User Reviews

I just finished watching Murder at the End of the World because I hate waiting a week between shows so I wait until the season is done and then binge it. I'm definitely glad I did that with this series because it's better as a binge watch. It will keep you guessing throughout the entire show. While it's almost impossible to guess who actually committed these murders, if you really pay attention you might be able to guess who's behind them and why. This series has so many gifted actors in this while all at the top of their game. Brit Marling not only stars in this but is also one of the writers and if you've seen any of Marling's stuff you know she always delivers. Besides the performances, they bring a lot of important subjects to the forefront like climate change and artificial intelligence.

There is a lot to praise about "A Murder At The End Of The World": the production design, the extraordinary location (Iceland - a feast for the eyes of any "winter person"), the hypnotic score, the convincing and committed performances, particularly from Emma Corrin who resembles a lot a young Jodie Foster. There are passages that speak about cell phones and technology more eloquently than I ever could but say exactly what I want to say. However, many of the secondary characters are not developed enough, and the overabundance of flashbacks deflates some of the tension in the "present" tense; the ending is OK but not mind-blowing. The series does not reach the heights of the best episodes of "The OA", the previous project by Brit Marling and Zal Batmanglij, but like its predecessor, it at least represents the vision, flaws and all, of its creators and not of a studio executive conference. It's an "auteur" endeavor in an era of mass factory production, and that is commendable. 7/10.

If I watched this 15 years ago, Darby Hart would have easily become my heroine, the manic pixie girl of another generation. I really loved the character's quirkiness and fantastic wit, plus the relationship she and Bill share seems unique and very genuine.

I loved the unpredictability of the whodunit and the allegory with the real world where billionaires race to colonize the moon, to create save havens to retreat when the world they greadily blow up ends up uninhabitable. Each of the characters has been portrayed very well and Clive Owen plays the part of his life. Brit Marling is, as always, an unforgettable presence.

"This is too much and not enough." a line so geniously written that kind of sums up the whole series; because in a tale about the evolution of science and AI, the intrigue is set in motion due to the oldest conflict: men wanting to own, control and direct women.

I'm only sorry that this is a mini series and not a proper TV show with multiple seasons. Darby is like a contemporary Lisbeth Salander, but with less grit and more anchorage in gen z culture.

I binged this in a weekend and overall I enjoyed it. There were many twists and turns, but there were also unlikely head scratching moments. I believe I enjoyed Darby more when she was younger and with Bill. I would not have minded more Joe Doe content, for sure. The setting in Iceland was interesting. I'd recommend it if you are looking for something new and you can suspend belief half of the time.

As an aside, I was bothered to distraction half the time over Darby's hair. Whoever was in charge of choosing her styles and continuity from one scene to the next missed the mark. When she was younger her, and Bill's hair for that matter, had terribly awful short bangs. Bill even had those same bangs later - what the what. Then Darby has plastered flat blonde hair that did not move and inch, ever. Finally she dyes it pink for a decent hairstyle for dinner, only to have that stylist inexplicably changed after she leaves the table. Later, it's wet, dry, parted then not, then shorter, then fluffed. I just could not stand it.

First off, I adore Brit Marling and all her work, I have been a big fan since Another Earth and her way of writing and directing along with acting is top par, (along with Zal Batmanglij and Mike Cahill) but maybe because I am familiar with her work I expected a little bit more from this show. At the end of the first episode is was obvious who the killer was and by mid-episode three is was obvious how it was done. After that it was just a wait to get to the end and the "reveal".

Apart from that the blueprint is classic Agatha Cristie, with a bunch of strangers isolated from the world and an amateur sleuth trying to solve the "whodunit" when one of them untimely dies. The setting is interesting and the location beautiful and quite original, the show is well worth a watch if you are into classic detective stories, I just wasn't so blown way by it as I expected going in.

The show is very interesting and different from the classic whodunnit series. It touches on modern subjects of climate change, hacking, AI, the tech industry clashing with art. It also contains a moving love story.

Most of the show keeps you in suspense, there are some great tension packed scenes.

The acting is also wonderful, both from the main actress and Clive Owen.

Unfortunately, as typical for the whodunnit genre - the ending leaves much to be desired. There are missed opportunities there which I won't go into to avoid spoilers.

Suffice to say that the last episode lacks tension and the characters make some, hm, peculiar choices.

I'd recommend for a watch in winter, under a blanket and with hot chocolate. But don't expect a masterpiece. It's interesting and mostly engaging, with some meaningful messages, but it's not perfect by any means.

Just finished watching the complete series. I don't agree with the negative reviews that have been posted here. I don't like to second-guess anyone, but I think people are overreacting to what is, to my mind, a well balanced, and enjoyable story, nicely paced, and well told. The relationship between Darby and Bill, with his passion and problems, rings true for me. And I especially enjoyed Darby's backstory as the daughter of a corner, and an amateur sleuth. It's certainly far better than most series that are thrown together in the endless land of streaming. Believable acting, nice twist at the end. Certainly not the best series ever made. But in my opinion, well worth the investment, from first episode to last. Well done.

Such a great cast. An a wonderful setting, in Iceland. But good God, Darby is an irritating character, and they spend much too much time dwelling on her mournful eyes as she works her way up to her next dumb move, and not enough time on the plot.

The entire series is devoted to plumbing the depths of Darby's character as she tries to stay ahead of the killer. Only problem is, she has no depths. Just those mournful eyes and a frail body.

It's a shame to see such a great cast so underused.

This series is a draft, and needed a lot more editing. The acting can't overcome the bad writing.

Watch it for the scenery, the lush production values. It's enough to make me want to go to Iceland. But don't watch it for the plot or the characters.

A heartbreaking story, an investigation of lost women, A convention of reputed people across the world, A bunch of saint-type commentaries over the apocalypse of the world are saturated in this Sherlock Holmes-type contemporary whodunit. The makers deliver a fascinating idea while enlivening the mystery-suspense genre. A murder is at the center, where anyone could be the culprit. Emma Corrin is Incandescent, in the lead and her ingenious character is in finding the "who-do-it" person; whereas the beefy cast is also splendid. The technology assists in the whole mystery-solving adventure. The echo of A. I. makes its presence felt. The blistering cold snow landscapes make a shivering impact, and the Cinematography & Editing keep bypassing through the past and present very flawlessly. The show finds its heart in its inclusive, riveting story and its mystifying screenplay, meticulously encrypted and intriguingly decrypted with timely, thought-provoking insights for us. The show tries to reflect our versions in this modern-day world as well as it's like a tale of a dark web. The show ranges from thrilling beats to a heart-rending experience also. After the whooping revelation in its groovy climax, one shall genuinely take a moment to think of their own present life, internally as well as externally. The world is changing, but is it for better or worse?

This show has the premise of something brilliant. A murder(s) in an isolated area, with multiple suspects with unknown motives. A perfect replica of any Agatha Christie show which should have sated the most ardent mystery lover but didn't really in the end.

A lack of character development failed to offer the mystery required for such a show. They are never truly revealed even at the end. A motive for suspects is always a compelling factor, but again, never developed or even really tempted to be known, not even at the end.

The murders are not deeply investigated, nor properly made to be indifferent. There are clues thrown in, namely obvious because of their obscure appearance, which mean something, but never expanded on, and end up as just a forgotten mention.

In the end, the killer and motive are revealed. But..... will it be enough to convince? A very mild, laid back finale ends the series almost quietly. Possibly disappointing to some, but expected these days as shows become less original in surprises.

Definitely worth watching, just for the thrills of guessing. Nothing too new but produced well enough to warrant watching 7 episodes.

Brit Marling and Zal Batmanglij have done it again. Another truly superb show. I try to watch everything that their hands touch because they are incredibly imaginative and creative. I first learned of them when they did The OA, which was also excellent.

This show, Murder at the End of the World, is really very well done. Great acting, intriguing plot line, good scenery, etc. As others have said, the show will keep you guessing. At various times, I thought I knew where it was going, but I didn't until they exposed the actual villain.

The only slightly unfortunate piece of the show is that the hotel in which the action occurs doesn't exist; it's just a CGI construct. Too bad, as it looked quite cool.

Anyway - great show. Highly recommended.

As soon as I see Emma Corrin channeling a young Jodie Foster, I'm game. The resemblance, facial expressions, and certain vocal tones are uncanny! Foster is one of the elites but Corrin does hold her own. She is excellent. "A Murder at the End of the World" sports a brooding, beautiful cinematography to match the mystery and darkness hovering over the characters. There is a mix of action, horror, family drama, and "Black Mirror" type themes. The episodes adequately hum along, thanks to a solid supporting cast. However, the very last episode seems to have given up and resorts to a mere monologue explaining the mystery. No challenge; no joy. Disappointing. Not to mention the juvenile ending that is almost laughable. Still, I give it 7 stars for the buildup in the first six episodes.

Great serie, not the best but still enjoyable with an amazing ending. In one sentence I would describe this serie as a modern version of Agatha Christie.

Things I liked: well the acting was good with an amazing Clive Owen. The cinematography was also nice with beautiful views. Personally I loved the ending, it was something that I didn't expect and the way they handled it was very clever.

Things I didn't like: some of the episodes were quite long with meaningless boring scenes, they could avoid a few of them easily without affecting the plot. Also I found the rest of the cast (the other guests) as extras without any background story or at least some more lines. In the beginning you have the idea that their role is important in the story but instead of that the most of them are there just for you to think about who is gonna be the killer, nothing more.

The mark which I would give is 8/10 because after all I enjoyed the serie and I loved the ending(as I said many times) which is a huge plus for series in this category.

Before I review I am writing this after only seeing 5 episodes. I will declare I think Brit Marling and anything she's involved in writing and creating is going to be suspenseful and shocking. I also think if she wanted to, she could easily be a huge actor but I respect her vision and execution, always...

This show has some really fascinating stuff going on, much more than a whodunnit. The performances are better than the show which is really interesting. The issue I have is that the main character seems WAY to trusting at the resort, but she should be on high alert from even before the murder in the title happens. After it's a little frustrating but it still is impossible to not get sucked in.

The main issue I have heard people mention is the past flashbacks are elite and the present timeline is pretty good but if the mystery isn't handled well in the end the show will feel like a large waste of time.

Wow.... So different to the incredible The OA, but this might even be better. Incredible cast and acting and o ly in the final episode do you realise just how incredible and clever they have been. Twists and turns in every episode means repeat viewing offers rewards. Serious money has been spent to give viewers a deep feeling of wonder as we watch the stories unravel, with no expense spared for set and location needs. It's impossible to even start to describe the stories in case you give a spoiler away. I was lucky enough to see all 7 episodes at a Curzon screening. What an afternoon/evening. We are embargoed to review until the day before the release, and even that date is secret too. For all fans of this fantastic duo, be prepared to be wowed again.

This series boasts exceptional cinematography and a compelling musical score, complemented by commendable acting performances. However, the narrative's sluggish tempo and unengaging storyline overshadow these merits.

Despite Emma Corrin's proven acting prowess, the role falls short of showcasing her full potential.

The supporting characters lack depth, contributing to an overall uninspired ensemble. The dialogues often come across as overly simplistic and foreseeable, detracting from the show's credibility.

It seems the show may be tailored for a Gen Z audience or younger, yet it misses the mark, resulting in a disappointing misuse of talent and resources.

A new twist on an old standard.

Isolate the rich and famous then pick them off one by one. Throw in some tech, add some exotic landscapes, then make your lead sleuth a reclusive, Asperger-y 20-something and you've got the makings for a nice, creepy mystery.

The cast is terrific: Emma Corrin and Clive Owen are the dream team this movie needs.

The editing is stellar, seamlessly cutting between the timelines to create a nice trajectory. The set is gorgeous-for some reason, it's giving me Ex-Machina vibes.

I'm two episodes in and I'm invested.

Thanks NYT for leading me to this series. I love a good mystery!

As a huge Brit Marling fan, this one left me conflicted. The cinematography was stunning, the direction was solid, and the production design and location were incredible. They created a truly atmospheric world. However, the overall execution fell flat.

Despite assembling a seemingly brilliant team, the characters' behavior felt clumsy and their dialogue included some ignorant remarks. The use of stereotypes felt heavy-handed and descended into annoying clichés.

The main character was just unsufferable. There's a scene where she's in danger, and all I could think was, "Oh yes Please, get rid of her!" I'll remember this mini-series as an example, of how a terrible main character can spoil a whole project.

"Murder at the End of the World" had all the makings of a gripping whodunit, boasting a stellar cast and an intriguing premise. Led by the talented Emma Corrin as Darby Hart, the series follows a Gen Z sleuth's quest to unravel a murder mystery at a secluded retreat populated by high-profile guests.

The show's strengths lie in its performances and writing, with Corrin shining as the determined amateur detective. Supported by a cast including Clive Owen and Brit Marling, the acting is top-notch and keeps viewers engaged throughout.

Binge-watching the series enhances the experience, allowing audiences to immerse themselves in the suspenseful narrative. With twists and turns aplenty, "Murder at the End of the World" keeps viewers guessing until the very end, weaving in themes of climate change and artificial intelligence alongside its central mystery.

However, the series is not without its flaws. While the production design and location are stunning, some secondary characters lack development, and the abundance of flashbacks occasionally detracts from the tension. Additionally, the ending may leave some viewers underwhelmed, lacking the mind-blowing payoff they anticipated.

Despite these shortcomings, "Murder at the End of the World" remains a commendable effort, showcasing the vision of its creators and delivering a compelling, if imperfect, viewing experience. While it may not reach the heights of its predecessors like "The OA," it stands as a testament to the enduring appeal of the whodunit genre.

In conclusion, "Murder at the End of the World" offers a thrilling ride filled with suspense, intrigue, and a touch of nostalgia. While it may stumble at times, its ambitious storytelling and strong performances make it a worthwhile addition to the mystery genre.

Watching this series is like the scene in Airplane where Stryker is telling his story to the man in the next seat; who is driven to kill himself.

This is so mediocre that it makes Murder By Death look like a serious drama.

Boring little gore is taken to crime scenes by her cop dad. Grows up to be an amateur sleuth and author. Gets invited with movers and shakers to secluded get together by tech guru. Murder ensues.

And the main character dyes her hair every few scenes.

Trust no one. The truth is out there. The writing is so bad I've started drinking again. Now I have to go refill my wineglass.

A Murder at the End of the World captivates from the start with impeccable casting, delivering performances that breathe life into the characters. The production and cinematography are nothing short of beautiful, enhancing the overall viewing experience. The series takes a fascinating dive into the realm of AI, offering a thought-provoking glimpse into the future. It seamlessly weaves a compelling narrative, making it a must-watch for those intrigued by the intersection of technology and storytelling. I'm kind of confused by the negative reviews I saw on there. I recommend watching the show for yourself.