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Prelude and Fugue in B minor, BWV 544: Difference between revisions

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'''Prelude and Fugue in B minor''', [[BWV]] 544 is a piece of [[organ repertoire|organ music]] written by [[Johann Sebastian Bach]] sometime during his tenure in [[Leipzig]] (1723–1750). Unlike most other organ [[Prelude and fugue|preludes and fugues]] of Bach, the autograph fair copy of the score survives.<ref>[http://ks.imslp.net/files/imglnks/usimg/2/21/IMSLP293741-PMLP111732-bwv544_autograph.pdf Prelude and Fugue in B minor, BWV 544] autograph facsimile at [[International Music Score Library Project]] (IMSLP).</ref> Because of the deeply melancholic nature, the [[B minor]] ''affekt'', and musical elements of the work, its respective movements are believed by some to have been performed as a [[Prelude (music)|prelude]] and [[postlude]] alongside the B minor [[Cantata]] [[Laß, Fürstin, laß noch einen Strahl, BWV 198]], which was performed on 17 October 1727 at the [[Paulinerkirche, Leipzig|University Church]] in Leipzig as a funeral ode for [[Christiane Eberhardine of Brandenburg-Bayreuth|Christiane Eberhardine]], wife of [[August II the Strong]], the [[Elector of Saxony]] and [[King of Poland]].<ref>Williams 2003, 97.</ref> There is, however, no definitive evidence to back this hypothesis.<ref>[https://www.bachvereniging.nl/en/bwv/bwv-544/ Prelude and Fugue in B minor, BWV 544] at [[Netherlands Bach Society]]</ref>
'''Prelude and Fugue in B minor''', [[BWV]] 544 is a piece of [[organ repertoire|organ music]] written by [[Johann Sebastian Bach]] sometime during his tenure in [[Leipzig]] (1723–1750). Unlike most other organ [[Prelude and fugue|preludes and fugues]] of Bach, the autograph fair copy of the score survives.<ref>[https://books.google.com/books?id=0YwzAQAAQBAJ&pg=PA58&lpg=PA58&dq=the+creative+development+of+js+bach+bwv+546&source=bl&ots=FQD_Gs1gLu&sig=ACfU3U2PgyUT1jDfM5PJkWmbWdG2PFOdIw&hl=en&sa=X&ved=2ahUKEwih5LeJta7mAhWxq1kKHTZyBT0Q6AEwB3oECAoQAQ#v=onepage&q=the%20creative%20development%20of%20js%20bach%20bwv%20546&f=false Jones 2013, 58.]</ref> Because of the deeply melancholic nature, the [[B minor]] ''affekt'', and musical elements of the work, its respective movements are believed by some to have been performed as a [[Prelude (music)|prelude]] and [[postlude]] alongside the B minor [[Cantata]] [[Laß, Fürstin, laß noch einen Strahl, BWV 198]], which was performed on 17 October 1727 at the [[Paulinerkirche, Leipzig|University Church]] in Leipzig as a funeral ode for [[Christiane Eberhardine of Brandenburg-Bayreuth|Christiane Eberhardine]], wife of [[August II the Strong]], the [[Elector of Saxony]] and [[King of Poland]].<ref>Williams 2003, 97.</ref> There is, however, no definitive evidence to back this hypothesis.<ref>[https://www.bachvereniging.nl/en/bwv/bwv-544/ Prelude and Fugue in B minor, BWV 544] at [[Netherlands Bach Society]]</ref>


===Prelude===
===Prelude===
Tightly woven [[Thirty-second note|32nd note]] scales, suspensions, [[pedal point|dramatic octave pedal effects]], tension-building through repetition, and [[appoggiatura]] harmonies characterize this movement. The opening theme is followed by contrasting [[fugue|fugal]] episodes. The complex [[ritornello]] structure of this prelude makes the work structurally similar to that of other mature organ works, such as the [[Prelude and Fugue in E minor, BWV 548|BWV 548]] and [[Prelude and Fugue in C minor, BWV 546|BWV 546]] preludes.
Tightly woven [[Thirty-second note|32nd note]] scales, suspensions, [[pedal point|dramatic octave pedal effects]], tension-building through repetition, and [[appoggiatura]] harmonies characterize this movement. The opening theme is followed by contrasting [[fugue|fugal]] episodes. The complex [[ritornello]] structure of this prelude makes the work structurally similar to that of other mature organ works, such as the [[Prelude and Fugue in E minor, BWV 548|BWV 548]] and [[Prelude and Fugue in C minor, BWV 546|BWV 546]] preludes.<ref>Jones 2013, 59.</ref>
===Fugue===
===Fugue===
The [[Time Signature|4/4]] fugue is more restrained compared to the [[Time signature|6/8]] prelude, containing a relatively straight-forward subject that moves in single note steps up and down the B minor scale.
The [[Time Signature|4/4]] fugue is more restrained compared to the [[Time signature|6/8]] prelude, containing a relatively straight-forward subject that moves in single note steps up and down the B minor scale.
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==Work Cited==
==Work Cited==
*Williams, Peter (2003), The Organ Music of J. S. Bach (2nd ed.), Cambridge University Press, {{ISBN|0-521-89115-9}}
*Williams, Peter (2003), The Organ Music of J. S. Bach (2nd ed.), Cambridge University Press, {{ISBN|0-521-89115-9}}
*Jones, Richard D.P. (2013), The Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit. Oxford University Press, {{ISBN|978-0-19-969628-4}}


==External Links==
==External Links==
*{{IMSLP|work=Prelude_and_Fugue_in_B_minor,_BWV_544_(Bach,_Johann_Sebastian)}}
*{{IMSLP|work=Prelude_and_Fugue_in_B_minor,_BWV_544_(Bach,_Johann_Sebastian)}}
*[http://ks.imslp.net/files/imglnks/usimg/2/21/IMSLP293741-PMLP111732-bwv544_autograph.pdf Prelude and Fugue in B minor, BWV 544] autograph facsimile at [[International Music Score Library Project]] (IMSLP).
*[https://www.allmusic.com/composition/prelude-and-fugue-for-organ-in-b-minor-bwv-544-bc-j27-mc0002389577 Prelude and Fugue in B minor, BWV 544] Description at [[Allmusic]]
*[https://www.allmusic.com/composition/prelude-and-fugue-for-organ-in-b-minor-bwv-544-bc-j27-mc0002389577 Prelude and Fugue in B minor, BWV 544] Description at [[Allmusic]]
* [http://www.blockmrecords.org/bach/detail.php?ID=BWV0544 Free download of BWV 544] recorded by [[James Kibbie]] on the 1724–30 Trost organ in Stadtkirche, Waltershausen, Germany
* [http://www.blockmrecords.org/bach/detail.php?ID=BWV0544 Free download of BWV 544] recorded by [[James Kibbie]] on the 1724–30 Trost organ in Stadtkirche, Waltershausen, Germany

Revision as of 20:48, 11 December 2019

Prelude and Fugue in B minor, BWV 544 is a piece of organ music written by Johann Sebastian Bach sometime during his tenure in Leipzig (1723–1750). Unlike most other organ preludes and fugues of Bach, the autograph fair copy of the score survives.[1] Because of the deeply melancholic nature, the B minor affekt, and musical elements of the work, its respective movements are believed by some to have been performed as a prelude and postlude alongside the B minor Cantata Laß, Fürstin, laß noch einen Strahl, BWV 198, which was performed on 17 October 1727 at the University Church in Leipzig as a funeral ode for Christiane Eberhardine, wife of August II the Strong, the Elector of Saxony and King of Poland.[2] There is, however, no definitive evidence to back this hypothesis.[3]

Prelude

Tightly woven 32nd note scales, suspensions, dramatic octave pedal effects, tension-building through repetition, and appoggiatura harmonies characterize this movement. The opening theme is followed by contrasting fugal episodes. The complex ritornello structure of this prelude makes the work structurally similar to that of other mature organ works, such as the BWV 548 and BWV 546 preludes.[4]

Fugue

The 4/4 fugue is more restrained compared to the 6/8 prelude, containing a relatively straight-forward subject that moves in single note steps up and down the B minor scale.

Arrangements

Piano transcriptions

The piece has been included in Franz Liszt's transcriptions of Bach's six "Great" organ Preludes and Fugues, BWV 543 - 548, for solo piano (S. 462). The piece was also transcribed by Ivan Karlovitsch Tscherlitzky.[5]

References

Work Cited

  • Williams, Peter (2003), The Organ Music of J. S. Bach (2nd ed.), Cambridge University Press, ISBN 0-521-89115-9
  • Jones, Richard D.P. (2013), The Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit. Oxford University Press, ISBN 978-0-19-969628-4

External Links