Review: In Netflix’s ‘GLOW,’ Empowerment Comes Through Power Slams
This women’s-wrestling comedy remixes 1980s neon, spandex and hair spray into something thrilling and original.
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This women’s-wrestling comedy remixes 1980s neon, spandex and hair spray into something thrilling and original.
By JAMES PONIEWOZIK
With “Mad Men” and “Community” ended, Ms. Brie discusses auditioning for “GLOW” on Netflix, showing inner strength and feeling nostalgia for perms.
By DAVE ITZKOFF
With the new Comedy Central series “Hood Adjacent With James Davis,” a comedian who grew up near South Central Los Angeles seeks a meeting of minds.
By DAN HYMAN
Why must we bear questions about what to do with a defendant’s art — and why is that answer bound up with who black people are or should be?
By WESLEY MORRIS and JENNA WORTHAM
The series continues to remind us that violence takes many forms, some of it legal. But it’s all violence.
By SCOTT TOBIAS
In a finale full of goodbyes, the show whipsawed viewers, as it so often has.
By DAVID SEGAL
Mr. McKean explains the character’s actions in Monday night’s Season 3 finale.
By JEREMY EGNER
Two old friends had a reunion, but it was far from a happy one.
By NOEL MURRAY
The finale reveals a gap between the show’s feminist aims and its troubling relationship with violence.
By ANGELICA JADE BASTIÉN