Critic’s Notebook
Deep Dives Into Justice From Shakespeare, Wilde and Atticus Finch
With “The Tempest,” “An Ideal Husband” and “To Kill a Mockingbird,” the Stratford Festival carries on a conversation about purity and forgiveness.
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With “The Tempest,” “An Ideal Husband” and “To Kill a Mockingbird,” the Stratford Festival carries on a conversation about purity and forgiveness.
By JESSE GREEN
Mr. Birbiglia’s solo show about becoming a father is at first excruciatingly funny and then just kind of excruciating.
By ALEXIS SOLOSKI
Four gay men who recently attended the Broadway revival of this 50-year-old play — three seeing it for the first time — debate its significance and relevance.
By STUART EMMRICH, WESLEY MORRIS, MATTHEW SCHNEIER and ZACHARY WOOLFE
It has taken a while, but playing the sultry title role in “Carmen Jones” fulfills a lifelong dream.
By JOSE SOLÍS
A brief (recent) history of plays, films and TV shows exploring the fraught, sometimes predatory relationship between directors and their charges.
By ALEXIS SOLOSKI
Scenes from an annual “vent” gathering in Kentucky, where puppets rule and their masters crave respect for an unappreciated art form.
By ELISABETH VINCENTELLI
This radiant Public Works production of Shakespeare’s comedy of identity asks us “to see through the eyes of another.”
By BEN BRANTLEY
A play based on a confessional, self-obsessed woman’s memoir — from the 15th century — is back, at the Duke.
By LAURA COLLINS-HUGHES
August turns out to be a month for musicals, with science fiction, a Hollywood rom-com and dueling garage bands on the agenda.
By JESSE GREEN