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About Film And Imaging

The keys to Eastman's success in making photography a popular leisure-time activity for the masses were his development of roll film and the inexpensive box camera. Although film and cameras are far more sophisticated and versatile today, the fundamental principles behind his inventions have not changed.

A camera exposes an image on sensitized film. When exposed properly, photochemical changes occur in the photographic film. Later special developing and processing techniques reproduce the recorded image as a photographic negative, from which prints can be made. Color-reversal films produce positive images that can be mounted as slides.

Cameras are available in all shapes and sizes. They can be small and simple to operate, or they can be very sophisticated, with a vast array of controls, advanced optics, and state-of-the-art electronics.

Despite their differences, though, all cameras contain these five basic elements:

Lens - A glass or plastic element that collects light and focuses an image on the film.

Diaphragm - An "aperture" or opening that controls the amount of light entering the camera throgh the lens. The aperture can be fixed, manually adjusted or automatically controlled. In some cameras, a light-sensitive cell adjusts the opening fo r varying light conditions. Simple cameras usually have a fixed lens opening.

Shutter - A device that determines the length of time film is exposed to light entering the camera. Fast shutters can "freeze" fast-moving objects.

Body - The light-proof housing for the camera mechanism.

Viewfinder - A lens or frame that allows the photographer to see the content of the picture being taken, either through the lens in single-lens-reflex cameras, or through a separate viewfinder in simple cameras.

Making Film: Art and Science

The two chief parts of photographic film are its base and its light-sensitive emulsion. The base is a transparent, flexible sheet on which light-sensitive emulsions (or layers) are coated. An emulsion is made up of micro-thin layers of gelatin in which light-sensitive ingredients are suspended.

The type of base used for most camera films is cellulose acetate, which is manufactured from wood. Another form of base is polyester film, a petrochemical used for sheet films, such as x-ray and graphic arts films.

The process of making acetate base starts with cellulose, in the form of cotton linters or wood pulp, which is treated chemically to produce a thick, syrup-like cellulose acetate liquid. The cellulose acetate liquid is then precipitated in the form of pe llets, which are washed and dried, and then mixed with solvents to form a clear, honey-like liquid called "dope."

To form the plastic sheet, the dope is coated into a thin layer and the solvents are removed. The first plastic film base was made this way on long glass tables. When the solvent evaporated, the sheet was coated with emulsion. After drying, the coated sheet was stripped off the table and wound.

[*]In the early years of the company, film base was manufactured and coated on long glass tables.

 

Today, the glass tables have been replaced by machines that contain highly polished coating wheels nearly two stories high. A constant flow of thick dope is spread in a highly uniform layer on the turning wheel with extreme care, since standard thickness es of film base are measured in ten-thousandths of an inch.

As the wheel turns, solvents evaporate and are removed by air circulation, permitting the dope to dry so it can be be separated from the wheel as a sheet. For ease of handling, the base is wound in long rolls, somtimes thousands of feet in length. These are now ready for the sensitizing process, where photographic emulsion is coated on the base.

Emulsion, the Image Recorder

The light-sensitive ingredients in photographic film are silver salts. Kodak starts with bars of extremely pure silver bullion. The bars are dissolved in nitric acid and processed to form dry, highly-purified silver nitrate crystals.

[*]Ingots of extremely pure silver.

 

At this point, the remaining manufacturing steps must be performed in total darkness. Gelatin is dissolved in pure distilled water, and then solutions of potassium iodide and potassium bromide are carefully mixed with it. Silver nitrate solution is adde d to this heated mixture, and the desired light-sensitive silver halide (silver iodide and silver bromide) salts are precipitated as fine crystals. Because these crystals are suspended in the gelatin, the mixture is called an "emulsion."

Once the emulsion is adjusted and tested for desired photographic and physical features, it is piped to large machines where, in a continuous operation, rolls of base are unwound and the emulsion applied to one side. A dried layer of some emulsions can b e six one-hundred-thousandths of an inch thick. Color film requires several successive layers of different emulsions and additional color-forming chemicals.

After the film is coated and the emulsion hardens and dries, the film is slit into rolls of the appropriate length and width for packaging in the familiar yellow cartons.

Throughout this process of manufacturing film, a commitment to quality stands out. Kodak films are produced to demanding standards, so that these products perform consistently when purchased anywhere in the world.

Quality, A Kodak Tradition

In the production of film, cameras and all other Kodak products, quality has been a hallmark of the company since it began. George Eastman said: "To make good goods requires experience and is a slow matter...but when we get there, we get there to stay."

[*]KODAK ROYAL GOLD Film

 

Today, quality has a new and critical meaning for Kodak. To provide a focus for all of our quality programs and efforts, there is a statement of policy:

  • Eastman Kodak Company is committed to be the world leader in the quality of its products and services. The company is committed to continuous quality improvements in all of its products and services, and in all of its line and staff operations.

  • All company units will have quality goals consistent with this commitment. This will require teamwork on the part of those who share an interest in the company's success - employees, suppliers, and customers.

At Kodak, quality adds value to every function of every business enterprise. It is a personal commitment, collectively realized: a critical common denominator shared equally by everyone in the Kodak organization, and directed solely at the customer.


Introduction | George Eastman...The Man | Kodak...The Company
About Film and Imaging | New Technologies | Milestones - 1878 to 1932
Milestones - 1933 to 1979 | Milestones - 1980 to 1994 | Milestones - 1995 to 1996
Milestones - 1997 | Milestones - 1998 | Milestones - 1999
foreword to Eastman Biography | Listing of Kodak's History of Cameras


Introduction
George Eastman...The Man
Kodak...The Company
About Film and Imaging
New Technologies
Milestones - 1878 to 1932
Milestones - 1933 to 1979
Milestones - 1980 to 1994
Milestones - 1995 to 1996
Milestones - 1997
Milestones - 1998
Milestones - 1999
George M.C. Fisher's foreword to George Eastman - A Biography by Elizabeth Brayer
Listing of Kodak's History of Cameras

Kodak Collage

George Eastman