In a Body-Positive Moment, Why Does Hollywood Remain Out of Step?
Melissa McCarthy has broken through in Hollywood, but her success is viewed by studios as an anomaly. Danielle Macdonald hopes to flip the script.
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Melissa McCarthy has broken through in Hollywood, but her success is viewed by studios as an anomaly. Danielle Macdonald hopes to flip the script.
By BROOKS BARNES
Ruminating on a storied German opera festival’s troubled past, only to learn at intermission that Nazi sympathizers were on the march back home.
By MICHAEL COOPER
A recently surfaced original daguerreotype taken in 1843 of John Quincy Adams will be auctioned at Sotheby’s in October.
By JENNIFER SCHUESSLER
This class-conscious caper, with Channing Tatum and Adam Driver as down-on-their-luck brothers, is ridiculously entertaining.
By A. O. SCOTT
The New York Times asked women to share their experiences and thoughts about the pop star’s testimony on sexual assault.
By MELENA RYZIK
Joshua Homme’s band teamed with the pop- and soul-leaning producer Mark Ronson for its seventh album, “Villains,” but didn’t stray far from its aesthetic.
By JON PARELES
The band’s fifth album — its first for a major label — turns more cryptic and voluptuous, and emphasizes its longstanding 1960s and ’70s influences.
By JON PARELES
Our critic’s visit to the Boston Symphony’s home in the Berkshires began with Purcell’s 17th-century “Fairy Queen” and ended with a work from 2015.
By JAMES R. OESTREICH
Breaking down one extraordinary performance, gesture by perfect gesture.
By GIA KOURLAS