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[[Fasciculus:Art-portrait-collage 2.jpg|thumb|[[Facies]] variis artis generibus pictae.]]
'''Ars''' ([[wikt:ars|artis, ''f.'']]) est [[disciplina]] vel operandi modus, partim [[traditio|translaticius]] partimque novatus, qui [[nihil]] est nisi facultas longae actionum praecipuarum seriei exsequendi ut finis quidam attingatur. Sensu stricto, ars contracta est in quadam habilitate, sed, latiore sensu, omnes [[via]]s modosque rerum bene agendarum comprehendit. ▼
[[Fasciculus:PikiWiki Israel 20592 The Gymnast sculpture in Wingate Institute.JPG|thumb|upright=0.8|left|[[Sculptura|Signum]] quod [[femina (sexus)|feminam]] summae artis [[gymnastica]]m monstrat.]]
▲'''Ars''' ([[wikt:ars|artis, ''f.'']]) est [[disciplina]] vel {{Creanda|en|Human behavior|Mores humani|operandi modus}}, partim [[traditio|translaticius]] partimque novatus, qui [[nihil]] est nisi facultas longae actionum praecipuarum seriei exsequendi ut finis quidam attingatur. Sensu stricto, ars contracta est in quadam habilitate, sed, latiore sensu, omnes [[via]]s modosque rerum bene agendarum comprehendit.
Olim omnes artes in [[artes liberales]] et artes illiberales divisae sunt. Artes sic liberales appellabantur quae hominibus [[libertas|liberis]] discendi aptae censebantur, sed per aetates, notio de eo quod hominibus liberis aptum est aliquanto mutavit; et, ut exempla infra data monstrant, multae novae artes hominibus liberis dignae tandem excogitatae sunt, quae inter artes liberales [[traditio|a maioribus posteris traditas]] non censentur. Illae [[bellae artes]] praecipue ad operis artifices [[pulchritudo|pulchritudinem]] coluntur. [[Ars ingeniaria|Artes ingeniariae]], ex contrario, sine fine [[aesthetica|aesthetico]], ortae sunt praecipue ad propositum [[oeconomia|oeconomicum]] [[scientia (ratio)|scientificumque]].
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[[Fasciculus:Transition 1880.jpg|thumb|upright=0.8|[[Tapete]] Navajo circa [[1880]] factum.]]
[[Fasciculus:B Escorial 93v.jpg|thumb|upright=0.8|Beatus [[Ars Mozarabica|Mozarabicus]] in [[minuta tabula]] pictus. Hispania, [[saeculum 10|saeculo decimo]] exeunte.]]
{{div col|
* [[Bellae artes]]
** [[Ars mediorum]]
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{{NexInt}}
{{div col|3}}
* [[Academia artium]]
* [[Theodorus Adorno]]
* [[Aesthetica]]
* [[Ars Romana]]
* [[Cultura]]
* [[Dada]]
* [[Elementa artis]]
* [[Historia artium]]
* [[Iconographia]]
* [[Liber artis]]
* [[Modernismus]]
* [[Motus artis]]
* [[Opus artis]]
* [[Parvulum sigillum]]
* [[Pictura]]
* [[Postmodernismus]]
* [[Realismus (artes)]]
* [[Schola artis]]
{{div col end}}
== Bibliographia ==
* Arnold, Dana, et Margaret Iversen, eds. [[2003]]. ''Art and Thought.'' Londinii: Blackwell. ISBN 0631227156.
* Carroll, Noel. [[2000]]. ''Theories of Art Today.''
* Danto, Arthur. [[2003]]. ''The Abuse of Beauty: Aesthetics and the Concept of Art.''
* Davies, Stephen. [[1991]]. ''Definitions of Art.''
* Felshin, Nina, ed. [[1995]]. ''But Is it Art?''
* Gilbert, Katharine Everett Gilbert, et Helmut Kuhn. [[1953]]. ''A History of Esthetics.'' Ed. secunda. Indiana: Indiana University Press.
* Hatcher, Evelyn, ed. [[1999]]. ''Art as Culture: An Introduction to the Anthropology of Art.''
* Hodge, Susie. [[2017]]. ''The Short Story of Art.'' Laurence King Publishing. ISBN 978-1-78067-968-6.
* Holly, Michael Ann, et Keith Moxey, eds. [[2002]]. ''Art History Aesthetics Visual Studies.'' Portu Novo: Yale University Press. ISBN 0300097891.
* Robertson, Jean, et Craig McDaniel. [[2005]]. ''Themes of Contemporary Art: Visual Art after 1980.''
* Shiner, Larry. [[2003]]. ''The Invention of Art: A Cultural History.'' Sicagi: University of Chicago Press. ISBN 978-0-226-75342-3.
* Whitehead, John. [[2001]]. ''Grasping for the Wind.''
* [[Anscharius Wilde|Wilde, Oscar]]. [[1891]]. ''Intentions.''
* Zegher, Catherine de, ed. [[1996]]. ''Inside the Visible.'' Cantabrigiae Massachusettae: MIT Press.
== Bibliographia addita ==
* Armstrong, Carol. et Catherine de Zegher, eds. [[2006]]. ''Women Artists at the Millennium.'' Cantabrigiae Massachusettae: October Books / The MIT Press. ISBN 026201226X.
* Augros, Robert M., et George N. Stanciu. [[1984]]. ''The New Story of Science: mind and the universe.'' Lake Bluff Illinoesiae: Regnery Gateway. ISBN 0-89526-833-7.
* Botar, Oliver A. I. [[2006]]. ''Technical Detours: The Early Moholy-Nagy Reconsidered.'' Art Gallery of The Graduate Center, The City University of New York et The Salgo Trust for Education. ISBN 978-1599713571.
* Briant, Antony, et Griselda Pollock, eds. [[2010]]. ''Digital and Other Virtualities: Renegotiating the image.'' Londinii et Novi Eboraci: I. B. Tauris. ISBN 978-1441676313.
* Burguete, Maria, et Lui Lam, eds. [[2011]]. ''Arts: A Science Matter.'' Singapurae: World Scientific. ISBN 978-981-4324-93-9.
* Colvin, Sidney,<!--?--> ed. [[1911]]. "Art." In ''Encyclopaedia Britannica, ed. Sidney Colvin, 2: 657–660.
* Croce, Benedetto. [[2002]]. ''Aesthetic as Science of Expression and General Linguistic.''
* Dombois, Florian, Ute Meta Bauer, Claudia Mareis, et Michael Schwab, eds. [[2012]]. ''Intellectual Birdhouse. Artistic Practice as Research.'' Londinii: Koening Books. ISBN 978-3863351182.
* Gombrich, E. H. [[1995]]. ''The Story of Art.'' Londinii: Phaidon Press. ISBN 978-0714832470.
* Gompertz, Will. [[2012]]. ''What Are You Looking At?: 150 Years of Modern Art in the Blink of an Eye.'' Novi Eboraci: Viking. ISBN 978-0670920495.
* [[Carolus Jung|Jung, Carl]]. [[1978]]. ''Man and His Symbols.'' Londinii: Pan Books. ISBN 0330253212.
* Kleiner, Gardner, Mamiya, et Tansey. [[2004]]. ''Art Through the Ages, Twelfth Edition,'' 2 voll. Wadsworth. ISBN 0-534-64095-8 (vol. 1), et ISBN 0-534-64091-5 (vol, 2).
* Stiles, Kristine, et Peter Selz, eds. [[1986]]. ''Theories and Documents of Contemporary Art.'' Berkeleiae: University of California Press.
* Tatarkiewicz, Władysław. [[1980]]. ''A History of Six Ideas: an Essay in Aesthetics,'' conversus ex Polonico a Christophere Kasparek. Hagae: Martinus Nijhoff.
* Wollheim, Richard. [[1968]]. ''Art and its Objects: An Introduction to Aesthetics.'' Novi Eboraci: Harper & Row. OCLC 1077405.
==Nexus externi==
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