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... speculative fiction by writers of color is important. Those in classrooms who propose to teach the American or African American tradition must engage this genre because it is expanding and reshaping the inter disciplinary study of ...
... speculative fiction by writers of color) in the context postcolonial studies. Kathryn Prince is Associate Professor and Vice Dean at the University of Ottawa, Canada, where her research focuses on possible futures expressed in both ...
... speculative fiction by writers of color considering the relationship between genre and the politics of race.21 While volumes such as Reynaldo Anderson and Charles E. Jones's Afrofuturism 2.0: The Rise of Astro-Blackness (2015) and ...
Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told.
Ruby Finley vs. the Interstellar Invasion is a backyard adventure-mystery by debut children’s author K. Tempest Bradford, perfect for fans of Clean Getaway, The Last Last Day of Summer, and Sideways School.
In Migrant Futures Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction.
With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois’ The Comet is a classic work of African American literature reimagined for modern readers. “How silent the street was!
"I've been waiting for this kind of novel for most of my life, a work of science fiction from below, focused on people of color, that takes on big ideas about history, politics, capitalism, philosophy, and science"-Curtis Marez, UC San ...
Beautifully written, stunningly imagined, and wickedly funny, Dexter Palmer's The Dream of Perpetual Motion is a heartfelt meditation on the place of love in a world dominated by technology.
“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next." —George R. R. Martin Welcome to Acacia . . .