Cutting at the edge:
observations on innovation
beyond the urban
L imor Samimian-Darash, Amit Sheniak & Nir Rotem
Hebrew University of Jerusalem
Innovation is generally associated with the creation of something new and with economic growth, and
is often understood in relation to modernity and its prime social site, ‘the city’. Accordingly, the
coupling of innovation and rural areas may seem incongruent. Drawing on ethnographic research on
Israel’s high-tech scene, we analyse innovation centres located primarily in kibbutzim in the northern
and southern regions of the country. This allows us to juxtapose the ultra-modernist and individualist
ethos of the creative actor against a more communal understanding of social life. In these sites, we
observe not just the imitation of ‘urban’ innovation, but also the strong influence of the community
and the contribution of local knowledge in the design of technologically innovative products and
services. Examining what is taking place outside urban centres thus enables a more complete and
nuanced understanding of the interplay between innovation and society at large.
During one of our visits to various high-tech innovation centres in rural Israel, we
were joined by a middle-aged farmer dressed in his work clothes. One of the centre’s
managers escorted the farmer into a large conference room, where they joined a video
conference. Delighted to witness such a live demonstration of the centre’s activity, we
were told this farmer had invented a method for transforming fresh basil into a spread
and was in the process of registering a patent and securing investment. Expecting to
learn about the cutting edge of aqua- and agro-tech, we had been given a glimpse of the
future of pesto: a first-hand experience with the fact that innovation is socially relative.
As we learned later, this centre and others like it were engaged in the development
of some of today’s state-of-the-art technologies. In this article, however, we adopt no
normative standpoints regarding how innovation might best be achieved or its outcome
measured, nor do we seek to determine whether something is indeed innovative.
Instead, we are interested in innovation as a sociocultural object and research concept.
Rural innovation centres are a productive site in which to pursue this interest
precisely because of the counter-intuitiveness of such an approach. Studies of
innovation often show a bias towards examining innovation in urban areas. The
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management literature, oriented towards the identification of optimal conditions for
the fostering of innovation, emphasizes the spatial concentration of different actors (e.g.
firms and entrepreneurs: see Cooke 2001; B.J. Katz & Wagner 2014; Porter 1998). While
they may approach the subject from a more critical perspective, anthropologists have
followed a similar trend and analyse the social practices of innovation in a way that ties
such practices to the city and reflects the sociohistorical association between ‘the city’
and modernity (Moeran 2014; Welz 2003; Wilf 2019).
In recent years, however, the sites in which innovation takes place have been
changing, and this calls for the development of suitable analysis and concepts. The tech
industry in particular has seen an ongoing process of migration from the metropolises
to the countryside (Farivar 2021). In the case of Israel, the focus of the present study, this
has involved moving from the country’s central ultra-modernist-urban cities to rural
settlements (particularly kibbutzim) and their surrounding areas (see below for further
explanation of the use of the term rural in this regard). Despite notable transformations
in recent decades, the kibbutzim (plural form of the singular kibbutz) have a long
history of vibrant communal life, an ethos quite different from that of the modern city.
Intrigued by the contrast between these two types of social and geographical locations,
we therefore sought to examine the distinct characteristics of these sites of innovation.
What does innovation mean and look like in these rural areas? And how might an
examination of innovation in these locations contribute to the theory and analysis of
innovation in general?
Throughout 2020-1, we conducted a long-term ethnographic study of future
innovation in the Israeli high-tech sector. One of our interesting findings was regarding
the development of innovation centres in more rural loci of the country. In this
article, we specifically focus on four such sites located in the country’s northern and
southern districts. As part of our research, we visited each centre and engaged in
dozens of in-depth interviews and informal conversations. Our informants primarily
consisted of the centres’ managers and senior workers of tech companies based in these
centres. Additionally, we approached officials from the relevant local authorities to gain
their perspective on this innovation activity, and their particular involvement in the
establishment of these initiatives. Finally, we reviewed written and visual materials
produced by the centres, which aided in unpacking the aesthetics and rationale involved
in these projects.
As we came to learn, each centre has a unique origin story, and such centres
may be owned by for-profit companies, by the local regional municipality, or by a
local economic consortium. Despite these differences, we identified notable similarities
during our fieldwork. The centres operate as accelerators or incubators for local or
extra-local high-tech innovative initiatives and assist them to attract investors and
apply for potential grants. They provide a shared working space for the use of the
community and often conduct programmes aimed at exposing local audiences to recent
trends in the world of technology. Finally, in some cases, the centres also perform
a function similar to that of a venture fund investing in the development of local
innovation.
Through our observations and analysis, we identified three main characteristics
associated with the generation of innovation in these rural high-tech environments.
First, the sociotechnical imaginaries of innovation are ‘imported’ through imitation
of the design and work cultures found in urban innovation centres. Second, the preexisting communal ethos of rural communities is utilized to provide a supporting
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2 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
professional and personal network for entrepreneurship and creativity. Significantly, in
these locations, the community itself becomes a breeding ground for innovation in ways
that go beyond the notion of peer networks or the internal design of an organization’s
workplace. Rather than being merely an individualist attempt to invent the next,
brightest idea, innovation comes to take on another meaning: of care for the community,
by the community. Third, links are established between the distinct characteristics of
these rural areas and processes of innovation, whereby local industries and knowledge
are involved and incorporated into the design of technologically innovative products
and services.1 Thus, we observed a unique connection between these rural regions,
innovation processes, and communities, and therefore between localism, communality,
and innovation.
Conceptual cornerstones: creativity, innovation, and modernity
‘Creativity’ and ‘innovation’ often give the impression of being closed terms and have
sometimes been used synonymously in the anthropological literature (Ben-Ari &
Otmazgin 2020; Liep 2001; Moeran & Christensen 2013). The former, however, has
been the subject of much consideration, whereas the latter has remained relatively
marginalized. This has become increasingly notable in the light of the predominance of
the concept of innovation within contemporary discourse and large parts of the social
sciences. In this article, however, we do not focus on the distinction between the two
terms; instead, we draw on the literature on both to suggest a new analytical framework
that identifies multiple possible forms of innovation.
According to the classic anthropological approach, creativity relies on the social
environment in which it unfolds. A century ago, Edward Sapir conveyed this point,
arguing that creativity is ‘not a manufacture of form ex nihilo’ (1924: 418). Rather,
creation is based on available cultural possibilities, such as traditions, cultural heritage,
and shared mental images (Lohmann 2010). Understood in this way, creativity is the
range of ‘human activities that transform existing cultural practices’ (Rosaldo, Lavie
& Narayan 1993: 5), a transformation also described as a ‘play with form’ (Ben-Ari &
Otmazgin 2020: 3).2 Moreover, like other ‘cultural facts’, creativity is contextual and
hence comes about through social recognition. To ‘move the world’, creativity should
be familiar (Liep 2001: 1): the audience identifies it as such via references to pre-existing
ideas (Ben-Ari & Otmazgin 2020). These observations inform us that creativity is in the
eye of the observer and is relative, not absolute.
Other anthropologists have exposed the systematic institutionalization of creativity.
Problematizing the romantic notion of creative capabilities that dominates Western
modernity (Hirsch & Macdonald 2007), they highlight the temporal and cultural basis
of creativity by studying the paradox of its routinization: the socializing institutions
and techniques (e.g. imitation and ritualized memorization) that naturalize creativity
(Wilf 2014a). Studying the lived experience of academic jazz programmes, Wilf (2014b)
demonstrated this paradox. The answer to this conundrum, according to Wilf, involves
socialization, the cultivation of ‘appropriate’ forms of creativity, and the maintenance of
tension between different poles, such as intuition/theory. By preserving such tension,
the romantic myth about the creative spark reproduces itself within the walls of highly
structured modern institutions. Science and technology scholars put forward similar
claims (e.g. Latour & Woolgar 1986; Pickering 2010; Strand, Saltelli, Giampietro,
Rommetveit & Funtowicz 2018), pointing to the social and collective life of scientific
creation (Sismondo 2010).
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Cutting at the edge 3
Bringing these different arguments together inverts the cultural image of the genius
inspired by an inner muse. Instead of coming ex nihilo, creative action is culturally
driven – it constitutes itself as playfulness in relation to existing social elements.
Furthermore, it involves social recognition, since things (objects, ideas, and other
cultural traits) are not inherently creative; they are labelled as such and thus are
relational across time and space, sometimes amplified through social institutions that
teach and routinize creativity.
Turning to innovation, some early anthropologists associated it with social change.
Operating with an evolutionary perspective or interested in the ways in which
civilization occurs (Boas 1904), they treated innovation as an act of social creation that
enables societies to advance from one stage to another (e.g. Tylor 1878; for elaboration,
see Godin 2017). Others used the term when describing fine-grained or small-scale
social changes, particularly in relation to the adoption or rejection of cultural traits (e.g.
Linton 1927; Watson 1943).3 However, in their recent review, Ufer and Hausstein (2021)
note that the term ‘innovation’ was largely absent from early anthropological literature.
Our treatment of innovation is quite different from that of the earlier work outlined
above. Specifically, we are interested in the inner workings and social practices that
constitute innovation in today’s techno-scientific modernity. Instead of asking how
ethnographic knowledge might serve innovation (Hoholm & Araujo 2011; Welz 2003)
or how innovation might cause social change (Tylor 1878; Watson 1943), we focus on
the cultural configurations in and around innovation. Within such a mode of analysis,
we are interested not in what innovation is (Welz 2003) but in how it is made.
From this perspective, innovation comes to follow specific cultural rules. In scientific
innovation, an ‘institutional economy of repetition’ (Corsín Jiménez 2008: 25) manifests
itself in such a way that a knowledge-scholarship dialogue is produced and science
regenerates itself from within. In business, innovation was argued to be ‘in the
(organizational) box’ (Lex 2016: 230), rooted in the organizational context and the
possibilities and constraints it prescribes. Studying innovation consultants, Wilf (2019)
elucidated the social processes through which such consultants operate to ‘innovate
innovation’ and, in the process, establish a range of institutional strategies that routinize
innovation. Therefore, innovation comes forth as a cultural fact, the product of social
conditions and cultural rules.
In this article, we build on these insights while emphasizing a different angle.
Until now, innovation has been studied mainly in urban-modern contexts. It is our
impression that the general study of innovation is reluctant to challenge the premises
of modernization – the meta-rationale that ties innovation to the concepts and ethos
of progress and modernity (Godin 2015). The setting in which the mechanics of
innovation are scrutinized is generally homogeneous, the empirical gaze being directed
towards technological hotspots like New York, Tokyo, or Silicon Valley. In fact, the
choice of such sites should be understood as part of this dominant ethos and the long
tradition of social theory that ties all things modern to the city.
The concept of the urban lay at the centre of various attempts to unpack major
transformations within modern society (e.g. Durkheim 2013 [1893]; Tönnies 1988
[1887]). The association between the two is so strong that one may speak in terms
of ‘urban modernity’ and its relationship to the ‘urban condition’ (Gleeson 2014). In
short, the city has become a synonym of all that is modern – of progress (Short 2012).
Meanwhile, the concept of innovation, which since the late nineteenth century has been
tied to the rationality of modernization (Godin 2015), has also been intertwined with
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4 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
‘the city’. This is the ‘innovation machine’ (Florida, Adler & Mellander 2017), the site
wherein innovation occurs.
This coupling of modernity, innovation, and the city could explain the sparse
treatment of non-urban sites in the study of innovation. Assuming that innovation is
socioculturally contextualized and thus relates to particular forms and modifications,
we are interested in unpacking the specific practices and forms of innovation that
develop and emerge in what we term ‘rural forms of innovation’.4 That is, on the
one hand, we aim to examine and conceptualize local forms of innovation without
subordinating them in advance to a meta-ethos of modernity and urbanity, and, on
the other hand, to bring forward their particular sociocultural contexts and the unique
forms of innovation and micro practices that emerge in the field.
We identified practices of ‘imitation’ that might speak to common conceptions of
what innovation often ‘is’ and are therefore couched in the language of an ‘urban’
setting design. In addition, we identified other forms of ‘doing’ innovation that placed
considerable emphasis on the connection to the local space and community. By being
attuned to them, our study runs counter to the individualist (non-institutionalized)
romantic ethos of creativity (following the critique in Wilf 2019) and the modernurbanist vision of innovation. Instead, and following the notion of community in its
rather classic sense (Redfield 1989 [1955]), namely as a specific geographical location
within which one lives and shares a communal life, we point to the communal element
of innovation.
Lastly, following Moeran’s (2014) reading of creativity, we argue that innovation is
not merely about thinking out of the box but also about being on the edge. Indeed, the
rural forms of innovations that we observed at the innovation centres are just there: on
the edge of the typical individual-modern-urban box.
Innovation in Israel
With a population of approximately 9 million people in an area roughly the size of
New Jersey, Israel is known as a high-tech innovation powerhouse. It has the highest
number of companies listed on the Nasdaq Stock Market after the United States and
China (Williams 2018) and is frequently referred to as the ‘start-up nation’ (Senor &
Singer 2011). This image of innovation, however, did not emerge spontaneously.
For over a century, the canonical ethos of ‘making the desert bloom’ dominated
Israel’s nation-building endeavours, demanding a strong commitment to technological
innovation (Tal 2007). In addition, post-independence, the Israeli state invested in
knowledge institutions to support the establishment of a robust science and technology
sector (Barell 2014; Maggor 2021). The focus of this strategy was on research and
development (R&D) activities, with a specific emphasis on the arms industry (Barell
2014; Y. Katz & Bohbot 2017). As a result, a thriving tech environment evolved,
providing Israeli entrepreneurs with a dynamic and globally connected knowledge
network (Fraiberg 2017; Yeshua-Katz & Efrat-Treister 2021) and infused with a strong
sense of in-group solidarity, largely due to the socialization effect of the technological
units of the Israel Defence Forces.
Eyeing rural development and nation-building, the state promoted an innovation
policy through a nexus of different laws and government committees. Currently
led by the Israel Innovation Authority, the policy offers financial incentives for
nascent firms operating in designated locations. A cyberpark was established in Be’erSheva, a city in southern Israel, hosting a range of commercial, governmental, and
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Cutting at the edge 5
educational initiatives for the advancement of cybersecurity, providing an example of
a peripheral site of innovation that resulted from an explicit national policy. However,
the technological innovation centres we examine were not created as the result of a
particular government decision and are located in more remote areas of the country.
Specifically, many of our research sites are located in a particular social setting,
the Israeli kibbutzim. The first kibbutzim were founded in Israel in the early
twentieth century. From their founding, these institutions served as testing grounds
for agricultural experimentation (Tal 2021), and over time many kibbutzim set up
factories and engaged in industrial production. During this period, with their roots
in socialist ideology, the kibbutzim represented a genuine attempt to create community
(Near 2011) and were characterized by an ethos of equality. At their peak, they offered
a distinct model of social life, ‘a comprehensive system in which members live, raise
children, work and create, grow old and pass away’ (Golomb & Katz 1971, cited in Palgi
& Reinharz 2017: 3).
Over the years, however, and with the general neoliberalization of Israel, the
kibbutzim underwent a radical transformation, which included a weakening of their
socialist ideological roots and the loss of much of their communal spirit. While
some remained fully collective, the majority underwent different degrees of renewal
processes, with privatization at the extreme end (Palgi & Reinharz 2017). Nonetheless,
despite the growth of individualism and the move away from ‘developmental
communalism’, the kibbutzim still constitute ‘intentional communities’ (Ben-Rafael &
Shemer 2021: 243) and a powerful symbol of communal non-urban life.5
This is also the place to explain an important terminological choice we made.
The centre-periphery dichotomy is prevalent in Israeli public discourse and can be
considered the emic perspective. Whereas periphery is associated with geographical
position, it also relates to socioeconomic classification. It is not limited to smaller types
of settlements, such as agricultural villages or kibbutzim, and can also encompass towns
and cities. A further complexity arises from the fact that social periphery can be found
even in geographically central locations. On the other hand, owing to Israel’s conflicted
social hierarchy, kibbutzim are not considered part of the social periphery but usually
fall under the sometimes-overlooked notion of Hamerchav Hakaferi (the rural area,
in Hebrew). To distance ourselves from this duality (of centre vs periphery) and the
associated questions of social and economic capital, we embrace the term rural, even
though it may be somewhat external to the Israeli conversation, thus representing an
etic perspective.
That said, we regard the existence of an ethos and practice of innovation (within the
context of technological innovation) at these unorthodox sites as a great opportunity
for unpacking what might have been taken for granted in the very understanding of
the concept of innovation. The establishment of such sites might initially be explained
as simply yet another story about the long reach of modernity: of how technological
innovation – the pinnacle of capitalism and individualism – reached the socialideological and rural arena of the kibbutzim. Alternatively, we would argue that, in
these sites, the very way in which we understand innovation gains new meaning as new
empirical configurations and local forms of how ‘to do’ innovation and ‘to be’ innovative
emerge.
Specifically, we explore the intersection of sociocultural locality and innovation:
the configurations that arise in a process that we refer to as being ‘in sync with
the area’. We also highlight the existence of a communal element in the context of
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6 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
innovation, alongside the expected individualist entrepreneurship aspirations. Far from
being an issue of ‘moving back’ from urban forms of innovation to un/premodern
indigenous forms, this is a contemporary configuration of innovation. This rural mode
of innovation emerges from available cultural rules, marking innovation as tied with
local cultural settings and highly communal aspects.
Local forms of innovation
Rustic on the outside, techy on the inside
So you arrived at the kibbutz. OK, now turn right. Drive along the security fence. The cowshed will be
on your left. After that is the tractor shed. Keep going. Look on your left. There is a small playground.
Cross it and pull in to the parking lot on the left. You are there.
These were the instructions we received when we arrived to visit RuralTech, an
innovation centre located in the middle of a kibbutz in a remote part of northern Israel.6
Stepping out of the car after a drive of several hours, we were greeted by the mesmerizing
silence and striking heat. It was the middle of a hot summer’s day, and not a single
soul was in sight. Zaki Fadida, one of the centre’s managers and our host for the day,
then appeared and invited us to step inside while he provided information about the
centre. RuralTech was situated within a rustic kibbutz building that had been completely
renovated in a way that combined typical high-tech design features with elements that
recalled the building’s previous iconic role as the kibbutz’s youth educational centre. At
the far end of the centre was a small meeting room with glass doors and a large monitor
for video conferences – an essential feature not just during the social-distancing days
of the COVID-19 pandemic but also given the remoteness of the kibbutz. Crossing
the threshold, we entered a space that could almost have been located in any of the
numerous skyscrapers that host tech companies in metropolises such as Tel Aviv, New
York, and London.
Such resemblances were notable in other cases, too. An innovation centre we visited
in the middle of the desert looked very much like a typical WeWork workspace (see
Fig. 1), yet was located on the second floor of the kibbutz’s old dining hall building
(Heder Ochel), which had stood abandoned for years. To put things in context, the
communal dining hall is an iconic institution within the kibbutzim tradition and
formerly functioned as a place where the community would socialize on a daily basis.
Ideologically, then, it also represents key values such as equality and non-personal
ownership of space, as well as the priority of the communal over the individual. The
words on the wall – ‘Omrim she’haya poh’ (‘They say things were’) – refer to the
building’s past. They are taken from the first line of a classic poem by Arik Einstein, one
of Israel’s most beloved songwriters. Invoking such a strong cultural icon, they reflect a
longing for the ‘good old days’.
We identified the use of iconic local spaces in other cases, too. For example, a
youth centre from the 1950s (Fig. 2) had been transformed into an innovation centre
(Fig. 3). The historical façade displays another line of poetry from a national icon,
Rachel (Bluwstein) the Poetess: ‘Ekra heyddad ha’neuri!’ (‘I will shout: hurrah to
youth!’). Inside, the interior had been completely redesigned to include workstations
and conference rooms. A place that once carried the promise of the next generation
now serves as home to ‘the future’. The use of this space, therefore, is highly symbolic
and speaks both to the commemoration of the past and to futuristic goals, echoing the
same ethos of ‘newness’.
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Cutting at the edge 7
Figure 1. A historical dining hall converted into a shared workspace. (Photograph by Amit Sheniak,
2021.)
Figure 2. A kibbutz youth centre from the 1950s. (Avital Dafna, Maoz Haiem Archive, 1955.)
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8 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
Figure 3. The same kibbutz youth centre transformed into an innovation centre today. (Photograph by
Amit Sheniak, 2021.)
From Leonard Dvorkin, we learned more about the renewal of such local institutions
and their transformation into local innovation centres: that is, about the use of
modernist external and internal design features as a means to create enclaves imbued
with the spirit of technological innovation while retaining the original setting. The
co-founder of a high-tech incubator in a kibbutz located in the middle of the Negev
Desert, Dvorkin explained that the original plan was to establish a co-working space
and accommodation to attract residents:
Next to us was the building of the old hatchery, which had been abandoned, and I said to the finance
manager of the kibbutz in a conversation in the dining room: ‘How cool it would be if we renovated
it and transformed it into a WeWork centre’.
From there, he turned to the subject of lodging: ‘Once I started to design the super-cute
kibbutz houses and turned them into guest rooms … people who came from Tel Aviv
got excited and wanted to stay’. The design of a ‘high-tech-style’ working environment
was viewed as a symbolic change, geared to attract a young and skilled population. The
old rural building suddenly seemed to offer the potential for the creation of an entirely
new work culture.
Viewed together, these sites exemplify the importation of particular sociotechnical
imaginaries (Jasanoff & Kim 2009), together with their economic and political contexts,
from their original urban settings to some of Israel’s most symbolically laden collectivist
institutions. Put differently, they demonstrate a creative play (Ben-Ari & Otmazgin
2020) with the available cultural forms. The location and atmosphere had been
purposely chosen to reinforce a sense of connection with the local community’s
history and culture – a true work of creative action that involved the recombination
of existing cultural forms (Liep 2001). Kinneret Megadim, a co-ordinator at the
innovation centre we call Ignite, recalled how she and her colleagues had been asked
about their needs when the centre was just being launched, to which they had
replied:
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Cutting at the edge 9
We said we needed a building from which we could start a start-up incubator, but a place that would
still maintain the kibbutz atmosphere. It was very important for us to retain the communal atmosphere
of a kibbutz – a place where everyone knows everyone … They left the tables of the old kibbutz dining
room to preserve the atmosphere, which became a hub of shared open work space, and it is fun to work
here.
In addition to resembling each other physically, the innovation centres we visited
shared a common language. RuralTech’s primary mission, for example, is to identify
possible solutions in the fields of agro-tech, aqua-tech, and climate-tech. It also serves
as a co-working space, available to members of the local community for a modest fee.
As Zaki Fadida explained enthusiastically, ‘Every day four or five people sit and work …
The place serves as a workplace for skilled high-tech workers, as a place that is supposed
to generate interaction’. As the conversation rolled on, we also learned from Zaki that
the centre organizes evening meetings based on the model of the ‘meetup’: a social
gathering around a designated theme. The idea was to stimulate interest in tech topics
among members of the local community and to foster collaboration. Taken together,
these two practices – ‘co-working’ and ‘meetups’ – speak to the now-familiar idea of
connectivity as a trigger of innovation. Indeed, the fact that this particular centre was
located in one of the country’s most rural areas was almost forgotten during discussions
like these.
The other centres we visited were similar. With stylishly designed offices, they spoke
the language of connectivity and reflected the idea that interactions and dialogue serve
to ignite the creative spark, eventually producing innovation. In this sense, they were
no different from centres located in Tel Aviv or other metropolises around the world,
and might be viewed as oases of innovation in the middle of the desert. The mimetic
elements we observed in such contexts echo Godin’s (2015) observation that innovation
has come to be associated with modernity and progress. However, when we take a closer
look at the actors and institutions involved, their experience and their environment, a
distinct model of community, space, and innovation begins to take form.
It’s the community, stupid
A characteristic of working in these rural innovation centres that was often mentioned
was a sense of close professional ties. Speaking about the friendly atmosphere at his
firm, which was based in Ignite, Ran Vital ascribed it to a small-town mentality.
During a conversation, when the topic was brought up, he explained: ‘The atmosphere
here is very communal. People are from the same area and from a more communal
background … Community really means something around here, and people are used
to it … There is a feeling of togetherness and cohesion’. Similar comments were made by
Ezri Finkel, who lives and works in the same region. Talking about his firm’s employees,
he said that around half were local and that, as a result, the firm was characterized by a
‘DNA of friendship and familiarity’.
A similar story was told about ties between firms. Far from the big city, and with
offices located just across the hall from each other, help between different firms was
usually extended with a smile. Eli Kamin, who had previously worked in several
industrial parks located in urban parts of the country, shared her personal experience
and unique perspective with us:
I worked in all kinds of industrial parks. If you need help, it has its price. Here, it is on a friendly level.
‘Listen, I need your assistance …’. And they don’t think about what they will get in exchange. They
are happy to assist, to demonstrate their knowledge.
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10 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
In turn, staff at the centres stressed their desire to support and nourish a community.
Kinneret Megadim, the co-ordinator at Ignite who referred to herself as a ‘local router’,
explained:
We established a positive atmosphere between everyone, which is part of the whole thing … They all
experience it together. If a firm is having a hard time, we will help it to raise investment. One firm had
to send people on furlough [owing to COVID-19] … and we cared for it – a sense of community.
Whereas technological innovation often relies on professional networks, and the
Israeli tech scene is recognized for its strong in-group solidarity (Yeshua-Katz &
Efrat-Treister 2021), these rural innovation centres sought to provide something
else. From the perspective of some of the centres, one aspect of their communal
contribution was to lessen the burden faced by young innovators. Given the challenges
and expenses of city life, these centres attempted to provide young innovators with
an opportunity to free up time for creativity and productivity in the seed phase of
their initiatives. At times, this was done indirectly, simply through the lower cost
of living in the countryside, where accommodation is affordable and located close
to the newly established innovation centres. The equation envisioned here was that
an improved work-life balance would equal (increased) innovation. In one extreme
example, shared by Leonard Dvorkin, an attempt had been made to launch a high-tech
‘socialist bootcamp’. During its short lifespan, the bootcamp provided start-up workers
with all necessary services, such as a canteen, laundry facilities, and educational services
for family members, the aim being to enable residents to concentrate solely on their
work.
Community was present also on another dimension, as a question of integration and
operation within one’s own community. Such an approach was seen both as a source for
motivation and as a useful resource. As Boaz Yadlin of InnoSun put it:
That you know your community and the community knows you, and you know key figures in the
community … increases [your] motivation and provides you with an extra sense of reassurance and
simplifies things. You don’t have a moment in which you don’t know what to do or whom to contact.
Reading between the lines, we see that the story of innovation presented here is
not individualistic (based on the ethos of the creative genius) but communal. What
is described is not an instrumental perspective on the importance of knowing the
right people. Rather, the issue is about living in a particular social environment and
developing the kinds of mutual relationships and communal involvement that might
enable people to fulfil their ‘individual’ capabilities.
Another version of the same idea was expressed in terms of care for the community,
which was understood as vital for the longevity of these local innovation sites. One
interviewee, who had returned to his local community after years of living in a city,
was frustrated by the absence of tech education. To improve the situation, he and
a group of like-minded individuals had begun to organize seminars and open talks,
with the goal of initiating local training programmes for youth. The aim was to
expose them to technology and to spark their interest in the field. A similar take
was expressed by Omer Hever, who had returned to his home community after years
of living in Silicon Valley to take up a leadership position at InnoSun. Speaking
more directly about the structural process involved in establishing a thriving tech
scene, he emphasized the need for long-term investments in the community, which
he conceptualized as ‘bedding’. Reframing James Carville’s renowned phrase ‘it’s the
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Cutting at the edge 11
economy, stupid’, Hever told us that ‘it’s the people, stupid … Community is the basis of
everything’.
At times, the well-being of the local community was very present in the minds of
our interlocutors. The case of RuralTech, an innovation centre founded by a business
co-operative consisting of several kibbutzim, provides useful insight here. Established
as a for-profit organization that seeks to craft innovative solutions to well-identified
needs, RuralTech nevertheless employs a comprehensive social perspective. During a
conversation with Zaki Fadida, we came to learn that part of the centre’s overall vision
was to promote regional development in order to contribute back to the community: for
instance, by creating jobs that were satisfying, professionally and fiscally, for an educated
workforce that is currently being forced to commute or to move elsewhere to make a
living.
A unique venture capital fund for innovation, supported by the Kibbutz Movement,
an association of over two hundred kibbutzim, provides another relevant example of
the presence of a broader social mission. The fund’s investment experts assist individual
kibbutzim in identifying suitable tech firms to invest in. Positioning the fund’s activity
within the broad historical context of the Kibbutz Movement, Ronen Nehorai, one of the
fund’s senior managers, explained that its investments were seen as a way of breathing
new life into the kibbutzim, enabling them to better face current socioeconomic
challenges and increase their social and economic resilience. The individuals in charge
of this fund, which is run by kibbutzim and for kibbutzim, thus viewed innovation
as a tool for re-establishing the communal ethos and as a driving force for social and
economic renewal.
As we metaphorically and physically travelled the field, we regularly asked questions
about the nature of innovation. A typical conversation might include something like
the following: ‘Yes, we understand that community is very important, but does it
affect your perception or practices of innovation?’ It became clear, however, that some
of our interlocutors had extended the meaning of the word ‘innovation’, which they
now strongly associated with the idea of ‘growth’. Furthermore, instead of a narrow
perspective that focused on the growth of their own firm, they often referred to
regional growth. To put this differently, some viewed their work as being not only about
identifying the next brightest idea but also about regional development. Although many
(though certainly not all) Israeli high-tech companies articulate their goals in terms of
higher-level socially oriented goals, our interlocutors referred to specific goals that were
about contributing to their local community. A co-founder of an accelerator that had
been subsequently transformed into Spark, an innovation centre located in yet another
rural community, Eliyahu Yachin explained the difference: ‘You shift from focusing
on developing start-ups to a focus on developing the region … This is a model that
prioritizes the development of the region, creating new jobs, long-term planning’. In
other words, the range of issues Yachin takes into consideration does not solely reflect
the classic business-oriented modus operandi with its narrow focus on the firm but also
embraces a wider perspective related to the social environment.
This point was further explained by Micha Shenhav, an entrepreneur with a social
vision who used Alice in Wonderland to illustrate his way of thinking. In that book,
when asked by Alice which way she should take, the Cheshire Cat replies: ‘That depends
a good deal on where you want to get to’. In other words, as Shenhav explained, one’s
choice of path ‘is about what is important for you, your values and goals’. Bringing the
conversation back to his professional field, he added:
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12 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
You want everyone to ‘talk’ together because innovation will occur in this in-between space. This
is why economically there is no reason to initiate peripheral [innovation] clusters. But I argue that,
socially, doing so has a significant added value … I believe that this whole innovation thing should be
more decentralized, more about values and society.
The narrative about community and communal effects that we observe here is
not simply referring to business management arguments about the importance of
close professional ties for the cultivation of innovation. Terms such as ‘ecosystem’,
‘cluster’, and ‘co-working space’ are all based on the idea of generating interactions and
knowledge flow (Cárdenas 2021). The idea of community and the ‘social’ that emerges
in our case, however, is much broader. In extreme cases, such as that of the ‘socialist
bootcamp’, it might even cover all aspects of life. More commonly, it speaks for a sense
of embeddedness within the local region. The community charges individuals with a
drive to innovate, and in turn is often present in innovators’ minds. Education becomes
integral to the overall process, as does a degree of regional development. Hence, our
case is not simply another example of novel high-tech co-operation. Rather, somewhat
counter to the modernist ethos of the technologically advanced city and the attendant
notion of the exceptional and capitalist individual, it highlights the role of communality
as an important part of the way in which innovation occurs in such contexts.
In sync with the area
‘Does the locality matter?’ was a question that came up often in our conversations.
Sometimes, the intuitive answer was no. Like others within the high-tech sector,
individuals saw their firm’s activity as being entirely independent of its physical
environment and believed that it could be based almost anywhere as long as there was a
train station nearby and a reliable internet connection. However, as Zaki Fadida pointed
out, ‘If you are [in the business of] doing innovation and are based somewhere, you
should know how to take advantage of the area where you operate’. Kimi Shenhav, an
entrepreneur based in Ignite, further explained the point to us:
Most start-ups that you will see in the periphery are somewhat different. Most of the software [startups] are in Tel Aviv. Whoever is located in the periphery has a reason. Some of these reasons are to be
closer to factories, to kibbutzim, and to organizations that might be relevant to the firm’s development.
Indeed, establishing ties with local suppliers was sometimes mentioned. In the case of
one start-up that is located at Ignite and develops medical devices, Ran Vital explained:
‘We get our swine from [Kibbutz X]. In [the nearby town], there is a factory for
biodegradable medical devices … We contacted the CEO and he supports us with
equipment’. In this case, then, the location enabled proximity to vital suppliers. In other
cases, however, and in a way that points to a deeper meaning, location was marked as
important because of the unique characteristics of these rural areas.
For example, this nexus of location and innovation can be viewed as creating a shared
‘playground’. Based in the middle of the desert, Boaz Yadlin of InnoSun explained the
situation to us:
In the field of renewable energy, we have it all … solar energy without limits during the whole year …
And there is wind energy that you can use as the winds here are very strong. And there is also the
sea … a variety of resources you can use.
For him, the natural environment presented endless opportunities for experimenting
with new technologies.
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Cutting at the edge 13
While not all innovation centres adopted a specific theme, some had developed
expertise in agro-tech. This opened up the possibility for firms to experiment in the
local area, treating it as a natural lab. As Oded Limone put it: ‘I’ve got the fields here. I’ve
got the farmers, where actual [agricultural] work takes place’. Although it is possible to
find examples for the significance of local conditions for urban innovation (e.g. Boston
with its thriving biotech industry), what we see is a substantive engagement with local
actors. Building on local knowledge, these entrepreneurs turn to focus on rural-related
subjects, such as aqua-tech, solar energy, or agro-tech.
This point was made via the example of commercial fish farms. To increase
productivity in the light of growing competition from imported goods, Zaki Fadida
from RuralTech explained how developers had turned to local knowledge: ‘We gathered
people aged 60-70 with a lot of experience and we tried to understand what challenges
they face daily growing fish and how can we integrate technology as a result’. The
ensuing conversation revealed that conditions in the water were literally unknown.
Growers used to ‘drive to the fishpond and in the good case use an oxygen meter
or thermometer and in the worst case just look at the water to assess what was
going on’. The solution was to improve measurement techniques using remote-sensing
instruments. While it is still in the trial stage, growers now compare the neat figures and
tables produced by the automated system with their own experience, often saying, ‘Yes,
this makes sense’.
It is possible to identify a rationale related to the local region also among the more
generalist innovation centres. During a conversation with Eliyahu Yachin from Spark,
we asked about the types of firms they were looking to support. Taking a moment to
reflect upon the question, he explained:
I can say what I am not interested in – something that is clearly a start-up company that will grow to
thirty employees and won’t be able to remain in the area. So it doesn’t fit in here. Such a firm is clearly
not suitable to evolve around here – for example, a cyber firm, OK? Its ecosystem is in Tel Aviv: the
clients and the investors are in Tel Aviv. It won’t be right for such a firm to develop here because it has
significant disadvantages. It has a better ecosystem in Tel Aviv. In the end, a firm will evolve where it
gets the most significant value in terms of its location.
Turning to the professional jargon of ‘ecosystem’, Yachin here points to something
important. While not seeking to define the theme of his innovation centre in advance, he
emphasized the need for a basic fit. Innovation would not flourish if a company was out
of place. This idea was further explained by Omer Hever from InnoSun, who defined
himself as a specialist in ecosystem-building with experience working for a large US
investment firm with international offices. When asked about the elusive quality that
stands between success and failure, he paused and explained that it all boils down to the
need to do things ‘organically’: that is, to think and act according to local capabilities
while planning for the long term.
Oded Limone, a senior member of staff at the local municipal council, explained
to us during an interview that this council wished to build on the region’s existing
agricultural legacy while also advancing its technological base. The innovation centre
fitted in well with such a plan, as it was viewed as an instrument for generating economic
growth in the entire area. Limone’s account also emphasizes the relevance of local
governance (rather than national initiatives) that is involved in these rural innovation
processes, building on existing traditions. This stands in contrast with concepts like
‘cluster innovation’ (Porter 1998), where innovation policies are imported with the aim
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14 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
of artificially assigning a distinct innovation identity to specific spaces. As Zaki Fadida
explained:
We wanted to think differently: how to establish innovation by building on the experience available
here in the valley. I don’t want to bring [big companies such as] Intel or Elbit. I want to rely on local
business activity, which is mainly agriculture, traditional manufacturing, and aquaculture.
Taken together, the above descriptions portray the work of innovation in ways that
downplay the notion of an individual capability that is detached from its surroundings.
Instead, innovation emerges here as part of a collective activity that emphasizes the
importance of local knowledge and the influence of the distinct qualities of each locus.
Such an approach points to the particularities that shape innovation and render it a
collective action. To borrow from the literature on creativity (Ben-Ari & Otmazgin
2020; Liep 2001; Moeran 2014), it was argued that designating something as creative
builds on a relative view (i.e. understanding creativity as a social construct that requires
social recognition), an observation that underlines the social elements involved in
marking an object or idea as novel. Following existing anthropological studies about the
cultural rules at play around innovation (Corsín Jiménez 2008; Lex 2016; Wilf 2019),
we might say that the approach of the innovation centres examined here takes on an
inherently communal aspect. In addition, while it may take a team to build a village,
both the team and the village are ‘co-produced’ (Jasanoff 2004) and shaped in different
ways as a result of the particular characteristics of the social and local/regional elements
in individual cases. Put differently, whereas the technical literature on the fostering of
innovation emphasizes the rather shapeless and decentralized network logic (Cárdenas
2021), we identified a concrete field of interactions – a site for the creation of local forms
of innovation and innovation (as a scientific object) in itself.
Conclusions
Innovation has often been understood as the result of micro chains of knowledge
exchange and dialogue between agents that can be advanced by state-led innovation
policy (Maggor 2021; Mazzucato 2011). Beyond such normative understandings, which
aim to foster and boost innovation, it has been treated as a social object: innovation
comes to symbolize modernism (Godin 2015). Irrespective of the position used – that
is, whether one adopts a critical or a normative approach to the study of innovation – it
is urban innovation that has been envisioned in most previous thinking about the term.
In contrast, in this article we have shifted our empirical gaze towards non-urban loci
and the growing technological innovation scene now operating in Israel’s rural areas.
Turning to innovation in rural locations has allowed us to gain insights into
additional ways in which the social construction of innovation takes place. In these
sites, we find the same practice-oriented terminology of ‘connectivity’ and ‘ecosystems’
(Krause 2016), as well as the shiny interiors that speak the appropriate high-tech design
language. This can be viewed as an example of the importation of urban ‘travelling
social technical imaginaries’ (Pfotenhauer & Jasanoff 2017) to other loci. However, the
importation we witness is superficial. While an implicit capitalist power may be another
possible explanation, whereby the market logic penetrates these rural sites and claims
communality, we are more interested in the actuality of cultural production generated
in these encounters. Finally, while the question of how physical space and interactions
create a sense of community is an important one (Blagoev, Costas & Kärreman 2019;
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Cutting at the edge 15
Boyer 2018), our focus rests elsewhere, eyeing not the community within the innovation
centres but rather the wider community.
Following this reasoning, as we dug deeper, local communal and regional settings
came to the surface. The result is a fusion of innovation locality and community.
Nevertheless, the innovation centres and start-up companies that we visited are not
owned by the specific kibbutzim that host them. We have therefore refrained from
speaking about local community projects per se, as such a perspective does not
accurately reflect the situation we observed. That said, the mode of innovation we
encountered is grounded on non-urban and communal forms of innovation. Moving
past former accounts that highlighted communal workspaces and alliance-building as
forms of community practices (in the style of Google’s playful offices or WeWork’s
ethos), our findings speak for multi-level engagement: with the community, the local
site, and the wider region in which these are all located.
Accordingly, we contend that innovation should be understood as much more than
just the profit-making engine of one entity or another or a means to modernize and
develop the countryside. From an anthropological perspective, the question moves
away from what the product or outcome of innovation is in order to focus on the
sociocultural regularities and conversations, expressing a particular ethos within a
distinct locality, that unfold in the process of innovation.
It is not that innovation becomes disassociated from the rationales of market
mechanisms, individualism, and Western modernity when it is located in rural areas.
After all, in the cases we examined, innovation was strongly endorsed as a path
towards regional development and progress. However, the promotion of innovation in
these sites involved a communal perspective and reliance on localized tacit knowledge
that reflects the interconnectivity between culture and physical environment. As the
Cheshire Cat told Alice, the way to a destination depends on one’s values and goals – to
which we add, available resources. Thus, alongside the modernist and ultra-capitalist
view of innovation as an artificial pre-designed process (Wilf 2019), we identified the
integration of a range of societal considerations that guide and affect particular forms
of innovation (in this locality of rural areas), which are structured in ways that reflect
the rich legacy of social cohesion in the communities located in these regions. Put
differently, we see a re-contextualization of the pre-existing ethos that feeds into the
social work around innovation; this is innovation cutting at the edge.
This re-contextualization enables us to move past the binary classification of
urban/rural. We may find communal elements and a degree of regionality in urban
forms of innovation. Edgework or the quality of the edge is not confined to remote
geographical frontiers, as borders also exist within and between urban neighbourhoods,
social groups, and the like (Wilson 2014), and facilitate exchange and creative play
with culture elements (Ben-Ari & Otmazgin 2020; Moeran 2014). Similarly, individuals
with an entrepreneurial spirit still play a role in rural areas, raising new ideas and
opportunities. At the same time, it is wise not to over-idealize the communal aspect/type
and to differentiate between diverse forms and modes of communality. Think, for
example, about the rise and fall of WeWork and its co-founder Adam Neumann,
a former kibbutz member who promoted an ethos of a tech community within
an urban organizational setting. In our perspective, the case of Neumann and WeWork
also reflects the importation of sociotechnological imaginaries of innovation, this time
from the rural (kibbutz) to the urban (city centre), showing how it remains merely on
the surface.
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16 Limor Samimian-Darash, Amit Sheniak & Nir Rotem
Connecting all these dots together, what comes forth is the realization that elements
such as communality and localism are best explored as a spectrum. Different cultural
rules are likely to steer towards different degrees of commonality and localism as
they shape and interact with the operation of innovation. From this perspective, the
question turns to the social mechanisms and practicalities that sustain these incidents
of innovation.
Acknowledgements
This research was supported by a grant from the United States-Israel Binational Science
Foundation (BSF), Jerusalem, Israel (research no. 2018232).
NOTES
1 Referring to ‘rural’ as a concept that describes a relative ‘location’, both physically and conceptually,
can lead to associating it with other relevant sociocultural concepts such as ‘the edge’ and the ‘countryside’.
Indeed, the locations we visited were in the Israeli rural countryside, at the country’s social and geographical
edge. Although we acknowledge that these sites can be viewed as representative of the collective mode of
innovation ‘of the edge’, that is, bridging between individuals’ ‘out of the box’ thinking and sociocultural
contexts/processes, we do not follow this sociospatial association. We refer to ‘rural’ as a concept that
represents a non-urban environment for the processes of innovation that we explore.
2 Somewhat differently, as they objected to the tradition-novelty duality, Ingold and Hallam (2007)
highlighted the ‘in-the-making’ nature of creativity, in which improvisation is key. Yet, as pointed out by
Wilf (2014a), this ongoing improvisation also relies on pre-existing cultural patterns.
3 Relatedly, entrepreneurship is another prism that anthropologists use to study social change. The earlier
literature focused on individual entrepreneurs as agents of change (Stewart 1992), whereas, more recently,
Pfeilstetter (2022) refers to the social interactions involved in this process.
4 Rural innovation research is linked with rural sociology and the study of the adaptation of rural
communities to global change (e.g. Eder 2019; Lionberger 1960; Yin, Chen & Li 2022). Yet this research
is highly applicative and runs quite far from our initial notion of the term.
5 We acknowledge the diverse ideological backgrounds of the kibbutzim and their current state of plurality.
Since we do not study the Kibbutz Movement and its shifting ideological structure as a sociocultural
phenomenon but rather focus on kibbutzim as sites of innovation, this complexity lies outside the scope
of the present article.
6 To protect our informants’ privacy – not an easy task given the tight professional network that
characterizes the field – all names provided are pseudonyms. A similar approach has been adopted in relation
to the names and characteristics of the centres described.
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Pépinières de création : observations sur l’innovation au-delà du monde
urbain
Résumé
L’innovation est généralement associée à la création de quelque chose de nouveau et à la croissance
économique, et souvent aussi à la modernité et au lieu social principal de celle-ci, « la grande ville ». On
peut donc trouver incongru d’associer innovation et ruralité. Sur la base de recherches ethnographiques
dans le milieu des hautes technologies en Israël, cet article analyse des centres d’innovation qui se trouvent
principalement dans des kibboutzim du nord et du sud du pays, montrant comment ils juxtaposent l’éthos
ultramoderniste et individualiste de l’acteur créatif et une notion plus communautaire de la vie sociale. Ce
que les auteurs observent dans ces lieux n’est pas simplement une imitation de l’innovation « urbaine » :
la communauté exerce une forte influence et les connaissances locales sont mises à contribution pour
concevoir des produits et services technologiquement innovants. On peut ainsi, en examinant ce qui se
passe en dehors des centres urbains, se faire une image plus complète et nuancée de l’interaction entre
l’innovation et la société au sens large.
Journal of the Royal Anthropological Institute (N.S.) , -
© 2023 The Authors. Journal of the Royal Anthropological Institute published by John Wiley & Sons
Ltd on behalf of Royal Anthropological Institute.
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Cutting at the edge 19
Limor Samimian-Darash is Associate Professor of Cultural Anthropology at the Federmann School of
Public Policy, Hebrew University of Jerusalem. She has studied the topic of preparedness and future risks
and uncertainties in health and security, and more recently has focused on scenarios as imagination and
uncertainty-based techniques. She is the author of Modes of uncertainty: anthropological cases (with Paul
Rabinow; University of Chicago Press, 2015) and Uncertainty by design: preparing for the future with scenario
technology (Cornell University Press, 2022).
Federmann School of Public Policy, Hebrew University of Jerusalem, Mount Scopus , Jerusalem, Israel.
Limor.darash@mail.huji.ac.il
Amit Sheniak is a research fellow at the Cyber Security Research Center (HCSRC) and the Federmann School
of Public Policy, Hebrew University of Jerusalem. He is as an adjacent professor at the Tel Aviv University
international programme for security and diplomacy and the Department of Asian Studies. His research
explores the social and political context and effect of emerging and disruptive technologies and technological
innovation processes.
Cyber Security Research Center (HCSRC) and the Federmann School of Public Policy, Hebrew University of
Jerusalem, Mount Scopus , Jerusalem, Israel. Amitsheniak@gmail.com
Nir Rotem is a postdoctoral fellow at the Leonard Davis Institute, Hebrew University of Jerusalem. His
research explores global knowledge dynamics, the exchange of global norms, and contemporary contestations
over liberal scripts. He also focuses on the science of science and the construction of scientific knowledge.
The Leonard Davis Institute, Hebrew University of Jerusalem, Mount Scopus , Jerusalem, Israel.
Nir.rotem@mail.huji.ac.il
Journal of the Royal Anthropological Institute (N.S.) , -
© 2023 The Authors. Journal of the Royal Anthropological Institute published by John Wiley & Sons Ltd
on behalf of Royal Anthropological Institute.
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20 Limor Samimian-Darash, Amit Sheniak & Nir Rotem