A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.
A small group of typical Tromaville citizens find themselves in the path of a terrorist army controlled by the power elite. The freedom of Tromaville and the world is at stake! Troma's War ... See full summary »
Directors:
Michael Herz,
Lloyd Kaufman
Stars:
Carolyn Beauchamp,
Sean Bowen,
Rick Washburn
After one too many encounters with The Spiders (a rival gang), The Ravens' leader's girlfriend tells him to quit the gang or it's Splitsville. He does so, but the leader of The Spiders is ... See full summary »
Harry Griswald is a NYPD cop who is possessed with the spirit of a great Kabuki master. This has made him 'the chosen one' to do battle with 'the evil one'. He is also out to do good deeds ... See full summary »
Sardu, master of the Theatre of the Macabre, and his assistant Ralphus run a show in which, under the guise of 'magic', they torture and murder people in front of their audience. But what the punters see as a trick is actually real.
A barrel of radioactive waste is lost out in the woods. Some demented rednecks find it and use it as part of their still. Everybody who drinks from the liquor they produced turns into a zombie.
A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.
When the American Chicken Bunker, a military-themed fried-chicken chain, builds a restaurant on the site of an ancient Indian burial ground, local protesters aren't the only ones crying ... See full summary »
Director:
Lloyd Kaufman
Stars:
Jason Yachanin,
Kate Graham,
Allyson Sereboff
The water is tainted. The Taint poisons the minds of men. It turns them into raging misogynists: monsters who want nothing more than to crush women's heads with rocks (or other objects). ... See full summary »
A street sweeper who cleans up after grisly accidents brings home a full corpse for him and his wife to enjoy sexually, but is dismayed to see that his wife prefers the corpse over him.
Director:
Jörg Buttgereit
Stars:
Bernd Daktari Lorenz,
Beatrice Manowski,
Harald Lundt
Frankie is a war vet whose life sucks. He has no money, a nagging wife, junkie friends, and a deformed baby. This is the story of one day in his pathetic post-war life. Written by
Josh Pasnak <chainsaw@intouch.bc.ca>
A police officer was present on the set for the sequence in which Frankie shoots the three thugs. See more »
Goofs
When Frankie inspects the revolver drum magazine after loading it, some of the cartridges have a dent in the primer made by a firing pin, meaning that they've already been fired. See more »
Quotes
Cathy Dunlan:
[looking to Frankie]
You're not looking for a job... you're waiting for the world to end...
See more »
This is further proof that the films Troma distributes are far better than the films they make themselves. Don't be fooled by the cover depicting a "Rambo"-style bloodbath. This is a grim and harrowing portrait of a Vietnam vet's hell. Sure, the production values aren't great, but they add to the raw feel of the film. This isn't a film that'll uplift you (with the exception of feeling happy this isn't your life depicted). However, it is a powerful if impoverished film that must be seen.
There isn't much explicit violence for the first hour or so (with the exception of some Vietnam flashbacks). It depicts a veteran roaming the streets trying to make money yet maintain a sense of morality. He finds it difficult to be a good human being when he looks at the scum around him. He's in debt to a local loan shark, his only friend is a junkie, his wife nags him, and his baby was deformed by agent orange. Between what he has to take and his memories of Saigon, he finally snaps at the end.
This isn't an exploitation film as many may assume. Its obvious the director wanted to create something heartfelt and realistic about the trauma experienced by vets. He couldn't get anyone to finance it except Troma, who were known for schlock such as "Class of Nuke 'Em High". The baby is another notable aspect. Outside of "Eraserhead", there isn't a more disturbing deformed child caught on camera. The ending when he finally loses (reminding one of "Taxi Driver") is predictable but still powerful. There are scenes however that subtly show the main character to be a multi-dimensional person with feelings. He tries to talk to a child prostitute and help her only to be attacked by her pimp. Most distressing of all is the scene in which he calls his father (who thought he died in Saigon) to ask for money. Some have criticized the Vietnam flashbacks as being painfully low budget and obviously shot in New Jersey. They certainly don't look accurate but they do have a dreamlike feel that adds to the dementia of the character. Overall, this isn't a perfect film but is a memorable one. (7/10)
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This is further proof that the films Troma distributes are far better than the films they make themselves. Don't be fooled by the cover depicting a "Rambo"-style bloodbath. This is a grim and harrowing portrait of a Vietnam vet's hell. Sure, the production values aren't great, but they add to the raw feel of the film. This isn't a film that'll uplift you (with the exception of feeling happy this isn't your life depicted). However, it is a powerful if impoverished film that must be seen.
There isn't much explicit violence for the first hour or so (with the exception of some Vietnam flashbacks). It depicts a veteran roaming the streets trying to make money yet maintain a sense of morality. He finds it difficult to be a good human being when he looks at the scum around him. He's in debt to a local loan shark, his only friend is a junkie, his wife nags him, and his baby was deformed by agent orange. Between what he has to take and his memories of Saigon, he finally snaps at the end.
This isn't an exploitation film as many may assume. Its obvious the director wanted to create something heartfelt and realistic about the trauma experienced by vets. He couldn't get anyone to finance it except Troma, who were known for schlock such as "Class of Nuke 'Em High". The baby is another notable aspect. Outside of "Eraserhead", there isn't a more disturbing deformed child caught on camera. The ending when he finally loses (reminding one of "Taxi Driver") is predictable but still powerful. There are scenes however that subtly show the main character to be a multi-dimensional person with feelings. He tries to talk to a child prostitute and help her only to be attacked by her pimp. Most distressing of all is the scene in which he calls his father (who thought he died in Saigon) to ask for money. Some have criticized the Vietnam flashbacks as being painfully low budget and obviously shot in New Jersey. They certainly don't look accurate but they do have a dreamlike feel that adds to the dementia of the character. Overall, this isn't a perfect film but is a memorable one. (7/10)