Review: Pam Tanowitz’s ‘Four Quartets’ Hits Poetic Heights
The choreographer’s staging of T.S. Eliot’s classic, at Bard College, might be the greatest creation of dance theater so far this century.
Advertisement
The choreographer’s staging of T.S. Eliot’s classic, at Bard College, might be the greatest creation of dance theater so far this century.
By ALASTAIR MACAULAY
“Harry Potter and the Cursed Child” doesn’t use elaborate special effects. Its magic comes from movement, and Steven Hoggett is its wizard choreographer.
By ROSLYN SULCAS
The Israeli company’s Young Ensemble performed Ohad Naharin’s “Naharin’s Virus,” in which the dancers look like pawns in the choreographer’s game.
By ALASTAIR MACAULAY
The Department of Cultural Affairs recently made a case for the vibrancy of dance in a city known more for that other performing art.
By ROSLYN SULCAS
Watch the tap dancer Caleb Teicher perform a solo that samples female tappers, including Mable Lee and Ann Miller.
By GIA KOURLAS
The Angel in “Angels in America” is supported by five shadows — at the sound of a whooshing exhale the puppeteers manipulate her wings while the dancers lift her into the air.
By GIA KOURLAS
Audience members will watch Paloma McGregor’s “Building a Better Fishtrap/from the river's mouth” by boat. Here’s a portion of what they will see.
By GIA KOURLAS
In “Of Granite and Glass,” the choreographer Catherine Galasso uses the Winter Garden’s marble staircase as a singular stage.
By GIA KOURLAS
Watch a portion of “Funkedified,” Rennie Harris’s show at the New Victory Theater, about the funk origins of hip-hop dance and culture.
By GIA KOURLAS