Ishirô Honda (based on the character: Godzilla, owned and created by) (as Toho Co., Ltd.), Takeo Murata (based on the character: Godzilla, owned and created by) (as Toho Co. Ltd.) |3 more credits »
The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.
Director:
Michael Dougherty
Stars:
Kyle Chandler,
Vera Farmiga,
Millie Bobby Brown
After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.
Director:
Jordan Vogt-Roberts
Stars:
Tom Hiddleston,
Samuel L. Jackson,
Brie Larson
A greedy film producer assembles a team of moviemakers and sets out for the infamous Skull Island, where they find more than just cannibalistic natives.
A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
Director:
Roland Emmerich
Stars:
Matthew Broderick,
Jean Reno,
Maria Pitillo
The epic next chapter in the cinematic Monsterverse pits two of the greatest icons in motion picture history against one another - the fearsome Godzilla and the mighty Kong - with humanity caught in the balance.
Director:
Adam Wingard
Stars:
Alexander Skarsgård,
Millie Bobby Brown,
Rebecca Hall
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In a future where a failed climate-change experiment has killed all life except for the lucky few who boarded the Snowpiercer, a train that travels around the globe, a new class system emerges.
A newspaper and television station funded by a pharmaceutical company want a sensation, which happens to be the discovery of King Kong on an island. He is captured and brought to Japan, where he escapes from captivity and battles Godzilla.
After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe.
Directors:
Anthony Russo,
Joe Russo
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.Written by
Kenneth Chisholm (kchishol@rogers.com)
When Dr Serizawa heads to the flight deck to watch Godzilla's approach, two F-18s are seen taking off straight ahead and then banking left. The F-18 takeoff program is automated; the pilot puts his hands on the cockpit rail, and after the aircraft is launched, it flies into a gentle right hand turn, until the disorientation of the catapult launch passes and the pilot resumes control. See more »
Quotes
[first lines]
Boyd:
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
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Crazy Credits
Played in slow motion the opening credits on the DVD show the blacked-out portions are actually a series of jokes wrapped around the remaining information. See more »
My Heart Can Feel the Pain
Written by Virgil Johnson
Performed by The Tonettes
Courtesy of The Numero Group
By arrangement with Bank Robber Music See more »
I really like this Godzilla movie. Granted it's not as good as the original 1954 version, Mothra vs Godzilla, the Heisei era flicks, or GMK but it's still good. The effects were amazing with everything conveying a strong sense of scale as all the monsters move slowly like larger than life forces. Also they made Godzilla a nigh- indestructible force of nature with his signature durability and atomic breath. Surprisingly the kaiju have lots of personality expressing moments of joy, love, despair, weariness, and wrath. In fact, I'm willing to look past the dull look of the MUTOs because they act like real animals and show so much emotion.
Yet as much as I enjoy the movie, there is the main downside everyone brings up: Godzilla doesn't show up enough. Granted there are lots of creature features that focus more on the humans like Jurassic Park, Aliens, Predator, and Jaws. However, those movies at least had characters that while neither the deepest or most complex, were at least likable and recognizable.
Here the main human characters are generic and lifeless. Aaron Taylor Johnson's performance as Ford is boring and lacks the stoic intensity of Arnold Schwarzenegger or Clint Eastwood. They could've made Ford have an angry grudge against Godzilla and the MUTOs that would clash with Sherizawa's respect for Godzilla. Ditto Elizabeth Olsen's Elle,she never seemed to show emotionally heartache or depressed concern for her patients or her family. Their bland characters would've had been so annoying had they not overshadowed Bryan Cranston's Joe and Ken Watanabe's Sherizawa.
If the creators are going to make another Godzilla flick, then they should either increase Godzilla's screen time or at the very least bring in better actors and create more memorable characters. That said,it's still a fun movie on its own merits and I'm looking forward to the sequel
19 of 34 people found this review helpful.
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I really like this Godzilla movie. Granted it's not as good as the original 1954 version, Mothra vs Godzilla, the Heisei era flicks, or GMK but it's still good. The effects were amazing with everything conveying a strong sense of scale as all the monsters move slowly like larger than life forces. Also they made Godzilla a nigh- indestructible force of nature with his signature durability and atomic breath. Surprisingly the kaiju have lots of personality expressing moments of joy, love, despair, weariness, and wrath. In fact, I'm willing to look past the dull look of the MUTOs because they act like real animals and show so much emotion.
Yet as much as I enjoy the movie, there is the main downside everyone brings up: Godzilla doesn't show up enough. Granted there are lots of creature features that focus more on the humans like Jurassic Park, Aliens, Predator, and Jaws. However, those movies at least had characters that while neither the deepest or most complex, were at least likable and recognizable.
Here the main human characters are generic and lifeless. Aaron Taylor Johnson's performance as Ford is boring and lacks the stoic intensity of Arnold Schwarzenegger or Clint Eastwood. They could've made Ford have an angry grudge against Godzilla and the MUTOs that would clash with Sherizawa's respect for Godzilla. Ditto Elizabeth Olsen's Elle,she never seemed to show emotionally heartache or depressed concern for her patients or her family. Their bland characters would've had been so annoying had they not overshadowed Bryan Cranston's Joe and Ken Watanabe's Sherizawa.
If the creators are going to make another Godzilla flick, then they should either increase Godzilla's screen time or at the very least bring in better actors and create more memorable characters. That said,it's still a fun movie on its own merits and I'm looking forward to the sequel