Avant-Folk: Small Press Poetry Networks from 1950 to the Present

Close

https://global.oup.com/academic/covers/pop-up/9781781383292

Avant-Folk: Small Press Poetry Networks from 1950 to the Present

Ross Hair

Liverpool University Press

The first comprehensive study of a loose collective of influential British and American poets, publishers, and artists that include Lorine Niedecker, Ian Hamilton Finlay, Jonathan Williams, Simon Cutts, Erica Van Horn, and Thomas A. Clark
Shows the interconnections between avant-garde and vernacular forms and aesthetics
Complements existing studies of twentieth-century transatlantic poetry networks
Enhances general understandings of the role and function of small press poetry publishing in the late-twentieth century

Avant-Folk: Small Press Poetry Networks from 1950 to the Present

Ross Hair

Liverpool University Press

Description

Avant-Folk is the first comprehensive study of a loose collective of important British and American poets, publishers, and artists (including Lorine Niedecker, Ian Hamilton Finlay, and Jonathan Williams) and the intersection of folk and modernist, concrete and lyric poetics within the small press poetry networks that developed around these figures from the 1950s up to the present day. Avant-Folk argues that the merging of the demotic with the avant-garde is but one of the many consequences of a particularly vibrant period of creative exchange when this network of poets, publishers, and artists expanded considerably the possibilities of small press publishing. Avant-Folk explores how, from this still largely unexplored body of work, emerge new critical relations to place, space, and locale. Paying close attention to the transmission of demotic cultural expressions, this study of small press poetry networks also revises current assessments regarding the relationship between the cosmopolitan and the regional and between avant-garde and vernacular, folk aesthetics. Readers of Avant-Folk will gain an understanding of how small press publishing practices have revised these familiar terms and how they reconceive the broader field of twentieth-century British and American poetry.

Avant-Folk: Small Press Poetry Networks from 1950 to the Present

Ross Hair

Liverpool University Press

Table of Contents

Acknowledgements

Permissions

Abbreviations

Introduction

Chapter 1: The Avant-Folkways of Lorine Niedecker

Chapter 2: Ian Hamilton Finlay: Scottish Futurist

Chapter 3: Jonathan Williams: Beyond Black Mountain

Chapter 4: Small is Quite Beautiful: Tarasque Press

Chapter 5: Opening the Folds: A Pastoral Vanguard

Chapter 6: Coracle's Unpainted Landscapes

Coda: Certain Trees

Bibliography

Avant-Folk: Small Press Poetry Networks from 1950 to the Present

Ross Hair

Liverpool University Press

Reviews and Awards

"This is an intricate, painstaking and thorough book, stocked full of details about the minutiae of poets' lives and works, as well as offering range of very interesting close readings... It offers an exciting array of detail about factors constituting poetic groupings, as well as providing tentative sketches towards a map of understanding the potent forces of marginality in constituting certain poetic identities and aesthetic styles." --Gareth Farmer, English Studies