Now ‘Spamilton’ Really Can’t Miss Its Shot to Tease ‘Hamilton’
The latest theater spoof by Gerard Alessandrini is moving just a block away from its source material, “Hamilton.” Is it just cashing in?
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The latest theater spoof by Gerard Alessandrini is moving just a block away from its source material, “Hamilton.” Is it just cashing in?
By SOPAN DEB
The Off Broadway play by a Tony-winning playwright, Robert Schenkkan, was scheduled to run through July 9. Instead, it will end Sunday.
By MATT STEVENS
An evocative production of Charles Mee’s play features disabled actors on a set that seems reassembled from the drawings of James Castle.
By LAURA COLLINS-HUGHES
The 1901 script for the play, “The Shadow of a Doubt,” turned up in an archive in Texas. Scholars discovered it after noticing a cryptic reference to it in a letter.
By JENNIFER SCHUESSLER
Mr. Martin developed a knack for discovering new talent and for redeeming scripts that fellow producers had rejected as potential flops.
By SAM ROBERTS
The actor Mike Faist goes for a tuxedo fitting and runs into Hugh Jackman, the show’s director Michael Greif and an emotional fan along the way.
By STUART EMMRICH
Red Bull Theater’s rollicking production of this Gogol play finds the cathartic value of satirizing bad behavior.
By BEN BRANTLEY
June brings a comedy for those who prefer to be weirded-out; a show for theatergoers with itchy feet; and Kevin Spacey in the role of Clarence Darrow.
By BEN BRANTLEY
“Hello, Dolly!” producers and Tony producers seem to be at an impasse over the conditions under which Ms. Midler would sing at the awards ceremony.
By MICHAEL PAULSON
Mr. Malloy’s “Natasha, Pierre & the Great Comet of 1812” is up for 12 Tonys. His studio whiteboard suggests how that came to be.
By LAURA COLLINS-HUGHES
The two actors (and friends) talk about their current shows and their recent nominations.
Five Tony nominees performed songs from their shows as part of our Tonys In Performance concert.
By ERIK PIEPENBURG and EMMA ORME
Does anyone still wear a hat? For designers on Broadway this season, the answer was yes, actually, they do.
By ERIK PIEPENBURG and TONY CENICOLA