Strange Alibi

Brief Synopsis

An undercover cop finds himself on the wrong side of the law when the mob discovers his true identity.

Cast & Crew

Film Details

Genre

Crime

Drama

Release Date

Apr 19, 1941

Premiere Information

not available

Production Company

Warner Bros. Pictures, Inc.

Distribution Company

Warner Bros. Pictures, Inc.

Country

United States

Technical Specs

Duration

1h 3m

Sound

Mono (RCA Sound System)

Color

Black and White

Theatrical Aspect Ratio

1.37 : 1

Film Length

5,683ft (7 reels)

Synopsis

When King Carney, a grand jury witness, is gunned down before he can testify, gangster Louie Butler is suspected. After a manhunt, Butler is arrested, but is later found hanging in his cell. Police Chief Sprague is skeptical, believing that Butler was not the kind of man to hang himself. Together with Joe Geary, the only policeman on the force whom Sprague trusts, he devises a plan to root out corruption in the city. As part of the plot, Joe is publicly accused of consorting with criminals and suspended from the force. He is taken in by Crips Vossen, who collects from businesses running crooked gambling games. Joe's job is to learn the identity of "Lockland," the head of the crime syndicate. When Joe proves himself to Vossen, he is taken to meet Lockland, who is revealed to be police captain Reddick. With his henchman, Lieutenant-Detective Pagle, Reddick was responsible for the deaths of Carney and Butler. Joe forcibly takes Benny McKaye, one of the men working for Reddick, to testify for Sprague, but they are followed by Pagle, who then kills Sprague and wounds Joe. Benny escapes and Pagle puts the gun that killed Sprague in Joe's hand. Without any witnesses, no one believes Joe's story that he was working undercover, and he is sentenced to life in prison. Joe's fiancée, Alice Devlin, is convinced that he is innocent, and together with their old friend Katie, a victim of the syndicate, searches for Benny, who is Joe's only hope. In prison, Joe is victimized by the guards and the other criminals. Some time later, Durkin is sent to prison for killing Vossen. During a fight with brutal guard Monson, Durkin is badly wounded, but before he dies, he tells Joe that Katie has found Benny. Desperate to clear himself, Joe escapes from prison and heads for Katie's, but before he arrives, Benny dies without talking. Captain Allen, an honest policeman, follows Alice to Katie's and warns Joe that Reddick and Pagle are looking for him. Learning that the reform-minded governor has vowed to clean up the city, Joe borrows Allen's badge, coat and hat and drives Benny's body to the governor's hotel. There he asks the governor to phone Reddick to tell him that Benny is on his way. Joe and the governor witness Pagle and Reddick shoot at the car with Benny's body in it. After the governor tells Reddick that Benny telephoned him before he was killed and cleared Joe's name, Reddick agrees to testify. Pagle attempts to shoot his way out, but Allen kills him. Joe's name is cleared and he is assigned to head the graft investigation.

Director

D. Ross Lederman

Director

Cast

Arthur Kennedy

Joe Geary

Joan Perry

Alice Devlin

Jonathan Hale

Chief Sprague

John Ridgely

Tex

Florence Bates

Katie

Charles Trowbridge

Governor Phelps

Cliff Clark

Captain Reddick

Stanley Andrews

Lieutenant-Detective Pagle

Howard Da Silva

Monson

Wade Boteler

Captain Allen

Ben Welden

Durkin

Joe Downing

Benny McKaye

Dick Rich

Big Dog

Paul Phillips

Crips Vossen

Joe King

Warden Morrell

Paul Stanton

Prosecutor

Herbert Rawlinson

King Carney

John Hamilton

Judge

Eddy Chandler

Quist

Dudley Dickerson

Tarp

Charles Wilson

Desk sergeant

Frank Wilcox

Reporter

Garrett Craig

Reporter

Peter Ashley

Reporter

Keith Douglas

Reporter

Jack Richardson

Taxi driver

Juanita Stark

Air hostess

Ralph Sanford

Officer

Lee Shumway

Officer

Arch Hendricks

Detective

Jimmy O'gatty

Maxie

Jack Wise

Waiter

Al Hill

Buzz

Nat Carr

Herb

Jack Santoro

Milt

Richard Kipling

Defense attorney

Howard Mitchell

Bailiff

Harry Strang

Deputy

Peggy Diggins

Alice's companion

Lee Phelps

Principal keeper

Ed Hearn

Keeper

Max Hoffman Jr.

Charlie

Philip Morris

Police announcer

Wen Niles

Radio announcer

Bill Hopper

Desk clerk

George Lloyd

Convict

Paul Panzer

Convict

Don Turner

Convict

Eddie Foster

Convict

Ted Oliver

Guard

Tom Wilson

Guard

Cliff Saum

Guard

Glen Cavender

Guard

Stuart Holmes

Guard

Jack Cheatham

Guard

Lane Chandler

Guard

Davison Clark

Guard

Pat O'malley

Guard

Bob Perry

George Campeau

Crew

E. A. Brown

Sound

Frank Fox

Dialogue Director

Bryan Foy

Producer

Kenneth Gamet

Screenwriter

William Jacobs

Associate Producer

Lee Katz

Assistant Director

Frank Magee

Film Editor

Fred Niblo Jr.

Contract Writer

Hugh Reticker

Art Director

Howard Shoup

Gowns

Allen G. Siegler

Director of Photography

Perc Westmore

Makeup Artist

Leslie T. White

Story

Film Details

Genre

Crime

Drama

Release Date

Apr 19, 1941

Premiere Information

not available

Production Company

Warner Bros. Pictures, Inc.

Distribution Company

Warner Bros. Pictures, Inc.

Country

United States

Technical Specs

Duration

1h 3m

Sound

Mono (RCA Sound System)

Color

Black and White

Theatrical Aspect Ratio

1.37 : 1

Film Length

5,683ft (7 reels)

Articles

Strange Alibi -

June 18, 2014

When he wasn't helming the second unit on films by Alfred Hitchcock (Rebecca [1940]) or Roy Del Ruth (The Babe Ruth Story [1948]), D. Ross Lederman was making his own movies. Known for efficiency, economy, and a discernable authorial brand, Lederman labored for many years at Columbia, directing Tim McCoy Westerns, and Warner Brothers, where he was kept busy remaking films moldering in the studio vault. Lederman's Escape from Crime (1942) was a sly remake of Irving Bacon's Picture Snatcher (1933), minus James Cagney, while Strange Alibi (1941) repurposed the logline of William Keighley's Bullets or Ballots (1935) with Arthur Kennedy standing in for Edward G. Robinson as an honest cop who pretends to go bad in a bid to infiltrate a criminal gang. A protégé of Cagney, Arthur Kennedy had made his film debut playing Cagney's kid brother in City for Conquest (1940), a career coup he chased by supporting Humphrey Bogart in High Sierra (1941) and Errol Flynn in They Died with Their Boots On (1941). Strange Alibi finds Kennedy enjoying an early starring role, heading a cast that benefits from the participation of Florence Bates, Cliff Clark, and Howard DaSilva, as a brutal prison guard. Actor Herbert Rawlinson, who plays King Carney, the mobster gunned down early on in Strange Alibi, also had a supporting role in Bullets or Ballots.

By Richard Harland Smith

Strange Alibi -

When he wasn't helming the second unit on films by Alfred Hitchcock (Rebecca [1940]) or Roy Del Ruth (The Babe Ruth Story [1948]), D. Ross Lederman was making his own movies. Known for efficiency, economy, and a discernable authorial brand, Lederman labored for many years at Columbia, directing Tim McCoy Westerns, and Warner Brothers, where he was kept busy remaking films moldering in the studio vault. Lederman's Escape from Crime (1942) was a sly remake of Irving Bacon's Picture Snatcher (1933), minus James Cagney, while Strange Alibi (1941) repurposed the logline of William Keighley's Bullets or Ballots (1935) with Arthur Kennedy standing in for Edward G. Robinson as an honest cop who pretends to go bad in a bid to infiltrate a criminal gang. A protégé of Cagney, Arthur Kennedy had made his film debut playing Cagney's kid brother in City for Conquest (1940), a career coup he chased by supporting Humphrey Bogart in High Sierra (1941) and Errol Flynn in They Died with Their Boots On (1941). Strange Alibi finds Kennedy enjoying an early starring role, heading a cast that benefits from the participation of Florence Bates, Cliff Clark, and Howard DaSilva, as a brutal prison guard. Actor Herbert Rawlinson, who plays King Carney, the mobster gunned down early on in Strange Alibi, also had a supporting role in Bullets or Ballots. By Richard Harland Smith

Quotes

Trivia

Notes

A 30 December 1940 Hollywood Reporter news item notes that Vincent Sherman was to direct this film.