Lee Filters has announced a 15 stop neutral density filter, able to convert what would normally be a two-second exposure into one that lasts 17 hours and 4 minutes. The new Super Stopper reduces the amount of light entering the lens to enable especially long shutter speeds in normal daylight conditions. Read more

UPDATED: now with larger 2000px samples instead of original VGA size. It may be true that much of the appeal of the Pentax K-1 lies with existing Pentax owners. But are its impressive spec sheet and even more impressive price going to sway owners buying into a new system? At CP+ 2016, we had a chance to use a pre-production K-1 around Yokohama. Find out what we thought. Read more

Panasonic's ZS60 puts a lot of enticing features in a very small package. It's an iteration on a tried-and-true travel zoom formula that combines a 24-720mm equiv. lens, 18MP sensor, 3" touchscreen and a built-in electronic viewfinder. We spent some time outside with the ZS60, even managing to catch a few breaks in the late winter clouds, and have some samples to show for it. Read more

Fujifilm Japan has announced that it is to stop production of its FP-100C instant film that enthusiasts use in old Polaroid-type cameras. The film has only been available in the 3.25x4.25in size recently, but it has been keeping vintage cameras clicking since Polaroid stopped production itself. Read more

A Polaroid-branded handheld light wand 'BrightSaber' is now available, packing 289 LED lights into a frosted tubular diffuser. The BrightSaber offers a built-in, secondary tungsten filter. Read more

Eric Wolfinger is a traveling food photographer who spent six years cooking and baking professionally before working behind the lens. His first project, 'Tartine Bread,' was nominated for a James Beard Award and is now in its ninth printing. Twelve books later, he's still going strong. In this presentation from PIX 2015 Eric shares his journey from food to photography, and explains what he went through to achieve success. Read more

Tech Editor Rishi got his hands on the D5 and D500 at CP+ this year, and has been very impressed by initial, informal testing. AF is much improved, as are ergonomics. Join him as he dives deep into the menus to highlight new and improved features, and get an idea of the extensive customization options available. Read more

The SD Association has introduced a Video Speed Class rating, designed to identify cards capable of 8K, 4K, 3D and 360° video capture. The speed class, which guarantees minimum sustained performance, comprises five ratings: V6 (6MB/sec), V10 (10MB/sec), V30 (30MB/sec), V60 (60MB/sec) and V90 (90MB/sec). Confused? Read more

Nikon has announced that the shutter fault in its D750 may be found in cameras from a much wider manufacturing period than initially thought. The company has discovered the issue, in which the shutter occasionally shades part of the image, in cameras made from December 2014 to June 2015. Read more

DJI has updated its flagship drone range with the Phantom 4, which offers automatic obstacle avoidance and 'dramatically' improved camera optics. With a 12MP sensor and F2.8 lens the Phantom 4 is capable of Raw still shooting and 4K/UHD video at 30p as well as new machine vision technology adding subject tracking and object avoidance. Read more

Topaz Labs has released DeNoise 6, the latest version of its noise-removal software. This latest installment can be used as a standalone application in addition to functioning as a plugin for host software like Adobe Lightroom and Photoshop; it also adds batch image processing as well as profile presets for dozens of camera models. Read more

As well as reporting on the newest gear, we used the opportunity of visiting the CP+ show in Japan to sit down and talk to senior executives from the major camera and lens manufacturers. This year, we were fortunate enough to spend some time with Mr Go Tokura of Canon. Read more

The king is dead, long live the Mark II. After 15 long years, Canon finally upgraded one of the biggest-selling telezooms of all time - the 100-400mm F4.5-5.6L IS USM. Is it a worthy successor to the venerable, but still very capable original? Read more

The Panasonic Lumix ZS100 made its debut in early January, offering a sizable 25-250mm equivalent zoom range to complement its 1"-type sensor. With a built-in viewfinder it certainly looks to be travel-ready, so we've taken it across land and sea to gather some initial sample images. Read more

Tamrac has a new line of Goblin gear pouches designed for lenses and cameras, as well as larger accessory pouches for storing multiple items together. The product line includes half a dozen lens pouches with drawstring enclosures, three body pouches, two accessory pouches and one memory card wallet. Read more

A year of field tests have taken DPR Editor Barney Britton and series director Eric Becker into some challenging shooting environments, so for a change of pace, late last year the pair took the Sony Cyber-shot RX100 IV to the sun-soaked Yucatán peninsula. Read more

The CP+ show in Yokohama Japan has just ended and as usual, alongside new cameras, lenses, and elaborate booths, many of the manufacturers were showing off a bunch of things which had been cut in half. So in keeping with CP+ reporting tradition we stopped by some of the major booths and captured a few of the best examples. Take a look at all the things we found at CP+ which had been cut in half, 2016 edition. Read more

Michael Brown is an award-winning director and a pioneer of adventure filmmaking. In his talk from PIX 2015 Michael takes us on a very personal journey to the edges of the world, including climbing Mt. Everest with blind climber Erik Weihenmayer. In the process, he shares important lessons about risks, relationships and the importance of challenging ourselves and mentoring others. Read more

Fujifilm didn't announce any new products at CP+ this year, but the show is the first chance that a lot of Japanese enthusiast photographers have had to get their hands on the X-Pro2 and X70, which were unveiled last month. In an effort to get cameras into photographers' hands, Fujifilm is running a rental service at this year's show, where prospective X-series users can hire gear while they're attending the show. Read more

Once a year, photographers turn their lenses toward Yosemite's Horsetail Fall and hope for the conditions that transform this waterfall into a spectacle known as 'Firefall'. The late February sun casts a blazing orange glow on the water – that is, if the water is flowing, and if the horizon isn't too cloudy. One photographer shares his story capturing the event. Read more

Flash manufacturer Nissin offers some compelling alternatives to on-brand flashes, and they've recently updated their lineup with the i60A, Nissin's second, and smaller, flash that integrates with their 2.4GHz radio wireless control system. Nissin's got their flashes, commanders, and receivers on display here at CP+, and we got our hands on a few of these exciting products. Read more

It's finally here! We're at the CP+ show in Yokohama Japan where we got our hands on the new Pentax K-1. While we were at Ricoh's booth we also got a glimpse into the not-so-humble beginnings of Pentax's flagship full-frame DSLR. Read more

Attendance is up at this year's CP+ show in Yokohama Japan, and that's partly thanks to new products from some of the biggest camera manufacturers, including Nikon. We're at the show, where large crowds are gathering around Nikon's booth to get their hands on the new DL-series compacts, and two new DSLRs, the D5 and D500. Read more

A remote control spinning tripod head that is said to be ideal for shooting panoramas has been launched in the US and UK by Polaroid. The Panorama Eyeball Head fits on a tripod or stands freely on its own feet, and can accommodate DSLRs as well as compacts. The control unit connects with the head via an IR link and manages both the speed and direction of rotation. Read more

There are lots of new products vying for attention at CP+ 2016, including Sony's a6300 and new GM series lenses for its full-frame mirrorless cameras. And they are getting plenty of attention from show attendees, especially those eager to try out the FE 85mm F1.4 GM. We took another look at the a6300 and the GM lenses on display at the buzzing Sony booth in Yokohama. Read more

We've seen established members of the optical industry partner with smartphone makers before – Nokia high-end phones used to come with Carl Zeiss branded lenses, and Schneider Kreuznach optics have been used in various models from Chinese manufacturer Oppo. Now it seems we could soon see Leica-branded lenses and other imaging technology in Huawei smartphones. Read more

As usual at the CP+ show in Yokohama, one of the longest lines can be found at Canon's booth. This year, Canon's EOS 80D and EOS-1D X Mark II were in huge demand from both press and public attendees alike, and we fought our way through the crowd to get hands on with both new models - and the surprisingly nice PowerShot G7 X Mark II. Read more

Just before CP+ 2016, we had the chance to get our hands on preproduction models of Sony's three new G Master lenses that sit above the existing G lenses in Sony's lineup. Our hands-on time on the show floor here at CP+ have allowed us to formulate a better opinion and one thing's becoming clear: we think Sony has good reason to make the recent claims they've made regarding the GM series. Read more

At this year's CP+ show in Yokohama, Japan, Panasonic unveiled the Lumix G Vario 12-60mm F3.5-5.6 ASPH Power O.I.S. lens. Featuring a splash and dustproof design, the 24-120mm equivalent zoom is designed to be a lightweight, versatile companion to Panasonic's Micro Four Thirds cameras. We got our hands on a sample at Panasonic's booth, along with the new Lumix DMC-ZS100. Read more

Tamron is showing off two brand new lenses at CP+ this year - the SP 85mm F1.8 Di VC USD and SP 90mm F2.8 Di VC USD 1:1 Macro. The 'SP' in the model names stands for 'Super Performance' - a designation that Tamron reserves for its high-end optics. We headed to the Tamron booth today and got our hands on the new lenses, and Tamron's upcoming TAP-in Console. Read more

It's all well and good to imagine what Nikon's trio of 1"-type sensor compacts might be like based on spec, but there's nothing like getting them in your hands. See what the buzz is all about – straight from the show floor of CP+ in Yokohama, Japan. Read more

Sigma announced several products at CP+ 2016, including two new cameras. The interchangeable lens SD Quattro And SD Quattro H represent a departure for the company in two senses - both are mirrorless cameras, and the 'H' features an APS-H format sensor. More conventional are a 50-100mm F1.8 DC HSM Art zoom and 30mm F1.4 DC DN Contemporary prime for mirrorless cameras. Read more

The Leica SL 24-90mm F2.8-4 may not break any new technical ground, but when the SL's 'kit' lens made its way to LensRentals headquarters, the team endeavored to take a careful look inside. With the solidly constructed lens partially disassembled, they got a closer look at its impressive number of moving elements. Read more

DPReview is at the CP+ 2016 show in Yokohama, Japan, where Nikon announced three new compact cameras. The 'DL' range is distinct from the established Coolpix and 1-series lineups, and consists of three cameras built around the same 20MP 1"-type sensor. We headed straight to Nikon's booth to get hands-on time with the DL 18-50, DL 24-85 and DL 24-500. Read more

Lens manufacturer SLR Magic has announced 'significant' changes to the optical and mechanical specification of its Anamorphot-Cine 1.33x anamorphic lenses, which it says are now available. The lens set was first shown at IBC at the end of last year, but the company says the latest versions have crucial differences – although they don’t say exactly what those differences are. Read more

Chinese smartphone manufacturer Oppo has a history of launching smartphone models with novel camera features and concepts, and has just launched the first sensor-based image stabilization system for smartphones at MWC. Oppo calls it the smallest image stabilizer of its kind, and claims it's able to correct for shake with greater precision than current optical stabilization systems. Read more

With the start of CP+ 2016 just one day away, Panasonic is introducing the Lumix G Vario 12-60mm F3.5-5.6 ASPH Power O.I.S. to its family of Micro Four Thirds lenses. Featuring a splash and dustproof design, the lens is compatible with Panasonic's Dual IS feature, currently available on the Lumix DMC-GX8. Read more