List of modernist composers: Difference between revisions

Ashby, Arved Mark. 2004a. "Introduction". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 1–22. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
Ashby, Arved Mark. 2004b. "Modernism Goes to the Movies". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 345–86. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
Bauer, Amy. 2004 "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 121–52. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
Bernstein, David W. 2002. "Cage and High Modernism". The Cambridge Companion to John Cage, edited by David Nicholls, 186–213. Cambridge: Cambridge University Press. ISBN 0-521-78348-8 (cloth); ISBN 0-521-78968-0 (pbk).
Béhague, Gerard. 1994. Villa-Lobos: The Search for Brazil's Musical Soul. Austin: Institute of Latin American Studies, University of Texas at Austin. ISBN 0-292-70823-8.
Béhague, Gerard. 2001. "Guarnieri, (Mozart) Camargo". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
Leon Botstein. 2001. "Modernism", Grove Music Online, edited by Laura Macy (accessed December 20, 2008), grovemusic.com (subscription access).
Leon Botstein. 2008. ^{[full citation needed]}.
Broyles, Michael, and Denise Von Glahn. 2007. Leo Ornstein: Modernist Dilemmas, Personal Choices. Bloomington and London: Indiana University Press. ISBN 978-0-253-34894-4.
Clapp, Philip Greeley. 1916. "Sebastian Bach, Modernist". Musical Quarterly 2, no. 2 (April): 295–313.
Dahlhaus, Carl. 1989. Nineteenth-Century Music, translated by J. Bradford Robinson. California Studies in 19th-Century Music. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-07644-0.
Frisch, Walter. 2005. German Modernism: Music and the Arts. California Studies in 20th-Century Music. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25148-9.
Gagné, Nicole V. 2012. Historical Dictionary of Modern and Contemporary Classical Music. Historical Dictionaries of Literature and the Arts. Lanham, MD: Scarecrow Press. ISBN 0-8108-6765-6.
Hanley, Edwin. 1954. "Chorale Variations. Johann Gottfried Walther: Meinen Jesum lass' ich nicht; Jesu meine Freude. Georg Böhm: Ach wie nichtig, ach wie flüchtig; Auf meinen lieben Gott; Herr Jesu Christ, dich zu uns wend. Finn Viderø, organ. 12" LP. Haydn HSL-3066" (record review). The Musical Quarterly 40, no. 2 (April): 289–94.
Holden, Scott. 2010. "The 'Adventures and Battles' of Vladimir Dukelsky (a.k.a. Vernon Duke)". American Music 28, no. 3 (Fall): 296–319.
Howell, Tim. 2011. "The Legacy of a Modernist". Finnish Music Quarterly, no. 4:38–41.
Karolyi, Otto. 1994. Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies. Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses. ISBN 0-8386-3532-6.
Lien, Anthony Marcus. 2002. "Against the Grain: Modernism and the American Art Song, 1900 to 1950". PhD diss. Davis: University of California, Davis.
Loya, Shay. 2011. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition. Eastman Studies in Music. Rochester, NY: University of Rochester Press. ISBN 9781580463232.
Petersen, Nils Holger. 2010. "Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb's Black Angels". Contemporary Music Review 29, no. 3 (June): 309–21.
Purdy, Daniel. 2010. Goethe Yearbook 17. New York: Camden House. ISBN 9781571134257.
Rifkin, Deborah. 2006. "Making It Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music". Theory and Practice 31:133–58.
Robinson, Suzanne, and Kay Drefus (eds.). 2015. Grainger the Modernist. Farnham, Surrey: Ashgate Publishing Limited; Burlington, Vermont: Ashgate Publishing Company. ISBN 978-1-4724-2022-0.
Ross, Alex. 2007. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Strauss, and Giroux. ISBN 978-0-374-24939-7.
Schwarz, K. Robert. 1990. "Process vs. Intuition in the Recent Works of Steve Reich and John Adams". American Music 8, no. 3 (Autumn): 245–73.
Skinner, Graeme. 2015. "Australian Musical First Modernism". In The Modernist World, edited by Stephen Ross and Allana C. Lindgren, 273–81. London and New York: Routledge. ISBN 978-0-415-84503-8.
Taruskin, Richard. 2010. The Oxford History of Western Music (2nd ed., Oxford University Press).
Tommasini, Anthony. 2007. "The Savvy Operator Who Aced That Newfangled Art Form, Opera". The New York Times (17 August).
Webster, James. 2008. "Rosen's Modernist Haydn". In Variations on the Canon: Essays on Music from Bach to Boulez in Honor of Charles Rosen on His Eightieth Birthday, edited by Robert Curry, David Gable, Robert Lewis Marshall, 283–90. Eastman Studies in Music 58. Rochester, NY: University of Rochester Press. ISBN 9781580462853.
Werder, Felix. 1965. "Monteverdi the Modernist: Monteverdi, by Leo Schrade". The Age (17 April).
Whenham, John. 1997. Monteverdi: Vespers (1610). Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press. ISBN 9780521459792.
Whitesell, Lloyd. 2004. "Twentieth-Century Tonality, or, Breaking Up Is Hard to Do". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 103–120. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
Williams, Alastair. 2002. "Cage and Postmodernism". The Cambridge Companion to John Cage, edited by David Nicholls, 227–41. Cambridge: Cambridge University Press. ISBN 0-521-78348-8 (cloth); ISBN 0-521-78968-0 (pbk).
Wilmotte, Marie-Hélène. 1994. "L'expérimental comme gage de la modernité: La Sequenza I de Luciano Berio". Les cahiers du CIREM, nos. 30–31:71–84.
Wright, Jeffrey Marsh, II. 2010. "The Enlisted Composer: Samuel Barber's Career, 1942–1945". PhD diss. Chapel Hill: The University of North Carolina at Chapel Hill.

@@ Line 1: / Line 1: @@
 {{short description|Wikipedia list article}}
 {{Expand list|date=August 2008}}
+{{More citations needed|date=December 2011}}
 {{Use Harvard referencing|date=May 2019}}
+[[Lists of composers]] by philosophical stance: '''modernist composers'''
-[[Lists of composers]] by philosophical stance: '''modernist composers'''<ref>{{wikicite|ref={{harvid|Ashby|2004a}}|reference=Ashby, Arved Mark. 2004a. "Introduction". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 1–22. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}</ref><ref>{{wikicite|ref={{harvid|Ashby|2004b}}|reference=Ashby, Arved Mark. 2004b. "Modernism Goes to the Movies". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 345–86. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}</ref><ref>{{wikicite|ref={{harvid|Bauer|2004}}|reference=Bauer, Amy. 2004 "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 121–52. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}</ref>
-<ref>{{wikicite|ref={{harvid|Bernstein|2002}}|reference=Bernstein, David W. 2002. "Cage and High Modernism". ''The Cambridge Companion to John Cage'', edited by David Nicholls, 186–213. Cambridge: Cambridge University Press. {{ISBN|0-521-78348-8}} (cloth); {{ISBN|0-521-78968-0}} (pbk).}}</ref>
-<ref>{{wikicite|ref={{harvid|Béhague|1994}}|reference=[[Béhague, Gerard]]. 1994. ''Villa-Lobos: The Search for Brazil's Musical Soul''. Austin: Institute of Latin American Studies, University of Texas at Austin. {{ISBN|0-292-70823-8}}.}}</ref><ref>{{wikicite|ref={{harvid|Béhague|2001}}|reference=[[Gerard Béhague|Béhague, Gerard]]. 2001. "Guarnieri, (Mozart) Camargo". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}</ref><ref>{{wikicite|ref={{harvid|Botstein|2001}}|reference=Leon Botstein. 2001. "Modernism", Grove Music Online, edited by Laura Macy (accessed December 20, 2008), grovemusic.com (subscription access).}}</ref><ref>{{wikicite|ref={{harvid|Broyles and Von Glahn|2007}}|reference=Broyles, Michael, and Denise Von Glahn. 2007. ''Leo Ornstein: Modernist Dilemmas, Personal Choices''. Bloomington and London: Indiana University Press. {{ISBN|978-0-253-34894-4}}.}}</ref><ref>{{wikicite|ref={{harvid|Clapp|1916}}|reference=Clapp, Philip Greeley. 1916. "[https://archive.org/stream/jstor-737959/737959#page/n1 Sebastian Bach, Modernist]". ''Musical Quarterly'' 2, no. 2 (April): 295–313.}}</ref><ref>{{wikicite|ref={{harvid|Dahlhaus|1989}}|reference=Dahlhaus, Carl. 1989. ''Nineteenth-Century Music'', translated by J. Bradford Robinson. California Studies in 19th-Century Music. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-07644-0}}.}}</ref><ref>{{wikicite|ref={{harvid|Frisch|2005}}|reference=Frisch, Walter. 2005. ''German Modernism: Music and the Arts''. California Studies in 20th-Century Music. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-25148-9}}.}}</ref><ref>{{wikicite|ref={{harvid|Gagné|2012}}|reference=Gagné, Nicole V. 2012. ''Historical Dictionary of Modern and Contemporary Classical Music.'' Historical Dictionaries of Literature and the Arts. Lanham, MD: Scarecrow Press. {{ISBN|0-8108-6765-6}}.}}</ref><ref>{{wikicite|ref={{harvid|Hanley|1954}}|reference=Hanley, Edwin. 1954. "''Chorale Variations''. Johann Gottfried Walther: ''Meinen Jesum lass' ich nicht''; ''Jesu meine Freude''. Georg Böhm: ''Ach wie nichtig, ach wie flüchtig''; ''Auf meinen lieben Gott''; ''Herr Jesu Christ, dich zu uns wend''. Finn Viderø, organ. 12" LP. Haydn HSL-3066" (record review). ''The Musical Quarterly'' 40, no. 2 (April): 289–94.}}</ref><ref>{{wikicite|ref={{harvid|Holden|2010}}|reference=Holden, Scott. 2010. "The 'Adventures and Battles' of Vladimir Dukelsky (a.k.a. Vernon Duke)". ''American Music'' 28, no. 3 (Fall): 296–319.}}</ref><ref>{{wikicite|ref={{harvid|Howell|2011}}|reference=Howell, Tim. 2011. "The Legacy of a Modernist". ''Finnish Music Quarterly'', no. 4:38–41.}}</ref><ref>{{wikicite|ref={{harvid|Karolyi|1994}}|reference=[[Ottó Károlyi|Karolyi, Otto]]. 1994. ''Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies''. Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses. {{ISBN|0-8386-3532-6}}.}}</ref><ref>{{wikicite|ref={{harvid|Lien|2002}}|reference=Lien, Anthony Marcus. 2002. "Against the Grain: Modernism and the American Art Song, 1900 to 1950". PhD diss. Davis: University of California, Davis.}}</ref><ref>{{wikicite|ref={{harvid|Loya|2011}}|reference=Loya, Shay. 2011. ''Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition''. Eastman Studies in Music. Rochester, NY: University of Rochester Press. {{ISBN|9781580463232}}.}}</ref><ref>{{wikicite|ref={{harvid|Petersen|2010}}|reference=Petersen, Nils Holger. 2010. "Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb's ''Black Angels''". ''Contemporary Music Review'' 29, no. 3 (June): 309–21.}}</ref><ref>{{wikicite|ref={{harvid|Purdy|2010}}|reference=Purdy, Daniel. 2010. ''Goethe Yearbook 17''. New York: Camden House. {{ISBN|9781571134257}}.}}</ref>
-<ref>{{wikicite|ref={{harvid|Rifkin|2006}}|reference=Rifkin, Deborah. 2006. "Making It Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music". ''Theory and Practice'' 31:133–58.}}</ref><ref>{{wikicite|ref={{harvid|Robinson and Dreyfus|2015}}|reference=Robinson, Suzanne, and Kay Drefus (eds.). 2015. ''Grainger the Modernist''. Farnham, Surrey: Ashgate Publishing Limited; Burlington, Vermont: Ashgate Publishing Company. {{ISBN|978-1-4724-2022-0}}.}}</ref><ref>{{wikicite|ref={{harvid|Ross|2007}}|reference=Ross, Alex. 2007. ''The Rest Is Noise: Listening to the Twentieth Century''. New York: Farrar, Strauss, and Giroux. {{ISBN|978-0-374-24939-7}}.}}</ref><ref>{{wikicite|ref={{harvid|Schwarz|1990}}|reference=Schwarz, K. Robert. 1990. "Process vs. Intuition in the Recent Works of Steve Reich and John Adams". ''American Music'' 8, no. 3 (Autumn): 245–73.}}</ref><ref>{{wikicite|ref={{harvid|Skinner|2015}}|reference=Skinner, Graeme. 2015. "Australian Musical First Modernism". In ''The Modernist World'', edited by Stephen Ross and Allana C. Lindgren, 273–81. London and New York: Routledge. {{ISBN|978-0-415-84503-8}}.}}</ref><ref>{{wikicite|ref={{harvid|Taruskin|2010}}|reference=Taruskin, Richard. 2010. ''[[The Oxford History of Western Music]]'' (2nd ed., Oxford University Press).}}</ref>
-<ref>{{wikicite|ref={{harvid|Tommasini|2007}}|reference=Tommasini, Anthony. 2007. "The Savvy Operator Who Aced That Newfangled Art Form, Opera". ''The New York Times'' (17 August).}}</ref><ref>{{wikicite|ref={{harvid|Webster|2008}}|reference=Webster, James. 2008. "Rosen's Modernist Haydn". In ''Variations on the Canon: Essays on Music from Bach to Boulez in Honor of Charles Rosen on His Eightieth Birthday'', edited by Robert Curry, David Gable, Robert Lewis Marshall, 283–90. Eastman Studies in Music 58. Rochester, NY: University of Rochester Press. {{ISBN|9781580462853}}.}}</ref><ref>{{wikicite|ref={{harvid|Werder|1965}}|reference=Werder, Felix. 1965. "Monteverdi the Modernist: ''Monteverdi'', by Leo Schrade". ''The Age'' (17 April).}}</ref><ref>{{wikicite|ref={{harvid|Whenham|1997}}|reference=Whenham, John. 1997. ''Monteverdi: Vespers (1610)''. Cambridge Music Handbooks.  Cambridge and New York: Cambridge University Press. {{ISBN|9780521459792}}.}}</ref><ref>{{wikicite|ref={{harvid|Whitesell|2004}}|reference=Whitesell, Lloyd. 2004. "Twentieth-Century Tonality, or, Breaking Up Is Hard to Do". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 103–120. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}</ref><ref>{{wikicite|ref={{harvid|Williams|2002}}|reference=Williams, Alastair. 2002. "Cage and Postmodernism". The Cambridge Companion to John Cage, edited by David Nicholls, 227–41. Cambridge: Cambridge University Press. {{ISBN|0-521-78348-8}} (cloth); {{ISBN|0-521-78968-0}} (pbk).}}</ref><ref>{{wikicite|ref={{harvid|Wilmotte|1994}}|reference=Wilmotte, Marie-Hélène. 1994. "L'expérimental comme gage de la modernité: La ''Sequenza I'' de Luciano Berio". ''Les cahiers du CIREM'', nos. 30–31:71–84.}}</ref><ref>{{wikicite|ref={{harvid|Wright|2010}}|reference=Wright, Jeffrey Marsh, II. 2010. "The Enlisted Composer: Samuel Barber's Career, 1942–1945". PhD diss. Chapel Hill: The University of North Carolina at Chapel Hill.}}</ref>
 ==Australia==
@@ Line 18: / Line 15: @@
 ==Austria==
 *[[Gustav Mahler]] (1860–1911) ({{harvnb|Frisch|2005|loc=182–85, 203–13}}; {{harvnb|Gagné|2012|loc=178}})
-=== Second Viennese school ===
-*[[Alban Berg]] (1885–1935) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Ashby|2004b|loc=351}})
-*[[Arnold Schoenberg]] (1874–1951) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Whitesell|2004|loc=104}})
-*[[Anton Webern]] (1883–1945)<ref>[https://www.allmusic.com/artist/anton-webern-mn0001190857 Anton Webern|AllMusic]</ref>
 == Russia/Soviet Union ==
@@ Line 31: / Line 24: @@
 ==Brazil==
 *[[Heitor Villa-Lobos]] (1887–1959) {{harv|Béhague|1994|loc=passim}}
+*[[Camargo Guarnieri]] (1907–1993) {{harv|Béhague|2001}}{{Failedverification|date=August 2019|reason=Nomention of the terms "modernist", "modernism", or even "modern" in this article.}}
+== Second Viennese school ==
+*[[Alban Berg]] (1885–1935) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Ashby|2004b|loc=351}})
+*[[Arnold Schoenberg]] (1874–1951) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Whitesell|2004|loc=104}})
+*[[Anton Webern]] (1883–1945){{Citation needed|date=April 2015}}<!--Certainly a member of the Second Viennese School, but a source is nneded declaring him to be philosophically a modernist.-->
 == Germany ==
@@ Line 63: / Line 62: @@
 *[[Ferruccio Busoni]] (1866–1924) {{harv|Frisch|2005|loc=139}}
 *[[Claudio Monteverdi]] (1567–1643) ({{harvnb|Tommasini|2007}}; {{harvnb|Werder|1965}}; {{harvnb|Whenham|1997|loc=36}})
+*[[Salvatore Sciarrino]] (born 1947) {{harv|Gagné|2012|loc=178}}{{Failed verification|date=March 2017}}<!--On that page, Gagné names (not all as "modernists") R. Strauss, Mahler, Schoenberg, Debussy, Ravel, Satie, Scriabin, Ives, Bartók, Stravinsky, Webern, Berg, Cowell, Varèse, Rudhyar, Ruggles, Falla, Prokofiev, Hindemith, Milhaud, Copland, Partch, Cage, Carter, Messiaen, Babbitt, Nancarrow, Xenakis, Boulez, and Stockhausen. Sciarrino is nowhere mentioned.-->
 == Hungary ==
@@ Line 90: / Line 90: @@
 *[[Charles Ives]] (1874–1954) {{harv|Botstein|2008}}
 *[[Jerome Kern]] (1885–1945) {{harv|Ross|2007|loc=136}}
+*[[Leon Kirchner]] (1919–2009){{Citation needed|date=October 2013}}
-*[[Leon Kirchner]] (1919–2009)<ref>[https://www.allmusic.com/album/leon-kirchner-works-for-solo-piano-mw0001863143 Leon Kirchner: Works for Solo Piano|AllMusic]</ref>
 *[[Donald Martino]] (1931–2005) {{harv|Ashby|2004a|loc=3}}
 *[[Leo Ornstein]] (1893–2002) {{harv|Broyles and Von Glahn|2007|loc=xvi, 119}}
@@ Line 104: / Line 104: @@
 *[[Brian Wilson]] (born 1942) {{harv|Ashby|2004a|loc=8}}
-== England (United Kingdom) ==
+== England ==
 *[[Brian Ferneyhough]] (born 1943) {{harv|Ashby|2004a|loc=3}} (Also described as a [[Postmodern music#Western art music ("classical")|postmodern composer]])
 *[[William Walton]] (1902–1983) {{harv|Karolyi|1994|loc=43}}
@@ Line 113: / Line 113: @@
 ==References==
+* {{wikicite|ref={{harvid|Ashby|2004a}}|reference=Ashby, Arved Mark. 2004a. "Introduction". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 1–22. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
+* {{wikicite|ref={{harvid|Ashby|2004b}}|reference=Ashby, Arved Mark. 2004b. "Modernism Goes to the Movies". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 345–86. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
+* {{wikicite|ref={{harvid|Bauer|2004}}|reference=Bauer, Amy. 2004 "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 121–52. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
+* {{wikicite|ref={{harvid|Bernstein|2002}}|reference=Bernstein, David W. 2002. "Cage and High Modernism". ''The Cambridge Companion to John Cage'', edited by David Nicholls, 186–213. Cambridge: Cambridge University Press. {{ISBN|0-521-78348-8}} (cloth); {{ISBN|0-521-78968-0}} (pbk).}}
+* {{wikicite|ref={{harvid|Béhague|1994}}|reference=[[Béhague, Gerard]]. 1994. ''Villa-Lobos: The Search for Brazil's Musical Soul''. Austin: Institute of Latin American Studies, University of Texas at Austin. {{ISBN|0-292-70823-8}}.}}
+*{{wikicite|ref={{harvid|Béhague|2001}}|reference=[[Gerard Béhague|Béhague, Gerard]]. 2001. "Guarnieri, (Mozart) Camargo". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}
+* {{wikicite|ref={{harvid|Botstein|2001}}|reference=Leon Botstein. 2001. "Modernism", Grove Music Online, edited by Laura Macy (accessed December 20, 2008), grovemusic.com (subscription access).}}
+* {{wikicite|ref={{harvid|Botstein|2008}}|reference=Leon Botstein. 2008. {{Full citation needed|date=April 2020}}.}}
+* {{wikicite|ref={{harvid|Broyles and Von Glahn|2007}}|reference=Broyles, Michael, and Denise Von Glahn. 2007. ''Leo Ornstein: Modernist Dilemmas, Personal Choices''. Bloomington and London: Indiana University Press. {{ISBN|978-0-253-34894-4}}.}}
+* {{wikicite|ref={{harvid|Clapp|1916}}|reference=Clapp, Philip Greeley. 1916. "[https://archive.org/stream/jstor-737959/737959#page/n1 Sebastian Bach, Modernist]". ''Musical Quarterly'' 2, no. 2 (April): 295–313.}}
+* {{wikicite|ref={{harvid|Dahlhaus|1989}}|reference=Dahlhaus, Carl. 1989. ''Nineteenth-Century Music'', translated by J. Bradford Robinson. California Studies in 19th-Century Music. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-07644-0}}.}}
+* {{wikicite|ref={{harvid|Frisch|2005}}|reference=Frisch, Walter. 2005. ''German Modernism: Music and the Arts''. California Studies in 20th-Century Music. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-25148-9}}.}}
+* {{wikicite|ref={{harvid|Gagné|2012}}|reference=Gagné, Nicole V. 2012. ''Historical Dictionary of Modern and Contemporary Classical Music.'' Historical Dictionaries of Literature and the Arts. Lanham, MD: Scarecrow Press. {{ISBN|0-8108-6765-6}}.}}
+* {{wikicite|ref={{harvid|Hanley|1954}}|reference=Hanley, Edwin. 1954. "''Chorale Variations''. Johann Gottfried Walther: ''Meinen Jesum lass' ich nicht''; ''Jesu meine Freude''. Georg Böhm: ''Ach wie nichtig, ach wie flüchtig''; ''Auf meinen lieben Gott''; ''Herr Jesu Christ, dich zu uns wend''. Finn Viderø, organ. 12" LP. Haydn HSL-3066" (record review). ''The Musical Quarterly'' 40, no. 2 (April): 289–94.}}
+* {{wikicite|ref={{harvid|Holden|2010}}|reference=Holden, Scott. 2010. "The 'Adventures and Battles' of Vladimir Dukelsky (a.k.a. Vernon Duke)". ''American Music'' 28, no. 3 (Fall): 296–319.}}
+* {{wikicite|ref={{harvid|Howell|2011}}|reference=Howell, Tim. 2011. "The Legacy of a Modernist". ''Finnish Music Quarterly'', no. 4:38–41.}}
+* {{wikicite|ref={{harvid|Karolyi|1994}}|reference=[[Ottó Károlyi|Karolyi, Otto]]. 1994. ''Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies''. Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses. {{ISBN|0-8386-3532-6}}.}}
+* {{wikicite|ref={{harvid|Lien|2002}}|reference=Lien, Anthony Marcus. 2002. "Against the Grain: Modernism and the American Art Song, 1900 to 1950". PhD diss. Davis: University of California, Davis.}}
+* {{wikicite|ref={{harvid|Loya|2011}}|reference=Loya, Shay. 2011. ''Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition''. Eastman Studies in Music. Rochester, NY: University of Rochester Press. {{ISBN|9781580463232}}.}}
+* {{wikicite|ref={{harvid|Petersen|2010}}|reference=Petersen, Nils Holger. 2010. "Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb's ''Black Angels''". ''Contemporary Music Review'' 29, no. 3 (June): 309–21.}}
+* {{wikicite|ref={{harvid|Purdy|2010}}|reference=Purdy, Daniel. 2010. ''Goethe Yearbook 17''. New York: Camden House. {{ISBN|9781571134257}}.}}
+* {{wikicite|ref={{harvid|Rifkin|2006}}|reference=Rifkin, Deborah. 2006. "Making It Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music". ''Theory and Practice'' 31:133–58.}}
+* {{wikicite|ref={{harvid|Robinson and Dreyfus|2015}}|reference=Robinson, Suzanne, and Kay Drefus (eds.). 2015. ''Grainger the Modernist''. Farnham, Surrey: Ashgate Publishing Limited; Burlington, Vermont: Ashgate Publishing Company. {{ISBN|978-1-4724-2022-0}}.}}
+* {{wikicite|ref={{harvid|Ross|2007}}|reference=Ross, Alex. 2007. ''The Rest Is Noise: Listening to the Twentieth Century''. New York: Farrar, Strauss, and Giroux. {{ISBN|978-0-374-24939-7}}.}}
+* {{wikicite|ref={{harvid|Schwarz|1990}}|reference=Schwarz, K. Robert. 1990. "Process vs. Intuition in the Recent Works of Steve Reich and John Adams". ''American Music'' 8, no. 3 (Autumn): 245–73.}}
+* {{wikicite|ref={{harvid|Skinner|2015}}|reference=Skinner, Graeme. 2015. "Australian Musical First Modernism". In ''The Modernist World'', edited by Stephen Ross and Allana C. Lindgren, 273–81. London and New York: Routledge. {{ISBN|978-0-415-84503-8}}.}}
+* {{wikicite|ref={{harvid|Taruskin|2010}}|reference=Taruskin, Richard. 2010. ''[[The Oxford History of Western Music]]'' (2nd ed., Oxford University Press).}}
+* {{wikicite|ref={{harvid|Tommasini|2007}}|reference=Tommasini, Anthony. 2007. "The Savvy Operator Who Aced That Newfangled Art Form, Opera". ''The New York Times'' (17 August).}}
+* {{wikicite|ref={{harvid|Webster|2008}}|reference=Webster, James. 2008. "Rosen's Modernist Haydn". In ''Variations on the Canon: Essays on Music from Bach to Boulez in Honor of Charles Rosen on His Eightieth Birthday'', edited by Robert Curry, David Gable, Robert Lewis Marshall, 283–90. Eastman Studies in Music 58. Rochester, NY: University of Rochester Press. {{ISBN|9781580462853}}.}}
+* {{wikicite|ref={{harvid|Werder|1965}}|reference=Werder, Felix. 1965. "Monteverdi the Modernist: ''Monteverdi'', by Leo Schrade". ''The Age'' (17 April).}}
+* {{wikicite|ref={{harvid|Whenham|1997}}|reference=Whenham, John. 1997. ''Monteverdi: Vespers (1610)''. Cambridge Music Handbooks.  Cambridge and New York: Cambridge University Press. {{ISBN|9780521459792}}.}}
+* {{wikicite|ref={{harvid|Whitesell|2004}}|reference=Whitesell, Lloyd. 2004. "Twentieth-Century Tonality, or, Breaking Up Is Hard to Do". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 103–120. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
+* {{wikicite|ref={{harvid|Williams|2002}}|reference=Williams, Alastair. 2002. "Cage and Postmodernism". The Cambridge Companion to John Cage, edited by David Nicholls, 227–41. Cambridge: Cambridge University Press. {{ISBN|0-521-78348-8}} (cloth); {{ISBN|0-521-78968-0}} (pbk).}}
+* {{wikicite|ref={{harvid|Wilmotte|1994}}|reference=Wilmotte, Marie-Hélène. 1994. "L'expérimental comme gage de la modernité: La ''Sequenza I'' de Luciano Berio". ''Les cahiers du CIREM'', nos. 30–31:71–84.}}
+* {{wikicite|ref={{harvid|Wright|2010}}|reference=Wright, Jeffrey Marsh, II. 2010. "The Enlisted Composer: Samuel Barber's Career, 1942–1945". PhD diss. Chapel Hill: The University of North Carolina at Chapel Hill.}}
 [[Category:Lists of composers|Modernist]]

Revision as of 02:21, 4 August 2020

Australia

Austria

Russia/Soviet Union

Brazil

Second Viennese school

Germany

Finland

France

Italy

Hungary

Poland

Scotland

United States

England

See also

References