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Wednesday, August 07, 2019

The difference between a graduate student and a graduate scholar?

As a follow-up to my first post today, here is a short video I did in 2010 on the difference between a graduate student and a graduate scholar?

By the way, the auto-generated subtitles are accurate, but the subtitles in the video itself are not.

Are you committed to learning?

Seth Godin
This is off-topic, so feel free to stop reading.  However, if you're interested in learning, keep reading.

Last month, I wrote about a section in Seth Godin's book Stop Stealing Dreams: What is School Good For? The book is available online for free in full-text.  That post is The Standardized Mass Contract. With the outdoors beckoning, I am slowly making my way through the rest of the book.  As an instructor-teacher-professor, my mind keeps being drawn back to this section:

27. The decision


We don’t ask students to decide to participate. We assume the contract of adhesion, and relentlessly put information in front of them, with homework to do and tests to take.

Entirely skipped: commitment. Do you want to learn this? Will you decide to become good at this?

The universal truth is beyond question — the only people who excel are those who have decided to do so. Great doctors or speakers or skiers or writers or musicians are great because somewhere along the way, they made the choice.

Why have we completely denied the importance of this choice?
In less than three weeks, the fall semester classes will begin on many college campuses.  Students will walk into classrooms expected to be educated.  They will sit and expect that the information delivered will make them more employable after 2-4 years.  There are many reasons why students head off to college. I wonder how many are fully committed to the educational process, which includes a high level of commitment inside and outside the classroom.  I also wonder how many come expecting - and wanting - their thoughts and world-view to be challenged.  If your thoughts aren't being challenged, are you learning anything new?

In section 44, Godin writes:
Teaching is no longer about delivering facts that are unavailable in any other format.
You may need to read that twice.  In most classes, students are expected to learn how others have thought about that subject. They need to get their thinking in line with everyone else on that topic.  However, what we need is to have students committed to learning what others think and then taking the next step and thinking radically about the topic themselves.  They need to question the topic with questions grounded in what is known, with an eye towards what's next.  Imagine a student who could ask what would happen if "X" occurred, and did so with the knowledge of A-W.

In the movie, Hidden Figures, one of the characters implores his team to "look beyond."  To look beyond, a student needs to be committed to learning, questioning, exploring...and not to obtaining a specific grade.  Going for the grade is easy.  Looking beyond is where the opportunities are.

If you're heading to school, to a conference, or to a workshop, are you committed?  Will you look beyond?

Tuesday, August 06, 2019

Secretly Public Domain: U.S. Copyright History 1924-63

Public Domain Mark Last week, Boing Boing published an article entitled, "Data-mining reveals that 80% of books published 1924-63 never had their copyrights renewed and are now in the public domain."  What? According to Leonard Richardson:
A recent NYPL project has paid for the already-digitized registration records to be marked up as XML. (I was not involved, BTW, apart from saying "yes, this would work" four years ago.) Now for anything that's unambiguously a "book", we have a parseable record of its pre-1964 interactions with the Copyright Office: the initial registration and any potential renewal.
The two datasets are in different formats, but a little elbow grease will mesh them up. It turns out that eighty percent of 1924-1963 books never had their copyright renewed. More importantly, with a couple caveats about foreign publication and such, we now know which 80%.
Of course, the details matter and NYPL provides those in its own post, U.S. Copyright History 1923–1964.  I'll note that there is more work to be done to ensure that the data is correct, including harmonizing the variations of an author's name. For now, read the long post from the NYPL and begin to envision how this will change your use of pre-1963 materials!




Tuesday, July 23, 2019

Special issue of Journal of Copyright in Education and Librarianship on Models for Copyright Education

The Journal of Copyright in Education and Librarianship, vol. 3, no. 2 (2019) is a special issue which includes papers presented at the 2017 International Federation of Library Associations’ (IFLA) World Library and Information Congress' Models for Copyright Education in Information Literacy Program.  Articles included are:
The Journal of Copyright in Education and Librarianship "is a peer-reviewed open-access publication for original articles, reviews and case studies that analyze or describe the strategies, partnerships and impact of copyright law on public, school, academic, and digital libraries, archives, museums, and research institutions and their educational initiatives."  Past issues are available in its archives.
 

Saturday, July 20, 2019

#ALAac19 : Bias, microaggressions, diversity, and inclusion

Diversity is having a seat at the table, inclusion is having a voice, and belonging is having that voice be heard
Given the conversations in the U.S. since fall 2016 and some of the actions that have occurred, it is not surprising that there were many sessions related to bias, microaggressions, diversity and inclusion. I was able to attend only two. I'm giving you the descriptions because these capture important information.

New Destinations in the Recruitment, Retention, and Advancement of People of Color to the Library Profession

 

Description

In spite of ongoing diversity initiatives and programs by organizations such as ARL, ACRL and other groups, recruitment, retention and promotion among library and information studies (LIS) students and library workers is lagging. Two recent projects, the REFORMA Telling Our Stories: Community Building to Recruit and Retain Latinx to the Library Profession grant and the Hampton University Forum on Minority Recruitment and Retention in the LIS Field grant, both awarded by the Institute of Museum and Library Services (IMLS), address the need to set new goals and create profession-wide efforts to look at the recruitment and retention efforts if we really want to diversify the profession. Libraries that succeed in recruiting must simultaneously focus on retention and promotion of new hires. Mentoring programs have proven to be effective in supporting new professionals and aiding them to remain in the field. There is a need to develop a climate in the workplace that supports and encourages advancement. The Hampton LIS Forum, held August 1-2, 2018 at Hampton University provided a safe space for the discussion of diversity initiatives and the concerns of people of color within the LIS profession. The forum also created a think-tank to create actionable strategies to address diversity in recruitment and retention. This presentation will discuss both grant-funded projects and the need for continued efforts and research to address the lack of diversity of people of color within the library and information studies field.

Speakers: Miguel Juarez, Tina Rollins, and Tess Tobin

 

Notes


The speakers wanted to spent more of the time having a discussion with the audience, but unfortunately, they spent too much time providing background in this one-hour session.  What is clear, though, from their presentation is that there are areas where we can focus, in order to improvement recruitment, retention, and advancement.  Those areas include two which drew my attention:
  • Mentoring
  • Leadership training
We often have a specific idea of what mentoring is.  However, I like the varied list of what was mentoring can be in the Tomorrow's Professor post entitled "Mentoring and Productivity." Our staff of color may benefit from mentoring that provides one (or more) of the following:
  • Professional Development
  • Emotional Support
  • A Sense of Community
  • Accountability
  • Institutional Sponsorship
  • Access to Networks
  • Project Specific Feedback
  • Role Models
  • Safe Space

Library staff of color need to find and connect with mentors, who can provide the type of mentoring they need.  While a library might provide a mentor, staff should be willing to look elsewhere for additional mentors, who can provide a different point of view and perhaps a different mentoring relationship.

In terms of leadership training, current and future leaders need to be trained on working with diverse staff members, no matter what that diversity might be.  We cannot assume that someone already has those skills.  This training could occur in a number of different ways and might need to occur more than once, since we really don't leave everything about working in a diverse and inclusive environment in one sitting.

Our staff of color should also receive leadership training, because they will be leaders.  Some will become team leaders, managers or directors, while others might lead a project.  They should get into that leadership role with an understand of what it entails and how to succeed as a leader.  They should see leadership as a natural progression in their careers.  Having people of color in leadership roles puts them in the position of being role models for other staff as well as our communities, so we need to help them succeed, rather than setting them up for failure.

An Introduction to Implicit Bias and Microaggressions


Description

The American Library Association commits to ameliorating marginalization and underrepresentation within the Association and the communities served by libraries through increased understanding of the effects of historical exclusion. This introductory training will explore implicit bias and microaggressions. Participants will be able to identify how these concepts create barriers and begin to explore ways to disrupt our biases and respond to microaggressions. This training will be presented three times throughout Annual Conference and is open to all conference attendees.
Speakers: Mee Moua and Michael Wenger

Notes


They noted the history of bias in the U.S., noting that it was used to justify enslavement and conquest.  Some bias has been based on pseudo science.  Some have been quite intentional through federal government actions.

Bias is a preference for - or against - a group of people and it occurs on a subconscious level. We all are biased. We all can learn what our biases are and then be more mindful of how we consciously react in various situation.

One of the exercise we did was to discuss how we would handle the following scenario.
Two groups of students - one predominately white and one predominately black- are sitting at separate tables in the library, and both groups are speaking loudly to each other.  Your colleague walks over to the table that has mostly black students and tells them to be quiet or they will be kicked out of the library.
What message do you think the students at either table received from the interaction?
What would you do or say to the students, if you were the one responding?
What would you do or say to your colleague?

That was a fascinating discussion! Wow.  Did we all read the scenario the same way?  And then what did we decide to do?  You might discuss that scenario with your staff and see what happens.  I guarantee it will be educational.

This session was both informative and fun.  The speakers created good interaction with the participants and assured that we interacted with each other at our tables.

Resources


Thoughts


It is likely that every sessions at ALA related to diversity, bias, etc., began with some sort of an overview of the basics.  While I know having an understanding of the basics is necessary, I wish there could have been a different way of doing it, so that each session could have spent more time one what was unique about that session.  This might have meant creating an introductory session each day, which was marked and promoted as such.  Then the other sessions could have had in their descriptions that people were expected to attend one of the introductory sessions first.  Yes, I know this would be a hassle, but I think participants at these sessions would have appreciated it.

Finally, I want to say that I appreciate ALA having so many sessions on these topics. Now more than ever, we need to be trained and retrained on them.  And then we need to be willing to use what we have learned to make our libraries more welcoming for everyone.

Friday, July 12, 2019

#ALAac19 : Privacy and legal issues

Mobile at the Convention Center made from guitarsI was unable to attend these two sessions, but want to tell you what they were and  point you towards articles about them. Why? Because I believe the topics to be important.

Library Confidentiality: Your Privacy is Our Business


American Libraries covered this session with an article.

Description

Protecting patron privacy has long been a tenet of libraries. In today’s environment of social media dominance, political partisanship, and big data collection and analysis, libraries continue their gate-keeping tradition. Participants in this program will learn about the policies, guidelines, ethics and laws behind the privacy and confidentiality standards that affect their libraries. Attendees will have several opportunities to share and explore cultural and policy approaches to privacy and confidentiality with their colleagues, while strategizing to resolve challenging patron privacy scenarios and policy concerns they may encounter at their own institutions.

Privacy is as much an institutional cultural construct as it is a framework of laws, regulations, and policies. We begin by reflecting upon our own personal concepts of privacy. The presenters will share what students have told them about their privacy fears. You will find that our concerns are surprisingly similar, and yet we wittingly or unwittingly share our private information on a regular basis. As information professionals, what is our role in creating privacy and confidentiality awareness among our patrons and staff? Our examination expands to compare and contrast how we, as a profession, protect the privacy of our patrons even if that is at odds with how our patrons want (or do not want) their privacy protected.

This program makes participants aware of the potential for challenges to patron reading records and models options to be both proactive and reactive, outlines the history and practice of ALA’s ethical and legal response to those challenges, and reflects upon the increasing institutional focus on assessment, data-driven decision making and the use of Big Data to prove our value. Will these new initiatives threaten our patrons’ privacy?

Speakers: Kathleen Ross and Nancy Greco, St. John Fisher College

PLA Legal Issues in Public Libraries Forum



This event was part of the PLA meeting at ALA. American Libraries did an article on it.

Description


Can a patron require us to accept a gift subscription to a publication we don't want? Can I play music during a story hour and have the children sing along? What if we stream the story hour from our website? We notice one patron often comes into the library barefoot. Can we do anything about that? Can "that" group really be allowed to use our meeting room? We have received a list of books for which a number of patrons (there is a signed petition) want restricted access so that children cannot read or check out the books unless there is a parental permission on file. Must we abide by their wishes? The library has a new crafting space, with glue guns, various cutting blades and other sharp objects. Can we have patrons sign some sort of release protecting the library in case someone gets injured? I am reviewing an agreement from a new online content provider. What does it mean when the agreement says the vendor waives all warranties including non-infringement and that the library will indemnify the vendor? Need answers to these and similar questions?
PLA announces a new conference resource and informational session, the Legal Issues in Public Libraries Forum. The Forum is an open discussion venue for legal issues common in public libraries such as patron privacy, challenges to both in-house and online content, patron behavior, copyright and licensing, other liability issues such as those related to maker spaces, and more. Recent cases and legislation affecting libraries can also be discussed. The Forum serves as a resource, a place where issues you may be facing can be vetted in a neutral space. The Forum draws upon the experience and knowledge of your peers, of those in attendance.
Held at future Midwinter and ALA Annual Conferences, the Forum is convened by Tomas A. Lipinski, Dean and Professor at the School of Information Studies, University of Wisconsin Milwaukee, author and co-author with Mary Minow and Gretchen McCord of numerous books and articles on various legal problems in libraries. Tom, like Mary and Gretchen, is both a librarian and a lawyer. The hope is to always have several lawyer librarians in attendance as well as seasoned library administrators.

Please note this Forum is intended to provide accurate information in regard to the subject matter covered. However it is not a place to obtain legal advice or other professional service. If legal or other expert assistance is required, the services of a competent professional person should be sought.

The Standardized Mass Contract

Seth Godin
Seth Godin spoke at the Association for Talent Development conference in May in Washington, DC.  Godin, who knows how to promote himself and his activities, gave away copies of his book Stop Stealing Dreams: What is School Good For? and two of my friends got me a copy.  The book is available online for free in full-text.  Yes this was first published in 2012.

Godin has written the book in a series of short chapters and it is indeed focused on education, both K-12 and higher education.  He does a very good job dissecting what is right and wrong with education today, which makes it a worthwhile read.  In addition, there is text that can be applied to other situations, such as this about standardized mass contracts, which is a quote from Friedrich Kessler (1943):
The development of large scale enterprise with its mass production and mass distribution made a new type of contract inevitable — the standardized mass contract. A standardized contract, once its contents have been formulated by a business firm, is used in every bargain dealing with the same product or service. The individuality of the parties which so frequently gave color to the old type of contract has disappeared. The stereotyped contract of today reflects the impersonality of the market…. Once the usefulness of these contracts was discovered and perfected in the transportation, insurance, and banking business, their use spread into all other fields of large scale enterprise, into international as well as national trade, and into labor relations.
When I read this, I thought immediately of the "click through" (or "click and accept" or"web-wrap") agreements that we are confronted with daily.  These are standardized mass contracts which we cannot negotiate and must accept as-is, if we want to use that service.  We are so used to these agreements - and their long, unintelligible legal text - that most of us click and agree automatically.

I think, too, of the content we use from a variety of different databases and  websites, where we cannot individually easily negotiate a different terms of use.  (Notice the word "easily" in that sentence.  Yes, negotiation is possible.)

Godin would argue that our education system has taught us to comply and to stay with what the larger group is doing. Thus we accept these click through agreements, because it is what is expected of us and it is what others are doing.  In the past, libraries have automatically accepted the standardized mass contracts their vendors have given them, but that is changing.

What do we each need to do to change these contracts that have been standard since the industrial revolution?  How do we create changeable contracts that can be easily altered to meet specific needs? Yes, I know we have the Creative Commons, but I'm thinking of database contracts, for example.  Can we build momentum, rather than having individual libraries seemingly tackling this alone?

Wednesday, July 10, 2019

Podcast: How to ensure free speech; and the EU's new copyright directive

RN Future Tense did a 30-minute podcast on "How to ensure free speech; and the EU's new copyright directive." While the later would definitely be of interest to you, the topic of free speech is something that many libraries and other groups are struggling with. 

The podcast is available on the Future Tense website and other places where podcasts are available (e.g., iTunes).

Description

Many Western governments continue to struggle with free speech. It’s not that they’re necessarily against it, it’s just that they don’t know how to effectively regulate out the offensive stuff. Political scientist Katherine Gelber has put forward what she calls the “capabilities-informed approach”. Also, the EU’s new Directive on Copyright — why are the big tech players warning it can’t work?

Tuesday, July 09, 2019

#ALAac19 : Digitization

Among the 701 exhibitors at the ALA Annual Conference were several digitization vendors; however, I only took photos of two of the booths.  Interestingly, there is no way to search the exhibitor list on the ALA website to locate all of the digitization vendors. (Trust me, I tried.)  With that as a introduction...

What stood out to me?


First, I continue to be pleased that digitization vendors such as SMA, DLSG, Backstage Library Works, and others continue to exhibit at library conferences.  For some in our industry, digitization is still "new" (even though it isn't). So having a presence and being willing to talk about the technology and its uses is important for those thinking about digitization for the first time (or thinking about digitization in a new way).

Second, the technology is changing.  Scanners are getting bigger.  Complete systems are available for use by library patrons.  Digitizing is being integrated with systems to help students study and help community members create their own works (e.g., photo albums).

By the way, if you have not looked at digitization equipment in a while, don't make decisions based on your old knowledge.  While no one is screaming this from a mountaintop, you should know that these vendors are continuing to develop their technology and systems. They are not standing still.

Third, speaking of complete systems, DLSG offers the Knowledge Information Center, which allows patrons to scan materials and have the output in several different formats, including searchable PDF, JPEG, MS Word, KIC Study System, and others.  These complete systems allow users (patrons, students) to control what they digitize and how they are going to access the material.  While I've mentioned DLSG,  I'm sure other vendors are offering similar technology.

Fourth, what vendors display at conferences isn't always what they have available on their websites.  DLSG had two interesting publications at their booth:
  • Digitization Technologies for Public Libraries
  • Digitization Technologies for Academic Libraries 

While I cannot find these publications on the Internet, these seem to be similar (but not the same) to some of DLSG's online content, such as this about using KIC in K-12 education.  This is a reminder that if you're interested in a company or technology, it can be good to pick up material from their booths, even if you don't talk to anyone.  What you pick up may be a unique and helpful marketing piece.

I should note that I skimmed the 701 exhibitors, rather than taking a deep dive into any particular area.  I did not have as much unstructured time as I would have liked, and so did not really spend as much time in the exhibit hall as I likely should have. The time I had was spent getting a feel for the entire exhibit hall, going to a couple specific meetings, talking to library colleagues, and resting my feet.  (Thanks to those companies that had seating available that could be used without feeling that a marketing pitch was eminent.)

Photos


Below is a photo of the SMA booth, which contained large format scanners. There are also three photos of the DLSG Knowledge Information Center (KIC) booth, which was massive.


SMA V3D Flatbed Scanner booth


ALAac19


Knowledge Imaging Center


DLSG Knowledge Imaging Center Study System

Monday, July 08, 2019

#ALAac19 : How to Hug a Porcupine: Relationship Building with Lawmakers and Why It's Important

In this session, Brad Fitch, president and CEO of the Congressional Management Foundation, spoke on how to build relationships with elected officials, as well as effective communication tactics.

Description

Building relationships with elected officials can sometimes be difficult and uncomfortable. It forces you and your key stakeholders to get close to politicians in ways that may feel “prickly” – like hugging a porcupine. This program will help participants overcome that discomfort, revealing the methods and benefits for building relationships with elected officials. Participants will learn: who members of Congress and state legislators listen to; what congressional staffers believe are the most effective communications tactics for influencing undecided Members of Congress; and how to conduct effective in‐person meetings, influence legislators at town hall meetings, as well as effective advocacy in the state/district.

Summary


I want to note that early in his presentation, Fitch recommended the documentary The Congress, which was released by Ken Burns in 1999.  Clips from the documentary are available for free, with the entire documentary available for purchase.  This documentary provides the history of Congress, which most people know little about.

Fitch, who has been a Congressional aide, gave us a valuable lesson on advocating with our elected officials.  We tend to think that an official needs to hear from many people, in order to be spurred to action, but that is not true.  Often just hearing from 10-30 people is enough, especially if those people personalize their communication, and connect themselves and their stories to the issue.

Note bene: The photos below are of slides Fitch used during his presentation. The background on the slides was white, but when I photographed them, the background displayed in a rainbow color.  I don't know why it happened, but I do like the result.


As the slide above shows, in-person visits from constituents provides the most influence, followed by contact from constituents' representatives, individualized email messages, and a visit from a lobbyist.  What provides the least influence is what we often do and that is a form email message.  Those form email messages, which many organizations have us do, have the least amount of effect.

What is helpful or very helpful

This slide notes that a personal story related to the bill or issue is rated as "helpful" or "very helpful" by 79% of politicians and their staffers surveyed.  When a constituent provide a reason for supporting or opposing a bill or issue, that is seen as "helpful" or "very helpful" by 90% of respondents.  Information about the impact the bill will have on their Congressional member's district was rated as "helpful" or "very helpful" by 91% of respondents.

What is unhelpful

So what is unhelpful? As the slide above shows, it is unhelpful when the constituent:
  • Didn't have data on impact on the person's district or state
  • Didn't know the Congressional member's history on the policy or issue
  • Was unspecific with their request
  • Didn't convey a personal story related to the issue
  • Was rude
Fitch provided a recipe for a successful interaction with a member of Congress or a Congressional staffer.  He said to:
  • Begin with the end in mind.  In other words, know what you hope to achieve.
  • Set the stage for your story. This could be a brief introduction.
  • Paint a picture or, in other words, tell a personal story related to the issue or policy.
  • Describe the fight or conflict related to this issue or policy.
  • Include a surprise.
  • Introduce the potential for success and joy.  What will happen if this issue or policy is addressed in the manner that you are advocating for?
  • Finish with a hook.
I've listed seven items above, but I think he had five, which means a couple these should be combined. What doesn't show is that these steps can happen quickly.  You will not have endless amounts of time to talk with your representative or that person's staff member.  You will need to do this likely in just a few minutes.

Due to Brad Fitch's work in DC, this was a valuable and well-thought out presentation.  I clearly could not capture all of the information he provided.  Luckily, his organization has useful information on its website (Communicating with Congress), where we can continue our learning.

By the way, the ALA Cognotes publication had a story on this session.  It is on page 12 in the June 24 issue.

Learn from Others


We are fortunate that there are library advocates in our midst, who are willing to train us as well as spearhead advocacy efforts.  Among them are Libby Post, John Chrastka and Patrick Sweeney, and ALA.  It is likely that your regional or state library association (e.g.. NYLA) also provides help with and training for advocacy.  In other words, if advocating for your library or cultural heritage institution is new to you, there is someplace where you can learn more about what to do, as well as people who can help.

Wednesday, July 03, 2019

#ALAac19 : Yes, copyright sessions!

Copyright Help BoothYes, there were copyright related sessions at the ALA Annual Conference in Washington, DC.

Copyright Help 5 cents


This was not a session.  A group of copyright librarians had a Copyright Help booth near the registration area and I thought this was awesome. I have no idea how many people may have stopped to ask a question.  However, I do know that we need to recognize that asking questions is important and helpful, especially when you can someone who understands copyright law. Kyle Courtney, pictured above at the booth,  has spearheaded an effort to create copyright first responders. Like this booth, those first responders are available to help triage questions people might have.

Resources


Empowering Libraries to Lend Digital Books via Controlled Digital Lending


Michelle Wu, Jim Michalko, and Kyle Courtney gave this session on controlled digital lending (CDL).  Description:
Book scanning projects have made tremendous strides in bringing public domain literature online for the world's scholars and enthusiasts, but materials published after 1923 are still not widely available due to policy and copyright uncertainties. The Internet Archive has developed a controlled digital lending service (CDL) that enables libraries to digitize and lend a digital version of a physical volume stored on their shelves. Through CDL, a library circulates the exact number of copies it owns, regardless of format, while ensuring that users cannot redistribute or copy the digitized version. Using CDL, libraries can make available the 20th-century scholarship that is largely absent from their digital holdings in a way that respects the rights of authors and publishers. This panel will bring together librarians, publishers, and ebook specialists to share their experiences about serving patrons via controlled digital lending.
With controlled digital lending, a library can digitize a book, store the physical book, and then lend the digital version to one person at a time.  In other words, lending the digital book in the same way you would lend a physical book. Having the book in digital form would allow it to be loaned more widely. This uses both Section 109 and Section 107 of U.S. Copyright Law.

What's the catch?


The Position Statement on Controlled Digital Lending notes the following:
libraries should (1) ensure that original works are acquired lawfully; (2) apply CDL only to works that are owned and not licensed; (3) limit the total number of copies in any format in circulation at any time to the number of physical copies the library lawfully owns (maintain an “owned to loaned” ratio); (4) lend each digital version only to a single user at a time just as a physical copy would be loaned; (5) limit the time period for each lend to one that is analogous to physical lending; and (6) use digital rights management to prevent copying and redistribution.
If this area is of interest to you, I encourage you to read the resources below.

Resources


Figuring out the Fourth Factor


With more then 21,000 participants and hundreds of vendors in the exhibit hall, there is clearly too much to do.  So I unable to attend this session, "Figuring out the Fourth Factor: Copyright librarians discuss fair use case law," but thankfully American Libraries wrote an article on it. 

Coasters from the Copyright Help Booth

Here are coasters about fair use factors 2, 3, and 4.  Sadly, there didn't seem to be a coaster available for factor 1.

Four factors of fair it use coasters. Copyright Four factors of fair it use coasters. Copyright

Four factors of fair it use coasters. Copyright Four factors of fair it use coasters. Copyright

Four factors of fair it use coasters. Copyright Four factors of fair it use coasters. Copyright

#ALAac19 : I went, I saw, and I was overwhelmed!

Supreme Court Justice Sonia SotomayorThis year, I attended my first American Library Association Annual Conference. Yes, my first! I spent more than two decades involved in the Special Libraries Association and made that my primary affiliation and conference home. While I had been around the edges of a couple ALA Annual Conferences, I had never fully immersed myself.  This year, I dove into the deep end!

The conference was June 20-25 in Washington, DC with most of the events being on June 21-24.  There was too much happening for me to blog during the conference, so my hope is to catch up this week, including a post on digitization vendors. So stay tuned.

I want to note the size of this conference, because most people have no idea how mammoth it is.  This year, the total attendance was 21,460 participants. That was higher than 2018 (17,599 in New Orleans) and lower than 2017 (22,702 in Chicago).  It was also lower than the most recent annuals that were held in DC.   The 2007 conference in DC had 28,499 attendees and 95+ exhibits.  In 2010, the conference was again in DC and had 26,201 attendees.  Participation in the ALA Annual Conference does vary based on location, with some locations being more desirable than others.  While 21,460 is lower, the conference is still huge given number of rooms needed for sessions, the number of hotel rooms used, the sheer number of concurrent sessions, etc.  It is a conference where you cannot see or do it all, even if you never slept.

Supreme Court Justice Sonia Sotomayor


Let me tell you about one session.

Many authors speak at ALA and this year Supreme Court Justice Sonia Sotomayor was one of them. Justice Sotomayor is the author of My Beloved World, Turning Pages, The Beloved World of Sonia Sotomayor, and the forthcoming Just Ask!  She was a warm and engaging speaker, who wandered the ballroom as she spoke. She shook hands with people and had her photo taken with those who asked her questions (questions were submitted in advance).  As you can see from the photo above (she is off in the distance in a white jacket), there was security present, whom she said was there to protect her from herself!  However, she did note that no one should make any sudden moves.

From her talk, one thing stood out to me and it was in response to a question.  Justice Sotomayor said that how she writes legal briefs has changed since she has been writing children's books.  A children's book need to be focused in terms of topic and pages. Her legal briefs have become shorter and more focused, according to her law clerks and she seemed quite pleased with that.

While I have not read any of her books, I thoroughly enjoyed listening to her talk about herself and her books. And I pleased to know that someone who is so down to earth is serving on our Supreme Court.

Tuesday, June 11, 2019

June - November 2019: Jill's Presentation and Travel Schedule

Web badge for I'm attending the ALA Annual Conference
It's June and I have several conferences on my schedule for the remainder of 2019.  If you are attending any of these, let's get together!

Conferences

  • June 20-25 - ALA Annual Conference, Washington DC - While I've been to events "around" the ALA Annual Conference, this is my first time as an actual attendee, and I'm looking forward to it!  This is the third annual conference to be held in DC in the last 12 years.  In 2007, there were 28000+ attendees and 950+ exhibits), while 2010  had 27000+ attendees. Due to its size, if you want to cross paths with me, please message me here or on Twitter, so we can arrange to get together.

    By the way, I would be happy to talk with people about the iSchool Public Libraries Initiative and the research we have done over the last year.

  • Sept. 24-26 - ALISE Annual Conference, Knoxville, TN - This is the first time in recent history (if not ever) that the Association for Library and Information Science Education (ALISE) Annual Conference is being held without being adjacent to another library conference.  While I appreciated networking with people who were attending the other conference, it will be nice to be able to focus solely on the topics and sessions at ALISE, including those on assessment and accreditation.

  • Nov. 13-16 - NYLA Annual Conference, Saratoga Springs, NY - Yes, the NYLA conference will be back in Saratoga Springs (and again in 2020).  As a member of a public library board of trustees, I've found the conference to be even more important to me.  I look forward to what new information I'll learn this year.

Courses at Syracuse University

In the fall, I will be teaching these courses at Syracuse University in the School of Information Studies.  If space is available, non-matriculated students can enroll in them.
  • Management Principles for Information Professionals (IST 614) - Aug. 26 - Dec. 10 (on campus, graduate course)
    Basic ideas, concepts and perspectives of management as they apply to the information professions. Students learn to understand and apply basic principles of organization theory and behavior and managerial techniques needed to improve organizational effectiveness.

  • The Public Library as Institution (IST 600) - Oct. 2 - Dec. 10 (online with synchronous and asynchronous components each week)
    This is a new course, which I am developing and which will be offered regularly.  The description is: Unique aspects of public libraries include structure, governance, funding, and community interactions. In addition, public libraries are impacted by many societal concerns. This course prepares students to examine and support those areas of public librarianship.

Looking ahead to 2020

I want to note that the ALA eCourse I gave this year on US Copyright Law in the Library: A Beginner's Guide went very well. I think it is a good sign that students wanted to learn more. I will be giving this eCourse again in February 2020 and it will be expanded to six-weeks in length.  Look for more information on this in the fall.

Tuesday, May 28, 2019

Does Canada's copyright exception for education use but their educational publishers at risk?

When good weather comes, that is when I catch up on listening to podcasts. I had saved this episode from Beyond the Book for months.  I'm glad to have finally given it a listen.

Flag of Canada (leaf)At the 2018 Frankfurt Book Fair,  Michael Healy. the executive director of international relations at the Copyright Clearance Center, interviewed Michiel Kolman, the then president of the International Publishers AssociationDuring that interview, Kolman mentioned the change made to Canadian copyright law in 2012, which provided more exceptions for educational use.  He noted that this change had a negative impact on educational publishers in Canada.  Some publishers have gone out of business.  Some education authors are choosing to publish in other countries.  The result could be that schools may need to use textbooks from outside of Canada. Kolman said:
I think another important aspect there is that Canadian students will not have access to Canadian textbooks that reflect the heritage, as they say in Canada, in other country, the culture – of their own country? It could very well be, if we don’t do anything there, that it’s the Texas Board of Education who’s more or less determining what textbooks are going to be used in Canada. That’s something that should not happen.
 In the U.S., we know that the number of textbooks purchased by the State of Texas can give them undue influence over what is in those textbooks and the textbooks used in other states.  It really stood out to me that Texas could also influence what as being used in Canada, if Canadian schools begin to look elsewhere for their textbook resources.

But are things truly dire in Canada because of Copyright?  The National Copyright Unit in Australia has followed this situation and determined that the answer is "no." They believe that Canadian publishers had not responded to market forces, including:
...open access publishing, student preferences for second-hand books, reduced spending on new curriculum, new media players such as Google and Apple...
While I cannot sit here and truly determine which point of view is correct, what I do know is that this is being watched by people outside of Canada. That to me says something about how important it is.

Earlier this month, the Canadian House of Commons Standing Committee on Canadian Heritage issued its report entitled "Shifting Paradigms", which contains 22 recommendations for changing the current copyright law.  In his article, "Copyright Advocates Applaud Canada’s Parliamentary Review of Modernization Act," Porter Anderson lists 10 of the recommendations which Access Canada believes "will foster positive, sustainable conditions for Canada’s writers, artists and publishers, and benefit students and educators at every level by encouraging continued investment in high-quality Canadian content.”

When will this all move through the Canadian Parliament?  I don't know. But I'll be keeping my eyes open for news about it.

Additional Resources:

Thursday, May 23, 2019

What Makes a Good Library Website? (And a question about copyright)

What makes a good library website?
Last year, I start the iSchool Public Libraries Initiative (IPLI).  In the fall, two MSLIS students - as part of their work with the IPLI looked at the state library websites for all 50 state libraries.  What they found were websites that varied in how they were organized and in their usefulness. One of the MSLIS students has a background in information technology (IT) and became interested in what libraries - of all types - could be doing differently with their websites.  Sabrina Unrein took that exploration and create a paper on the topic entitled, What Makes a Good Library Website?  She introduced the paper on May 20 through a blog post.

Haven't we talked about this before, as a profession?  Haven't we already improved our websites?  Yes, we've talked about it, and some libraries have improved their websites.  However, some have not kept up with those improvements and those sites are out of date and not accessible to those with vision impairments.

Is you website content using copyrighted materials?


Sabrina did not touch upon copyright, because her efforts were focused on how websites are structured.  However, as you're reading her report and looking at your website, now would be a good time to review your graphics. Are you using graphics which you created? Are you using works with an appropriate Creative Commons license? Are you using works in the public domain?  Are you using works where you have received written permission from the creator?  If you find works on your site that cause you to answer "no" to any of those questions, now would be a good time to remove them. 

Review your website regularly


Is your website up to date and using current technologies? That is a question which you need to ask yourself regularly.  I would suggest that you review your site yearly, at least, with more frequently reviews being more useful.  Do not let your website get so out of date that updating its structure, content, or technology requires more time or money than you can give.

Monday, May 20, 2019

Article: Accused of ‘Terrorism’ for Putting Legal Materials Online

While judicial decisions, recorded by U.S. courts, have been held a being in the public domain, states have turned to legal publishers to make the materials available, and copyright has become an issue.  In 1888, the Supreme Court ruled that:
The whole work done by the judges consitutes [sic] the authentic exposition and interpretation of the law, which, binding every citizen, is free for publication to all, whether it is a declaration of unwritten law, or an interpretation of a constitution or a statute. Nash v. Lathrop, 142 Mass. 29, 35, 6 N. E. Rep. 559. In Wheaton v. Peters, at page 668, it was said by this court, that it was 'unanimously of opinion that no reporter has or can have any copyright in the written opinions delivered by this court; and that the judges thereof cannot confer on any reporter any such right.' What a court or a judge thereof cannot confer on a reporter as the basis of a copyright in him, they cannot confer on any other person or on the state.
In Georgia, the state believes it can stop someone from publishing court decisions, because of the annotations, which are not part of a judge's ruling.  A federal appeals court has rules against the state, and now the state has asked the Supreme Court to step in, even though it ruled on this in 1888. 

The New York Times has a good article on this and it is a fascinating read. Can a state limit who publishes court rules? Can it limit how much is published?  And if a state can control the dissemination of rulings, what affect will this have on its residents?

Monday, May 06, 2019

Can the search committee see you working in their environment?

Glass wall in Hotel Andaluz
Below is a post I wrote in the Facebook group Library Think Tank (#ALATT) on April 1 and it is now joke.  It is a post that I don't want to lose, so I'm placing it here.  (Please note that it has been updated to fix wording in a couple of places.)


Can the search committee see you working in their environment?


I'm currently on three search committees (and have been on many before this) and I know that we ask versions of this question when we are reviewing candidates. Does this person have the right skills, or can the person (quickly) develop the needed skills? Does the person's attitude mesh with ours? Is the person on the same trajectory as us? Is the person demonstrating that they want to fit in with us?
Yes, we review the person's resume/CV, interview the person, check references, etc., all with an eye towards whether the person is the correct person for this opportunity at this time. The person might not be ready.

Questions (for you to ponder) for those of you on the job hunt, how do you demonstrate to the search committee that you see yourself working in that environment? What is in your cover letter, which connects you to that environment and its needs? Do they see on your resume that you have the skills they are looking for? Through your interview (Skype, telephone, or on-site), can they see that you will fit in? Have you taken the time to learn something about that organization and do you use that information in your interview? If you have to give a presentation, have you inserted what you know about the organization?

When you ask about your piercings or hair color, what you are asking is whether the search committee and organization will see you as fitting in. When they look at everything about you (resume, etc.), will they see someone who belongs in their organization? Or do your materials, presentation, interview, etc. paint a picture of you such that the fact you have piercings or colored hair become the dominate piece of information about you?

Friday, April 12, 2019

#UNYSLA Spring Conference: What to do when things do not go according to the Project Plan!

Jeremy Cusker (Cornell University Libraries) talked through a collaborative journal subscription project, that was focused on lowering costs. He noted that when a vendor carries open access journals, that it doesn’t reduce the costs. He also noted that it wasn’t possible to be completely data driven.  Some selectors felt that how faculty felt about specific journals needed to be considered. 

The day then ended with a quick panel discussion with some of the presenters:
  • Jill Wilson
  • Erin Smith
  • Emily Clasper
  • Elaine Lasda
  • Jeremy Cusker
  • Kelly Johnson
One question they all answered was: What have you done when things go wrong?

Final thoughts

This was a wonderful day of learning about project management. It both reinforced what we knew, and allowed to gain new knowledge.  The event was held in the Erie Canal Museum, which was a nice location.  Lunch was catered by Scratch Farmhouse Catering, which was awesome.  The event was sponsored by EBSCO and Elsevier.  Thanks to the reps for coming to Syracuse and telling us about their products.

Next year is the Chapter's 75th anniversary!  I'm looking forward to the celebrations!

#UNYSLA Spring Conference: Adapting to Change: Revising the Plan

Erin Smith and Laura Benjamin (SU Libraries) undertook a massive endeavor to free up space in the Syracuse University Bird Library, which required shifting a high number of books. They needed to shift books from the second floor to make more space for students.  No books could be shifted outside of Bird Library and there wasn't enough time to do weeding.

Will the books fit?
  • They did a shelf count and they measured the collection 
  • They were only able to add 84 shelves, which was not enough.
  • While all the books would fit into the library, the shelf fill rate would be higher than recommended.
Who will do the work?  The fact that staff is unionized impacted that.  They were able to work through this issue.
 
The developed strategic fill rates for each call number based on growth.  They created four fill rate categories. 

They used an Excel spreadsheet to map every shelf in the library.  This was a ton of work, but it helped them recognize when their plan was not yielding the free space they expected.

They made a glossary so that all workers were calling things by the same names.

Erin and Laura talked us through an amazing 8-month project that was fraught with problems that crept in.  They found creative solutions for addressing the problems they encountered, including not having enough space.  The good news is that they got done on schedule.

Long term impacts
  • No extra room
  • Ongoing discussion on future plans for space
Broader takeaways
  • Solid planning gives you a framework to rely on, even when the project doesn’t play out as planned
  • Keep the goal and related projects in mind when making changes

#UNYSLA Spring Conference: Developing a Service Model

Kelly Johnson, Amelia Kallaher, and Sara Scinto-Madonich (all from Cornell University Libraries), used their experience with developing a systematic review service to discuss project management.  They do methodical and comprehensive literature synthesis. In creating their service, they met roadblocks along the way.

Road block 1: How to standardize our process? (Process standardization)
  • Identify problems and brainstorm solutions
  • Make sure the problems are clear
  • Establish workflows and designate responsibility 
  • There should be a coherent workflow
  • Embrace iteration
Road block 2: How to better manage our time? (Time management)
  • Create helpful resources
  • Get information into the hands of people when they need it 
  • They built tools into their libguide.  They put in the libguide information that they had normally covered face-to-face.
Road block 3: How to address misconceptions? (Patron Expectations)
  • They found that they needed to standup for themselves
  • Expectations and boundaries clearly defined
Road block 4: How to ask for and get help? (Getting help)
  • What happens when you’re spread too thin?
  • You need to advocate
  • Recruit additional help