‘Coming 2 America’ Review: Eddie Murphy Offers the Right Kind of Fan Service in Funny-Enough Sequel
Fans of the original will find much to enjoy in this stuffed follow-up, but none of the gags hold as much appeal as watching Murphy back in action.
Fans of the original will find much to enjoy in this stuffed follow-up, but none of the gags hold as much appeal as watching Murphy back in action.
Berlin: An absorbing tale of grief and guilt, this compelling drama from Maryam Moghaddam and Behtash Sanaeeha has a slow-burn power.
In this inaugural edition of the Maestros Tribute, the Russo brothers discuss their unusual trajectory from experimental filmmakers to A-listers, and how they’re supporting a new generation.
Berlin: A pair of Mexico City cops reflects on the paradoxes of their jobs in Alonso Ruizpalacios’ unpredictable cinematic investigation.
Berlin: Copley is the haunting centerpiece of a half-baked character study more invested in disturbing questions than answers.
Berlin: Maria Schrader’s new dramedy isn’t perfect, but Stevens and Maren Egert help bring a subtle twist to a familiar premise.
For “I’m No Longer Here,” Fernando Frías captured a street culture endangered by the cartels. In the process, he also helped a young man discover his talent.
Don’t expect the HFPA to line up with the Academy across the board. Still, there are a few films and performances that could gain momentum on Sunday.
As Anthony Hopkins’ character loses track of his surroundings, Francis’ work became a key storytelling device — and the highlight of his career.
The pandemic pushed back the annual event, which will now unfurl as a two-pronged festival playing out in both March and June.
The two movies are companion pieces about finding meaning in a lonely world through the power of communal bonds.
One key branch has a growing international contingency more visible than ever in this year’s awards season.