A shy reclusive lady is convinced by an invisible entity to sing. Subsequently, she finds herself noticed by a sleazy talent agent and her talent being showcased on-stage. She also meets a k... Read allA shy reclusive lady is convinced by an invisible entity to sing. Subsequently, she finds herself noticed by a sleazy talent agent and her talent being showcased on-stage. She also meets a kind but nervous man who becomes her best friend.A shy reclusive lady is convinced by an invisible entity to sing. Subsequently, she finds herself noticed by a sleazy talent agent and her talent being showcased on-stage. She also meets a kind but nervous man who becomes her best friend.
IMDb RATING
7.0/10
16K
YOUR RATING
- Director
- Writers
- Jim Cartwright(based on the stage play entitled "The Rise and Fall of Little Voice" by)
- Mark Herman(screenplay by)
- Stars
Top credits
- Director
- Writers
- Jim Cartwright(based on the stage play entitled "The Rise and Fall of Little Voice" by)
- Mark Herman(screenplay by)
- Stars
- Nominated for 1 Oscar
- 2 wins & 30 nominations total
Videos1
Geoffrey Emerson
- Mr. Boo's Bandas Mr. Boo's Band
- (as Geoffrey Emmerson)
- Director
- Writers
- Jim Cartwright(based on the stage play entitled "The Rise and Fall of Little Voice" by)
- Mark Herman(screenplay by)
- All cast & crew
- See more cast details at IMDbPro
Storyline
The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to distraction. At night, however, when her father's ghost visits, LV sings the songs of the great divas such as Judy Garland, Marilyn Monroe, and Dame Shirley Bassey. One evening, LV is overheard by one of her mother's loathsome boyfriends, the disastrous dead-end talent scout Ray Say, who recognizes her innate talent and realizes this is his last big chance for the glittering prizes. Gambling everything, Ray Say forces LV to appear at a local run-down, seedy nightclub run by Mr. Boo. As preparations for the big event proceed apace LV meets the equally shy Billy, a pigeon-racing telephone engineer and they form a tentative, gentle friendship. The big night finally arrives and everything is in readiness, the band, the club, and even a big agent from London, but what about LV? —Mark Smith <msmith@osi.co.uk>
- Taglines
- Finding your own voice can be magic.
- Genres
- Motion Picture Rating (MPAA)
- Rated R for language and brief nudity
- Parents guide
Did you know
- TriviaJane Horrocks sang all her own songs.
- GoofsThe character played by Michael Caine during a conversation with Jane Horrocks' character, when naming the famous people he had met in the past, called Matt Monro the singing bus "conductor", when in fact it is well known that Matt Monro was a bus "driver" before he became famous.
- Crazy creditsSpecial Thanks to ... Jason Wheeler and Team, ... Staff at St. Nicholas Hotel, Wreahead Hotel and East Ayton Lodge, ... The People of Scarborough ... North Yorkshire Police (Scarborough Department), Scarborough Borough Council, South Bay Traders Association, Haven Holidays (Cayton Bay), Stephen Joseph Theatre.
- SoundtracksCome Fly With Me
Written by Sammy Cahn and Jimmy Van Heusen (as James Van Heusen)
Cahn Music Co/WB Music Corp/Maraville Music Corp
By kind permission of Warner/Chappell Music Ltd/International Music Network
Performed by Frank Sinatra
Courtesy of Capitol Records
Under license from EMI Music Special Markets
Top review
A wonderful movie, with a few annoying flaws.
Little Voice is much more than simply a star vehicle for Jane Horrocks.
It is a very clever translation of a stage play to the screen, which preserves the theatricality of the original by deliberately cartoon-like design and construction of shot, and through calculatedly large acting performances. (Anyone who has seen Michael Caine's TV masterclass on film acting, which consisted largely of advice to reduce every effect to an absolute minimum, will be amused by the sheer scale of his performance in this movie.)
It is a very English movie, in that it shows something of the oppressive decay of an English seaside town. Scarborough is in fact one of the prettier Northern resorts, as some of the external shots in the movie show, but the buildings and interiors could have been shipped directly from the grottier parts of Blackpool. I could smell the rancid chip fat.
It is a fine demonstration of the power of popular songs. When LV sings "Over the Rainbow" in imitation of Judy Garland, anyone with any musical sense will be moved. As Noel Coward said, it's strange how potent cheap music can be.
Contrary to the impression given by some reviewers (doesn't anyone read film credits these days?), Jane Horrocks does not sing every number in the soundtrack. Listen to the original Shirley Bassey belting out "Goldfinger" as Michael Caine (Ray Say) sits in the betting shop punting precious money for LV's launch concert on some three-legged nag. Horrocks is brave to compete with the originals in this way, and she is far from shamed by the comparison.
Unfortunately, Little Voice has some annoying flaws. As in an English seaside postcard of the 1930s, fat people are funny. Why? Because they're fat. Pigs, actually. Roll on the movie where a tubby gets to belt out a Judy Garland torch song.
Horrocks is extraordinary, but all the other actors in the film turn in first rate performances. Jim Broadbent as the seedy nightclub owner and failed comic Mr Boo is brilliant - sad, hopeless and hilarious. Brenda Blethyn as the raucous tart and abusive mother Mari is repulsive and cruel, but also pathetic. Ms Blethyn's performances often annoy me, but to attain the heights of Faye Dunaway as Joan Crawford - in a movie that is actually good - is quite an achievement. Michael Caine as clapped out agent Ray Say ranges from vulgarity to charm to vicious selfishness with utter conviction and apparently without effort. He cannot sing a note, but his raging punk rendition of Roy Orbison's "It's Over" reduced the nightclub audience in the movie, and the cinema audience at the Odeon West End, to jaw-dropping silence.
This movie is grand guignol crossed with a postcard by Eric Gill. It is "What Ever Happened to Baby Jane" with great songs and North Yorkshire accents. And yes, Horrock's impressions are wonderful. Little Voice is not just a star vehicle, but she surely is a star.
It is a very clever translation of a stage play to the screen, which preserves the theatricality of the original by deliberately cartoon-like design and construction of shot, and through calculatedly large acting performances. (Anyone who has seen Michael Caine's TV masterclass on film acting, which consisted largely of advice to reduce every effect to an absolute minimum, will be amused by the sheer scale of his performance in this movie.)
It is a very English movie, in that it shows something of the oppressive decay of an English seaside town. Scarborough is in fact one of the prettier Northern resorts, as some of the external shots in the movie show, but the buildings and interiors could have been shipped directly from the grottier parts of Blackpool. I could smell the rancid chip fat.
It is a fine demonstration of the power of popular songs. When LV sings "Over the Rainbow" in imitation of Judy Garland, anyone with any musical sense will be moved. As Noel Coward said, it's strange how potent cheap music can be.
Contrary to the impression given by some reviewers (doesn't anyone read film credits these days?), Jane Horrocks does not sing every number in the soundtrack. Listen to the original Shirley Bassey belting out "Goldfinger" as Michael Caine (Ray Say) sits in the betting shop punting precious money for LV's launch concert on some three-legged nag. Horrocks is brave to compete with the originals in this way, and she is far from shamed by the comparison.
Unfortunately, Little Voice has some annoying flaws. As in an English seaside postcard of the 1930s, fat people are funny. Why? Because they're fat. Pigs, actually. Roll on the movie where a tubby gets to belt out a Judy Garland torch song.
Horrocks is extraordinary, but all the other actors in the film turn in first rate performances. Jim Broadbent as the seedy nightclub owner and failed comic Mr Boo is brilliant - sad, hopeless and hilarious. Brenda Blethyn as the raucous tart and abusive mother Mari is repulsive and cruel, but also pathetic. Ms Blethyn's performances often annoy me, but to attain the heights of Faye Dunaway as Joan Crawford - in a movie that is actually good - is quite an achievement. Michael Caine as clapped out agent Ray Say ranges from vulgarity to charm to vicious selfishness with utter conviction and apparently without effort. He cannot sing a note, but his raging punk rendition of Roy Orbison's "It's Over" reduced the nightclub audience in the movie, and the cinema audience at the Odeon West End, to jaw-dropping silence.
This movie is grand guignol crossed with a postcard by Eric Gill. It is "What Ever Happened to Baby Jane" with great songs and North Yorkshire accents. And yes, Horrock's impressions are wonderful. Little Voice is not just a star vehicle, but she surely is a star.
helpful•327
- Hacman
- Jan 19, 1999
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Pequeña voz
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,611,784
- Opening weekend US & Canada
- $93,722
- Dec 6, 1998
- Gross worldwide
- $4,611,784
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
Recently viewed
Please enable browser cookies to use this feature. Learn more.