‘I’m Not Lamenting the Existence of Marvel’
David Fincher spoke with The Atlantic about his new Netflix film, Mank, and his theory of moviemaking after 30 years in Hollywood.
David Fincher spoke with The Atlantic about his new Netflix film, Mank, and his theory of moviemaking after 30 years in Hollywood.
Black fans of the Washington Football Team are adapting to a new future for their beloved franchise—and reckoning with its past disregard of Native Americans.
Former New England Patriots tight end Martellus Bennett believes there aren’t enough Black characters in children’s literature—and he wants to change that.
A selection of the most illuminating music to come out of a dark year, handpicked by our staffers
Evermore, the singer’s second surprise folkie album of the year, sees the cringes-to-chills ratio move in the wrong direction.
No spy novel has captured England—or the human capacity for duplicity—like John le Carré’s hunt for the mole.
In a time of rampant lies, a KFC-Lifetime rom-com is about as refreshingly blunt as you can get.
What can hunter-gatherer societies teach us about work, time, and happiness?
The year’s most distinct and worthwhile series
Remembering the dead through beloved objects
Te-Ping Chen discusses the gift of imagining alternative realities in a society divided by class.
Standouts from an unprecedented year in cinema
The famously meticulous Mank director is surrounded by collaborators tasked with turning his most ambitious ideas into reality.
Twenty years after becoming an LGBTQ icon for her role in But I’m a Cheerleader, the director Clea DuVall has broken records with Happiest Season, a rom-com about queer joy.
In Inside Story, his final novel, the comic master delights, infuriates, and secures his legacy.
WarnerMedia’s decision to put all of its 2021 films on HBO Max is a shortsighted decision that will have major repercussions.
Even works of escapism are reckoning with waning national myths.
The pop star’s career is a case study in courting public expectations by rebelling against them.
The show treats domestic violence like a striptease.
The Grammy-nominated pop septet’s newest single became the first Korean song to top the Billboard Hot 100—with virtually no radio play.
Elvis Costello’s 1979 album, Armed Forces, has been reissued at a moment when it feels more frighteningly vital and relevant than ever.