In mid-nineteenth-century northern France, a coal mining town's workers are exploited by the mine's owner. One day, they decide to go on strike, and the authorities repress them.
Colonel Chabert has been severely wounded in the French-Russian Napoleonic war to the point that the medical examiner has signed his death certificate. When he regains his health and memory... See full summary »
A greedy landowner and his backward nephew conspire to block the only water source for an adjoining property in order to bankrupt the owner and force him to sell.
Director:
Claude Berri
Stars:
Yves Montand,
Gérard Depardieu,
Daniel Auteuil
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
Director:
Claude Berri
Stars:
Philippe Noiret,
Gérard Depardieu,
Michel Blanc
Lambert, a burned-out case, works the night shift at a gas station, rarely speaking, living alone, drinking. Bensoussan, raised in foster homes, now a small-time pusher for a bar owner ... See full summary »
A young boy's life in turn-of-the-century France. Marcel, witnesses the success of his teacher father, as well as the success of his arrogant Uncle Jules. Marcel and family spend their ... See full summary »
Director:
Yves Robert
Stars:
Philippe Caubère,
Nathalie Roussel,
Didier Pain
Action opens in November of 1793, with Danton returning to Paris from his country retreat upon learning that the Committee for Public Safety, under Robespierre's incitement, has begun a ... See full summary »
Director:
Andrzej Wajda
Stars:
Gérard Depardieu,
Wojciech Pszoniak,
Anne Alvaro
A love story or a tale of the resistance, this poignant movie tells both the haunting story of a French resistance cell in Lyon but also the love of Lucie Aubrac for her husband, and the ... See full summary »
Director:
Claude Berri
Stars:
Carole Bouquet,
Daniel Auteuil,
Patrice Chéreau
It's late 17th century. The viola da gamba player Monsieur de Sainte Colombe comes home to find that his wife died while he was away. In his grief he builds a small house in his garden into... See full summary »
Director:
Alain Corneau
Stars:
Gérard Depardieu,
Jean-Pierre Marielle,
Anne Brochet
1863. Etienne Lantier, who has been fired from a railway company for being involved in union activities, lands a miner's job in the North of France. He finds bed and lodging at the Maheus',... See full summary »
Director:
Yves Allégret
Stars:
Jean Sorel,
Berthe Granval,
Claude Brasseur
It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them Written by
Michel Rudoy <mdrc@hp9000a1.uam.mx>
Italian censorship visa # 89353 delivered on 2-3-94. See more »
Goofs
Near the end of the film, when Etienne and Catherine are looking for the way out of the mine, we see the shadows of the lamps on the right wall of the tunnel. It's to be supposed that the only light inside the mine came from the lamps. See more »
Reducing Zola's masterful but monstrously long novel to a movie is the problem that Claude Berri does not seem to have resolved. He sticks close to Zola's text, which means that we get lots of undeveloped snippets of what were very developed scenes in the novel. If you don't know the novel, this probably causes a certain sense of confusion. If you do know the novel, and it is well-known in France, you have the sense that you are just skimming the surface. I think that Berri would have done better to be less faithful to the novel, or at least less comprehensive in his adaptation of it.
That said, there are most certainly good things in this movie. Miou Miou delivers, in my opinion, the movie's best performance. No, she is not at all the earth mother that Zola's la Meheude is. But she acts with her face, saying far more with a facial gesture than many words would have said. In a movie that skims over a lot of material, that makes for very effective acting. Depardieu is sometimes very good - physically he is perfect for the part of le Maheu - sometimes he seems to deliver the lines without thinking about them. The actor who plays Souvarine is very striking.
The cinematography is nice, but does not convey a lot of what Zola emphasizes in the novel: the heat and lack of space in the mine tunnels, etc.
A good movie if you haven't read the novel; a disappointing one if you have.
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Reducing Zola's masterful but monstrously long novel to a movie is the problem that Claude Berri does not seem to have resolved. He sticks close to Zola's text, which means that we get lots of undeveloped snippets of what were very developed scenes in the novel. If you don't know the novel, this probably causes a certain sense of confusion. If you do know the novel, and it is well-known in France, you have the sense that you are just skimming the surface. I think that Berri would have done better to be less faithful to the novel, or at least less comprehensive in his adaptation of it.
That said, there are most certainly good things in this movie. Miou Miou delivers, in my opinion, the movie's best performance. No, she is not at all the earth mother that Zola's la Meheude is. But she acts with her face, saying far more with a facial gesture than many words would have said. In a movie that skims over a lot of material, that makes for very effective acting. Depardieu is sometimes very good - physically he is perfect for the part of le Maheu - sometimes he seems to deliver the lines without thinking about them. The actor who plays Souvarine is very striking.
The cinematography is nice, but does not convey a lot of what Zola emphasizes in the novel: the heat and lack of space in the mine tunnels, etc.
A good movie if you haven't read the novel; a disappointing one if you have.