Cate in Charge
COVER STORY | In a wide ranging interview, Cannes jury chief Cate Blanchett speaks candidly about the #MeToo movement, diversity, Harvey Weinstein and more.
COVER STORY | In a wide ranging interview, Cannes jury chief Cate Blanchett speaks candidly about the #MeToo movement, diversity, Harvey Weinstein and more.
“Infinity War’ turns out to be bedazzling fun, despite the fact that this many superheroes means they’re all less special.
A sequel to the 2002 cult comedy finds our idiot heroes making bad ’80s jokes that feel even mustier than they did the first time.
Chiwetel Ejiofor excels as a preacher rethinking his faith in this look at power struggles in the Evangelical community.
Sebastian Lelio directs Rachel Weisz and Rachel McAdams in this tale of same-sex love in the Orthodox Jewish community.
As it deftly adds new storylines, “The Handmaid’s Tale” wisely focuses on its strongest performers, all of them female.
“Westworld” is actually at its best when it is less intent on importance and attempts to simply entertain.
The more “Genius: Picasso” focuses on that divide between the young firebrand and older laggard, the better the series is.
The Robot is kind of cool. Unfortunately for this adventure tale, most members of the Robinson family are bland or annoying.
Lincoln Center Theater opens its heart (and its superb Vivian Beaumont stage) to that most beloved of musicals, “My Fair Lady.”
Tina Fey’s catty book and Nell Benjamin’s saucy lyrics pump laughs into this smart musical-comedy version of the 2004 movie.
The National Theatre revival brings Tony Kushner’s play back to New York 25 years after the epic won a Putlizer and two Tonys.
Second Stage christens the Hayes Theater with an affectionate revival of this 2001 play by Kenneth Lonergan starring Chris Evans.
Inspired by the Manchester bombing, “No Tears Left to Cry” aims to not leave a wet eye in the house.
“My Dear Melancholy” feels more like a transition, a way station on the journey to wherever The Weeknd is going next.
Janelle Monae comes into her own with the ambitious and masterful “Dirty Computer.”
Funny, fierce, foul-mouthed and in-your-face, “Invasion of Privacy” is one of the most powerful debuts of this millennium.
