What the writers read — top authors on the books that made an impression in 2022
Louise Kennedy For me, the most memorable fiction often comes in small parcels. This Train Is For (No Alibis Press) is a collection of beautifully crafted short stories from Co Derry writer Bernie McGill. Written in prose that is both lyrical and plainspoken, these tales of memory and regret have a tremendous quiet power. Bernard McLaverty’s Blank Pages and Other Stories (Vintage) seem a natural progression from Midwinter Break, examining aging with humanity, wisdom and humour. Jane Campbell’s Cat Brushing (Quercus) is sensuous, strange and utterly original. For those of you who love a ‘never too late’ back story, she is 80 – and this is her first book. This Woman’s Work, edited by Sinéad Gleeson and Kim Gordon (White Rabbit) is a collection of essays by women on music. My favourites are Anne Enright on Lori Anderson and Jenn Pelly on my beloved Lucinda Williams. In poetry, Padraig Regan’s outstanding first full collection, Some Integrity (Carcanet), is my pick of the year. It is hard to choose just a few novels, but these stood out: Ayanna Lloyd Banwo’s When We Were Birds (Hamish Hamilton) is set in a Trinidad both magical and real, and written in a rich demotic; so much more than a love story. In Yiyun Li’s The Book of Goose (Fourth Estate), two unhealthily close French teenagers pull off an elaborate hoax that has devastating consequences for one of them. Finally, Lucy Caldwell’s These Days is a gorgeous, heart-stopping novel set during the Belfast Blitz. Lastly, a heads up for next year. I adored an early proof of Michael Magee’s debut novel Close to Home, coming from Hamish Hamilton in spring. Sean Maguire is a compelling protagonist as he tries to find his way in a Belfast stalked by the ghosts of old conflicts, personal and political.