base; H28” Dia.54”

431 MID-CENTURY MODERN BAR CABINET, JOHN STUART

$2,500-5,000

with sliding drop-leaf top; H28 1/2” W63” open D20 1/4”

Provenance: North Carolina private collection

$400-700

$500-800 Provenance: Dr. Joseph T. Harris collection

Provenance: North Carolina private collection

432

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433

435 SOUTHERN ART GLASS SCULPTURE BY DAVID GOLDHAGEN (North Carolina, 20th century) FLYING POD 1/92, signed & titled, H11” W21” D17 1/2”

$500-700 Provenance: Dr. Joseph T. Harris collection

436 ART GLASS SCULPTURE, SIGNED (American, 20th century) MAGENTA, BLUE, WHITE AND PURPLE, signed & dated illegibly; H20 1/2” W7 1/2” D5”

437

434

$300-500 Provenance: Dr. Joseph T. Harris collection

437 STUDIO GLASS VESSEL, SIGNED R. RAND (American, 20th century) PURPLE, LAVENDER, WHITE AND MICA, signed & dated: 96; H10” W10 1/2” D10”

$300-500 Provenance: Dr. Joseph T. Harris collection

438 ITALIAN MURANO GLASS CANDLEHOLDERS AND DECORATIONS

set of 4 candlesticks, H11” pair candleholders, H3” tazza, H9 1/2” Dia.9 1/2” pair cornucopia, H8 1/2” L12” D7” (9pcs)

435 439

$400-600 Provenance: South Carolina private collection

439 WHIMSICAL STUDIO GLASS TEAPOT SCULPTURE, BY JAMES VAN DEURZEN (American, b. 1952) TEAPOT, multi-color glass, signed, H9 1/4” W8 1/2”

438

$200-400

434 MASSIVE REVERSE-DECORATED GLASS, AND

Provenance: Dr. Joseph T. Harris collection

ENAMELED METAL CHARGERS

glass charger signed illegibly, bearing old label on verso LUMINA PLATE, Dia.34”; and enameled charger signed: Baxter, Dia.17” (2pcs)

$500-700 436

Provenance: Dr. Joseph T. Harris collection

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440

441

442

440 MURANO ART GLASS BOWL, BY SEGUSO VIRO

443 BOOKS: NATURE, OF ROEBLING FAMILY INTEREST

444 RARE EARLY BOOKS: LATIN AND ITALIAN MUSIC,

(Italian, 20th century) BLACK, WHITE AND BLUE, signed; H6” W9 3/4” W7 1/2”

Lowe, E.J., FERNS: BRITISH AND EXOTIC. 1st ed. Vols. I-VIII. London: Groombridge and Sons, 1856. Marshall, Nina L. THE MUSHROOM BOOK. New York: Doubleday, Page & Co., 1901. Inscribed: Margaret S. Roebling from J.A.R. June 12, 1902. Roberts, Charles G.D. THE KINDRED OF THE WILD. Boston: L. C. Page & Company, 1902. Inscribed: Paul Roebling. Roberts, Charles G.D. THE WATCHERS OF THE TRAILS. Boston: L.C. Page & Company, 1904. Inscribed: Paul Roebling. Roberts, Charles G.D. MORE KINDRED OF THE WILD. London, Melbourne and Toronto: Ward, Lock & Co., 1911. Sage, Dean, et al. SALMON AND TROUT. New York: The MacMillan Company, 1904. Inscribed: Henry H Covell from his friend Dr. Robert L. Carson Christmas 1905. (13pcs)

POEMS AND RELATED

$200-400 Provenance: Dr. Joseph T. Harris collection

441 MASSIVE ART GLASS CHARGER, SIGNED COWELL dated: 89, Dia.23”

$200-400 Provenance: Dr. Joseph T. Harris collection

442 ART GLASS WINE GOBLETS, R. STRONG GLASS STUDIOS cobalt pulled feather design, signed and with labels, H8” (10pcs)

$200-400 Provenance: South Carolina private collection

$500-800 Provenance: Estate of Margot Roebling DeHope Descended in the Roebling family

443

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Cocquelines, Charles. P. TERENTII AFRI COMOEDIAE; EX RECENSIONE DANIELIS HEINSII COLLATA AD ANTIQUISSIMOS MSS. CODICES BIBLIOTHECAE VATICANAE, CUM VARIANTIBUS LECTIONIBUS, LARVIS ET PERSONIS DEPROMPTIS EX EISDEM CODICIBUS, ET ITALICA VERSIONE. Romae: Impensis Nicolai Roisechii Bibliopolae, 1767, in two volumes. Virgil. PUBLII VIRGILII MARONIS BUCOLICA, GEORGICA, ET AENEIS. Romae: excudebat Joannes Zempel, Venantii Monaldini, bibliopolÊ sumptibus, 1763-1765; volumes I and III, Saxius, Josephus Antonius. SANCTI CAROLI BORROMEI S.R.E. CARDINALIS. Augustae Vindelicorum [Augsburg] : Sumptibus Ignatii Adami & Francisci Antonii Veith bibliopolarum., 1758. (5vols)

$500-800

444

445 447

446 INDO-PERSIAN EROTIC ILLUMINATED MANUSCRIPT LEAVES

19th century, each vibrantly painted impassioned scene flanked by text; sheet H8” W6” and framed size H23 W15 1/4” (2pcs)

$300-500 Provenance: South Carolina private collection

447 DOCUMENTS: COLLECTION CONFEDERATE AND 19TH CENTURY AMERICAN DOCUMENTS

446

445 WILLIAM MOULTRIE SIGNED LAND GRANT AND PLAT

plat, dated January 14, 1785, indicating tract of 200 acres in Ninety-Six, South Carolina, to Joseph Stephens, signed Surveyor General Ephraim Mitchell and Deputy Surveyor David Hopkins grant, dated July 4, 1785, conferring land to Joseph Stephens, signed Governor of South Carolina William Moultrie framed with image of Moultrie, H18 1/2” W34 1/2”

comprising: pen-and-ink and facsimile signatures, including: James Longstreet (1821-1904), Jefferson Davis (1808-1889), Jefferson Columbus Davis (1828-1879), Henry Lee (1756-1818), Joseph Hooker (1814-1879) (2), John Jay (1745-1829), James Henry Hammond (18071864), Gouverneur Kemble Warren (1830-1882); Confederate States of America senate resolution signed by Senator R.M.T. Hunter; Hebrew document from Jerusalem, brought by Lieutenant Colonel Gordon Higgins, nine Confederate States of America loans together with: framed 1863 North Carolina five-cents bank note and other various bank notes, bonds, loans, currencies, lithographic portraits and maps, surveys, and ephemera (3pcs)

$300-500 Provenance: Property of a Southern gentleman

448

448 WINSTON CHURCHILL SIGNED LETTER dated 1944, typed letter on stationery with Prime Minister seal and 10 Downing Street, Whitehall return address, dated New Year, 1944, to Captain Arthur T. Strecker thanking him for the services rendered by the Military Police during his stay at Marrakech, signed Winston S. Churchill sight H9 3/4” W7 3/4”

$300-500 Provenance: South Carolina private collection

449 SIGNATURE: ROBARDS, WINTER, OKE AND DENVER; AND PATEK PHILIPPE PEN actor Jason Robards (1922-2000) saxophonist Paul Winter (b. 1939) author Janette Oke (b. 1935) singer-songwrite John Denver (1943-1997) together with Caran D’Ache ballpoint pen, for Patek Philippe , #842919 and 23256 (5pcs)

$150-250 Provenance: North Carolina private collection

$400-600 Provenance: North Carolina private collection

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450

451

450 BOOKS: AMERICAN FIRST EDITIONS, BY HEMINGWAY AND FITZGERALD Fitzgerald, F. Scott. THE GREAT GATSBY. New York: Charles Scribner’s Sons, 1925. First edition, first printing with typing errors. In original deep green cloth hardback. Hemingway, Ernest. FOR WHOM THE BELL TOLLS. New York: Charles Scribner’s Sons, 1940. First edition, later printing. Inscribed front leaf: Esther R. Carraway/ Arundel Plantation/ Georgetown S.C. (2vols)

$400-800 Provenance: South Carolina private collection

452

452 BOOKS: ENGLISH NOVELS, FIRST AMERICAN

454 BOOKS: GENERAL DECORATIVE ARTS

EDITIONS

Cummins, Genevieve. ANTIQUE BOXES INSIDE AND OUT. Suffolk: Antique Collectors’ Club, Ltd., 2006. Mastai, Marie-Louise d’Otrange. JEWELRY. New York: Cooper-Hewitt Museum, 1981. Morse, Frances Clary. FURNITURE OF THE OLDEN TIME. New York: Macmillan, 1941. Mortimer, Martin. THE ENGLISH GLASS CHANDELIER. Woodbridge: Antique Collectors’ Club, 2000. Patterson, Jerry E. PORCELAIN. New York: Cooper-Hewitt Museum, 1979. Pinot de Villechenon, Marie. SEVRES: PORCELAIN FROM THE SEVRES MUSEUM, 1740 TO THE PRESENT DAY. London: Lund Humphries Publishers, 1997. Sandon, John. THE DICTIONARY OF WORCESTER PORCELAIN: VOLUME I, 1751-1851. Woodbridge: Antique Collectors’ Club, 1993. Savage, George. AN ILLUSTRATED DICTIONARY OF CERAMICS. London: Thames & Hudson, 2000. Taylor, Francis Henry. FIFTY CENTURIES OF ART. New York: Metropolitan Museum of Art, 1954. (9pcs)

Dickens, Charles. HARD TIMES. New York: Harper & Brothers Publishers, 1854. Inscribed front leaf: E. Belin Flagg/ January 26th 1855. Wodehouse, P.G. BILL THE CONQUEROR. George H. Doran Company, 1924. In original orange cloth covers with green lettering. (2vols)

$300-500 Provenance: South Carolina private collection

453 BOOKS: JULIA PETERKIN

London: Bradbury & Evans, 1855-1857. Comprising 20 parts in 19 installments, December 1855 to June 1857, with illustrations by H.K. Browne. Housed in cloth-over-board cases, Parts I-IX and X-XX. (2pcs)

SCARLET SISTER MARY. Indianapolis: The BobsMerrill Company Publishers, 1928. With black cloth covers and red printed labels on front cover and spine. Inscribed: Esther R. Carraway/ Arundel Plantation/ Pee Dee/ May 1929. BLACK APRIL. New York: Grosset & Dunlap and Bobs Merrill, 1927. With blind-decorated black boards and rose title on front cover and spine. (2vols)

$400-600

$200-400

Provenance: Estate of Margot Roebling DeHope Descended in the Roebling and Price families

Provenance: South Carolina private collection

451 BOOKS: CHARLES DICKENS’ LITTLE DORRIT SERIAL NOVEL

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453

$300-400

455 IMPORTANT TITLE: THE FURNITURE OF COASTAL NORTH CAROLINA

457 BOOKS: AMERICAN FINE AND DECORATIVE ARTS

Bivins, John Jr. THE FURNITURE OF COASTAL NORTH CAROLINA 1700-1820. Winston- Salem: Museum of Early Southern Decorative Arts, 1988.

AMERICAN FOLK PORTRAITS: PAINTINGS AND DRAWINGS FROM THE ABBY ALDRICH ROCKEFELLER FOLK ART CENTER. Ed. Beatrix T. Rumford. Boston: New York Graphic Society for the Colonial Williamsburg Foundation, 1981. Baldwin, William W. BILLY BALDWIN REMEMBERS. New York and London: Harcourt Brace Jovanovich, 1974. Beard Jr., Ross E. CARBINE: THE STORY OF DAVID MARSHALL WILLIAMS. Williamstown: Phillips Publications, 2007. Two copies. Bezdek, Richard H. AMERICAN SWORDS AND SWORD MAKERS. Boulder: Paladin Press, 1994. Bishop, Robert Charles. FURNITURE I: PREHISTORIC THROUGH ROCOCO. New York: Cooper-Hewitt Museum, 1979. Butler, Joseph T. FIELD GUIDE TO AMERICAN ANTIQUE FURNITURE. New York: H. Holt, 1985. Cooper, Wendy A. CLASSICAL TASTE IN AMERICA: 1800-1840. Baltimore: Abbeville Press for The Baltimore Museum of Art, 1993. Falk, Peter H. WHO WAS WHO IN AMERICAN ART. Madison: Sound View Press, 1985. Fennimore, Donald L. SILVER & PEWTER. New York: Alfred A. Knopf, 1984. Hewitt, Mark. THE POTTER’S EYE: ART AND TRADITION IN NORTH CAROLINA POTTERY. Chapel Hill: University of North Carolina Press for the North Carolina Museum of Art, 2005. Norton, Thomas E. 100 YEARS OF COLLECTING IN AMERICA: THE STORY OF SOTHEBY PARK BERNET. New York: Harry N. Abrams, Inc.,1984. Schwartz, Marvin D. CHAIRS, TABLES, SOFAS AND BEDS. New York: Alfred A. Knopf, 1982. Sokolitz, Roberta. SOUTHERN SISTERS: THE ART OF CHARLESTON AND SAVANNAH. Charleston: Charleston Renaissance Gallery, 2004. THE ANTIQUES BOOK. Ed. Alice Winchester. New York: Bonanza, 1950. (15pcs)

$200-300 456 BOOKS: CHINESE ART AND CERAMICS Beurdeley, Michel. CHINESE TRADE PORCELAIN. Rutland: Charles E. Tuttle Company, 1962. Howard, David Sanctuary. NEW YORK AND THE CHINA TRADE. New York: The New York Historical Society, 1984. Jourdain, Margaret. CHINESE EXPORT ART IN THE EIGHTEENTH CENTURY. London: Country Life, 1950. Krahl, Regina and Jessica Harrison. ANCIENT CHINESE TRADE CERAMICS FROM THE BRITISH MUSEUM, LONDON. Taipei: Chen Kang-Shuen, 1994. Mudge, Jean McClure. CHINESE EXPORT PORCELAIN IN NORTH AMERICA. New York: Crown, 1986. Palmer, Arlene M. A WINTERTHUR GUIDE TO CHINESE EXPORT PORCELAIN. New York: Crown Publishers, Inc., 1976. SAMADHI: THE FRAGRANCE FROM CENSER. Beijing Hanhai 2014 Autumn Auction, 26 October, 2014. VISIONS OF ENLIGHTENMENT: IMPORTANT BUDDHIST STATUES FROM BELGIUM. Beijing Hanhai 2014 Autumn Auction, 26 October, 2014. (8pcs)

$150-300

$100-300

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Friends of Millford and Classical American Homes Preservation Trust present

MUSIC AT M ILLFORD Sunday Afternoon, September 13, 2015

Amy Schwartz Moretti Violin Chair and Director, Mercer’s McDuffie Center for Strings

Robert deMaine Principal Cello, Los Angeles Philharmonic

James Wilhelmsen Piano

Grounds Open – Noon • Concert – 2:30 pm Pre-Concert Exclusive: Phyfe Unveiled – 12:30 pm Benefit lecture and tour of two newly installed bedrooms with Peter Kenny, Duncan Phyfe expert and CAHPT Co-President.

MILLFORD PLANTATION 7320 Millford Plantation Road, Pinewood, S.C. 29125 Millford Plantation, built in 1839-41 in Sumter County, is considered one of America’s finest examples of early 19th century Greek Revival architecture with its extraordinary collection of original Duncan Phyfe furniture. Millford is 45 minutes from Columbia, SC and two hours from Charleston, SC and Charlotte, NC. Round-trip bus transportation is available from Charleston based on guests’ interest. For more information, bus reservation and to purchase tickets, go to

www.classicalamericanhomes.org

Photo credits: Jerry Davis (left); Paul Rocheleau (right).

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Terms & Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids. 1. ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description. Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot. 2. ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or local pre-approved checks. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer. 3. We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. 4. The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale. 5. Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller. 6. Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions. 7. A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot. 8. All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

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met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license. CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed. NOTICE TO BIDDER: Estimated Weights and Measurements: All weights in our catalogue descriptions have been estimated through volumetric proportions and are to be considered approximations and are not to be relied on to be exact. The term “all-in” relating to weight means the weight includes all the components of the item. Jewelry: Unless stated otherwise, all diamonds and other precious stones have been measured and graded in their settings. Some jewelry and/or stones are accompanied by certificates prepared by gemological laboratories. These certificates are provided as a convenience to our clients and are not warranted by Charlton Hall Galleries, Inc. Metal weights given for jewelry includes stones unless stated otherwise. Buyers should be reminded that many colored gemstones have historically been treated to enhance their appearance. Clocks and Watches: No guarantee is given as to the working order of clocks or watches. Most of these items have been repaired over the course of time and may now have parts not original to them. Unless stated otherwise, weight measurements include the works. TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website. Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website. Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions. LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the

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event of a tie bid, the floor bidder will be the winning bidder of record. SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases. EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone. These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same. The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale. FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk. Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots. While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and WWW.CHARLTONHALLAUCTIONS.COM

16.

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Abbreviations” printed in each catalog or available upon request. These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina. By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system. In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity. All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale. If property is uncollected within 60 days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds. Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property which you bid from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids. The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding. The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites. Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer. Bid increments: Bidding generally opens at half the low estimate and generally advances as indicated on bid sheet. All bids submitted out of increment will be rounded to the nearest increment.

Commonly Used Terms and Abbreviations ac: Active

manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.

after: This work is a later copy of one of the artist’s works. note: Additional information we are able to provide about any particular item. after the antique: A later facsimile. oz Troy: Unit of measuring precious metals. attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.

period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame.

b: Date of birth BH: Back height circa: Approximate date of object. circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.

provenance: History of ownership, or additional information which we have obtained. studio of: This work is of the correct period, and may have been made under the artist’s supervision. school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.

ct: Carat (single gemstone weight) SH: Seat height ctw: Carats (total gemstone weight) D: Depth

sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.

d: Date of death

Sq: Square

dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.

style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form.

Dia: Diameter

W: Width

DJ: Dust jacket

wk: Worked

fl: Flourished

**: Property approved for de-accession

follower of: This work is executed in the artist’s style, but is not necessarily by one of his students. g: Grams H: Height K: Karat, the fineness of gold. L: Length

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Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works. Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue for more complete information. Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide a government-issued photo ID for each sale. First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids. Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment. Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding. Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale. Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes. All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment. Pickup & Shipping: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment. UPS Store Breeland Couriers Richard Wright Ltd. US Art, Inc.

803-254-1601 803-936-0148 800-247-9744 800-872-7826

Plycon Artex Atelier 4 Westbrook Deliveries

336-854-1832 (or) 954-978-2000 800-652-7839 305-685-9797 404-877-2870 (or) 843-991-6738

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678

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C HARLTON H ALL

First Name

Last Name

Discovering Extraordinary Objects Since 1929

Client ID#

BID FORM - SALE 278 (DAY ONE) Company Name (Only if you are purchasing for a business)

BID DEADLINE THURSDAY 10 SEPTEMBER

Billing Address

12NOON

Important Information •Please complete this form to ensure that your bids are accepted.

City

State

Postal Code

•Bid forms are to be accompanied by a copy of your Government Issued photo ID and credit card. •Please fax bids to 803-733-1701.

Country

•All bids are processed in the order in which they are received and are bid competitively during the sale.

Primary Phone

•Email Confirmation will be sent to the email address on this form, usually within a few hours.

Secondary Phone

Fax

Email My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.

Expiration Date

Valid Credit Card Number

Date

Signature

Lot Number

CV Code

Lot Description

•All bids must be placed following the increments listed below. Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 over $200,000 Auctioneer’s discretion

WE DO NOT ACCEPT BIDS THAT ARE LESS THAN HALF THE LOW ESTIMATE

Absentee Bid (Top Limit, not including

Phone Bid

premium)

(Please Check)

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Seeking Quality Consignments

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AN INVITATION TO CONSIGN FINE & DECORATIVE ART Specialists from the Southeast’s oldest auction firm are visiting collectors. Schedule your private consultation to review quality furniture, silver, jewelry, carpets, fine and decorative art, as well as books, antiquities and maps.

For 86 years, Charlton Hall has offered Southern clients the finest international venue to sell their art, antiques, silver, estates and private collections. Our sales, exposed to over 150 countries worldwide, regularly host 5,000-10,000 international bidders and routinely set record prices at auction. We look forward to working with you to maximize your collection’s potential!

CH C

HARLTON

HALL

Discovering Extraordinary Objects Since 1929

7 LEXINGTON DRIVE • WEST COLUMBIA, SC 29170 WWW.CHARLTONHALLAUCTIONS.COM

Please contact us to schedule a confidential appointment. 803-779-5678

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Always Accepting Quality Consignments To submit property for consideration, please visit the Consignment Inquiries page at www.CharltonHallAuctions.com or call 803-779-5678

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Always Accepting Quality Consignments To submit property for consideration, please visit the Consignment Inquiries page at www.CharltonHallAuctions.com or call 803-779-5678

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Notes

Introducing

Live Online Only Auctions Starting This Winter

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Always Accepting Quality Consignments To submit property for consideration, please visit the Consignment Inquiries page at www.CharltonHallAuctions.com or call 803-779-5678

C H A R LT O N H A L L A U C T I O N E E R S Staff Director y Specialists for this Sale Ronald D. Long Kinga Bender Catherine A. Carlisle Administrative Assistants Margaret E. Malik Jenn S. Robertson Consulting Specialists Prof. Ronald E. Bridwell Thomas P. Crowther Donnie F. Garrett Roger W. Powell Hermann L.A. Sommersell Consignments Director Erica E. Guillebeau Erica@CharltonHallAuctions.com 803-779-5678 Regional Representative Joseph E. Aulisi Client Services Specialist Vicky L. Smith Tel: 803-779-5678 Fax: 803-733-1701 info@CharltonHallAuctions.com

Gallery & Offices 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Fax: 803-733-1701 Email: info@CharltonHallAuctions.com Website: www.CharltonHallAuctions.com Gallery & Office Hours Monday - Friday 10am to 5pm (Please note pickup hours below) Property Pickup Hours Please schedule pickup at least 24 hours in advance of arrival Monday - Friday morning 10:00 to 11:30am afternoon 1:00 to 4:30pm Corporate Officials Charlton F. Hall, Jr., Director Ronald D. Long, President Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Erica E. Guillebeau, SCAL No. 4523 Betsy J. Hackett-Davis, SCAL No. 4229 Jeffery C.D. Long, SCAL No. 3942

Photography Director Stephen W. Ivey Support Staff Larry A. Byrd Justin E. Keisler Anthony Mack Michael McNeil Perry Schumpert

Printed with green products

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Accepting Quality Consignments Winter & Spring Scheduled Sales

Internet Only Auctions

Museum Vaults December 2015

Americana at Auction Spring 2016

Consignment Deadline: October 1

Consignment Deadline: December 1

Style + Design December 2015 Consignment Deadline: October 1

Style + Design Spring 2016 Consignment Deadline: December 1

Collection Online December 2015

Collection Online Spring 2016

Consignment Deadline: October 1

Consignment Deadline: December 1

Internet Only Auctions

Important Collections (Three-Day Auction) Early Summer 2016 Consignment Deadline: February 1

For more information, please contact consignment specialists Kinga Bender â&#x20AC;˘ Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com

CHARLTON HALL Celebrating Our 86th Year

7 Lexington Drive â&#x20AC;˘ West Columbia, South Carolina 29170 Tel: 803.779.5678 Fax: 803.733.1701