The Big Durian (film): Difference between revisions
mNo edit summary |
m →top: clean up; http→https for The New York Times. using AWB |
||
Line 18: | Line 18: | ||
}} |
}} |
||
'''''The Big Durian''''' is a 2003 [[Malaysia]]n film by [[Amir Muhammad (director)|Amir Muhammad]] that combined [[Documentary film|documentary]] with [[fiction]]. It created history by being the first (and only) Malaysian film to screen at the [[Sundance Film Festival]].<ref>[ |
'''''The Big Durian''''' is a 2003 [[Malaysia]]n film by [[Amir Muhammad (director)|Amir Muhammad]] that combined [[Documentary film|documentary]] with [[fiction]]. It created history by being the first (and only) Malaysian film to screen at the [[Sundance Film Festival]].<ref>[https://movies.nytimes.com/movie/302391/The-Big-Durian/overview Movie description] in [[The New York Times]]</ref> |
||
== Synopsis == |
== Synopsis == |
Revision as of 08:35, 13 February 2017
The Big Durian | |
---|---|
Directed by | Amir Muhammad |
Produced by | James Lee Sylvia Tan |
Cinematography | Woo Ming Jin |
Edited by | Terence Raj |
Music by | Hardesh Singh |
Running time | 74 minutes |
Country | Malaysia |
Languages | English Malay |
The Big Durian is a 2003 Malaysian film by Amir Muhammad that combined documentary with fiction. It created history by being the first (and only) Malaysian film to screen at the Sundance Film Festival.[1]
Synopsis
On the night of 18 October 1987, a soldier, Prebet Adam ran amok with an M16 in the area of Chow Kit, Kuala Lumpur. Due to the thorny circumstances of the time and place, his amok triggered a citywide panic and rumours of racial riots.
Cast
The Big Durian features 23 people: some are actors, while others are expressing their personal opinions. The first group includes Patrick Teoh, Low Ngai Yuen, Jo Kukathas and Rashid Salleh; while the latter include Farish A. Noor, Nam Ron, and Anne James.
Release
The Big Durian screened in over 30 film festivals, including the Singapore International Film Festival and Yamagata International Documentary Film Festival in 2003 (the former being a world premiere) to the Sundance Film Festival, the Hong Kong International Film Festival and the Vancouver International Film Festival in the following year.
Critical response
Variety magazine said: "Ambitious, sleek-looking docu examines wide array of ethnic, religious and political divisions in modern Malaysia."[2] The Village Voice said that it is an "impertinent love-letter to the citizens of Kuala Lumpur that does not let them off the hook for their apathy."[3]
References
- ^ Movie description in The New York Times
- ^ Review in Variety
- ^ Review in The Village Voice by Dennis Lim