Manuel Jiménez Ramírez: Difference between revisions

Manuel Jiménez Ramírez (December 9, 1919 – d. March 4, 2005) was a Mexican carver, sculptor and painter credited as the originator of the Oaxacan version of “alebrijes,” animal creatures carved in wood and painted in strong contrasting colors with intricate designs. He was a charismatic and philosophical person, who believed he was the reincarnation of an artist. He began making animal figures of clay when he was a child but changed to wood carving later, creating human figures, nativity scenes, masks and more as well as the alebrijes. He work can be found in public and private collections in various parts of the world, especially in the United States.

Life

Jiménez Ramírez was born in San Antonio Arrazola, Oaxaca, 10m southeast of the city of Oaxaca. He began making animal figures from clay when he was eight, then switched to wood.^[1][2] He was a charismatic person, dedicated to philosophical studies and believed he was the reincarnation of an artist.^[3] He was nicknamed “el divino” and a number of neighbors considered him a nahual.^[1] He was also considered a kind of “curandero” and led Holy Week activities for the town.^[1]

During his life he engaged in other activities, depending on his whim, such as cutting sugar cane in Veracruz and Oaxaca, bricklaying, basket making, hairdressing and more.^[1] He died at the age of 86 in his hometown.^[3][2]

Wood carving

Jiménez Ramírez is credited with creating the Oaxacan version of “alebrijes.”^[2][4] The original craft was created and promoted by the Linares family in Mexico City, making fantastic creatures of “cartonería” (a hard paper mache) and painting them in bright colors.^[2] However, the Oaxaca version is made of wood, with figures closer to nahuals than the creatures of various animal parts of Mexico City. However both kinds are painting in strong contrasting colors and with detailed designs. Jiménez Ramírez also often added hair and beards made of ixtle, another indication of their nahual origins.^[1] The artisan never taught his techniques outside his own family but in the early 1980s others began to imitate these figures. This eventually attracted a tourism trade to the area.^[2]

While best known for his alebrijes, Jiménez Ramírez’s carving repertoire includes various other kind of pieces including human figures, religious objects and masks, especially animal masks.^[2][1] He made altarpieces, nativity scenes and scenes of everyday life with great detail, often with a sense of fantasy and artistic liberty.^[1][4]

Jiménez Ramírez worked in copalillo, zompantle, palo de Aguila and cedar, with the first two collected locally. The latter he bought from vendors in Valle Nacional and the Isthmus of Tehuantepec. He selected pieces of wood, usually large, with an image of what he wanted to carve, in order to take advantage of the wood’s size and shape. Initial working was often with a machete. Some delicate parts such as ears and tails were made separately and added to the main body. He painted the pieces with commercial enamel paints.^[1]

The artisan’s work can be found in public and private collections around the world, especially in museums in the United States.^[4][1] He was named a “grand master” of Mexican folk art by the Fomento Cultural Banamex .^[1]

Manuel’s sons

His son, Angélico (born 1954) and Isaías (born 1961) continue in their father’s footsteps, working to guard a tradition of designs they consider their own.^[4][3][2] Angélico has been working as a carver, sculptor and painter for over forty years and Isaías for over fifteen. Both have their own workshops and are assisted by the wives and children.^[3]

References

.^[1]

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Manuel Jiménez (June 9, 1919 – March 4, 2005) was a master woodcarver and is recognized as the founder of folk art woodcarving in Oaxaca, Mexico. His family lives in Arrazola, a small town at the base of Monte Alban outside the city of Oaxaca.

Inspired by the woodcarving of maskmaker Don Pascual Santiago and the papier mache work of Mexico City's Pedro Linares, Jimenez transformed a local craft into a highly collectible art form. Carving "monos," as the figures were initially called, from the copal tree branches helped to transform the industry of three area towns from one of agriculture to woodcarving.

See also

• Alebrijes

References

Chibnik, Michael (May 1, 2003). Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings. University of Texas Press. ISBN 0-292-71248-0. {{cite book}}: Check |authorlink= value (help); External link in |authorlink= (help)

Marín, Guillermo. "Woodcarving in Oaxaca". El Caracol Zapoteca. Retrieved 2007-02-11.

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