art review
Documenta Kassel: Using Art as Their Witness
A range of projects in Documenta 14 show that art can potentially change history, not just reflect it. And we have serious things to think about.
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A range of projects in Documenta 14 show that art can potentially change history, not just reflect it. And we have serious things to think about.
By HOLLAND COTTER
The artist specialized in light sculptures, brutal music and ignoring the establishment.
By FRANK ROSE
There is nothing simple about the work of Belkis Ayón, a printmaker who drew her inspiration from the Abaquá, a secret male society with an origin story based on female betrayal.
By HOLLAND COTTER
Five exhibitions celebrate Expo 67, revisiting that watershed moment of a great futuristic fair in Montreal, 50 years ago.
By JASON FARAGO
The political and often darkly comic art of this country in the 1960s and ’70s came out of a world of house parties and private handshakes.
By KAREN ROSENBERG
New layers to the art of Betty Parsons; the painter Peter Shear gets his first New York solo show; and Leidy Churchman responds to the threat of the internet.
By ROBERTA SMITH, WILL HEINRICH and MARTHA SCHWENDENER
The playwright Lynn Nottage’s Brooklyn house is a standing-room-only theater-in-the-round of African-American art: its contents and its discontents.
By WILLIAM L. HAMILTON
The new museum dedicated to Theodor Geisel, better known as Dr. Seuss, in Springfield, Mass., left out some controversial political cartoons.
By SOPAN DEB
The artist donated his large sculpture “Bouquet of Tulips” to honor terrorism victims. The project is stuck in red tape, and its critics wish it would disappear.
By RACHEL DONADIO