Q Magazine Winter 2022 by QUEST Magazine

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S T Y L E WINTER ISSUE 2022 > $5.00

WINTER CLASSICS

FRANÇOISE HARDY ON THE SET OF GRAND PRIX, 1966

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44 LIVING LEGEND FRANÇOISE HARDY Since the 1960s, Françoise Hardy has charmed us, redefining fashionable esprit for American and European fans, alike. Elizabeth Quinn Brown looks back on the French singer’s career, in which she recorded 24 studio albums (including, “Personne d’autre” in 2018, released when she was 74). 58 YVES SAINT LAURENT: THE CROSSROADS OF FASHION & ART To celebrate the anniversary of Yves Saint Laurent’s first runway show, a series of installations conceived by the Fondation Pierre Bergé are on display at six of the most prestigious fine arts museums in Paris through May.

66 FALLING IN LOVE WITH LOVE AT FAENA Erin Flanagan Lazard introduces us to her daughter, Chloé Tallulah Lazard, a 21-year-old Parsons student. The two chat about the Faena Art Gala in Miami and their favorite sustainable designers that focus on ecologically and socially responsible fashion. 72 A TRIBUTE TO A LEGEND: CHRISTIAN DIOR’S JOHN GALLIANO A new book published by Assouline looks back on the career of John Galliano, the fourth creative director of Christian Dior, and shows off the exceptional silhouettes that he created for the house through 2011.

78 FRESH OFF THE RUNWAYS Brooke Murray heads to Paris to report on the best of haute couture for spring and offers a glimpse into our favorite runway shows. 86 MANOLO BLAHNIK’S GOLDEN YEAR This winter marked the 50th anniversary of Manolo Blahnik, who fittingly commemorated the historic milestone with a new dazzling gold capsule collection. 92 TAILORING LEGENDS Jared Brill discusses a new book that looks into the history of Brioni and the rise of storied tailors, including Sansovino, Tiziano, and Caravaggio.

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C O V E R Françoise Hardy on the set of Grand Prix in 1966, photographed by François Gragnon.

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D E P A R T M E N T S 29 NOSTALGIA Remembering our favorite winters from afore. 32 JEWELRY Add some sparkle with the season’s most breathtaking diamonds and gemstones. 34 COATS Look chic and stay warm this winter with new coats from classics like Ralph Lauren, Reiss, and Prada.

36 SUNGLASSES Shield your eyes in style with new shades from Saint Laurent, Celine, and Tom Ford. 37 BOOTS Step out with flair in these sleek boots made for walking. 38 ACCESSORIES Stand out at your next event with these chic accessories from our favorite designers. 40 CLUTCHES AND HANDBAGS The season’s trendiest handbags and clutches will take your look to a whole new level.

42 MEN’S APPAREL Embrace the chic style of Prince Charles in this season’s latest runway looks for men. 96 Q FOCUS All of the best parties from London to New York, Palm Beach, and Miami. 106 BEAUTY Look and feel your best with these beauty products that with keep your skin hydrated this winter. 108 EVENING LOOKS From blush pink silhouettes to bowembellished gowns, we take a look at the most eye-catching evening attire for the season.

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112 SHOPPING INDEX To help you track down all the great goods from these pages.

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EDITOR’S LETTER

What would French Girl Style and and modern French music be without the legacy of Françoise Hardy? At 78, Françoise Hardy occupies an unprecedented place in pop culture, as an enduring style icon, singer, and actress—whose look remains a favorite of leading designers to this day, and whose songs have lent themselves to continuous re-evaluation by several generations of fans and critics alike. French girl chic is known for being effortless, classic, and nonchalant—tomboy while remaining feminine, cool while not seeming arrogant. Solids, stripes, simple shift dresses, swing coats, denim and wide-leg trousers, tailored blazer suit sets… In the ’60s. Hardy exemplified that “look” to a tee. Perhaps the reason was because for Hardy, style truly was—and still is, effortless. Growing up in the home of a mother who never comforted her while she cried as a baby, and a grandmother who convinced her that she was ugly by making scornful observations about her physical flaws, a melancholy Hardy found solace in composing music and playing her guitar as a teenager. She credits her famed photographer boyfriend, Jean-Marie Périer (who she met at aged 19), with teaching her how to “carry herself, how to dress”, and with giving her “social skills”. In this issue, writer Elizabeth Quinn Brown returns to Q to deliver the story of the French chanteuse who became the reigning face of the widely recognized 1960s Yé-Yé genre. Yé-Yé is derived from the English “Yeah! Yeah!”, popularized by British beat music bands like The Beatles, that repeat the catchy refrain in their songs. A muse to Bob Dylan (it was said he once refused to go onstage until she arrived), Hardy was often seen paling around with Mick Jagger, Paul McCartney, John Lennon and the like. This was also the time around which Françoise started appearing on major magazine covers, and modeling for Chanel, Paco Rabanne, and Yves Saint-Laurent. Yves Saint Laurent! “My weapon is my way of looking at my era and the art of my time,” he once revealed. The legendary designer strongly believed that the work of a couturier is analogous to that of an artist, often crediting his fascination with the arts as the primary inspiration for his work. To celebrate the anniversary of his first runway show, a series of installations conceived by the Fondation Pierre Bergé are on display through May at six of the most prestigious fine arts museums in Paris. Don’t miss Q’s own Brooke Kelly Murray’s article on the legendary designer, whose passion for creating elaborate paper dolls evolved into designing dresses. Major designers abound in the latest Q. Born in 1960 in Gibraltar, John Galliano—who would become the fourth creative director of Christian Dior—grew up with two sisters and a mother, Anita, who harbored a great affection for apparel. Anita’s connection to Spanish culture, for instance, can be seen in Galliano’s Autumn-Winter 2003 flamenco-inspired haute couture collection. Assouline’s latest tome, Dior by John Galliano, written by the Costume Institute’s curator Andrew Bolton, shows off the exceptional silhouettes that Dior created for the house through 2011. The book is the fifth volume in a series that pays tribute to Dior’s creative directors. Catch our own creative director, Tykischa Jacobs’, beautifully designed piece on the designer who distinguished himself with extravagant shows and spectacular looks that imbued romanticism and history into the House of Dior. Another creator extraordinaire with a chic and strong-minded Mom at the core of his inspiration comes in the form of Manolo Blahnik. Born in 1942 on a banana plantation in the Canary Islands, Blahnik’s affection for Counterclockwise from top right: Yves Saint Laurent; Tom shoes started young. He recalls having an early fixation with feet, specifically those Ford Selby Sunglasses, $395; “Red Canoe” by William of the lizards that invaded the gardens of his home, for whom little Manolo would Helburn, 1957; Ralph Lauren Beatriz Double-Breasted Crepe playfully create tiny shoes out of aluminum candy wrappers. Devoted moms are Coat, $2,890; Françoise Hardy in Paris by Jean-Marie Périer, a theme this issue, as writer, stylist, and storyteller Erin Flanagan Lazard chats 1966; Adam Lippes Large Rose of Sharon Pendant Necklace, Faena, fashion, and sustainable clothing with her beloved and dazzling daughter, $615; Ralph Lauren Ardelisa Ayers Snakeskin Sandal in Chloé Lazard. Spearmint, $795; Oscar de la Renta Pre-Fall 2022; Jeffrey Brooke Kelly Murray is on a role with the best from Spring’s 2022 Levinson Elina PLUS clutch in Light Sand, $1,1550; Bea Couture runways, and Jared Brill talks Brioni. Strike a pose and give your Bongiasca Give Them Flowers Pinky Ring, $1,300; Chanel best catwalk from winter into spring with looks and accessories from the Haute Couture Spring 2022 runway. latest edition of Q. u

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CONTRIBUTORS

Elizabeth Quinn Brown > Lizzie is a freelance writer and editor, covering culture, design, travel, and style. Her work has appeared in publications like Architectural Digest, Billboard, Grazia UK, GQ, and The Wall Street Journal. She resides in Los Angeles, California, with her family and her French Brittany, Gemma. The former features editor of Quest and Q returns this issue to muse on this season’s Living Legend, singer extraordinaire and style icon Françoise Hardy.

66 Brooke Murray > Brooke is the senior editor of Quest and Q magazines. In this issue, she reviews the haute couture shows in Paris and a new book, Dior by John Galliano. She also recognizes Manolo Blahnik’s 50th Anniversary and a new exhibition that highlights the life and career of Yves Saint Laurent. Not to be missed are Brooke’s chic selection of sunglasses, boots, handbags, and coats to help you step stylishly through winter; her coverage of the hottest parties—from New York to London; or her roundup of the best new beauty products.

92 Tykischa Jacobs > Known fondly at the office as TJ, Tykischa is the art director and production manager for Quest and Q magazines. She uses her creativity to bring this delightful Winter Issue of Q to life, designing all of the editorial pages. This season, she particularly enjoyed composing the Christian Dior book feature that showcases timeless pieces (such as an ensemble embroidered all over with gold pailettes from the haute couture Spring-Summer 2004 Dior Héritage collection, Paris). Outside of the office, TJ can be found exploring nature and attending concerts at venues in the tri-state area.

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44 < Erin Flanagan Lazard Erin is a stylist, writer, and storyteller who reports on fashion and the environment. Her daily IG story @erin_m_ lazard is her preferred platform for her curated digital response to the worlds of fashion, current events, surfing, and the natural world. As a stylist, she has traveled the world with Lionel Richie and dressed such icons as the late Gregory Peck for German Vogue. She has collaborated with institutions ranging from the Academy Awards to Revlon, and now works with an extraordinary list of private clients. In this issue, she chats sustainable clothing with her dazzling daughter, Chloé Tallulah Lazard.

58 < Jared Brill Jared recently graduated from Tufts University and joined the Quest team as a contributing writer while earning his master’s degree in English in Scotland. In this edition, he reviews Assouline’s new book, Brioni: Tailoring Legends by Olivier Saillard, which discusses the history of the Italian fashion house. When he’s not writing, he is probably struggling to find the next show to binge on Netflix after exhausting just about every

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Sl i m Aa ro n s / H ult on Ar c hi ve / Ge t ty Im a ge s

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W IN T E R AC T IVI T I E S Holidaymakers at a ski lodge in Gstaad, Switzerland, in March of 1961,

photographed by Slim Aarons.

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1. Barbara Mullen seemingly pleased beneath a red canoe in New York City’s Gramercy Park, photographed by William Helburn, 1957. 2. Modeling mod optical dresses in London in the 1960s. 3. Sophie Malgat plays cards dressed in a floor-sweeping ensemble paired with diamonds by Van Cleef & Arpels, photographed by John Rawlings for Vogue, 1950. 4. A Curling session in St. Moritz, Switzerland, March 1963. 5. Palling around with ever cool Steve McQueen. > Opposite page: 1. Naomi Sims and Maud Adams Helburn model sherbert-colored looks in 1969. 2. Leaning out the window of a brightly colored cable car while riding along Vermont’s Sugarbush Mountain in the 1960s. 3. Chanel and Lady Pamela Smith surrounded by Chanel’s staff dressed in white, London, 1932. 4. Relaxing in Lech in the 1960s. 5. Nat King Cole and his wife, Maria Ellington, with their daughter, Carol, on the tarmac at Nice Airport in 1960.

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Wi lli a m H e lb ur n ; M ar i o D e Bi a si / G et ty I ma ge s ; Jo h n Ra w li n gs ; Sli m Aaro n s/ Ge tt y I m a ges ; B a rr y Feinstein

Wi l li a m H e lb ur n ; Sli m Aa r n s/ Ge tty Im age s ; Be t tm an n ; Sl i m A aro ns / H ul to n A rc h i ve /G e tty Im ag es; Ag ence France Presse/Getty Imag es

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height of what Christian Dior had birthed as the “New Look”, wherein ultra-femininity and opulence were celebrated in full. Though not as tall as other popular models of her time—she was 5 foot 6—Mrs. Russell possessed a long neck and classic features that suited the era’s elegant mood. A top model of her time, Russell was favored by leading photographers like Irving Penn and Louise Dahl-Wolfe. Above, Russell wears Van Cleef & Arpels’ India-inspired collection of diamond, gold, pearl, emerald and sapphire jewelry for the October 1, 1955 issue of Vogue, photographed by Richard Rutledge.

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1. ALEXANDER MCQUEEN Coral Charm Chain Choker in Antique Gold, $1,390 at alexandermcqueen.com. 2. VHERNIER The Trottola 18K Pink Gold Pendant Necklace with a lobster clasp, $8,000 at saksfifthavenue.com. 3. NEHA DANI Nadia Diamond and Tsavorite Earrings of green rhodium colored branches in 18K white gold, set with white diamonds and green tsavorites, $19,400 at nehadani.com. 4. ELIZABETH GAGE Aquamarine and Gold Necklace of aquamarine beads interspersed with eight 18ct gold rondells, $7,700 at elizabeth-gage.com. 5. BEA BONGIASCA Give Them Flowers Pinky Ring in Lavender Enamel and Square Rock Crystal, $1,300 at bergdorfgoodman.com. 6. JANABELA CHAN Sapphire Neptuna Earrings, $2,56 at anabelachan.com. 7. CH CAROLINA HERRERA The Moon Ring is gold plated and detailed with a CH medallion and a mother-of-pearl bead, find it at chcarolinaherrera.com.

R i ch a rd Ru tle dg e / Co n dé N a st

Mary Jane Russell began modeling in New York in 1948, the

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Astrid Heeren The German actress and model is considered one of the most sought-after fashion models of the 1960s. She achieved international fame mainly through her role as “Gwen” in 1968’s The Thomas Crown Affair. In the film, Thomas Crown (Steve McQueen) plays polo, pilots a glider, drives a dune buggy, is a whiz on the golf course, and has a ravishing girlfriend named Gwen (Hereen) tucked away in Geneva, Switzerland. Above, Hereen models a white satin flounced party dress and Apex Art earrings for the November 1, 1965 issue of Vogue, photographed by Bert Stern.

1. WEMPE From the Playlist by KIM Collection, follow your rhythm and create your own playlist! Available in 18k rose gold and diamonds, white gold and diamonds, white gold, 18k black rhodium-plated white gold, white gold and diamonds, and rose gold, starting at $1, 225, visit wempe.com. 2. RALPH LAUREN From The Equestrian Collection, Pavé Rose Gold Double-Stirrup Ring in 18k rose gold and white diamonds, $2,850 at ralphlauren.com. 3. ROLEX Rolex’s Oyster Perpetual provides a clear and accurate time display and descends from the original Oyster launched in 1926. Shop Rolex at wempe.com. 4. FRED LEIGHTON 1940s 18-karat gold bracelet, $21,000, at net-a-porter.com. 5. ADAM LIPPES Large Rose of Sharon Pendant Necklace with hand-painted resin rose petals, Swarovski crystals in stemmed settings, and 24-karat gold plating, $615 at bergdorfgoodman.com.

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JACKETS & COATS

1. REISS Perfect for an ultra-polished formal look, the Marlow wool-blend coat

Stylishly Warm

comes with hidden buttoning. Wear it over dresses to make the most of the versatility of this timeless staple; $495 at reiss.com. 2. SAKS POTTS The Foxy shearling-trimmed leather coat in Shortbread; $1,595 at selfridges.com. 3. BURBERRY Stylishly protect against the chilly weather with Burberry’s Cawston Quilted Puffer Coat; $2,890 at burberry.com. 4. PRADA Stay warm and enjoy a relaxed fit with Prada’s Cashmere Volume-Sleeve Coat; $6,100 at coat but updated with highly considered tailoring, the Beatriz in Chairman

fame during the 1960s through her frequent work with photographer David Bailey, who initially scouted her out while she was shooting a campaign for Kellogg’s. Shrimpton, who is considered to be one of the world’s first supermodels, ultimately became a fashion icon of Swinging London and graced the covers of magazines like Vogue, TIME, and Vanity Fair. Here, she is seen modeling in a Borgana coat on Wall Street, New York in 1964.

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Navy is woven from a luxurious blend; $2,890 at ralphlauren.com. 6. MONCLER Water resistant and crafted of compact microfiber, the Ocre Short Rain Jacket in Dark Green protects against the elements; $700 at saksfifthavenue.com.

William Helburn

bergdorf goodman.com. 5. RALPH LAUREN Informed by a classic double-breasted

Jean Shrimpton, born in 1942, is an English model who rose to

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SUNGLASSES

Grace Kelly was an American actress who earned starring roles in a number of films throughout the 1950s, including High Noon, Mogambo, and The Country Role, for which she won an Oscar. She eventually became Princess of Monaco after marrying Prince Rainier III in 1956, naturally becoming one of the biggest style icons of her time. Known for classic looks, Kelly is seen here wearing understated shades and an elegant headscarf.

Cour tesy of Instagram/gracekelly_daily

Sun Shields 4

1. SAINT LAURENT A classic squared shape in korean fitting, the Squared Acetate Sunglasses are characterized by a thin acetate construction and features adjustable nose pads; $340 at bergdorfgoodman.com. 2. CELINE The Two-Tone Gradient Cat-Eye Sunglasses in black; $410 at neimanmarcus.com. 3. TOM FORD Redefining modern luxury, the Selby Square Plastic Sunglasses in Brown feature gradient lenses and Tom Ford’s signature logo; $395 at bergdorfgoodman.com. 4. PRADA The Women’s Square Sunglasses, 54mm, provide 100% UV protection; $278 at bloomingdales.com. 5. FENDI Turn heads in the Clear Rectangle Acetate Sunglasses In 66n Coral; $390 at fendi.com.

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S T Y L E BOOTS

Made for Walking

Mick Jagger, best known as one of the founders and lead vocalists for The Rolling Stones, became a fashion icon of the 1970s— both on and off stage—and the style of his wife, Bianca Jagger, was equally memorable. Here, Bianca sports lace-up, over-the-knee boots while walking alongside her husband after their wedding in the South of France in 1971.

1. ALEXANDER MCQUEEN Crafted of durable neoprene, the Neoprene Zip Booties are finished with a zip closure at vamp; $1,090 at saksfifthavenue.com. 2. PARIS TEXAS Sport a “career casual” look with the 60mm Slouchy Suede

Boots in Cipria; $790 at neimanmarcus.com. 3. MANOLO BLAHNIK The Calassohius gold calf leather knee-high slouchy boots; $1,595 at manoloblahnik.

Ge t ty Im a ge s

com. 4. ISABEL MARANT Inspired by the designer’s native Paris and aroundthe-world upbringing, the slouchy Lophie Suede Lace-Up Mid Boots feature a

pointed toe and chunky cone heel; $1,550. 5. KHAITE The Diego Boot in soft nappa lamb leather in black; $1,380 at khaite.com.

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ACCESSORIES

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Women’s fashion of the 1950s was defined by elegance and feminine accessories. Here, a model poses for Vogue in 1957, photographed by Frances McLaughlin-Gill. She wears a pale amethyst coat of airily woven wool by Ben Zuckerman, a felt and chiffon hat by Lilly Daché, jewelry by Seaman Schepps, and holds a cigarette case.

1. PRADA Offering superior peripheral vision, the Linea Rossa by Oakley snow goggles optimize the visual experience and emphasizes details, ensuring perfect visibility on sunny and cloudy days; $605 at prada.com. 2. AERIN Large enough to organize and protect all your accessories, the Classic Croc Leather Large Jewelry Box is a perfect solution to avoid clutter on a vanity; $1,250 at aerin.com. 3. HERMÈS The Tigre Royal Double Face Scarf 90 in silk twill with hand-rolled edges is the first scarf printed on both sides, combining two colorful scarves in one; $630 at hermes.com. 4. MONCLER The Cable-Knit Beanie with Fur Pom; $520 at bergdorfgoodman.com. 5. WÖLFFER ESTATE In keeping with Wölffer’s current portfolio, the new Summer in a Bottle Côtes de Provence is produced from sustainably farmed fruit; more information at store.wolffer.com. 6. J.MCLAUGHLIN The right accessory can be a total outfit transformer, and the Elizabeth Grasscloth Belt in Natural makes one major statement; $88 at jmclaughlin.com. 7. RALPH LAUREN The brand’s signature Pony, in embossed and cutout form, defines the iconic look of Ralph Lauren’s new drawstring purse, which is rendered in smooth, lightweight Italian leather; $398 at ralphlauren.com.

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Fran c e s M c La ug hl i n - Gi ll / Co n de N a st

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ACCESSORIES

Dressed to Impress Hunter S. Thompson was an American journalist and author who founded the gonzo journalism movement and rose to fame after the publication of Hell’s Angels in 1967, a book inspired by the time he spent riding and living with the motorcycle gang. Here, he poses for a photo taken by Al Satterwhite on the island of Cozumel, Mexico in 1974.

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1. BRIONI The Diagonal Pattern Silk Tie in DK Brown; $470 at neimanmarcus.com. 2. BALMAIN Richly scented, the Balmain Homme Hair Perfume features an intense oriental, woody fragrance that combines the invigorating citric freshness of Bergamot with the woody aspect of dry Sandalwood; $140 at saksfifthavenue.com. 3. ZEGNA The Round Metal Sunglasses; $370 at bergdorfgoodman.com.

4. STUBBS & WOOTTON Meticulously Hand-crafted in Spain, the Dune slipper

features a Natural Linen Upper with a Natural Grosgrain Trim, finished off with our playful dune fence embroideries; $575 at stubbsandwootton.com. 5. PAUL STUART A well-dressed man considers every detail, from head to toe, and the Dog Motif Socks are the perfect pop of color and pattern to pair with everyday tailored looks; $40 at paulstuart.com. 6. ASPREY Made exclusively for Asprey in Bohemia, the Hexagonal Liqueur Set in Amber will command attention; $1,710 at asprey.com. 7. ROLEX The Oyster Perpetual in Oystersteel and Yellow Gold features a distinctive black dial with characteristic 3, 6, and 9 numerals with a chromalight display; $11,150 at rolex.com. 8. LORO PIANA Crafted from deerskin with cuffs and lining in knitted baby cashmere, the Stirling Gloves are finished with contrasting rib-knit trim, perfect in the city with both casual and formal outfits; $925 at us.loropiana.com.

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CLUTCHES

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Cool Clutches Monique Chevalier, born in Germany in 1937, was a model whose career peaked in the 1950s and 1960s after signing with Ford Agency and moving to New York. She eventually became one of the city's most recognizable models and the focus of top photographers like Irving Penn and Bert Stern. Here, she holds a clutch and wears an evening dress by Lanvin-Castillo while posing for Georges Saad in 1956.

1. CHRISTIAN LOUBOUTIN On a removable wrist strap, the Loubitwist Patent Leather Clutch in Nude has a slightly ruched design and patent finish; $850 at utility, the Cara Beaded Wood Top-Handle Bag in Naturla was designed with head-turning structural quality; $198 at neimanmarcus.com. 4. LOEWE The Flamenco Mini Napa Drawstring Clutch Bag; $1,950 at bergdorfgoodman.com. 5. VALENTINO Featuring Valentino's iconic studs, the Rockstud Alcove Grainy Calfskin Clutch in Light Ivory can be carried by hand or over the shoulder; $2,590 at valentino.com. 6. CHLOÉ The Kattie Cross-Body Bag in shiny calfskin; $1,950 at chloe.com.

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saksfifthavenue.com. 2. SAINT LAURENT The Sade Puffy Leather Envelope Clutch Bag; $1,750 at bergdorfgoodman.com. 3. CULT GAIA Combining artwork and

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Posh Purse Elizabeth Taylor was a British-American actress who began her career as a child in the 1940s. By the 1950s, she was one of the most popular stars of classical cinema—ultimately becoming the highest paid actress of Hollywood. Throughout her life, she was known as a fashion icon on and off the screen. Here, she is seen in a fur coat as she holds a leather handbag while disembarking a plane with her then-husband, Mike Todd, in 1957.

1. ASPREY With a sleek, shiny finish, the The 1781 Mini is made in rhubarb crocodile; $29,050 at asprey.com. 2. BOTTEGA VENETA Slanted Intrecciato Tote Bag; $7,500 at bergdorfgoodman.com. 3. CHLOÉ Leather purse in grained calfskin and shearling, with a hand and long shoulder or cross-body; $2,390 at chloe.com. 4. HERMÈS The new Sac Birkin Colormatic en veau Swift; available at hermes.com and select Hermès

Ge t ty Im a ge s

boutiques. 5. J.MCLAUGHLIN The Shirin Mini Wicker Top Handle Bag in Natural instantly transforms any look from everyday to "on vacay;" $198 at jmclaughlin. com. 6. ALEXANDER MCQUEEN The Soft Curve in Neon Pink can be worn across the body by using the leather strap or over the shoulder with the strap through the leather loop folded back; $ 1,590 at alexandermcqueen.com.

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M E N ’ S A P PA R E L

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Runway Chic

1. TOMMY HILFIGER The Spring/Summer 2022 collection features loosely fitted suits, updates to Hilfiger’s classic chinos, and unisex hoodies and varsity jackets. 2. BRUNELLO CUCINELLI The Cardigan ($2,195), Knit Shirt ($795), T-shirt ($295), and Linen Trousers ($1,495). Visit the SoHo boutique at 136 Greene Street in New York or call 212.334.1010. 3. LOUIS VUITTON This sophisticated look pairs a twisted jacket with the pants of the season. Hook Detail Jacket ($3,750), Pointy Collar Shirt ($1,370), and Slit Trousers ($1,230), and LV Runner Tatic Sneaker ($1,300). 4. DIOR The Spring 2022 men’s collection reasserts the vocabulary that defines the House’s masculine identity. 5. ALEXANDER MCQUEEN The Double-breasted Wool Mohair Jacket in Blue ($2,990) and Wool Mohair Cigarette Trousers in Blue ($820) at alexandermcqueen.com. 6. HERMES The Spring/Summer 2022 collection is about a sense of lightness, relaxation and freedom.

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Serg e Lemoine/Getty Imag es

Charles, Prince of Wales, now 73 years old, is the eldest son of Queen Elizabeth II and the heir to the British throne. Throughout his life, Prince Charles has been known as one of the best-dressed royals, especially for his style during the 1970s. Here, he is seen in one of his classic looks during a visit to Canada in 1975.

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French singer, songwriter, and style icon Françoise Hardy in the 1960s. Opposite page: Françoise Hardy photographed by Jean-Marie Périer, Paris, 1966.

Yes, she was a

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chanteuse—but it was her French brand of chic that made her famous. Since the 1960s, Françoise Hardy has charmed us, redefining fashionable esprit for American and European fans, alike. In this time, she recorded 24 studio albums (including, “Personne d’autre” in 2018, which she released when she was 74). It seems to be a recurring theme that Françoise Hardy is remembered for the men that lusted for her. But, in 2022, isn’t it time for her to be recognized for her contributions to the 1960s and beyond? Yes, she was a muse to the likes of Bob Dylan, who enclosed this poem to her in “Another Side of Bob Dylan” (1964): for françoise hardy at the seine’s edge a giant shadow of notre dame seeks t’ grab my foot […]

©D e zo H o f fm a n / Sh ut te r st oc k /R E X Fe at ure s. O p po s i te p a ge : J e a n- M ar i e Pé ri e r

La Belle Chanteuse, Françoise Hardy

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Sch a p i ro /C o r bi s v i a Ge tt y Im a ge s; Vo gu e Re co rds ; C am b i Ca sa d' As te 2 02 2 .

Fox Ph o to s/ H u lto n A r ch i ve / Ge tt y I m a ge s; Gam m a - Ra p h o vi a G e tty I m age s; P i e r re Fo ur n i er ; Steve

Ba r r y Fe i ns te i n ; Fra n co i s Grag n o n/ Pa ri s M at ch v i a Ge t ty Im a ge s; Gran d Pr i x N e w s. O p po s i te pa g e:

But, perhaps, it’s become possible to praise her without remarking on the endorsements (or, the gazes) that came from famous men? Françoise Hardy was a force whose influence started, in the 1960s, when she became the face of the fashionable Yé-Yé genre. Yé-Yé is derived from the English “Yeah! Yeah!”, popularized by British beat music bands such as the Beatles, who loved to play the popular refrain in their songs. Singer/songwriter and cool man about town Serge Gainsbourg is credited with introducing Yé-Yé pop music to France. In the end, Yé-Yé bled into culture with Françoise Hardy guiding fashion from couture to breezy, tomboy-ish elegance. Think: masculine pieces (wide-leg trousers, shrunken sweaters) and mod, minidresses. Oh, and leather jackets! Françoise Madeleine Hardy was born in Paris, France, on January 17, 1944, to Madeleine Hardy. (Her father, Pierre Dillard, was in his forties and married.) She was delivered during a bombing raid, eventually becoming a true Capricorn: a leader who possesses resilience and talent. In The Despair of Monkeys and other Trifles; A Memoir By Françoise Hardy (2018), she shared: “My mother often told me that I cried every night during my first month of life, but she had never come to comfort me. She was proud of herself for never giving in to what she

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Clockwise from top left: the French muse takes a phone call in 1965; Johnny Hallyday, Sheila, Sylvie Vartan, and Françoise Hardy in Saint-Raphaël on the Côte d'Azur, 1969; Hardy and Bob Dylan together in Paris, 1966; Françoise sunbathing on a boat in Venice circa 1966; album cover of "Mon amie la rose" by the French pop singer, released in 1964; a photo of Hardy lounging in a white two-piece circa 1965. Opposite page, clockwise from top left: Bob Dylan and Françoise Hardy backstage at L'Olympia concert hall in Paris, 1966; Hardy on the set of Grand Prix, 1966; Hardy and James Garner starring together in Grand Prix.

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Clockwise Clockwise from from left: left: Françoise Françoise Hardy Hardy photophotographed graphed with with her her guitar guitar for for The The New New York York

Times Times in in 1966; 1966; actress actress Elsa Elsa Martinelli, Martinelli, Françoise Françoise Hardy, Hardy, actress actress Catherine Catherine Deneuve, Deneuve, and and dancer dancer Zizi Zizi Jeanmaire Jeanmaire attend attend the the Yves Yves Saint Saint Laurent Laurent Spring/Summer Spring/Summer fashion fashion show show on on February February 2, 2, 1967; 1967; Hardy Hardy seated seated on on aa boat boat in in Venice, Venice, 1966; 1966; The The styish styish French French singer singer flies flies into into Le Le Corbier Corbier ski ski resort resort in in the the French French Alps Alps in in 1970. 1970. Opposite Opposite page: page: Hardy Hardy looking looking back back from from the the seat seat of of

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Match Match via via Getty Getty Images. Images. Opposite Opposite page: page: Reg Reg Lancaster/Express/Getty Lancaster/Express/Getty Images Images

Getty Getty Images; Images; Georges Georges Melet/Paris Melet/Paris Match Match via via Getty Getty Images; Images; Georges Georges Melet/Paris Melet/Paris

Sam Sam Falk/The Falk/The New New York York Times; Times; AFP AFP via via Getty Getty Images; Images; Steve Steve Schapiro/Corbis Schapiro/Corbis via via

aa motorcycle motorcycle in in 1969. 1969.

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“I never get bored. There isn't enough time in the day for me.” —Françoise Hardy

felt were my whims. She boasted that after a month I understood and stopped crying. Today I believe what I understood was this: the more you cry out, the more you are ignored. You must hold your tears back and never ask anything of anyone.” Françoise and her sister Michèle would live between their mother’s flat in Paris’ ninth arrondissement and their grandparents’ home in Aulnay, France. This situation was complex, emotionally, during Françoise’s pre-teen and teen years. She remembered, in The Despair of Monkeys and Other Trifles: “My grandmother made so many scornful observations about my physical flaws that I grew up convinced that I was more ugly than average. I have never managed to completely rid myself of the neuroses this gave me. This was why putting on a bathing suit once I was a teenager, or taking off my coat, became an issue.” During this time, she was drawn to the radio—especially, songs that matched her feelings. One that she recalls was Cara Vaucaire’s “La rue s’allume,” which featured the lyrics “Why can’t I stand the smell of roses tonight?” This seemed to reflect her ennui. She shared, to NPR (September 12, 2018): “I listened to a British radio station called Radio Luxembourg. Radio Luxembourg, your station of the stars […] And so I heard for the first time Elvis Presley, Cliff Richards, The Shadows, Brenda Lee, young artists like that. Neil Sedaka. And I had no interest for anything else than this kind of music.” Soon, she celebrated her successes in receiving the French Baccalauréat (or, “Le Bac”) with being gifted a guitar at age 16. She learned three chords and, from there, started her career in composing—and performing. At 17, she

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Clockwise from top left: Françoise Hardy during a concert at the Olympia in 1965; Hardy playing a guitar on the set of the Grand Prix, 1966; Jean-Claude Brialy and Françoise Hardy arrive at Cannes International Film Festival in 1963; Mick Jagger & Françoise Hardy, London, 1965; Jacques Dutronc, Nathalie Delon, and Françoise Hardy attend a gala in the 1960s. Opposite page, from above: Françoise Hardy, Johnny Hallyday, and Sylvie Vartan, 1963; Françoise Hardy, Jacques Dutronc, and friends dress up for Halloween in 1968.

“There are so many dreams beyond our nights, and so much sunshine beyond our gray walls. But we can't see it when we stay at home.” — Françoise Hardy

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BOT T I/ Gam m a- Rap ho via Getty Imag es; ©Farabola/Leemag e. O p p osite p ag e: BOT T I/Gamma-Key stone via Getty Imag es Roge r Ka sp a ria n

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From above: Françoise Hardy wearing a gold Paco Rabanne dress in 1968; Hardy reclining on a beached boat in Venice, 1966. Opposite page: Francoise Hardy in the sixties; the French singer and muse surrounded by pigeons in Paris, 1962.

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auditioned for Jacques Wolfsohn of Vogue, first baring her breathy soulfulness. She remembered, in The Despair of Monkeys and Other Trifles: “Singing in front of a thousand people is less difficult than before a single person, but my recklessness allowed me to throw myself into it.” She was hired, debuting Her first single, “Tous les garçons et les filles” (“All The Boys and girls”), in 1962. The mots—“All the boys and girls my age walk hand in hand in the streets two by two; But not me, I go alone”—reverberated on the radio. Though, in her personal life Françoise was not alone. She started a romance with photographer Jean-Marie Périer. She shared, in The Despair of Monkeys and Other Trifles: “Under his tutelage I realized the importance of aesthetics, which became one of my major criteria. He taught me how to carry myself and to dress, and gave me social skills.” She began modeling for Chanel, Paco Rabanne, and Yves Saint-Laurent—And hanging with the Beatles and the Rolling Stones. The period with Jean-Marie Périer was marked by loneliness, resulting from stretches of traveling for concerts and radio and T.V. shows. Before performing, she drank Fernet-Branca (“a vile Italian liquor with belladonna”) to calm her stomach—and later, she retreated to her hotel’s bathroom to pen sad songs. Soon, two of these compositions—“Et Meme…” (Or, “And Even…”) and “Dans le monde entier” (or, “In the Whole World”)—

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n o tre h i sto i re . ch ; J e an C la ude Pi erde t \IN A \G e tty Im ag e s. O pp o si t e : J e an - Ma ri e P ér i er ;

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Clockwise from top left: Françoise Hardy with Salvador Dali in Cadaquès, Spain, 1968; a close up of the French singer/songwriter, model, and muse; Hardy in Paris, 1969; walking down a Paris sidewalk photographed by Jean-Marie Périer for

Vogue, circa 1960; a portrait of Hardy laughing; a headshot of Françoise Hardy by Jean-Marie Périer; a mod shot of Hardy holding her guitar; Hardy in a white swimsuit on the stern of a motorboat. Opposite page, from above: Françoise Hardy, Jean-Marie Périer, and Hugues Aufray at The Griffin's Club in the 1960s; Hardy during the filming of the TV show, ”Number One”, 1970.

were translated into English. Listeners in the United Kingdom and the United States were drawn to the French songstress for her songs—but mostly, for her sense of style. She remembered, in The Despair of Monkeys and Other Trifles: “I was lucky that my rangy, androgynous build, which gave me so many complexes, matched the style André Courrèges was radically revolutionizing with the clean lines of his designs, which were as original as they were timeless.” In 1967, she ended things with Jean-Marie Périer before famously starting them with singer/songwriter Jacques Dutronc. The darling duo dated for decades, welcoming son Thomas Dutronc in 1973 before marrying in 1981 (and separating in 1988). Sprinkled in there were covers for Elle, Vogue, and other publications—and films, too, including Château en suède (1963) and Une balle au Cœur (1966). Françoise Hardy has lamented the fact that, during a renowned career that has spanned more than five decades, the focus hasn’t seemed to be on her songs. She shared, in The Despair of Monkeys and Other Trifles: “Every time I release a new album, the many journalists who have never taken the time to listen to me want to talk about everything except my songs. After they have tried to extract any information the can on my relationship with Jacques Dutronc and made me repeat for the umpteenth time my brief counter with Bob Dylan, they never fail to ask me: ‘And the movies?’” Even Carly Simon once said: “There was a French singer, Françoise Hardy. I used to look at her pictures and try to dress like her.” SO, be sure to honor the 1960s icon by searching Spotify to listen to one of her poignant recordings. Perhaps, “Le temps de l’amour” (Or, “The Time of Love”), which was featured in Wes Anderson’s Moonrise Kingdom? It promises to make the photographs that grace Instagram—featuring Françoise Hardy dressed in furs or riding motorbikes—even lovelier. ◆

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Alc o ck f o r Th e N e w Yo r k Ti m e s; G i lle s - Ma r i e Z i m m e r m a nn ; c la ss i cd ri ve r. co m ; L i pn i tzk i / Ro g e r-Violle/The Imag e Works

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Re p o r te r s A ss o ci e s /Ga mm a - Rap h o v i a Ge tt y I m a ge s; H e lm ut N e w to n. O p po s i te p a ge : M o nd a dori via Getty Imag es; E d

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Clockwise from top left: Françoise Hardy strikes a pose wearing a fur coat in piazza Sant'Ambrogio, Milan, Italy; Hardy in 2018; a sultry shot of Françoise Hardy and Jacques Dutronc, 2010; Hardy (center) sporting stripes on the set of Grand Prix; Sylvie Vartan and Françoise Hardy at The Olympia, 1963. Opposite page, from above: Jacques Dutronc and Françoise Hardy signing autographs in Cannes; Hardy posing in Bermuda on the cover of French

Elle, March 23, 1967; Hardy photographed by Helmut Newton for the cover of French Vogue, August, 1963.

Yves Saint Laurent: The Crossroads of Fashion & Art By Brooke Murray

Born in france

M u s é e d u Lo u v r e / A n t o i n e M o n g o d i n ; c o n d e n a s t a r c h i ve s

C o u r t e s y o f Fo n d a t i o n P i e r r e B e rg é – Yve s S a i n t L a u r e n t ; 2 0 2 0 ,

in 1936, Yves Saint Laurent grew up in a villa by the Mediterranean, where he developed a passion for creating elaborate paper dolls, which evolved into designing dresses for his mother and two younger sisters in his teen years. When he was 17, Saint Laurent moved to Paris and enrolled at the Chambre Syndicale de la Haute Couture—the starting point for his professional career. While living in the City of Light, he met Michel de Brunhoff, then editorin-chief of French Vogue, who introduced him to Christian Dior, for whom Saint Laurent worked as an assistant before ultimately being named as the house head designer after Dior’s death in 1957. At the time, Saint Laurent was just 21 years old. In 1960, Saint Laurent was fired from Dior after being drafted into the French Army during the Algerian War of Independence—a blessing in disguise. After his brief service, Saint Laurent, along with his lover Pierre Bergé, created his namesake house in 1961, ultimately becoming one of the most influential fashion designers of the second half of the 20th century— renowned for breaking boundaries and introducing new forms.

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Clockwise from above: Galerie d’Apollon at the Louvre, Paris; Yves Saint Laurent photographed by Horst P. Horst at home in 1971; a couture jacket created by Yves Saint Laurent in 1990, on display at the Louvre. Opposite page: A gown created by Yves Saint Laurent for the Bal Proust, exhibited at Musée d’Orsay.

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C o u r t e s y o f Fo n d a t i o n P i e r r e B e rg é – Yve s S a i n t L a u r e n t ; P i e r r e A n t o i n e

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To celebrate the anniversary of Yves Saint Laurent’s first runway show, a series of installations conceived by the Fondation Pierre Bergé are on display through May at six of the most prestigious fine arts museums in Paris—the Pompidou, the City of Paris Museum of Modern Art, the Louvre, the Musée d’Orsay, the Musée National Picasso-Paris, and the Yves Saint Laurent Museum Paris. The exhibition, “Yves Saint Laurent aux Musées,” pays homage to the extraordinary creative talent of the late French couturier and the art that inspired him. “The unique dialogue that existed between Yves Saint Laurent and the myriad sources of inspiration he found in the fine arts, spanning a vast range of cultures throughout history, was a key component of the couturier’s ingenuity and boundless creativity,” says Madison Cox, president of Fondation Pierre Bergé – Yves Saint Laurent. “What more fitting manner to celebrate this 60th anniversary than to bring together

From left: A green fox fur coat created by Yves Saint Laurent in 1971, on display at the Pompidou; an ensemble inspired by Pierre Bonnard, exhibited at the City of Paris Museum of Modern Art. Opposite page, clockwise from above: Raoul Dufy, la Fée Electricité, 1937, at the City of Paris Museum of Modern Art; an accessory exhibited at the Louvre, the Heart, produced in variations from 1962 onwards by Roger Scemama for Yves Saint Laurent, who would put it on his favorite design or model from the collection for fashion shows; Martial Raysse, Made in Japan - La grande odalisque, 1964, at the Pompidou alongside Yves Saint Laurent’s green fox fur coat.

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Pierre Bonnard. Opposite page, from above: Yves Saint Laurent created extravagant outfits for the Bal des Têtes in 1956 and later for the Bal oriental in 1969 and the Bal Proust in 1971; a jacket created by Yves Saint Laurent in 1988, inspired by Vincent Van Gogh.

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C o u r t e s y o f Fo n d a t i o n P i e r r e B e rg é – Yve s S a i n t L a u r e n t ; Yve s S a i n t L a u re n t ; N i c o l a s M a t h é u s

Yves Saint Laurent ensembles from 2001, inspired by

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“My weapon is my way of looking at my era and the art of my time.” —Yves Saint Laurent

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A Yves Saint Laurent jacket created in 1979 (left), inspired by a 1937 painting by Pablo Picasso (right).

on display at Musée National Picasso-Paris.

these six renowned French cultural institutions—a noteworthy event in and of itself—and offer an incisive look at the work of one of France’s greatest fashion innovators alongside pieces from these esteemed museums’ permanent collections.” Saint Laurent, who strongly believed that the work of a couturier is very close to that of an artist, often credited his fascination with the arts as the primary inspiration for his work. “My weapon is my way of looking at my era and the art of my time,” Saint Laurent once revealed. This became apparent when Saint Laurent launched his Fall-Winter collection in 1965, presenting a series of dresses that paid respect to Dutch painter Piet Mondrian. Saint Laurent transformed Mondrian’s two-dimensional paintings into three-dimensional works, setting art into motion. This creative dialogue with artists continued throughout his career, with tributes to Serge Poliakoff, Tom Wesselmann, Henri Matisse, Georges Braque, Pierre Bonnard, Fernand Léger, Vincent van Gogh, and Pablo Picasso. “I am always influenced by painting: I

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owe my collection to American painters like Wesselmann and Roy Lichtenstein. All my dresses were lit up with landscapes, moons and sunshine,” said Saint Laurent of his July 1968 collection. Each museum presenting “Yves Saint Laurent aux Musées” exemplifies this bond between the designer and art in unique displays. While the Musée National Picasso exhibits the artist’s paintings alongside Saint Laurent’s designs, the Musée d’Orsay displays dresses created by Yves Saint Laurent for the Bal Proust—a party thrown by the Baron and Baroness Guy de Rothschild in December 1971 for which Saint Laurent created dresses for the Baroness de Rothschild and Jane Birkin, inspired by clothes from the Belle Epoque. “Different stories take shape from one museum to the next, allowing us to question the ideas and the myths around the couturier and artist Yves Saint Laurent: myths that touch the hidden depths of his being, but also his search for perfection,” says Mouna Mekouar, the co-curator of the show. u

Succession Picasso – Gestion droits d’auteur; RMN-Grand Palais (Musée national Picasso-Paris)/Adrien Didierjean

Paris and the painting, Portrait de Nusch Eluard, is

Cour tesy of Fondation Pierre Bergé – Yves Saint Laurent; Bettmann/CORBIS; Yves Saint Laurent; Nicolas Mathéus;

The jacket is exhibited at Musée Yves Saint Laurent

Counterclockwise from top right: The exhibition “Yves Saint Laurent Aux Musées” takes visitors on a journey through the permanent collections of six Parisian museums; a dress created by Yves Saint Laurent in 1965, inspired by Piet Mondrian, at the Pompidou; Yves Saint Laurent.

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Falling In Love With Love at Faena Erin Flanagan lazard

“I am a fashion connoisseur, Maman!” Chloé says with a smile, as she skips off with her little dog, Alaia, in search of a gown that she thought she may have to find across the seas in her home away from home, Paris. The new gown is for Miami’s distinguished Faena Art Gala. To celebrate 10 years of Faena Art, Alan Faena would be hosting an arts gala like none other, with performances by The Dolls and Lady Bunny, a processional dinner party complete with a 250-pound tuna, an immersive art installation by Manuel Ameztoy, and an auction run by Christie’s with works from over 20 artists. The gala provides funding for artists through the Faena art residency program, with proceeds benefitting The Path of the Panther and the Reefline. Chloé helped create the first Junior Committee of the Faena Art Gala. Chloé Tallulah Thayer Lazard, a 21-year-old Parsons student, is not only my daughter, she is also my best friend and number one fashion hero (for anyone who knows me, that’s saying a lot). Grow-

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ing up, Chloé joined me at all of the fashion shows, occasionally playing dress up in the showrooms. Her favorite place to visit was Erickson Beamon Showroom Seven. Within that same world of showrooms, Chloé has led me to Roopa Pemmaraju. Roopa designs stunning, one-of-a-kind women’s clothing, all handmade in Bengaluru, India, where she grew up. Her dresses, blouses, and skirts sing with color, and her beaded headbands resemble pieces of art. Known for the simple moniker “By Hand. From the Heart”, each Pemmaraju design is sewn by hand from the hearts of skilled artisans using time-honored techniques to create vibrant, one-of-a-kind clothing that is rich in color and culture while remaining respectful to the planet and its people. Happily, Roopa and her team were able to fashion the perfect gown for Chloé! Upon our initial descent at Miami’s Faena, we could feel a sense of harmony in color, Chloé dressed in brightly hued Roopa designs. Once inside the glass doors, our minds exploded into a kaleidoscope of ignited love. We found a one-of-a-kind tribe at the Faena—a move-

Ar n a g B al ta i an . O pp o si te : A r n ag Ba lta i an

Above, left to right: Fashion connoisseur, model, and muse Chloé Lazard dressed in designs by Roopa Pemmmaraju at Miami Beach’s Faena Hotel. Opposite page: Chloé holds little Alaia as they pass by Damien Hirst’s golden woolly mammoth skeleton, Gone but not Forgotten.

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Ar na g Ba lta i a n. O p po s i te : A r n a g B alta i a n

ment! A place to express, to create, to become fashion, to see art, beauty and color. When Chloé started working with Faena’s Art Gala, we reached out to another exceptional artist we know and greatly admire, our beloved friend Lionel Richie, to perform. Lionel has always been a force in Music, Art, Fashion, and Love! The dress Chloé wore to the gala made us think of Lionel’s inspiring hit song “We Are the World,” the powerful album on which he collaborated with so many musical greats. Lionel’s words resonated within us as Chloé gracefully moved about in Roopa’s worldly and earth-loving designs... Through our favorite boutique, Big Bang at the Faena (where artisans join together via the exceptional curation of Paula Selby Avellaneda). And onward, shot by shot, through Omar’s Saxony Bar, arriving in front of Damien Hirst’s golden mammoth, Gone but not Forgotten. My chats with Chloé continue: “Mom, fashion is science and tech as well!” We have 3-D printing, we have Myla leather made from mushroom roots, we have “newlight” carbon-negative leather. Clothes being made of hemp, Lyocell, aloe, algae, reworked, recycled, upcycled! As Chloé leaps and swirls in her Roopa Gown for the photographer among the Faena Hotel’s captivating backdrops, I fly up flights of stairs to float into my Oscar de la Renta Sunset chiffon gown in which I will soon join the throngs of magnificent, creative talents at the gala. Oh what an evening we had! Art, music, fashion, fanfare, glamour, and whimsy—all in one place. The scene was art in itself!

Above, from left: Giulia Carniato, Note Marcato, Chloé Lazard, and Maria Buccellati celebrate 10 years of Faena Art in Omar Hernandez’ Saxony Bar . Opposite page, clockwise from top left: Cheering on Faena!; Chloé flashes a smile dressed in Roopa Pemmmaraju (Alaia seated on her lap); Chloé and her mom, Erin Flanagan Lazard (dressed in Oscar de la Renta), strike a pose; trying on Pemmmaraju’s designs; Marcato and Chloé; Chloé looking Faena fierce; a mother-daughter air kiss; Chloé and Buccellati raise the roof; feeling the love with Chloé at center.

A few days later I hear Chloé chatting about Anke Domaske, a German microbiology student who grows her own fabric from sour milk. Now available, the fabric is called QMILK! A material of the future. Rather than discard sour milk that cannot be consumed, the milk can be repurposed into fabric and even effective skincare and cosmetics. Joining the conversation, we touch on the topic of AirDye, a new sustainable method for dyeing textiles that uses 90% less water and reduces energy emissions by 85%. As we walk by the sea in front of the Faena with that gentleman of a genius, Alan Faena, we pay daily homage to him. A revolutionary at heart and one of the most visionary leaders, he has made a vital and enduring mark across a range of industries. We virtually double kiss all the designers who have joined the movement of sustainability and betterment for the world and its inhabitants. They have cast a hurricane of glistening light where there was once a shadow, and our future looks bright. To reel off WINTER 2022/

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Counterclockwise from above: A 250-pound tuna is served at Faena’s Art Gala, toasting 10 years of Faena art initiatives; Lady Bunny in action at the gala; Maria Buccellati and Omar Hernandez celebrate 10 years of Faena Art. Opposite page, top to bottom: Violinist Margot, a member of disco-centric duo The Dolls, performing at Faena’s Art Gala; an Erin Flanagan Lazard-approved sustainable

some names ~ thank you most kindly Gabriela Hearst, Stella McCartney, Chloé, RE/DONE, petit h at Hermès, AG, AYR, Prada, Faith Connection, Dries Van Noten, Replica by John Galliano, Giorgio Armani, Bode, Vivienne Westwood, Pangaia, Mara Hoffman, Siam Circle, Victor & Rolf, Ronald van der Kemp, Edun (the former label Bono co-founded with his wife Ali Hewson as a way to showcase African talent and materials), and Love Brand & Co. All designers globally need to open their vaults to a wave of change that focuses on ecologically and socially responsible fashion—instead of literally burning them! My favorite sustainable fashion apps and online destinations: The Real Real (thereareal.com), Gem (gem.app), Thrilling (shopthrilling.com), The Church Mouse in Palm Beach, Topanga Canyon’s Hidden Treasures, Decades (decadesinc.com), leavesofgrassnewyork. com, 260samplesale.com, Kiko’s kloset on Instagram (@kikos. kloset), Shrimpton Couture (shrimptoncouture.com)... And most definitely, your mom’s closet!! As I sift through these clouds of change, I am blown away with wonder at the thought of so many bright young stars on the horizon bursting with opportunity and hope. And as I look at my daughter, I think to myself, “Chloé, alone you are only one, but together—we stand strong with each other. ◆ Signing off, —I am in Love with Love

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D av i d X Pr utt i n g/ BFA .c om . O p po s i te : D av i d X Pr u tti n g/ BFA. co m ; Su s tai n a ble L abe l; Fae n a Mi ami Beach

label; Miami’s four-story Faena Bazaar

A Tribute to a Legend: Christian Dior’s John Galliano by

b ro o k e M u r r ay

Co u r te sy o f M i ch a e l Th o m ps o n /Tr un k A r ch i ve ; La z i z H a m an i

Born in 1960 in the British Overseas Territory of Gibraltar, John Galliano—who would become the fourth creative director of Christian Dior—grew up with two sisters and his parents. His mother, Anita, who was a homemaker from Spain, had a passion for clothes and has been credited for heavily influencing Galliano’s success and creative style. Anita’s connection to Spanish culture, for instance, can be seen in Galliano’s Autumn-Winter 2003 flamenco-inspired haute couture collection. In 1967, Galliano’s father relocated the family to South London so that the children could receive a better education. During his time as a student at London’s Central Saint Martins, Galliano learned the art of costume while working as a dresser at the National Theatre. His graduation collection earned him a standing ovation, and his talent was instantly clear. After finding success in his own brand, which he estab-

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Look 1, an ensemble consisting of a jacket and a skirt embroidered all over with gold pailettes, haute couture Spring-Summer 2004 (Dior Héritage collection, Paris). Opposite page: Model Kylie Bax wearing the Kamata ball gown, haute couture Spring-Summer 1997, photographed by Michael Thompson, Vogue Paris, March 1997.

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Dame Collet Monté long suit in black wool crepe and white organza, haute couture AutumnWinter 1998, A Voyage on the Diorient Express (Dior Héritage collection, Paris). Opposite page, from above: Penélope Cruz wearing the Tatiana Usova Inspired by Velázquez coat, haute couture Autumn-Winter 2007, Le Bal des Artistes, photographed by Annie Leibovitz, Vogue, December 2007; the cover of Co u r t e sy o f L azi z H a m an i ; A n ni e Le i bovi t z/ Tr un k A r ch i ve ; As so ul i n e

Assouline’s Dior by John Galliano.

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lished in 1984, Galliano took on the role of Creative Director at Givenchy in 1995. Although couture had long been a passion, Galliano had only presented two collections for Givenchy before François Baufumé, then president of Dior, announced that Galliano would succeed Gianfranco Ferré as the fourth creative director of the house in 1996. The news of Galliano’s appointment to Dior shocked many due to his lack of experience with couture as a young designer. Galliano’s nationality was also problematic. He and Alexander McQueen, who would replace him at Givenchy, were both British. “In what some here are bemoaning as a blow to French cultural pride, it was announced today that creative control of two of Paris’s venerable couture houses, Christian Dior and Givenchy, will now be in the hands of British designers,” reported Amy Spindler for the New York Times. Bernard Arnault, the CEO of LVMH Möet Hennessy–Louis Vuitton, whose decision it was to appoint Galliano and McQueen, responded to the public’s backlash by pointing out that “talent has no nationality,” later adding that “Galliano and McQueen are the two greatest creatives of our time.” Galliano’s appointment also came as many were seeing Dior as bourgeois and were hoping Galliano would return Dior’s original style. “Galliano as

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photographs by Laziz Hamani, Steven Meisel, Annie Leibovitz, Irving Penn, and Paolo Roversi. The book is the fifth volume in a series that pays tribute to the house’s creative directors. “By acknowledging Monsieur Dior’s icons of design as well as his iconography of stylishness, Galliano extended and expanded the aesthetic and philosophical language of Dior…Galliano’s often transgressive and sometimes incongruous provocations transformed Dior’s stylistic lexicon into an idiom of our times, reestablishing the original luster and authority of its founder,” Bolton concludes. ◆

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has a creative talent very close to that of Christian Dior. He combines the same extraordinary blend of romance, femininity, and modernity that symbolized Monsieur Dior. In all his creations—his suits and his dresses—there are reminiscences of the Dior style,” said Arnault. During his time at Dior, Galliano distinguished himself with extravagant shows and spectacular looks that imbued romanticism and history. Assouline’s latest tome, Dior by John Galliano, written by the Costume Institute’s curator Andrew Bolton, shows off the exceptional silhouettes he created for the house through 2011, with

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Amber Valleta Inspired by Renoir, Anna Mikhaylik Inspired by Seurat and Viviane Orth Inspired by Manet ensembles, haute couture AutumnWinter 2007, Le Bal des Artistes (Dior Héritage collection, Paris). Opposite page: Look 22, an ensemble consisting of a coat in green brocade with mink collar and cuffs and a dress in blue satin embroidered with peacock feather motif, haute couture Autumn-Winter

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2004. (Dior Héritage collection, Paris).

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Fresh Off the Runways by

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The best of haute couture for spring and highlights from our favorite presentations in Paris.

Charlotte Casiraghi rides down the runway on a horse to open Chanel’s spring 2022 couture show. Opposite page: Models showing off looks from Chanel’s Spring 2022 Couture Collection during the presentation in Paris.

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> Chanel It’s not unusual for Chanel to go over the top for the runway. To debut the Spring 2022 Haute Couture Collection, Virginie Viard opened the show at the Grand Palais Éphémère with Charlotte Casiraghi on horseback, wearing a Chanel jacket made of black tweed and sequins. Casiraghi, best known as Grace Kelly’s granddaughter and a Monégasque princess, has served as a brand ambassador for the house since 2020. For the debut, she rode through an equestrian universe at the crossroads of fantasy and reality—virtually interwoven with the magic of the collection itself, to the tune of oversized instruments played by Sébastien Tellier. To bring her vision to life, Viard collaborated with French contemporary artist Xavier Veilhan. “The idea for the show’s décor came from a longstanding desire to work with Xavier Veilhan. His references to constructivism remind me of those of Karl Lagerfeld,” says Viard. “I like this similarity of spirit between us, now and across time. In addition to creating the show décor, with its references to the avant-gardes of the 1920s and 1930s, Xavier wanted to work with Charlotte Casiraghi. His artistic universe is full of horses and Charlotte is a skilled rider.” The collection, featuring flounces, fringes, macramé, bright lace, iridescent tweeds, colorful jeweled buttons, and finely geometric embroidery, echoed the freshness and contrasts of the décor. WINTER 2022/

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Garance Marillier, and Camille Razat sitting front row; Farida Khelfa leaving the Palais Brongniart. Opposite page, clockwise from top left: Two looks from Fendi’s Spring 2022 Couture Collection; Sofia Sanchez de Betak arrives at the show; Miriam Leone, Frederic Arnault, and Noomi Rapace in the audience; Kim Jones waves during the finale; looks from Fendi’s Spring 2022 Couture Collection.

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Co u r te s y o f Fe n di

From above: Madelaine Petsch,

Fendi Drawing inspiration from Rome—both its ancient past and imagined future—Kim Jones presented a spring couture collection that combined fantasy with reality. “When you walk down the street in Rome, you are constantly moving back and forth in time,” explains Jones. “Where we work feels very modern, but you pass monuments on the way there. There’s a total timelessness to the city: a historic vein that runs through it, but also a movement that is projecting forward.” Models stepped out on the runway as smoke filled the air, as if descending from the heavens. “Rome has a certain spirituality as a city,” notes Jones. “Not necessarily just something religious, but something present in the layers of its history.” Using time-honored techniques alongside modern craftsmanship, the collection reflects that sentiment and harmonizes past and present. Opulent fabrics are paired with duchesse silk and organza, illuminated with traditional beading and mother-of-pearl. Renditions of the statues outside of Fendi’s monumental Palazzo della Civiltà Italiana headquarters are hand-painted on velvet dresses, with sheared mink sprinkled throughout. Heat-molded leathers, embroidered with micro sequins, mink and pearls, echo Corinthian reliefs; while exposed underpinnings reveal an appreciation for construction—the very essence of couture. The visual language of power is seen throughout. “That’s what my vision for Fendi is all about: celebrating the power of women,” says Jones.

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Looks from Dior’s Spring/ Summer 2022 Couture Collection. Opposite page: Looks from Elie Saab’s Spring/Summer 2022

< Dior Although Christian Dior’s Spring 2022 Haute Couture show took place at the Musée Rodin in Paris, Maria Grazia Chiuri’s inspiration came from India. To capture her creative dialogue with the country, she brought together two major artists for the show: Madhvi and Manu Parekh. These partners decorated the venue with embroidered tapestries handmade by the Chanakya School of Craft in Mumbai—an institution that provides women from low income communities with high-quality education in hand embroidery. Like the collection itself, the artwork expressed the power of embroidery and human touch, including dresses with meticulous but subtle embroidery and double breasted suit jackets in unbleached wool.

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> Elie Saab Elie Saab’s “Eden on Earth” Spring/Summer 2022 Haute Couture Collection serves as an ode to the Mediterranean, which Saab describes as a landscape that has “always provided simple solace and joy… with its wild bougainvillea that bloom vivacity wherever they climb and its deep blue sea that glistens as it flirts with luminous rays of golden sun.” The looks presented at the Carreau du Temple were filled with this energy and the bold colors and materials that define the Mediterranean landscape. Models donned ballgowns aimed to capture the in-between moments of dusk and dawn, including voluminous feathered dresses and a shimmering sequin mermaid-style gown paired with matching gloves. Some featured strong structured shoulders like the colonnades of ancient temples, while others had tassels and fringe that swished like water. The colors were a mix of sea greens, celestial blues, and pinks that resonated with the Mediterranean sunset.

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Couture Collection.

Counterclockwise from top right: Pierpaolo Piccioli surrounded by models during Valentino’s Spring 2022 Couture Collection finale; models walking on the spiral stairs of Valentino’s showroom in Paris; a floating look in pink. Opposite page: Backstage and on the runway at Place Vendôme for Valentino’s Spring/Summer 2022 Couture Collection.

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Valentino For Valentino’s Spring 2022 “Anatomy of Couture” Collection, Pierpaolo Piccioli aimed to break outdated idealizations of the body by embracing the concept that beauty is not absolute. The stigma of haute couture has always been to adapt clothing silhouettes to the frames of similarly looking, waif-ish models. For his presentation at Place Vendôme, Piccioli selected diverse models of all ages and varying body shapes—many of whom had previously been told they would never walk the runways again. Kristen McMenamy opened the show, her first in years and most significant since her peak in the ’90s. Piccioli’s collection set a beautiful example that when dressed well and proportionately, everyone can look their best. Designs included voluminous gowns, cocktail dresses paired with gloves and stockings, feathers, and glittery embroidery. u

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Manolo Blahnik’s Golden Year by

b ro o k e M u r r ay

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Clockwise from left: Manolo Blahnik in his New York City boutique in 1982; Gold Strappy Sandal sketch; styles from the Gold Capsule Collection. Opposite

Co u r te sy o f M an o lo B la hn i k ; Ge t ty Im a ge s

page: Manolo Blahnik.

Since founding his eponymous brand, Manolo Blahnik’s name has become synonymous with luxury shoes. A staple in every woman’s closet, ‘Manolos’ evoke images of the style icons of our time—from royals like Kate Middleton and the late Princess Diana, to celebrities like Anna Wintour and on-screen characters like Carrie Bradshaw, who deemed it her shoe of choice in Sex and the City and famously offered up her jewels before her Manolos to a would-be robber.

Born in 1942 on a banana plantation in the Canary Islands, Blahnik’s fascination for shoes began at an early age. He recalls having an early fixation with feet, specifically those of the lizards that invaded the gardens of his home, for whom a young Manolo would playfully create tiny shoes out of aluminum candy wrappers. His mother, a chic and strongminded woman, can also be credited as an early creative inspiration. Frustrated by the limited selection of fashionable shoes available during World WINTER 2022/

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From above: Olivia Palermo, wearing Manolo Blahnik, celebrating 10 years of the Hangisi in New York; styles in the gold capsule collection. Opposite page: Kate Middleton (left) and Princess Diana (right) wearing Manolo Blahnik shoes.

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Co u r te sy o f M an o lo B la hn i k ; B FA; G et ty I ma ge s / Pr i n c es s D i an a A rc h i ve

War II, she learned to make her own shoes from a local cobbler, a process that fascinated Blahnik and ultimately inspired his own collections. Manolo Blahnik eventually established his namesake brand and opened a shop on Old Church Street in London in 1971. The brand now boasts boutiques around the globe— with 316 doors globally and points of sale in 31 countries. Blahnik’s colorful career has been decorated with an array of awards for his achievements, including recognition from the Couture Council of America, and, most notably, by her Majesty the Queen as an Honorary Commander of the Most Excellent Order of the British Empire (CBE).

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From above: “The Manolo Blahnik Archives: A New Way of Walking,” the brand’s digital exhibition; sketches of styles in the gold capsule collection. Opposite page: Sarah Jessica Parker as Carrie Bradshaw holding a pair of Manolos in HBO Max’s And Just Like That..., the Sex and the City spinoff (above), and wearing a pair of

Co u r te sy o f M an o lo B la hn i k ; Cra i g B la n k en h or n / H B O Ma x

Manolos in Sex and the City (below).

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This winter marked the golden anniversary for Manolo Blahnik, who fittingly commemorated the historic 50-year milestone with a new dazzling gold capsule collection. The Golden Year collection is a tastefully curated trip through the last five decades of Manolo Blahnik, featuring his classic silhouettes, from boots with tiers of fringe to the chic Mary Jane heels (popularized by the always-stylish Carrie Bradshaw). “It has been 50 years of learning the craft to make the most beautiful shoes, five decades of work into one extraordinary collection. There are iconic styles and silhouettes, like the Maysale, Hangisi, and Lurum with a gold transformation. So effortless and chic,” said Blahnik of the collection. Blahnik spoke particularly highly of the Rayuela, a flat boot inspired by a charm bracelet worn by his mother during his childhood. “This season I especially love the flat shoes. I wanted to make the Rayuela in silk but silk was very frail so we did it in satin silk, which we can double up and is much stronger. I have never seen a style like this with bells,” Blahnik remarked. To pair with the collection, the brand also curated a digital exhibition coined “The Manolo Blahnik Archives: A New Way of Walking,” which is divided into five immersive spaces, each with its own theme, and delves into the history and progression of the legendary brand over time. A golden year for the gold standard in women’s shoes. u WINTER 2022/

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Tailoring Legends

Courtesy of Brioni

By Jared Brill

Considering the craftsmanship and artistry behind the tailoring at Italian fashion house Brioni, it’s no surprise that the maison’s roots lie in the invocation of artistic paragons like Sansovino, Tiziano, and Caravaggio. In Assouline’s Brioni: Tailoring Legends by Olivier Saillard, the rise of these storied tailors is vividly captured. After working together at a men’s clothier in Rome, Nazareno Fonticoli and Gaetano Savini decided it was time to move on from laboring for small commissions. Dreaming of their artistic and economic independence, they opened their first boutique in 1945, centered around high-quality bespoke menswear. They called it Atelier Brioni, named after a cluster of islands off the coast of Croatia that were frequented by the social elite they hoped to court. But this would prove a daunting task, as the atelier was formed in the ruins of a battered Italy. Ravaged by the second World War, Italian craftsmanship was one way that the country emerged from the precipice of disaster by virtue of its proudest traditions. Rome may have been awash with young men in battered clothing, but visitors were nevertheless taken aback by the Italians who held their heads high, finding

Tailors at work in Brioni’s Rome atelier, circa 1960s; the cover of Tailoring Legends (inset). Opposite page: Brioni models on the catwalk at the Sala Bianca in the Palazzo Pitti, late 1960s.

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dignity in their clothing and appearance. In the post-war era, interest in the synthesis of clothing and culture was not unique to Italy. Indeed, various subcultures emerged all over Europe and America, all with their own associated styles. The young Zazous in France rocked skinny trousers rolled up high to mid-calf, with long jackets and high-collared shirts. In Britain, the Teddy Boys parroted the style of Edwardian dandies with draped jackets, bootlace ties, and narrow pants with crepe-sole creepers or pointed-toe winklepickers. Men’s fashion took more interest in color and developed a sharper eye for style, as a wider range of men found themselves interested in aesthetics. It’s precisely this phenomenon that Brioni capitalized upon, as the heritage of their great and traditional tailoring blended with a youthful approach to slimmer, more flattering fits and brighter colors. This winning combination won Brioni great praise in the American market, which hailed the atelier as a leader in men’s fashion. The brand developed a style that remains in its collections today. Bold palettes, luxurious fabrics, shorter suit jackets, and sharp coats. For many, Brioni perfectly walked the line between timeless style and current fashions. The maison’s rise to the heights of dressing celebrities and supplying wardrobe for James Bond is fascinatingly documented in Olivier Saillard’s history of the Italian giant. ◆ Counterclockwise from top right: The buttonhole, punched by hand and decked with no less than 100 hand-placed stitches, is a distinctive symbol of Brioni tailoring finesse; a tailor prepares a Brioni suit for the “repose” phase of production, in which it will rest for two to five days before shipping to stores; a 1958 sketch for a Brioni evening ensemble. Opposite page: A model wears Brioni’s Blue Symphony, a double- breasted blazer in wool and silk blend, with matching pockets, cuffs and trousers, circa 1970s.

C o u r t e s y o f A g o s t i n o O s i o / Al t o P i a n o S t u d i o ; B r i o n i

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COAST TO COAST FLORIDA

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BFA

Miami In late February, sisters and business partners Simone and

Nicky Zimmermann held a dinner at Mandolin to celebrate Zimmermann’s new boutique in the Design District, which will open later this year. The event also marked the duo’s return to the U.S. after spending two years in Austrailia during the pandemic. Special guest and co-host Karolína Kurková helped gather fans of the brand to attend that evening, including Athena Calderone, Aurora James, and Nicky Hilton Rothschild, among others.

1. Simone and Nicky Zimmermann 2. Kit Keenan, Cass DiMicco, and Paige Mastrandrea 3. Bridgette Hill 4. Bambi Northwood-Blyth 5. Valeria Lipovetsky and Chrissy Rutherford 6. Nicky Hilton Rothschild 7. Daniella Swaebe and Suzy Buckley Woodward 8. Samantha Angelilli and Peter Ostrega 9. Cait Bailey and Cass DiMicco 10. Lili Buffett, Micaela Erlanger, and Denisa Palsha

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Palm Beach

Last month, Bettina Anderson, Ivey Leidy, and Stacey Bendet, Alice + Olivia’s creative director, hosted a “Galentine’s” themed party at the brand’s Palm Beach boutique located at the Royal Poinciana Plaza. Guests, who showed up with their best gal pals, shopped the latest collection while sipping on cocktails. The evening also featured BFF bracelets, flower crowns and bouquets, and more. Proceeds from the event supported the Project Paradise Film Fund.

1. Alina Shepel and Danielle Marks 2. Ivey Leidy and Bettina Anderson 3. Dusty Dodge, Christina Wood and Corina Gugler 4. Caitlin Saucier 5. Kent Anderson and Samantha Cerny 6. Claudia Lavender and Laura Morris 7. Pamela Tick 8. Josh Lamb and Stacey Bendet 9. Lauren Layne Merck 10. Pamela Phillips and Gemma Maxime

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COAST TO COAST NEW YORK

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New York

The New York Botanical Garden recently hosted the annual Orchid Dinner at The Plaza for nearly 250 guests in celebration of The Orchid Show: Jeff Leatham’s Kaleidoscope, which opened last month in the Enid A. Haupt Conservatory. The evening— known for stunning orchid table centerpieces created by the country’s best florists—featured cocktails, a tour of the tablescapes, a seated dinner, and dancing to music by The Misshapes. Proceeds from the event supported the organization’s educational programs central to preserving the plant world.

1. Jeff Leatham 2. Gillian Hearst 3. Paul Arnhold and Wes Gordon 4. Marilyn Kirschner and Jennifer Novetsky 5. James DeSantis and Kai Cameron 6. Leigh Lezark 7. Marjorie Gubelmann 8. Michael Gonzalez, Soull Ogun, Jerome Lamaar, and John Goodman 9. Cecile Lochard, Grace Fuller, Marroquin Ann, Caroline Prazan, and Laura Durr 10. James Cusati Moyer 11. Sharon Jacob, Dallas Dalton, and Sarah McCartan

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COAST TO COAST FLORIDA

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Capehart

Palm Beach

On February 22nd, Martha Stewart and Canopy Growth hosted an intimate dinner to celebrate the addition of three new flavors of Martha Stewart CBD’s Tropical Medley Wellness Gummies. “I wanted to make delicious gummies that could be served at the end of a dinner party,” said Stewart when asked about the line. Fittingly, the venue was transformed into a tropical oasis with real, gummy-filled citrus trees. CBD-infused cocktails, dinner, and Stewart’s famous Coconut Cake were also served that evening.

1. Christopher Orthwein and Martha Stewart 2. Binkie Orthwein, David Klein, and Daphne Oz 3. The bar 4. Alexander Griswold and Nolen Doorack 5. Nick Hissom and Sue Jin Lee 6. Stacey Leuliette 7. Jennifer Miller and Krystian Von Speidel 8. Eleanora Kennedy, Michael Reinert, and Sarah Wetenhall 9. Kevin Sharkey and Mary Willis 10. Tony and Amanda Cummings

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COAST TO COAST ENGLAND

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J a so n L loyd- Eva n s

London

To ring in the Russian Old New Year, Annabel’s hosted its annual dinner party in the Garden & Rose Room for members and guests to welcome in 2022. The staff donned traditional Russian costumes and the interiors were covered in thousands of sparkling crystals. Partygoers, including Tatiana Kharchylava, Anna Durox-Danner, and Oksana Rodko, enjoyed a themed menu with plenty of vodka and caviar, as well as live entertainment from folk dancers, Kvatro, Bar Markovich, DJ Sergy, and DJ Lica. ◆

1. Dina Bilenko and Sabina-Bilenko 2. Kvatro 3. Elena Taranina 4. Oksana Rodko 5. Folk Dancers 6. Bar Markovich 7. Tatiana Kharchylava 8. Botagoz Koshenova and Evgeniya Matina 9. Anna Duroc-Danner

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1. SAMANTHA JONES posing for Vogue, January 15, 1967. 2. DR. BARBARA STURM While reducing and refining the appearance

of pores for a radiant complexion, the Better B Niacinamide Serum protects against skin aging; $145 at drsturm.com. 3. FRESH The Floral Recovery Calming Mask is clinically proven to calm signs of sensitivity for an even toned complexion; $68 at fresh.com. 4. EVE LOM Experience a revolutionary daily moisturizer with sun protection with Eve Lom’s Daily Protection SPF 50; $95 at evelom.com. 5. BLUE LAGOON The Eye Serum offers a delicate formula designed to intensely hydrate and relieve signs of fatigue and puffiness; $180 at bluelagoon.com. 6. LA PRAIRIE The White Caviar Essence Extraordinaire illuminates and firms skin; $440 at laprairie.com. 7. SOLEIL TOUJOURS Envelop lips with modern moisture barriers with the Mineral Ally Hydra Lip Masque; $22 at soleiltoujours.com. 8. JOANNA VARGAS The nature-powered Eden Hydrating Pro Moisturizer; $90 at joannavargas.com. 9. CHANEL The Sublimage L’Essence Fondamentale Yeux reframes the eye area; available at chanel.com.

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BEAUTY BODY & HAIR

sporting hair tape in 1968. 2. ORIBE Strengthen fragile, weak hair with the Hair Alchemy Resilience Shampoo ($49) and Conditioner ($52); available at oribe.com. 3. HARRY JOSH Designed to deliver unparalleled smoothness and shine, the Harry Josh Pro Tools Ceramic Flat Styling Iron is technologically advanced with customizable heat settings; $200 at dermstore.com. 4. R+CO This luxurious Sleep Masque Night Repair Serum repairs parched, damaged hair while you sleep; $165 at randco.com. 5. PARFUMS DE MARLY An unprecedented captivating floral creation is the Delina Exclusif; $357 at us.parfums-demarly.com. 6. HERMÈS The Les Mains Hermès Nail Enamel in Rose Incarnart; $45 at bloomingdales.com. 7. PENHALIGON’S The Coveted Duchess Rose Eau De Parfum; $295 at saksfifthavenue.com. 8. AMAFFI Languorous and elegant, the Selena for Women scent is a hymn to the mysterious and unattainable moon; $3,400 at amaffi.com.

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1. CHERYL TIEGS

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was one of the fashion world’s legendary beauties who became the industry’s highest-paid cover girl in the 1950s. Above, Richard Avedon captures her for Harper’s Bazaar in 1962 dressed in a Givenchy white crêpe halter dress, with a flower of diamonds by Harry Winston in her hair. 2. JEFFREY LEVINSON Elina PLUS clutch in Light Sand with an enamel finish and rose gold hardware, $1,550 at jeffreylevinson.com. 3. VAN CLEEF & ARPELS Rose de Noël clip, medium model in yellow gold, diamonds, and mother-of-pearl, $17,100 at vancleefarpels.com. 4. ZUHAIR MURAD Looks from Zuhair Murad’s Spring 2022 Collection. 5. RALPH LAUREN Kandice Welington Snakeskin Sandal in Steel, $895 at ralphlauren.com.

1. SUZY PARKER

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Richard Avedon

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1. GHISLAINE ARSAC The French model was wildly popular across Europe during the 1950s and ’60s. Above, Arsac is photographed by Philipe Pottier in 1955 dressed in sparkling jewelry by Van Cleef & Arpels. 2. SAINT LAURENT Mini Evening Bag with a chain for shoulder carry and gold YSL initials, $2,050 at ysl.com. 3. RALPH LAUREN Ardelisa Ayers Snakeskin Sandal in Spearmint, $795 at ralphlauren.com 4. OSCAR DE LA RENTA A floral tulle look from Oscar de la Renta’s Pre-Fall 2022 Collection. 5. VHERNIER Abbraccio earrings in sparkling pavé diamonds and white gold. Visit vhernier.com for more information.

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Leading fashion model Evelyn Tripp was considered the most versatile among a small group of models who exemplified the postwar American fashion industry’s emphasis on glamour. Above, she wears a grand evening coat and embroidered organdy gown by Mainbocher, with diamond jewelry by Harry Winston, Vogue, 1953. 2. OSCAR DE LA RENTA Alibi Clutch in Light Gold, $1,890 at oscardelarenta.com. 3. CAROLINA HERRERA A look from Carolina Herrera’s Pre-Fall 2022 Collection: Bow-Embellished Cutout Wool-Blend Jacket, $3,990; Earring, $325, visit carolinaherrera.com. 4. WEMPE Sensual BY KIM Earrings in 18k rose gold, with 214 brilliant-cut diamonds totaling 4.57 carats, visit wempe.com. 1. EVELYN TRIPP

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strikes a demure pose dressed in a dazzling parure of costume jewelry designed by Roger Scémama, photographed by Philippe Pottier in 1950. 2.JENNIFER CHAMANDI TOMMASSO Crystal Satin Halter Sandals, $930 at bergdorfgoodman.com. 3. CHRISTIAN LOUBOUTIN Loubi Twist Patent Zip Clutch Bag, $850 at bergdorfgoodman.com. 4. ROLAND MOURET A look from Roland Mouret’s Spring 2022 Collection. 5. WEMPE The Opulence by Wempe Statements Necklace is made to make an unforgettable appearance; 18k white gold, 67 pear-cut diamonds 18.7 ct, 101 marquise-cut diamonds 17.8 ct, 18 brilliant-cut diamonds 2.96 ct, $218,200, visit wempe.com. 1. FABIENNE VELOS

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SHOPPING INDEX > DKNY: dkny.com.

> Maja DuBrul: 325 E. Hopkins Ave., Aspen, Colo.,

> Dolce & Gabbana: 212.249.4100 or

970.920.1133.

dolceandgabbana.com.

> Manolo Blahnik: 212.582.3007 or

> EF Collection: efcollection.com. > Elie Saab: eliesaab.com.

N > Neiman Marcus: 888.888.4757

emiliopucci.com.

or neimanmarcus.com. > Nouvel Heritage: nouvelheritage.com.

> Fabergé: 579 5th Ave., 646.559.8848.

> Fendi: 598 Madison Ave. or fendi.com.

> Orlebar Brown: At The Royal Poinciana Plaza in Palm

> GANT: 646.367.5416 or us.gant.com. > Gauhar Jewelry: gauharjewelry.com.

Beach (561.328.3204) or orlebarbrown.com. > Oscar de la Renta: 888.782.6357 or oscardelarenta.com.

> Ghurka: 831 Madison Ave. or ghurka.com.

> Gianvito Rossi: gianvitorossi.com.

> P. Johnson: pjt.com.

> Giorgio Armani: 877.361.1176 or armani.com.

> Patek Philippe: At Wempe New York or patek.com.

> Gucci: 877.482.2430 or gucci.com.

> Aerin: aerin.com.

> Moncler: moncler.com.

> Emilio Pucci: 212.901.5004 or

> Michael Kors: 800.908.1157 or michaelkors.com.

> Elizabeth Gage: elizabeth-gage.com.

SHOP ’TIL YOU DROP!

manoloblahnik.com.

> Akris: 835 Madison Ave. or akris.ch.

> A La Vieille Russie: alvr.com.

> H. Stern: hstern.net.

> Riedel: riedelusa.net.

> Alexandra Mor: alexandramor.com.

> Harry Winston: harrywinston.com.

> Rizzoli: 1133 Broadway or rizzoliusa.com.

> Asprey: asprey.com.

> Hermès: 800.441.4488 or hermes.com.

> Roberto Coin: At Neiman Marcus or Roberto Coin,

> Badgley Mischka: badgleymischka.com.

> Ippolita: ippolita.com.

> Bergdorf Goodman: bergdorfgoodman.com.

> Irene Neuwirth: At Jeffrey New York,

> Betteridge: betteridge.com.

212.206.1272.

> Saint Laurent Paris: 212.980.2970 or ysl.com.

> Bloomingdale’s: 800.777.0000 or

> Ralph Lauren: 888.475.7674 or ralphlauren.com.

800.853.5958 and us.robertocoin.com. > Rolex: 800.36.ROLEX or rolex.com.

> Saks Fifth Avenue: 877.551.SAKS or

bloomingdales.com.

> Bottega Veneta: 212.371.5511 or

> J.McLaughlin: 844.532.5625 or jmclaughlin.com.

> Salvatore Ferragamo: ferragamo.com.

bottegaveneta.com.

> J. Mendel: 212.832.5830 or jmendel.com.

> Stella McCartney: stellamccartney.com.

> Brunello Cucinelli: brunellocucinelli.com.

> Jimmy Choo: 877.955.2466 or jimmychoo.com.

> Stuart Weitzman: 212.823.9560 or

> Bulgari: bulgari.com.

> John Varvatos: johnvarvatos.com.

stuartweitzman.com.

> Burberry: 877.217.4085 or

> Judith Leiber: judithleiber.com.

burberry.com.

K > Kotur: koturltd.com.

> Carolina Herrera: 212.249.6552 or

saksfifthavenue.com.

T > Tibi: 888.420.3334 or tibi.com. > Tom Ford: 212.359.0300 or tomford.com. > Tory Burch: toryburch.com.

carolinaherrera.com.

> Cartier: 800-227-8437 or cartier.us.

> L’Objet: 370 Bleecker St., 212.659.0316, or

> Chanel: 800.550.0005 or chanel.com.

l-objet.com.

> Valentino: 212.772.6969 or valentino.com.

> Chopard: 212.223.2304 or us.chopard.com.

> La Perla: laperla.com.

> Van Cleef & Arpels: vancleefarpels.com.

> Lightbox: lightboxjewelry.com.

> Verdura: 745 Fifth Ave. or verdura.com.

> Linda Horn: 1327 Madison Ave. or lindahorn.com.

> Veronica Beard: 988 Madison Ave., 646.930.4746,

> David Yurman: 888.398.7626 or davidyurman.com.

> Loro Piana: At Bergdorf Goodman.

or veronicabeard.com.

> Dennis Basso: 825 Madison Ave., 212.794.4500.

> Louis Vuitton: 866.VUITTON or vuitton.com.

> Vhernier: vhernier.com.

> Dior: 212.931.2950 or dior.com.

> Diptyque: 971 Madison Ave., 212.879.3330.

> M. Dumas & Sons: 843.723.8603.

> Wempe: 212.397.9000 or wempe.com.

D > Diane von Furstenberg: dvf.com.

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