www.ssoar.info
Tuning Empires: Teaching Transnational
Citizenship and Empires
Pető, Andrea
Preprint / Preprint
Sammelwerksbeitrag / collection article
Empfohlene Zitierung / Suggested Citation:
Pető, A. (2009). Tuning Empires: Teaching Transnational Citizenship and Empires. In B. Waaldijk, & E. v. d. Tuin
(Eds.), The Making of European Women's Studies. Vol. IX (pp. 28-30). Utrecht: Advanced Thematic Network in
European Women's Studies (ATHENA). https://nbn-resolving.org/urn:nbn:de:0168-ssoar-72457-8
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Tuning Empires.Teaching transnational citizenship and
empires at the Central European University
Andrea Petö
The course was developed by Maria Lafuente, Berteke Waaldijk, Margot Birriel, Izabella Agardi,
Mary Clancy, Patricia Chiantera-Stutte, Leena Kurvet-Kaosaar, Annika Olsson, Sabine Grenz
after a survey of the countries involved (the Netherlands, Spain, Sweden, Ireland, Germany,
Estonia, Hungary, Italy) as far as teaching empires are concerned.The teachers looked at existing
courses and teaching modules in institutions of higher education while developing the course.
Thus, the course is based on what receives very little or no attention in these institutions - the
imperial pasts of the respective countries - and aims to go beyond an unproblematic discussion
of empire and develop a diachronic approach to the ways in which empires rose, peaked and
perished. The purpose was to exercise a more theoretically-informed investigation into local
specificities, in a sort of synchronic vein, and contemporary national cases in order to gain more
nuanced insights into how the mechanisms of imperial power took effect and what resonances
and legacies empires still have in certain national and cultural contexts. More precisely, the
course was concerned with the theoretical and practical issues of teaching empires and the
construction of our knowledge about empires. It set out to discuss a range of imperial contexts
from, for instance, the Russian, Soviet, Ottoman, Portuguese, Danish, Habsburg, Swedish, Spanish,
through to the German, Nazi, Fascist, Dutch, Belgian, and British empires.Yet, despite the ample
scholarly attention to matters of empire, very few studies consider the problematic place and
effort of women. It is the uncharted territory of empire and so the core aim of this working
group was to explore how empire constructs and is constructed by gendered cultural and
political practices. The course considered the theoretical dimension, particularly of teaching
empires in a comparative context, and examined objects of empire, including textiles, dress
and colour, narratives and political discourses of empire.
The course aimed to suggest how questions about women can change how we think about
imperial ideologies, structures, oppressions, failures and legacies with analyzing methodologies,
vocabularies and historical relationships among economic historical and cultural production.
Such information and knowledge will, in turn, advance our understanding of European and
imperial histories. An important task, in the light of such ambitious but necessary research
planning, was to make this mammoth objective manageable.Therefore, specific contexts were a
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core concern.An important overall object then took shape along the lines of selected concepts
which could guide our thinking about empires. We also paid a great deal of attention to the
narration of empire through text, image, textiles, dress, and artefact and to the ways in which
empire is gendered, variously and consistently, over time and place. Since the course was both
interdisciplinary as well as international, its interests and audience were to be found in literary
studies, history, film studies, museum studies, anthropology, political studies.
The course started with an introduction by Andrea Pető, who was followed by different guest
speakers. The summarizing meeting checked the results of the course as far as competencies
were concerned. Enrolled students were required to regularly attend classes taught by the
lecturer and the guest lecturers and to participate in the class discussions, which are based
on the readings for that particular week and to write a paper of 10 to 15 pages for the class.
Each lecturer suggested one film connected to the topic. The films, the electronic versions of
the readings and useful links were placed on the course module.The students were requested
to make critical references to at least one of the films of the series in their final paper.
Competencies
Generic competencies:
4 To think about sources and resources in a European or international
framework offers enticing intellectual scope and freedom where existing ideas,
including those of the participants, are shaped through open discussion;
4 Critically assess and compare class readings and lectures, according to
theoretical arguments put forward, and the methods used to support these
arguments;
4 Identify and research a topic of theoretical relevance to the themes of the
course through primary and secondary sources;
4 Present a critical analysis in writing backed up by evidence and arguments
from course readings and/or primary research materials;·
4 Demonstrate the ability to analyze, assess and compare course readings
through oral participation in class.
Specific competencies:
4 To recognize and analyze the ways in which notions of gender, race, region
and sexuality are implicated in the practices and discourses of empires
through discussions of course readings, lectures and final papers;
4 Awareness of own position in relationship to race and gender and the ability
to integrate this awareness into the learning experience;
4 Willingness and competency to deal with diversity in diverse groups (gender,
ethnicity, nationality);
Utrecht University
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4 Competency to deal with the different concepts of private and public
histories and its consequences for the construction of gender;
4 Understanding the construction of transnational citizenship;
4 Understanding how diverging cultures have been constructed by imperial
forces;
4 Think critically and in a differentiated way about empires and dictatorships.
Positioning oneself as a researcher who is not independent from these power
structures. (this was an important outcome of discussions with students);
4 To be able to study micro and macro levels in relation to each other based on
a multiplicity of source material (this was echoed by the students’ reactions
to/ reflections on the course material);
4 To identify and research a topic of theoretical relevance to the themes of the
course through primary and secondary sources;
4 To make interconnections between nationalism, gender and clothing (this was
scrutinized in one of the final papers written for the course in a highly
sophisticated and nuanced manner);
4 The ability to critically investigate power relations and local cultures were
made by students in different contexts without upright dismissal or uncritical
sentimentalization;
4 To avoid the usage of imperial as well as national frameworks of analysis and
to be conscious of the implications of both.
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