The development of religious architecture in what is now the United States is tied closely to continuing immigration and the development both of de facto and de jure religious pluralism. Prior to the arrival of Europeans, seminomadic Native Americans built temporary structures, while those farther south erected more permanent temples, most notably those of the Aztecs in Mexico. Spanish settlers in what is now the U.S. Sunbelt built mission chapels, with those in California incorporating a mixture of styles and building techniques derived from Spanish, Moorish, and indigenous traditions. Puritans in New England and Quakers in Pennsylvania erected meeting houses, architecturally simple structures based on secular models and eschewing the notion of “sacred space.” Anglicans from Boston to Charleston imported English neo-classical models devised by Sir Christopher Wren and Sir James Gibbs in the mother country, devised to accommodate Anglican sacramental worship. Later classical styles, especially the Roman and Greek revivals, reflected the republican ethos of the New Republic and were adopted by a whole range of religious traditions including Catholics and Jews. Urbanization and enhanced immigration following the Civil War saw adaptations by Protestants, including auditoriums, institutional churches, and the Akron Plan; by Jews, who invented a new, eclectic style for synagogues and temples; by Anglicans, who revived English Gothic traditions for churches and cathedrals; and by Roman Catholics, who turned to Continental Gothic for their inspiration. Mormon temples, beginning in Salt Lake City, took on new forms after that faith spread across the nation. During the post-WWII era, the colonial revival style became popular, especially in the South, reflecting patriotic and regional values. Following the immigration reform of 1965, waves of newcomers from Asia and the Middle East brought their traditional mosques and temples, often considerably modified for worship in the diaspora. Religious architecture, like the nation at large, has reflected an ongoing process of change, adapting old forms and inventing new ones to accommodate changing demographics, settlement patterns, and the necessities of living in a pluralistic society where religion is protected but not supported by the government.
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Article
Douglas Ober
Scholars have long recognized the transformative impact that colonialism had on Buddhist institutions, identities, thought, and practice. The period marked the rise of politicized identities linking Buddhism to anti-colonial nationalist movements alongside boisterous discussions about reforming Buddhism to its “innate” humanistic, scientific core. For many decades, histories of Buddhism under colonialism generally subscribed to a singular narrative in which colonial forces leveled such monumental changes that almost all forms of modern Buddhism were seen as derivative of ideologies introduced by Western colonial regimes. These narratives, however, only tell some of the story. Beginning in the last decades of the 20th century, scholarship has increasingly shown how Buddhists responded in a multitude of ways to colonial influence. There was resistance and collusion as well as instances where colonial systems had only minimal impact. Numerous ideas about Buddhism which for most of the 20th century were taken for granted—that the text is closer to “true” Buddhism than contemporary practice, that texts composed in “classical” languages are more authoritative than those in the vernacular, that Buddhism is not really a religion at all but more like a science of the mind or philosophy, that Buddhism is less ritualistic and more rational than other religious traditions, and so on—have their roots in the colonial encounter with Buddhism. Any student wishing to understand the place of Buddhism during the colonial period must consider the multiple trajectories and plural histories rather than singular, monolithic narratives.
Article
Ralph W. Hood Jr.
The common core thesis contends that mystical experience is an ultimate non-sensuous experience of unity of all things. It can be identified within major faith traditions, whether explicitly religious or not. Its roots are in the work of William James who explored mystical experience outside the limits imposed by what he perceived as only a provisional natural science assumption of the newly emerging discipline of empirical psychology. Following the explicit phenomenological work of Walter Stace, the phenomenology of a universal core to mystical experience has been operationalized and an explicit psychometric measure developed to allow empirical assessment of the claim to a common core to mysticism. It is the linkage of psychometric approaches to the work of James and Stace that is now known explicitly as the common core thesis. The common core thesis needs to be delineated from the perennialist thesis popularized by Aldous Huxley in which there is postulated not only a common core experience, but also values and practices claimed to be associated with this experience if not directly derived from it. Psychometric and empirical evidence for the common core thesis is substantial and continues to accumulate. The common core thesis is restricted to mystical experience and assumes that this experience seeks to express itself in various faith traditions, whether religious or not, but is not restricted to or defined adequately by the culture or language with which this experience is interpreted. Unlike the perennialist thesis, the common core thesis does not assume that any common theology, philosophy, or practice necessarily follows from mystical experience.
Article
Michael Stoeber
The comparative study of mysticism began in the mid-19th century, with the development of the modern meaning of the word, which had begun to be used as a substantive, with the classification of “mystics” in the 17th century. This differed from the traditional Greek Christian use of the adjective mystikos, to qualify rituals, scriptures, sacraments, and theology as “mystical” contexts of the human encounter with the Divine. This modern shift highlighted the personal experience of ultimate Reality, rather than the sociocultural context. Certain individuals claimed to encounter the Divine or spiritual realities more directly, separate from traditional mediums of religious experience. The study of this phenomenon tended in the early 20th century to focus on the psychology and the phenomenology of the personal experience, generally described as an altered state of consciousness with specific characteristics, processes, stages, effects, and stimulants. This emphasis on common features influenced the development of perennialist and traditionalist theorists, who saw evidence of the same experiential origin, fundamental principles, or epistemology among major world religions. Some essentialist views of mysticism argued that a pure consciousness-experience of undifferentiated unity or non-duality is the core feature of all mysticism, in contrast to other religious experiences. Reaction to these positions led to contextualist or constructivist views of mysticism, which presume the sociocultural character of mysticism. In its most extreme form, the contextualist perspective suggests that all mystical experiences among traditions are different, given diverse socio-religious categories that overdetermine the experience. In turn, some critical scholarship has proposed qualifications to contextualism within the context of a general acceptance of many of its tenets, even among many theorists with essentialist tendencies.
Up to the late 20th century, much scholarship in the area tended to downplay the sociocultural features of mysticism, emphasizing the psychological dynamics and an individual, disembodied, and radically transcendent ideal. This brought into question the relationship of morality to mystical experience and raised concerns about the status of entheogens—the use of psychoactive drugs in religious contexts. Interest in the comparative study of mysticism has also extended into the area of neuroscience, where researchers explore electro-chemical brain states associated with mystical experience, in proposing evidence of a mystical neurological substrate. But the essentialist/contextualist debate also moved the comparative study of mysticism beyond issues of epistemology, consciousness-states, ontology, and cognitive neuroscience, broadening the field to include other aspects of religious experience. Some studies have brought feminist concerns to bear on the discussion, insofar as women’s mysticism has been overshadowed and even repressed by men, and was seen to preclude legitimate experiential possibilities of a more embodied character. Related scholarship in history and depth psychology has focused creatively on the nature and significance of erotic elements of mysticism in comparative studies, with special attention to associated physical phenomena and their transformative dynamics. Similarly, more embodied features of comparative mysticism are the subject of transpersonal psychology, which draws on many humanistic disciplines and supports participatory approaches to the field. Transpersonal psychology remains open to claims that the ego can be transcended in movements into higher states of being that ideally involve personal/spiritual enhancement and integration. Also, some more recent proponents of new comparative theology advocate methods that engage the scholar in specific beliefs or practices of another tradition, and include subsequent clarification and elaboration of one’s own perspective in light of such comparative study, in exploring phenomena related to comparative mystical experience.
Article
Russell E. Richey
A voluntary religious community and ecclesial creation of modernity, the denomination emerged alongside of and along with the political party, the free press, and free enterprise. By 1702 it acquired its modern religious meaning with the establishment of the “body of the Dissenting Ministers of the Three Denominations in and about the City of London.” The 17th-century experiences with religious conflict, revolution, and regicide had led England in its Glorious Revolution to reestablish the Church of England but pass the Act of Toleration. Thus began a century of identifying denominations, of experimentation in Britain and the colonies with (Protestant) religious pluralism, of defining prerogatives and limitations (for the Dissenters or Nonconformists—Presbyterians, Congregationalists, Baptists, and Quakers), of political jockeying between Whigs and Tories, and of exchanges of ideas through magazines, newspapers, and coffeehouses. So denominationalism emerged and defined itself in the Age of Enlightenment, John Locke voicing ideals and proposing policies that would be tested in the American colonies and gradually become normative in the new nation. Where existent beyond the United States and Britain, governments and social customs have provided some measure of religious freedom, permitted denominational pluralism, and controlled for conflict and repression.
The denomination, then, is a voluntary religious community. As voluntary, it needs legally established or de facto toleration and religious freedom. In such an environment and as a voluntary or elective religious community, the denomination creates and sustains its membership. Adherents join, belong, bring in family (children), move to another of the same, or perhaps quit. Thus, the denomination needs “space” to exist (alongside or outside of any religious establishment if such persists). As voluntary, a denomination should and often does recognize the authenticity of other religions/churches even as it claims its own. It often does not concede that authenticity indiscriminately or fully.
As religious, the voluntary community construes itself and claims to be a legitimate and self-sufficient, proper Christian church, Jewish denomination, or other world faith. The denomination functions with a sense of itself as located within time; knows its own boundaries, origins, history, and drama; and acknowledges awareness of its relation to its own longer religious tradition. Claiming its rightful place within the religious realm of the society, the denomination differs from movement, sect, and other “cause” impulses. As a community, the denomination is an organized religious movement. With its own, often distinctive polity, it intends its self-perpetuation, expects supportive efforts from leaders and people, labors to attract and retain members, funds its operations, aligns itself politically and socially with kindred movements, and determines how best to face various American publics. As such, the denomination provides its members self-designation, identity, agenda, calendar, place in American politics, societal locale, historical narrative, internal ordering, and religious affiliation. To some observers, the denomination is taboo or curse.
Their public outreach and self-understandings have led denominations to function in different ways in the American environment (as have political parties, the press, and commerce). Successively, denominations have served as affinity groups, missionary societies, confessional bodies, corporate organizations, campaign causes, and electronic communities. In these several forms and with the above characterization, the denomination differentiates itself from reform impulses that may take similar structural form but construe themselves as belonging within a religion; from an established church, which does not regard itself as voluntary or as sharing societal space with other legitimate religious bodies; and from the sect, which, though also voluntary, does not locate itself easily in time or recognize boundaries or tolerate other bodies or concede their authenticity.
Article
John Corrigan
Emotion is an important part of religions in America. There is great diversity among emotional styles. Some groups are highly emotional, others relatively low in emotional expression, and some occupy a middle ground. Religious life is characterized by cultivation and expression of many emotions. Four that are of particular importance for Americans are wonder, empathy, anticipation, and the feeling of emptiness. Some emotions are treated as commodities. The study of emotion in religion enables fresh perspectives on the interwovenness of emotion, religion, and culture. The investigation of the emotional lives of religious persons in America can be advanced through study of persons’ reporting of their experiences alongside research bearing on cultural expectations for emotional life.
Article
Yudit Kornberg Greenberg
Erotic representations of the divine occupy a pivotal place in religious myths, poetry, liturgy, and theology. Reading eros as a category of religious love highlights its ubiquitous presence in sacred literary sources; moreover, it renders the nexus of erotic love and the divine critical to comprehending religiosity as an immanent and embodied phenomenon, rather than as an abstract idea. As an embodied phenomenon, religious love is subject to an investigation of topics such as gender and sexuality, and its multiple cultural meanings and contexts. Western philosophers such as Plato, Aristotle, (Pseudo-)Dionysius, and the Neoplatonist renaissance thinker Leone Ebreo, delineate a hierarchy or a “ladder of love” differentiating lesser and higher subjects and objects of love from love of the particular, to the universal, cosmic, and divine. An interrelated distinction is ascertained between “desire” as a state of lack often seen as a lower state, and “love” as the higher state, in which fulfillment and joy of the union with the object of one’s love is achieved. Love and desire as marked yet interrelated emotions are contextualized in religious phenomena cross-culturally, most obviously in theistic frameworks in which a personal and intimate relationship with the divine is an ideal. Poetry and autobiography are the most common genre of depicting the intimate and passionate encounter of human and divine. Despite the prominence of male voices in the sources, the contributions of medieval Christian and Muslim women mystics to this literature are significant. Key base-texts from which mystics and philosophers are inspired and draw upon to elucidate their own personal experience of yearning for the divine, include the biblical Song of Songs, Bhagavata Purana (Book 10), and the Gitagovinda. Although the yearning for the divine, associated with an emotional, embodied state and therefore seen as problematic from a rational perspective, this yearning is also a cherished state, even for rationalists such as the medieval Jewish thinker Moses Maimonides. The significance of erotic love for the divine is confirmed, not only by Sufi and Hindu bhakti poets such as Rumi and Jayadeva, but also by philosophers such as Ibn Arabi and Rupa-Goswami. The idiom of erotic desire and love for God is particularly poignant and integral not only in poetry but also in theology, as exemplified in Hindu bhakti and Christian theology. Exploring the meanings of erotic love in religious poetry, theology, liturgy, and the history of religion more broadly offers a rich scholarly and personal medium for contemplating the reality of human and divine nature.
Article
Eric Michael Mazur
Religion intersects with film not only in film content, but also in the production and experience of film. From the earliest period, religious attitudes have shaped how religious individuals and communities have approached filmmaking as way to present temptation or salvation to the masses. Individual religious communities have produced their own films or have sought to monitor those that have been mass produced. To avoid conflict, filmmakers voluntarily agreed to self-monitoring, which had the effect of strongly shaping how religious figures and issues were presented. The demise of this system of self-regulation reintroduced conflict over film content as it expanded the ways in which religious figures and issues were presented, but it also shifted attention away from the religious identity of the filmmakers. Built on a foundation of “reading” symbolism in “art” films, and drawing from various forms of myth—the savior, the end of the world, and others—audiences became more comfortable finding in films religious symbolism that was not specifically associated with a specific religious community. Shifts in American religious demographics due to immigration, combined with the advent of the videocassette and the expansion of global capitalism, broadened (and improved) the representation of non-Christian religious themes and issues, and has resulted in the narrative use of non-Christian myths. Experimentation with sound and image has broadened the religious aspect of the film experience and made it possible for the viewing of film to replicate for some a religious experience. Others have broadened the film-viewing experience into a religious system. While traditional film continues to present traditional religions in traditional ways, technology has radically individualized audio-visual production, delivery, and experience, making film, like religion, and increasingly individualized phenomenon.
Article
Richard K. Payne
The homa is a votive offering involving the construction of a fire in a hearth-altar, and the immolation of offerings in the fire. The altar is homologized with a mandala, and as with other ritual uses of mandalas, the deity evoked in the course of the ritual is located at the mandala’s center, and in this case identified with the fire itself. As a tantric ritual, the practitioner is also ritually identified with both the deity and the fire, and the offerings made into the fire are the spiritual obstacles that impede the practitioner from full awakening. Tantric homas are generally categorized according to different functions or goals, such as protection, subduing adversaries, and so on. As a form of individual practice conducive to awakening, the practitioner’s own inherent wisdom is identified with the fire, and just as the offerings are transformed and purified, the practitioner’s own spiritual obstacles are as well.
Ritualized activities of maintaining and making fire are some of the most ancient forms of social coordination, which is essential to the development of the human species. Such ritualization would seem to be the basis for fire cults, forms of which are known throughout the world’s religions. In the scope of Indo-European religions, similarities of practice and symbolism provide a shared background to the homa per se. More directly, there appear to be both Vedic and Indo-Iranian traditions of ritual praxis that converge in the tantric homa.
The homa is found in all of the Indic tantric traditions: Buddhist, Śaiva, and Jain. Once established as part of tantric practice, the homa was spread throughout Central, East, and Southeast Asia, particularly in its Buddhist form. This transmission of ritual practice engaged local traditions wherever it spread. Tibetan tantric traditions developed an extensive literature of homa rituals, and from there the practice also influenced Mongolian fire rituals as well. In China, interaction between tantric Buddhism and Daoism led to the creation of a homa devoted to the Northern Dipper, a figure unknown in Indian sources of Buddhist tantra. Two similar examples are found in Japan. The Shintō traditions of Yuiitsu (or Yoshida) and Miwa modified the tantric Buddhist form for the worship of a selection of Shintō deities. Similarly, the tradition of mountain asceticism, Shugendō, also adopted the homa and adapted it to its purposes. As a result of the repression of Buddhism in the third quarter of the nineteenth century, the Shintō forms are no longer extant, though in the present many Shintō shrines perform rituals of various kinds in which fire plays an important role. In contrast, the Shugendō homa, sometimes as a prelude to fire-walking, remains an active part of Japanese religion into the present day.
The tantric homa has been interpreted in a variety of ways, reflecting the multifaceted character of fire itself. There are two important strains of interpretation. One is the yogic interiorization of ritual found in post-Vedic Indian religion, more as a form of esoteric physiology than as a psychologized understanding of visualization. While closely related to yogic interiorization of ritual, the sexual symbolisms that are attached to all aspects of the fire rituals constitute a second strain of interpretation. These symbolic associations are important for their role in understanding tantric notions of ritual efficacy, which require greater nuance of understanding than can be attained by simply categorizing such practices as magic.
Article
Kathryn Gin Lum
Heaven and hell have survived in the United States beyond scientific critiques of the supernatural. For many Americans, the promise of eternal rewards and the threat of everlasting punishments shaped how they lived their lives in the here-and-now, and how they interacted with others. Oppressed groups used the afterlife to turn the tables on their oppressors, while others used the threat of the afterlife to try to keep people in line.
The afterlife, after all, was never just after life. Heaven, hell, and their inhabitants could impinge on this life. Time and again, Americans have labeled various places or situations as hells on earth, from America itself (in the eyes of European colonizers), to the slaveholding South, to the battlefields of the Civil War, to the inner city. Reformers have sought to bring heaven to earth, even while hoping for heaven in the life to come.
Meanwhile, discomfort with predestinarian teachings on salvation and damnation led to theological innovations and revisions of traditional Christian teachings on hell. Over time, the stark hell and theocentric heaven of the early colonists waned in many pulpits, with the symbols and figures of the afterlife migrating to fill the pages and TV screens of American popular culture productions. That said, the driving threat of hell remains significant in conservative American Christianity as a political tool in the early 21st century, just as in times past.
Article
K. Healan Gaston
The terms “Judeo-Christian” and “Abrahamic” are collective religious descriptors that identify points of theological, historical, and ethical commonality between the world’s largest monotheistic religious traditions. “Judeo-Christian” refers to the ground shared by Judaism and Christianity; “Abrahamic” designates elements common to Judaism, Christianity, and Islam. These terms have most often appeared in three contexts. First, scholars of religion have used them for technical, descriptive purposes, to denote the aforementioned religious traditions and the commitments they share. Second, interfaith advocates have employed the terms to identify the particular ecumenical task of cultivating harmonious relations between these three traditions. Finally, in wider public discourses, they have served as descriptors of the religious character of American culture, democracy, and/or national identity. Over time, the terms “Judeo-Christian” and “Abrahamic” have each become important ways of talking about the contributions of the world’s largest monotheistic religions to politics and culture in the United States.
However, in American public discourse, “Judeo-Christian” formulations have thus far demonstrated greater reach than “Abrahamic” ones. Between roughly World War II and the mid-1970s, when the United States rose to superpower status and assumed the helm of the Western civilizational project, the idea of America as, in various senses, a Judeo-Christian nation became commonplace. But unlike “Judeo-Christian,” which maps onto a discrete geographical region and a long-standing cultural project, “Abrahamic” tends to be used more narrowly to indicate a set of historically meaningful but geographically diffuse relationships that have become the subject of scholarly and ecumenical concern. Moreover, “Judeo-Christian” emerged in the wake of a massive influx of Jewish and Catholic immigrants between 1880 and 1920 that reshaped the American religious landscape. “Abrahamic” has likewise become more widespread since the immigration reforms of the mid-1960s, which began to bring greater numbers of Muslim immigrants to America’s shores. But the growing embrace of multiculturalism has largely militated against the widespread use of “Abrahamic” as a descriptor of American identity. Proponents and opponents of these terms have vigorously debated their strengths and weaknesses, their uses and abuses. Yet, despite the controversies over their meaning and relevance, “Judeo-Christian” and “Abrahamic” remain important ways of describing aspects of the American landscape in a multireligious age.
Article
Matthew S. Hedstrom
Liberalism describes an interrelated set of political and religious frameworks that grew out of the Enlightenment and the English, American, and French revolutions, though the term itself dates only from the early 19th century. Liberalism values individual rights and freedoms, secular rule of law, and reasoned public discourse, and has become the dominant political and economic philosophy of the Western democracies. Critics argue that there are oppressions entailed in this dominance, especially for women and racial, religious, and sexual minorities—members of groups that stand outside liberalism’s implicit, normative subjectivity—while proponents contend that liberal individualism has provided the conceptual framework for civil and human rights movements.
Liberalism has shaped religion in the West in two interrelated senses. As a political philosophy, liberalism considers religion to be a matter of personal conscience and free association, and advocates broad (if always imperfectly applied) religious freedoms. The religion clauses of the First Amendment to the United States Constitution represent the quintessential legal forms of liberalism regarding religion. Liberalism has also greatly shaped religious thought and practice, especially among European and North American Protestants. Religious liberals have sought to apply reason, modern scientific and scholarly advances, and notions of minority rights and freedom of conscience to theology and ethics. Religious liberalism has shaped mainline Protestantism and related religious movements such as Unitarianism and Quakerism most especially, but also laid the groundwork for the growth of post-Protestant and post-Christian forms of spirituality. Given the historic dominance of Protestantism in the United States, Protestant liberalism has determined the nature of American secularism and thereby required theological and political adaptation from religious minorities, most notably Roman Catholics and Jews.
Article
Adrian Chastain Weimer
In American history, venerating a death as martyrdom has been a way of claiming its significance within a narrative of ultimate victory. The words for martyr in both Greek and Arabic literally mean “witness”: martyrs’ willingness to die is a form of witness to the truth of a tradition. Figures claimed as martyrs in American history from the Mormon leader Joseph Smith to Baptist civil rights activist Martin Luther King Jr. have often prophesied their own deaths, embracing the hope that their sacrifice will inspire zeal in others. Religious communities in North America have commemorated martyrs through stories, paintings, shrines, maps, monuments, poetry, liturgy, and theological reflections. The category of martyrdom tends to become more diffuse over time. Moving beyond a strict definition of death for the faith, Americans have used the language of martyrdom to find spiritual significance in a range of physical and interior sufferings. For example, both French Canadian nuns and New England puritans claimed their daily colonial sufferings as a form of martyrdom. Narratives of martyrdom have also played an important role in political movements such as the anti-lynching crusade of the late 19th and early 20th centuries. Martyr language can even push the boundaries of what constitutes religion itself. In the 20th century, the suffering of American jazz musicians, denied civil rights, has been described as martyrdom. Following the September 11, 2001, attacks by radical jihadists seeking martyrdom, the term has often been associated with terrorism. Debates about justifications for violence in the Qur’an and the true meaning of jihad have taken place among politicians, religious leaders, and academic scholars. This intense focus on Islamic theology of martyrdom has led both to widespread suspicion of Muslims (and those of South Asian and Middle Eastern descent generally) as well as to new ecumenical commitments to a shared ethic of loving God and neighbor.
Article
Eugene Gallagher
As the expectation of imminent, total, collective salvation from a world in dire need of repair, millennialism has long inspired individuals and groups to take dramatic actions in anticipation of the establishment of “a new heaven and a new earth” (Rev. 21:1). The term “millennialism” is derived from the prospect of a thousand-year reign of Christ (mille = one thousand in Latin) expressed in Revelation 20. As that suggests, the origins of millennialism go back to the ancient Mediterranean world in the period roughly between Alexander the Great (356–323 bce) and Constantine (272–337 ce) when Alexander’s world kingdom and its successors deprived local populations of political, and often religious, autonomy. One response to that situation, which appears in Jewish, Christian, and other Greco-Roman sources, was the claim that humanity had reached a crisis point and that divine intervention would soon accomplish renovation of the world in which those suffering unjustly under foreign domination would be saved.
Although millennialist movements have been fairly common in Judaism, Christianity, and Islam, Buddhism, Taoism, and various indigenous traditions have produced their own millennialist movements. In addition, many millennialist movements have drawn on eclectic ideological sources. Some political movements, such as Marxism, German National Socialism, and Maoism have had pronounced millennialist emphases, sometimes with the admixture of religious or occult elements. In the 21st century, millennialism in many different forms can be found throughout the world.
Many millennialist movements are founded by individuals claiming charismatic authority. They can claim the ability to see the signs of impending transformation and will frequently strive to interpret cultural wisdom traditions as shedding light on their current predicaments. But such leaders, and their followers, inevitably have to come to grips with the disappointing reality that their fondest hopes have not come true. Responses to the disconfirmation of millennialist prophecies, however, run the gamut from abandonment to reaffirmation. Millennialist hopes persist because viewing the imperfections and evils of the world as in dire need of dramatic rectification, generally with the aid of divine or superhuman figures, continues to exert an attraction to those who are deeply disappointed with the status quo.
Article
Sarah E. Dees
Native American religious traditions encompass a diverse array of beliefs, practices, and features of material culture and society that reflect and shape individual experiences and communal life among Indigenous communities in what is today the United States. While Native American religious traditions have long been the subject of scholarly inquiry, a field of study dedicated specifically to this topic only emerged in the mid-20th century. Because historical sources describing Native religions often wove ethnocentric biases or anti-Indian sentiments into descriptions of Native beliefs and practices, present-day inquiry requires critically reflexive interpretation of primary sources and attention to insiders’ perspectives. Today, scholarship on Native American religions draws on numerous methodological approaches to explore key features of these traditions, including ceremonies, stories, philosophies, art, and social institutions. While these features vary greatly by religious community, practitioners of Native religions often emphasize the significance of land and the environment, their cultural heritage, and relationships between humans and non-human entities, spirits, and ancestors.
Many practitioners of Native American religions would resist the notion that a “religious” or “spiritual” realm can be separated from “secular” aspects of society or culture; thus, in addition to focusing on constitutive features of the religious beliefs and practices themselves, an understanding of Native American religions requires attention to broader social and cultural issues, including politics, law, health, and education. Furthermore, just as Native traditions were dynamic prior to the 15th century, they have been shaped by contact with non-Native religions and cultures since the first instances of European colonization. The historical conditions of European and Euro-American settler colonialism and encounter between Native and non-Native communities necessitate attention to issues such as Christian missionization and the ensuing Indigenous responses to Christianity, U.S. federal Indian policy, legal battles over Native American religious freedom and self-determination, and the place of Native religions in mainstream U.S. culture. While these themes and issues illuminate some shared features of Native American religions, the unique histories and characteristics of specific communities necessarily subvert efforts to articulate a simple, comprehensive definition of “Native American religion.” And, while knowledge of the past is essential for understanding Native American religions, a historical focus in itself is insufficient if it ignores the ongoing presence of Native American religious expression. Practitioners of Native American religions today emphasize religious continuity as well as creativity and change, blending long-standing historical traditions with more recently established religious innovations.
Article
Brett Grainger
One of the most complex words in the English language, “nature” (sometimes personified as “Nature” or “Mother Nature”) has been central to developments in American religions. Despite their different origins, the three cosmologies present on the North American continent during the early modern “age of contact”—Native American, African American, and Euro-American—shared a number of similarities, including the belief in an enchanted or animate cosmos, the ambivalence of sacred presences manifested in nature, and the use of myth and ritual to manage these ambivalent presences in ways that secured material and spiritual benefits for individuals or communities. Through encounters on colonial borderlands and through developments in society and culture (in science, economics, politics, etc.), these cosmologies have been adapted, developed, and combined in creative ways to produce new forms of religious life. These developments have been characterized by a series of recurrent tensions, including the notion of divine or spiritual realities as being transcendent or immanent, organicism or mechanism, and of the natural world as including or excluding human beings. Organicist and animist cosmologies, severely challenged by the early modern scientific revolution, were resurgent in the antebellum period, fueling a series of new religious developments, from Transcendentalism and revivalism to Mormonism and the early environmentalist movement. These generative tensions continue to reverberate into the modern day, in part as an outworking of the environmental crisis of the 1960s, which saw a purported “greening” of established religions as well as the rise of new forms of nature spirituality.
Article
Matthew Bowman
Historians most often use the term primitivism to refer to the attempt to reconstruct a religious tradition’s original theology, structure, or beliefs. Primitivists believe that the earliest expressions of the faith are the most efficacious, powerful, and valid, and hence they attempt to recapture them in as complete a form as it is possible for them to imagine. Thus, they frequently dissent from established religious traditions, believing that those constructed under the primitive impulse achieve superior purity. Of course, these attempts are normally incomplete or inaccurate, reflecting the desires or needs of the group doing the restoring more than the original version of whatever faith is involved.
Primitivism has taken on a number of forms throughout American history. This essay follows a chronological approach, but uses Richard Hughes’s designations of “ethical,” “ecclesiastical,” and “experiential” primitivism to distinguish among various movements and provide some order to the narrative. These are common impulses in American religion, particularly in the years immediately following the American Revolution commonly called the Second Great Awakening. The language of primitivism has provided Americans with the weight of historical authority, often invoked to overturn established hierarchies and replace them with forms of religious practice deemed, alternately, more democratic, more biblical, more conducive to religious experience, or more ethically demanding. Whatever the case, primitivism has spoken to the American impulse toward reform, resistance to institution, and individual capacity.
Article
Ivana Petrovic
Ancient Greek religion was a polytheistic religion without a book, church, creed, or a professional priestly class. Due to the extraordinarily rich regional varieties in cult, fragmentary evidence and conjectural interpretations of it, conflicting mythological accounts, and the span of time treated, not a single absolute statement can be made about any aspect of Greek religion and exceptions exist for every general rule stated here.
Since Ancient Greeks perceived all aspects of nature as either divine or divinely controlled, and all aspects of individual and social life were thought to be subject to supernatural influence, paying proper respect to the gods and heroes was understood to be a fundamental necessity of life. Since no aspect of individual or social life was separate from “religion,” scholars refer to Ancient Greek religion as “embedded.”1
The closest Ancient Greek comes to the English word “religion” are the noun thrēskeia (“acts of religious worship, ritual, service of gods”) and the verb thrēskeuō (“to perform religious observances”). Basic components of religious worship were the construction and upkeep of divine precincts, statues, altars, and temples, the observance of festivals, performance of sacrifices, bloodless offerings and libations, prayer, hymning, and observance of ritual abstinences and purifications. The closest Greek equivalents to “belief” were eusebeia (“reverent piety,” “respect”) and pistis (“trust in others” or “faith”).2 Both words could qualify a relationship between humans, as well as a relationship between humans and a supernatural entity.
Since the Ancient Greeks did not have authoritative or divinely sent books of revelation, there was no script telling them what or whom to believe in and outlining the reasons why. The Greeks did not have professional priests who preserved, interpreted, and disseminated religious norms.3 However, Greek literature is brimming with gods, and the stories about the gods, which they (and we) call “myths,” were not only in all their texts, but everywhere around them: depicted on their pottery, painted on their walls, chiseled on the stones of their buildings.4 In the public space, there were countless divine statues, and the temples, altars, sacred groves, and divine precincts were everywhere around them. Ancient Greeks learned about the gods by hearing, watching, and doing: by seeing their parents perform a sacrifice, by observing them as they prayed, swore an oath, or performed libations, by participating in processions, singing and dancing in the chorus, eating the sacrificial meat in the sanctuaries, and by drinking wine, the gift of Dionysus. Ancient Greeks had no immediate need for theodicy, for the gods could be either benevolent, or angry, and their benevolence was perceived as a sign that the worship the community offered was appropriate, whereas natural catastrophes, crippling defeats in wars, or epidemics were interpreted as manifestations of divine anger, provoked by some human error or misstep.5 Ancestral gods and heroes and the traditional way of worshipping them formed the cornerstone of Greek religiosity.
Article
Juan E. Campo
Pilgrimage, as a type of religious journey, involves embodied movement across geographic, social, political, cultural, and often religious boundaries to a sacred place or landscape. It is arguably a universal phenomenon that can engage individual pilgrims or millions, especially with the onset of modernity, which has facilitated travel over distances great and small. As an aspect of religious life in the United States, pilgrimage is often overlooked. Nevertheless, the country’s landscape encompasses numerous sites of sacred significance associated with organized religions, civil religion, and facets of its cultural religion that attract millions of visitors annually. As a dynamic set of phenomena, pilgrimages to such sites are constantly evolving, affected by factors such as religious and social movements, national politics, immigration, and tourism.
Article
Religious and cultural syncretism, particularly in visual art in the Jewish and Christian traditions since the 19th century, has expressed itself in diverse ways and reflects a broad and layered series of contexts. These are at once chronological—arising out of developments that may be charted over several centuries before arriving into the 19th and 20th centuries—and political, spiritual, and cultural, as well as often extending beyond the Jewish–Christian matrix. The specific directions taken by syncretism in art is also varied: it may be limited to the interweave of two religious traditions—most often Jewish and Christian—in which most often it is the minority artist seeking ways to create along lines consistent with what is created by the majority. It may also interweave three or more traditions. It may be a matter of religion alone, or it may be a matter of other issues, such as culture or gender, which may or may not be obviously intertwined with religion.
The term “syncretism” has, in certain specifically anthropological and theological circles, acquired a negative connotation. This has grown out of the increasing consciousness, since the 1960s, of the political implications of that term in the course of Western history, in which hegemonic European Christianity has addressed non-Christian religious perspectives. This process intensified in the Colonial era when the West expanded its dominance over much of the globe. An obvious and particularly negative instance of this is the history of the Inquisition as it first affected Jews in late-15th-century Spain and later encompassed indigenous peoples in the Americas, Asia, and Africa. While this issue is noted—after all, art has always been interwoven with politics—it is not the focus of this article. Instead “syncretism” will not be treated as a concept that needs to be distinguished from “hybridization” or “hybridity,” although different modes of syncretism will be distinguished.
Syncretistic preludes to visual artists in the 19th and 20th centuries, suggesting some of the breadth of possibility, include Pico della Mirandola, Kabir, and Baruch/Benedict Spinoza. Specific religious developments and crises in Europe from the 16th century to the 18th century brought on the emancipation of the Jews in some places on the one hand, and a contradictory continuation of anti-Jewish prejudice on the other, the latter shifting from a religious to a racial basis. This, together with evident paradoxes regarding secular and spiritual perspectives in the work of key figures in the visual arts, led to a particularly rich array of efforts from Jewish artists who revision Jesus as a subject, applying a new, Jewishly humanistic perspective to transform this most traditional of Christian subjects.
Such a direction continued to spread more broadly across the 20th century. The Holocaust not only raised new visual questions and possibilities for Jewish artists, but also did so from the opposite direction for the occasional Christian—particularly German—artist. Cultural syncretism sometimes interweaves religious syncretism—which can connect and has connected Christianity or Judaism to Eastern religions—and a profusion of women artists in the last quarter of the century has added gender issues to the matrix. The discussion culminates with Siona Benjamin: a Jewish female artist who grew up in Hindu and Muslim India, attended Catholic and Zoroastrian schools, and has lived in America for many decades—all these aspects of her life resonate in her often very syncretistic paintings.
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