Local studio Neil Architecture has wrapped a courtyard home named Casa di Campo in Australia in a four-metre-high, rammed-earth wall.

Scandinavian studios Henning Larsen and White Arkitekter are designing Stockholm Wood City, which will become the world's largest mass-timber development and have the "serenity of a forest".

Nigerian architect Demas Nwoko calls for the creation of an African school of architecture and criticises Europe's influence on the continent's built environment in this exclusive interview.

There is one month left to enter our Re:Create Design Challenge, which challenges readers to come up with ideas for reusing Samsung electronic devices or waste materials. Enter now before 19 July.

British technology company SatVu has launched a satellite into orbit that will map the energy efficiency of buildings from space, with the goal of identifying structures for retrofitting.

Architecture studio Hickok Cole has used AI chatbot ChatGPT to design a large mixed-use building with a green roof and a swimming pool as a research project.

Interdisciplinary design studio Resolve Collective is disassembling its exhibition at London's Barbican Centre and withdrawing its events program in response to a series of negative encounters with staff and the censorship of a Palestinian speaker.

Festival set designer Simon Carroll has created the spiralling Hayes Pavilion from salvaged timber and mycelium at Glastonbury festival to challenge the industry's over-reliance on polystyrene foam.

Sports car brand Lamborghini and developer Dar Global have unveiled 53 villas that will overlook the Mediterranean near Marbella on the south coast of Spain.

A home clad in recycled TV screens and a fishbone-shaped bridge have been named among the winners of the Royal Institute of British Architects' National Awards for 2023, which was dominated by projects in London.

The director of CY École de Design in France has criticised Dezeen over our reader competition to design artwork for a new editorial series using generative AI.

Our collective obsession with cyberpunk narratives risks turning dystopian visions of AI into a self-fulfilling prophecy, writes Freyja Sewell.