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Television

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      CreditLisa Rose/The CW

      Critic’s Notebook

      ‘Jane the Virgin’ Ended Much Like It Began

      The series finale on Wednesday night was, as usual, “straight out of a telenovela,” and reminded fans why “Jane the Virgin” was TV’s easiest show to love.

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    Lana Wood, Natalie’s Little Sister, Has Plenty to Say

    A cold case revived — and a life’s arc considered.

    By Elinor Blake

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    What Amanda Seales Can’t Travel Without

    Just go ahead and read this. She makes surgical masks and tracksuits so funny.

    By Nell McShane Wulfhart

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    Phil Hymes, Who Lit ‘Saturday Night Live,‘ Dies at 96

    Mr. Hymes was a lighting director and designer at “Saturday Night Live” for over 40 years and was known as a gruff and outsize character behind the scenes.

    By Richard Sandomir

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    It’s the Anniversary of Everything!

    What is this ceaseless looking backward?

    By Alyson Krueger

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    Milo Ventimiglia on Jack Pearson and the Other Good Guys

    The three-time Emmy nominee talks about getting us all emotional in his new movie, “The Art of Racing in the Rain,” and his hit NBC drama, “This Is Us.”

    By Kathryn Shattuck

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    Fueling the Hong Kong Protests: A World of Pop-Culture Memes

    The protest movement’s cultural touchstones include Japanese anime, “The Hunger Games” and “Les Misérables.”

    By Katherine Li and Mike Ives

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    Stephen Colbert Calls Out Long Shot Presidential Candidates

    “I mean, it is 20 people and if I am generous, six of them should be up there,” Colbert said of the Democratic debates. “I’m looking at you, Steve Bullock.”

    By Trish Bendix

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    What’s on TV Friday: ‘A Black Lady Sketch Show’ and ‘Dear White People’

    A new sketch comedy show debuts on HBO. And “Dear White People” returns for a third season on Netflix.

    By Gabe Cohn

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    How Much Watching Time Do You Have This Weekend?

    If you like your European dramas bleak or your documentaries inspirational, our TV critic has some good recommendations.

    By Margaret Lyons

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    One Night. One Chance. One Liza (With a ‘Z’).

    Bob Fosse’s 1972 film of Liza Minnelli at the Lyceum Theater remains a spellbinding document of the art of performance.

    By Gia Kourlas

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