‘Captain Marvel’ Shines
BOX OFFICE | “Captain Marvel,” the MCU’s first film to feature a female superhero, debuted to $153 million in North America.
BOX OFFICE | “Captain Marvel,” the MCU’s first film to feature a female superhero, debuted to $153 million in North America.
As a Kree warrior who lands on earth and discovers she’s not who she thought, Brie Larson lights up a Marvel film from within.
J.C. Chandor’s tale of five ex-military pals who reunite to rip off a drug lord is an action drama that turns into a plodding parable.
A documentary exposé offers devastatingly powerful and convincing testimony that Michael Jackson was guilty of child sex abuse.
Sebastián Lelio follows up “A Fantastic Woman” with a remake of “Gloria,” featuring an intimate, aching turn by Julianne Moore.
Watching the show, which runs the emotional gamut from viciously cutting to incredibly earnest and back again, can be bizarre.
The new Starz series “Now Apocalypse” represents a merger of sorts between the two sides of director Gregg Araki’s career.
After parting ways with co-creator Louis C.K., Pamela Adlon proves the power of her own vision.
This isn’t a regular spy drama, “Whiskey Cavalier” insists at every turn, but a fun spy drama that refuses to take itself too seriously.
Ivo van Hove’s stage adaptation fine-tunes its feminism for our own sexist age — image-obsessed, anti-aging, the time of Time’s Up.
Ethan Hawke and Paul Dano star as battling brothers in a disappointing Broadway revival of Sam Shepard’s classic.
Jeff Daniels takes on the towering figure of Atticus Finch in Aaron Sorkin’s Broadway adaptation of Harper Lee’s famous novel.
Bryan Cranston gives a full-throated roar as Howard Beale, a TV news anchor who is “mad as hell” about his corrupt society.
Juice Wrld’s “Death Race for Love” features some distractingly bad bars, and yet, the skilled and quick-witted freestyler still shines.
Solange’s “When I Get Home” is a challenging yet satisfying follow-up to the critically revered “A Seat at the Table.”
On “Harverd Dropout,” Lil Pump sometimes plays dumb, but his catchy choruses and on-message rapping show he’s no dummy.
Ariana Grande’s “Thank U, Next” finds an artist enduring hardship in the public eye, and making one of the best pop albums of the year.
“Devil May Cry 5” shakes off the rust and reminds us why we liked these games, but you have to work to ignore its outdated feel.
Even if you put aside the potential for a console hard crash, “Anthem” is a disjointed and clunky experience.
“Crackdown 3” works by doing the minimum. And these days, the minimum feels like a reprieve.
“New Dawn’s” evolving world makes it easy to see why creators see the appeal, but it’s also a story that overstays its welcome.
