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OPINION | Hollywood lost a rising filmmaker right when she was hitting her stride.
The ransomware hackers who stole gigabytes of data from a prominent New York entertainment law firm posted a batch of emails Saturday on the dark web, which they previously hyped as containing incrimi…
Phyllis George, one of the first leading female sports broadcasters, died on Friday due to complications from a blood disorder. She was 70. George’s career in front of the camera began in 1974 as the…
John Legend, Alanis Morissette, Keith Urban, Nelly, Ludacris and more have livestreamed performances this weekend.
HBO's limited series "I Know This Much Is True" ends up being precisely the sum of Mark Ruffalo's two parts.
The TV adaptation of Sally Rooney's bestselling novel "Normal People," starring Daisy Edgar-Jones and Paul Mescal, is crushingly intimate.
Netflix's ambitious limited series "Hollywood" is the first outright dud of Ryan Murphy's post-"Glee" career.
Mindy Kaling's "Never Have I Ever" is anchored by a breakout performance from Maitreyi Ramakrishnan in her debut role.
Attractive but calculated attempt to connect "Scooby-Doo" to other Hanna-Barbera characters abandons the show's fun teen-detective format.
Tom Hardy's performance as Al Capone is authentic on the surface, but there isn't enough beneath the mob mannerisms.
Lauren Lapkus, as David Spade's date from hell, provides the anarchic spark plug for a functional slob-vs.-the-corporate-snobs rom-com.
Beanie Feldstein takes down the cool kids in a brisk British comedy inspired by '90s rock critic Caitlin Moran.
JoJo, the multi-tracked queen of pop-R&B as a young teen in the early 2000s, has grown into herself on a comeback album, "Good to Know."
The Weeknd's "After Hours" finds him mixing commerciality with innovation as well as anyone today.
Ashley McBryde's emotionally stirring second album represents the pinnacle of what contemporary mainstream country can be.
The angry and sometimes experimental "Gigaton" might be Pearl Jam's most fully realized album since "Ten."
With a score by Stephen Schwartz ("Wicked"), this screen-to-stage transfer is so effortful it's enervating.
The moody music and lyrics from the Bob Dylan playbook both define and heighten Conor McPherson's haunting vision of the Depression.
Katori Hall gets belly laughs out of this comedy about an amateur cook trying to create a signature dish while chaos reigns in the kitchen.
Ivo Van Hove dares to fiddle with perfection in this modernized but still respectful re-working of the 1957 masterpiece.
A Variety and iHeartRadio Podcast