Oscars Countdown: 3 Days to Go
Full coverage of Oscar films and campaigns leading to Sunday
"Godzilla vs. Kong" and "Zack Snyder's Justice League" helped HBO Max gain 2.7 million subscribers in Q1 and AT&T surpass Wall Street financial expectations.
In its first episode, “The Falcon and the Winter Soldier” showed glimmers of curiosity about the margins of its universe. No one could have been surprised that this series was largely concerned…
Les McKeown, former lead singer for the Bay City Rollers, the group that became a global phenomenon in the 1970s, died Tuesday at age 65. His family announced the death Thursday in a social media
"Nomadland" is predicted to be the big winner at the Oscars, but Netflix is expected to lead in studio wins.
Netflix's "Shadow and Bone," starring Jessie Mei Li and based on Leigh Bardugo's "Grishaverse," makes for a smart fantasy adaptation.
John Stamos coasts through familiar territory in the new Disney Plus sports series "Big Shot."
Netflix's "Dad Stop Embarrassing Me," starring Jamie Foxx and David Alan Grier, is happy to stick to the sitcom basics.
Thanks to an agile cast and a willingness to push for the unexpected response, "Cruel Summer" ends up a pleasant surprise.
A sexy romantic comedy turns into a drama of bad behavior that's more showy than convincing.
It's somehow fitting that a horror helmer whose career kicked off with viral videos has gone and made a pandemic movie that infects the id.
Action queen Milla Jovovich can't rescue a Chinese action-comedy that's visually OK, but weighed down by lame humor.
Norway's Oscar submission, based on director Maria Sødahl's cancer survival story, is a modern family portrait deserving of its accolades.
On "Fearless (Taylor's Version)," Taylor Swift recreates her 2008 album to the tee, but gives herself stylistic latitude on "vault" tracks.
In "Dancing With the Devil... The Art of Starting Over," Lovato turns her recovery into musical theater ... with bonus straight pop songs.
"Alone Together" documents Charli XCX staving off quarantine depression by inviting her fans to watch her make an album in just six weeks.
Lana Del Rey's "Chemtrails Over the Country Club," a second collaboration with Jack Antonoff, is solid but languid, even by her standards.
New Normal Rep's starry, slick digital production of Nilo Cruz's play splits the difference between stage action and TV.
Ben Ashenden and Alex Owen's riotous West End comedy "The Comeback" is a triumph, but London theater closures stopped it in its tracks.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.