Mark Morris’s Legacy Plan? Posthumous Premieres
It’s called Dances for the Future: “We have a living, breathing artist,” the executive director of his dance group says. “This is the moment to invest in that.”
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It’s called Dances for the Future: “We have a living, breathing artist,” the executive director of his dance group says. “This is the moment to invest in that.”
By GIA KOURLAS
Our chief dance critic walks us through the opening seconds of “Concerto Barocco,” which returns to New York City Ballet this week.
By ALASTAIR MACAULAY
Mr. Acosta, the international ballet star, has started Acosta Danza, a Cuban contemporary-meets-ballet troupe that makes its U.S. debut this week.
By BRIAN SEIBERT
Mr. Dunn, who continues to make and perform dances at his loft in SoHo, unveils “Tandem,” an engrossing new work full of choreographic puzzles.
By SIOBHAN BURKE
Tiler Peck and Taylor Stanley perform a portion of the pas de deux from George Balanchine’s “Symphony in Three Movements.”
By GIA KOURLAS
Watch a portion of “Little Rhapsodies,” which features Mr. Lubovitch’s lush, flowing movement.
By GIA KOURLAS
A section of “Chronicle” (1936), Graham’s scorching, all-female response to fascism.
By GIA KOURLAS
The choreographer and dancer Jack Ferver made this duet, part of his new show “Everything Is Imaginable,” for himself and his old friend Reid Bartelme.
By GIA KOURLAS
In “What will we be like when we get there,” Joanna Kotze and Netta Yerushalmy share the stage with a composer, who creates the score live, and an artist, who uses tape to paint the floor.
By GIA KOURLAS