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Ife and Benin Later around 900 AD, the Igbo-Ukwo was making finely and intricately worked, bronze ceremonial objects. Against this background of creativity and craftsmanship, the Yoruba kingdoms of Benin and Ife sprang up between the 11th and 12th centuries. In Yoruba mythology, Ife was founded by a senior deity Oduduwa, acting on the order of the supreme deity Olorun (also known as Oludmare). Oduduwa became the first ruler, or Ooni, of Ife. We know little of how these early Ooni exercised power or how their territory was administered, or precisely when the kingship started. We know that the landscape out of which Ife (and Benin) emerged consisted of a mixture of tropical forests and savannah land, affording very fertile soil and a high rainfall. FOOD & ART One of the keys to understanding the success and wealth of these kingdoms was the ability to provide a significant food surplus. This released labour, which could then be channelled into creating great works of art centred largely on celebrating kingship. We can still see today an astounding range of objects made of bronze, brass, copper, wood, ceramic and ivory. The superb level of Ife craftsmanship expressed, using the "lost wax" method, is comparable with the finest examples of metal-work in Europe from Classical and Renaissance times.
OYO Ife was at one time considered the most senior Yuruba state. But by the 17th century it was eclipsed by Oyo. Lying further north, Oyo had the military advantage of a cavalry, and the right agricultural conditions to grow cereal. In the 18th century Oyo reached its peak, largely by profits of the slave trade. With the abolition of slavery its power waned. Today Ife continues to be regarded as the spiritual centre for all Yoruba, and the Ooni of Ife has considerable influence in the country. BENIN The kingship of Benin is closely related to Ife. The first king, or Oba, of Benin is traditionally supposed to be a descendant of Oduduwa, the founder of Ife. The most distinctive examples of Benin craftsmanship are the bronze plaques, which adorned the palace walls. As in the artwork of Ife, the craftsmen of Benin produced bronze and copper heads celebrating the power of the Oba. The capital of Benin (not to be confused with the modern state of Benin, formerly Dahomey) was south west of Ife. One of the few early written accounts of this centre of power and trade is given by a Portuguese slave trader Joao Afonso Aveiro, who was astounded by what he described as the 'great city of Benin'. Over a hundred years later, a Dutch visitor compared it favourably with Amsterdam. Most of the art was looted by the British in 1897.
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