The Asia Society said the two images should not have been blurred, though it recognizes the need to display them in context since many Muslims object to depictions of Muhammad as sacrilegious.
Ananiashvili’s company, the State Ballet of Georgia, presents a program of works by George Balanchine and Yuri Possokhov at the Lehman Center in the Bronx.
For six decades in The New Yorker and elsewhere, his hairy, toothy, long-nosed characters offered witty commentary on the foibles of the American middle class.
For hits like “Your Name” and now “Suzume,” Makoto Shinkai has worked with Radwimps on the narrative as well as the score. The results have won awards.
After 15 years in Beijing, Miguel Ángel Payano came back to New York, at ease with Afro-Caribbean, Latino and Asian cultures. What he never expected was a Parkinson’s diagnosis.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
In Gregory Maqoma’s “Cion,” performed by the Vuyani Dance Theater at the Joyce, the performers offer images of collective lamentation, prayer and hope.
