An Industrial Hellscape With You at the Center
How a set designer conceived an evolving, revolving new look for “The Hairy Ape.”
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How a set designer conceived an evolving, revolving new look for “The Hairy Ape.”
By ERIK PIEPENBURG
Lynn Nottage’s bracingly topical play explores the working-class anger and anxieties that put Donald J. Trump in the White House.
By BEN BRANTLEY
The sound designer Ben Williams talks about the sonic elements that inspired his work on the play “The Terrifying,” at the Abrons Arts Center.
By ERIK PIEPENBURG
This musical, which ran on Broadway in 1990, depicts a folk tale set in the Caribbean.
By MICHAEL PAULSON
This play about Samuel Beckett and Andre the Giant is based on fact and the imaginings of the playwright Gino Dilorio.
By ALEXIS SOLOSKI
Some people are calling Sam Gold’s “The Glass Menagerie” manipulative. I call it vital theater.
By NEIL GENZLINGER
Irish Repertory Theater has brought back Ciaran O’Reilly’s revelatory production of O’Neill’s 1920 play, with an almost entirely new cast.
By LAURA COLLINS-HUGHES
The singing scenery of “Miss Saigon” is back on Broadway, with political corrections and a newly proportioned cast.
By BEN BRANTLEY
Cole Porter’s lost musical from 1930 raises a glass to the giddy heyday of Prohibition and high (really high) society.
By BEN BRANTLEY