Review: LoftOpera Stages a Rarity, With Lingerie
A production pairing Giovanni Battista Pergolesi’s “Stabat Mater” and Vivaldi tries to add dramatic coherence to works of more abstract emotion.
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A production pairing Giovanni Battista Pergolesi’s “Stabat Mater” and Vivaldi tries to add dramatic coherence to works of more abstract emotion.
By JAMES R. OESTREICH
Universal said it wants to cancel its $31 million deal for Prince’s music over conflicts with an earlier agreement Prince signed with Warner Bros.
By BEN SISARIO
The organization’s workshop, which has been influential since its founding in the early 1970s, has an opportunity to engage a broader audience.
By GIOVANNI RUSSONELLO
Despite “being assailed on all sides” by musical busyness, On Site Opera’s singers were remarkably good in Darius Milhaud’s “The Guilty Mother.”
By JAMES R. OESTREICH
“Bells for the South Side,” a new two-disc album, is Roscoe Mitchell’s latest project in a career that has blended modernism, jazz, rock and funk.
By SETH COLTER WALLS
Mr. Gilbert, the departing music director of the New York Philharmonic, will be the next chief conductor of a German orchestra that has a sleek new hall.
By MICHAEL COOPER
Our guide to the city’s best classical music and opera.
By DAVID ALLEN
Der Tenor gab sein seit langem erwartetes, höchst überzeugendes Debüt in einer der anspruchsvollsten Opernrollen im Royal Opera House in London.
By ZACHARY WOOLFE