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Index | 244 reviews in total |
After the crushing disappointment that was Godzilla, I have to say that
Kong: Skull Island is a tremendous surprise. Not only a hugely
entertaining monster movie, but a well-directed, well-written and
well-acted film full of ideas from start to finish. Its action set-
pieces are utterly spectacular, the CGI is fantastic, and there's even
a story that's genuinely interesting throughout, something that I
definitely didn't expect going in.
But by far the greatest achievement of this film is the presence of
Kong himself. As plain as most of the film was, the biggest issue with
Godzilla was that there just wasn't enough Godzilla. Fortunately, Skull
Island rectifies that exact problem, and makes Kong as big a character
in the film as any of the humans, appearing on screen at regular
intervals, and actually playing a genuine role in the story.
And that story is probably the thing that surprised me most of all.
Again, Godzilla was a slow, empty and formulaic monster movie that
really bored me. Kong: Skull Island, on the other hand, is a fast-
paced and absolutely jam-packed action movie that actually gets better
and better as it moves along.
Of course, there's a part of me that's a little sad that we're not
getting the classic story of King Kong that made both the 1933 and 2005
films so beautiful. However, Skull Island does do a fantastic job at
bringing the character to a different time period and making a new,
riveting story.
Above all, the film's ingenious parallels with the Vietnam War make for
fascinating viewing. Bringing a different dynamic to the relationship
between the humans and Kong, the way that Skull Island looks at the
story through the lens of the anti-Vietnam War sentiment of the 1970s
adds an impressive layer of depth to the story, keeping Kong an
interesting and emotionally resonant character despite removing his
love with Ann Darrow.
What's more is that some of the film's characters have some very
layered and interesting backstories. In particular, Samuel L. Jackson's
character, a stubborn, war-mongering colonel taken from the Vietnam War
he loved fighting in, is hugely interesting to watch. At times
mimicking the role of film director Carl Denham from the original, at
others adding a far darker and more serious edge to the story of the
invasion of Skull Island, he's absolutely fascinating to follow from
start to finish.
There are a whole host of other characters that bring some impressive
depth to the story, depth that I certainly didn't expect after the
two-dimensional heroes of Godzilla, and make the film's large ensemble
cast work amazingly well.
One more positive from the film is undoubtedly the action. As I said,
this is a very exciting monster movie that's full of action throughout.
Above all, the opening and closing action sequences really stand out.
Both because of the amazing visual parallels drawn with Vietnam War
films like Apocalypse Now, Platoon and Full Metal Jacket, but also
thanks to the stunning CGI that allows Kong to tower over the screen in
comparison to the humans, but also puts a formidable and genuinely
terrifying enemy on a very level playing field.
As far as blockbusters go, Skull Island is top-quality, but it still
isn't entirely perfect. For one, whilst it's brimmed with ideas and
interesting characters throughout, that does lead the film to becoming
a little crowded at times. The lack of a main character amidst the huge
ensemble cast means it's definitely not as streamlined as I would have
liked.
Also, the parallels with Vietnam, whilst unique and great to see in a
movie like this, are a little overbearing at times. Particularly in the
first act, there comes a point where the film really hits you over the
head with how similar it is to Apocalypse Now, and although that does
die down to a better level later on, it's a little frustrating at
times.
Simply put, Skull Island is an impressively brainy and innovative
blockbuster, but it goes a little too far with everything it does.
That's far better than a completely empty film like Godzilla, but with
an enormous main cast and a story that's so jam-packed, I felt like
things could have been carried out a little smoother than the finished
product.
Still, I had a really good time with Kong: Skull Island. It's a
massively entertaining monster movie that places its title character
right in the thick of the action, surrounded by more interesting human
characters, excellent visuals, stunning action sequences, and a
genuinely engrossing and intelligent original story.
Some people go to the movies to be wowed by the superb acting, heart
wrenching and well written story, and overall solid production... THIS
has good effects? The acting in this film isn't bad, but it definitely
won't win any awards for it.
The story has characters Bill Randa (John Goodman) and Houston Brooks
(Corey Hawkins) piggybacking on an expedition to an uncharted island to
test their "hollow earth" theory. Tom Hiddleston plays a tracker, Brie
Larson plays a photographer, and John C. Reilly plays a surprisingly
funny WW2 vet marooned on Skull Island.
The film takes place in 1973 and loves to remind you with CCR and old
technology as if it was a hundred years ago. Kong: Skull Island pays
homage to Apocalypse Now quite frequently even though it seems a bit
excessive at times.
Kong looked good, almost all the creatures looked cool and all the
fights between them looked really good, especially in IMAX 3D. Some of
the green screen effects, like backgrounds behind characters, were
distractingly bad. Ultimately, you get some great stuff out of all the
effects if you're not looking too closely.
The characters are more hollow than the earth (according to the film's
characters themselves), the story is mediocre, but the effects reign
king in this film adaptation.
My suggestion: See it! it's a blockbuster meant to fill seats, not win
awards. Take it for what it is.
Seen at an advanced IMAX 3D screening in Minneapolis.
No Spoilers here.
Kong: Skull Island is the perfect monster movie. It's an epic display
of what a popcorn movie should be. Great visuals, soundtrack, and a
pleasant plot that is not bogged down by the melodrama that killed the
Godzilla flick from 2014. It's a giant monster movie. Have fun.
The legendary King Kong returns in an all new adventure that gives the
classic tale a much needed update and new setting. Unlike Perter
Jackson's retelling of the original Black and White film, "Kong: Skull
Island" eschews the old for the new and in doing so breathes a much
needed new life and vitality into the franchise.
The film is set in 1973 when William Randa (John Goodman), informs the
government that they have detected a previously unknown island and need
to investigate it before the Soviets learn of it and beat them to
whatever the island my hold.
William recruits a team which includes a former British officer named
James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie
Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in
mapping the island.
William also asks for a military escort and the government enlists Lt.
Colonel Preston Packard (Samuel L. Jackson), and his team to accompany
the mission. Packard is trying to find his place in the world as he and
his helicopter combat team are dealing with the recent end of the
Vietnam War. His men are looking forward to going home and resuming
their lives, but a dour Packard jumps at the chance for another mission
over the uncertainty of the future.
Upon arriving on the mysterious island and starting their survey
mission by using seismic charges, the team attract the attention of
Kong who is not at all pleased with the intrusion on his island. Kong
makes short work of the copters and the team finds themselves scattered
about the dangerous island. They soon learn that Kong is not the only
danger on the island and must find a way to rejoin each other and make
it to their extraction point alive.
Naturally some of the characters have a hidden agenda and there are
dangerous and action around every corner. Further complicating matters
is the appearance of Marlow (John C. Reilly), a downed WWII pilot who
has been stranded on the island for 23 years and warns of dangers far
greater than Kong that are ahead of the team.
The film combines a solid cast with state of the art special effects to
take a new twist on the standard adventure fare. While many parts of
the film remain silly Popcorn entertainment, the quality of the
assembled cast allows the film to move beyond being just an assembly of
potential victims for a menagerie of CGI creatures to dispatch. While
the story is more in lines with the linear and thin plots of adventure
films of old, the sum of the parts does add up to an enjoyable film
experience for those who like the giant creature films. You will want
to make sure to stay after the credits as there is a very good scene
that shows a setup for a future film that had those in attendance at
our press screening cheering.
The film may be a bit intense for younger viewers but if you are
looking for a touch of nostalgia and action, you may find the film just
what you need.
3.5 stars out of 5.
*** This review may contain spoilers ***
*Minor Spoilers Ahead* The movie opens in 1944 in the aftermath of a
dogfight over a supposedly inhabited island. Hank Marlow (later played
by John C. Reily) is an American pilot who successfully parachutes out
and lands on the island. Unluckily for him, a Japanese pilot also
parachutes to safety and when he lands, a fight begins. Neither gains
the upper hand but the Japanese pilot has a sword so Hank flees into
the jungle. They later continue to fight but it's interrupted when a
certain "monster" makes an appearance.
After a montage of world events following WW2, the movie picks up again
in 1973. Bill Randa (John Goodman) and Houston Brookes (Corey Hawkins)
are 2 scientists from the Monarch Corp. on Capital Hill for a meeting
with Senator Willis (Richard Jenkins). He tries to skirt the meeting,
America has just announced its withdrawal from the Vietnam War. Bill
and Houston want to map Skull Island geologically to look for mineral
deposits. Willis isn't having any of it until Bill mentions that this
could be an opportunity to beat the Russians to the island. But they
have to assemble a security team to investigate and protect the
scientists including a helicopter division led by Preston Packard
(Samuel L. Jackson), a former SAS officer James Conrad (Tom Hiddleston)
and a war photographer Mason Weaver (Brie Larson).
Having seen the trailers for this movie, you would think it would be
largely led by Tom Hiddleston and Brie Larson but this is actually more
of an ensemble movie. Some of the supporting actors actually end up
leading the movie for large periods of time. The plus side of this is
that they create some cool characters, they're all interesting and
their motivations are clear and understandable. Almost every ensemble
movie has problems sharing the screen time and this one is no
exception. James and Mason were interesting but you didn't get as much
time to latch onto them as you probably should have. Other characters
lack purpose, I like Toby Kebbell as an actor but his character Jack
Chapman has almost no bearing on anything and just acts as a device to
get the plot moving.
One of the surprising things about this movie is that it ended up being
a lot funnier than I expected. Some people were worried about tonal
issues because the trailer showed this frightening monster destroying
everything and then it showed the cast cracking a joke. There are some
small moments where something violent would happen and then they would
try to bring some comedy in. The tone of Kong: Skull Island reminded me
a lot of classic adventure movies like Indiana Jones where they weren't
afraid to go dark yet they managed to create a memorable movie by
including some impressive action and funny jokes. Tonally there are
moments where the movie borders on being cheesy but they're few and far
between.
Speaking of the action, they really went for it here. Kong is a force
of nature and the way he decimates his enemies is surprisingly violent.
They give away some of the best bits in the trailer but my favourite
parts were when they first encounter Kong travelling to the island and
the ending fight between Kong and the other creatures on the island.
This is a PG-13 movie that isn't afraid to give you what you want which
is some bone-crunching action.
Every frame of this movie is gorgeous too. This is one of the few big
budget movies where I didn't feel like it had CGI overload. The
environment is beautiful and the movie has some very stylish
cinematography. Some of this is expected but I still feel like they
went the extra mile. The creatures on the island aren't completely new
designs but they're fun to look at and they help bring the sense of
epic to Kong: Skull Island. The effects around Kong are also excellent,
his look and movements are consistent and I didn't see any flaws in it.
You also get some fun stuff like the music from the period too.
The cast here is pretty impressive, they went the extra mile to get
some top-shelf talent and the movie largely benefits. Hiddleston is
good, he could have carried more of this but he's decent in his spot.
Brie Larson elevates her role, I think this movie shows how talented
she is because in the grand scheme she's more of a background character
than you realize. Samuel L. Jackson was decent, he gets more
over-the-top as the movie goes along but he fits. Surprisingly, a lot
of the supporting characters stole the show, John C. Reily had the best
performance. He changes the dynamic of the movie, he has all the
quotable lines and his ending is played pitch perfect. Jason Mitchell
was a surprise standout, he was good in Straight Outta Compton but he
steals a lot of the scenes he's in. If there was anyone I was
disappointed in, John Goodman came across as pretty flat. I don't know
if that was his fault or his role.
I don't think that this movie was flawless. Other than what I mentioned
above, the only other things I would mention is that the dialogue could
have used a little punching up in spots and the editing was a little
choppy in the second half. Scenes transition and people end up in
different places than they last were and events happen in sequence that
don't fit together completely.
People seemed worried that the trailers for this movie looked so good,
they were bracing themselves for upcoming disappointment. Let me put
those fears at ease, this movie wasn't perfect but it was easily one of
the better movies I've seen so far this year. I liked this better than
the latest Godzilla movie. I'd give Kong: Skull Island an 8.5/10.
Kong: Skull Island is a monster film starring Tom Hiddleston, Samuel L.
Jackson, John Goodman, John C. Reilly, and Brie Larson. Packed with all
the giant monster movie clichés and fun action scenes one would hope to
see, it serves as a sufficient reboot of the King Kong franchise.
In 1973, a group of explorers led by a band of soldiers journey to a
mysterious uncharted island in the Pacific Ocean. Upon arrival, the
group realise the island is swarming with giant monstrous animals and
insect-like creatures who have called this place their home for
millions of years. After becoming separated amidst the chaos, the
groups eventually meet with the local natives who worship a
skyscraper-sized ape named Kong who protects them from the giant
monsters.
While the film doesn't offer much in terms of actual plot, the action
and fight scenes more than make up for it. The special effects were
great and the CGI for Kong and the other giant monsters were all very
convincing. The characters were all essentially stock action roles but
thanks to the believable performances from the lead actors, they're
still fun to watch. I also enjoyed the fact that Kong has more screen
time and a greater relevance on the film's story, unlike with how
Godzilla was barely in the 2014 film. I look forward to seeing these
two monsters duke it out in a future film.
I rate it 7/10
I had a free AMC preview of the movie on March 1st, 2017. My husband is
not a fan of some of the actors in this film BUT he loves KONG! So,
during the movie I felt he was enjoying it. I'm not going to give away
anything because I hate when people do that; all I will say is the
skull crawlers gave me a nightmare and the entire movie from start to
finish was really really good.
The plot was good, the acting was outstanding. I really felt I was in
the 70's. The music in the movie was dead on perfect.
Hope you go out and support this movie because I am sick of remakes and
this is NOT one of them, This movie stands alone by itself! A MUST
SEE...
Stay to the very end...
*** This review may contain spoilers ***
I want to start off by saying that I am not going to sit here and
pretend to be above wanting to see a 100-foot tall ape shred through
some giant lizards and whatnot for around 2 hours.
If you were worried that Kong would wait 40 minutes to show the action
only to cut-away when the fan makes contact with the feces, then you
can put those worries to rest because this giant hairy grump is in your
face right off the bat.
I could immediately tell that this film wasn't about to shy away from
what we all craved so dearly in 2014's Godzilla, because from the first
gunshot onward this script hauls some serious behind straight toward
that colorful Skull Island which we were all so eager to see from the
trailers.
Now, I have learned from a number of painful years that discipline is a
key ingredient both behind the camera and beneath the projector. I like
to think that my expectations were fair. I did not look at any reviews
at any point before I hit that seat on that Thursday night - popcorn
and drink in hand. I was ready, man.
Now, if I told you that the neat visuals surrounding the lineup of
lovecraftian nasties rendered into digital existence to confront the
titular ape was enough to save this picture, then I would be lying
straight to your face.
Yes, of course we get to see a glorious pair of giant angry ape fists
make heavy and satisfying contact with: Some helicopters, a couple of
lizards without legs (which is funny, because the T-Rexes in Peter
Jackson's King Kong lacked arms), a giant squid because, you know, we
needed 5 seconds of squid footage in the trailer I guess, more lizards,
and a big lizard whose sole purpose in life is to rustle some serious
jimmies.
But unfortunately, these scenes are sprinkled between around 2 hours of
having the camera choppily bob and weave between two separate groups
containing some of the most boring and uninteresting characters I have
ever come to forget. There is a cardboard hero who is good at
everything that the script needs him to be good at, a photographer who
takes, like, pictures I guess, and John C. Reilly, who is arguably the
closest this film gets to an interesting character.
And this is not because of the script. This is because he is John C.
Reilly adding his own touch to the script he was given, like Gordon
Ramsay doing his best after being handed a bag of plain rice and half
of a dildo.
Everybody else is a nameless nothing that we get to see be picked off
by giant insects in front of some of the worst green screen I have seen
in some time. Good, lord. What time of day was it again? Because I
swear to sweet baby Christ on a cracker that the sun set about six or
seven different times in the same day.
The helicopter's encounter followed (after seemingly quite some time)
by the final throw-down between Kong and captain ptorsodactyl
mcwigglynoodle was what truly got me through the cringe-inducing humor
and painfully humorous deaths.
This is one of those red-box gems that you'll have a better time with
once there is a beer in your hand rather than a 7 dollar popcorn.
03/10
No sequel, spin off or remake has come close to matching up to the
mythology of the 1933 classic, and just to be sure, neither does this
latest iteration of pop culture's mightiest simian. Instead, this
origin story largely set in the 1970s when America was pulling itself
out from the quagmire of the Vietnam War inspires to be no more and no
less than a monster-mash adventure of epic-sized proportions, pitting
not just Man-against-Kong but Man-against- nature-itself, the latter
represented by supersized species the likes of towering spiders,
blue-blooded pterodactyls and giant saw- toothed lizards referred to as
Skullcrawlers that are all too eager to get a literal taste of human
flesh. Oh yes, this is a CGI showstopper in many, many more ways than
one, with state-of-the-art Industrial Light and Magic technology
complemented with inventive creature design by Carlos Huante to create
a fitting modern-day throwback to the B-movie action-driven creature
features of the past.
Dispensing with any hint of nuance, the straightforward and utterly
functional plot has John Goodman's scientist cum bureaucrat Bill Randa
assemble a team under his top-secret government-funded Monarch project
to explore the hitherto uncharted Skull Island, a long- hidden landmass
in the South Pacific hidden by constant electrical storms and magnetic
interference which has been only recently uncovered by the first
Earth-mapping satellites sent up into space by the US. Among those whom
end up one way or another on the mission: Tom Hiddleston's former SAS
officer turned tracker-for-hire James Conrad, Brie Larson's anti-war
photojournalist Mason Weaver, and last but not least Samuel L.
Jackson's embittered Lieutenant Colonel Preston Packard and his
helicopter squadron (some of the more recognizable faces include Shea
Whigham and Toby Kebbell). There are about a half dozen other
characters too difficult to keep track once the film gets underway,
such as Jing Tian and Corey Hawkins' pair of token-minority scientists
who get a couple of pointless lines and no real purpose.
Withholding knowledge of the real intent of the expedition to "document
the existence of massive unidentified terrestrial organisms', Randa
instructs Colonel Packard's men to start dropping bombs from their
helicopters under the guise of mapping the island seismographically,
which naturally irritates the hell out of its eponymous chief resident.
Kong's grand dramatic entrance consists of hurling a napalm tree
towards one of the choppers, before tearing through each and every one
of them by either ripping them apart or tossing them against each
other. Oh yes, you'll be glad to know that (unlike Randa) Kong doesn't
hold anything back right from the get- go, meaning that you will get to
see him in all his massive vicious glory in every single scene that he
is in. That awesome introduction not only cuts the ensemble down to
those in the opening credits and divides them into two groups, but also
sets up the enmity between Kong and Packard.
Given the simplicity of the storyline, it is no surprise that the
characters are but stock types in fact, the most fully developed
character only joins midway through the film, a WWII vet named Hank
Marlowe (John C. Reilly) who survived the Japanese pilot after him when
both their fighter planes crash-land back in 1944 and has since learned
to live peacefully among the natives there. Reilly steals every scene
he is in more than just as supporting comic presence, he is a real
live wire injecting warmth, humour and dryness as an eccentric
lost-in-time pilot. Jackson comes a close second with his brash gusto,
but the rest of the actors are not much better than as body count.
But really, who are we kidding you're probably not here for the story
or the characters but the damn ape himself, and boy, does he look
magnificent. With tactile fur and soulful eyes, Kong comes to life in
breathtaking realism, aided with motion capture by 'Dawn of the Planet
of the Apes' actor Terry Notary. This Kong is majestic on his own (one
such moment has him taking a break in a lake while Kebbell's terrified
major watches from behind a rock a few feet away), and jaw- droppingly
powerful during any one of the startlingly photoreal sequences of
bestial combat. It bears noting that the monsters which emerge to
challenge Kong or which simply make an appearance as part of the fauna
of the titular island are also just as stunning, especially a
confrontation in a foggy graveyard between the remaining survivors and
a Skullcrawler and the climactic Kong- versus-giant-Skullcrawler
smackdown that is impressive even by modern-day CGI standards.
Despite being a visual effects novice, indie director Jordan Vogt-
Roberts proves right at home in a big-budget motion picture. He creates
an immersive pre-historic paradise to complement the exciting monster
scenes, and mixes 70s war imageries from 'Apocalypse Now' and 'Platoon'
into the 'Jurassic Park' setting to keep his audience hooked. Because
of his firm grasp on pace and rhythm, what is two hours feels much less
so and if there is one unintended outcome of that, it is the fact
that we end up wanting to see more of Kong. As much as it is Kong's
movie, there are also stretches in between where he is nowhere to be
seen, and the other nasty dino-like creatures on Skull Island take
center stage to exert terror on the human intruders.
Ultimately, this is a movie fashioned on pure action spectacle, using
state-of-the-art CGI to breathe new life into the old-school monster
movie mash genre (you would do well to note that this is meant to be an
origin story in Legendary/ Warner's MonsterVerse franchise, setting up
the beast for a planned showdown against Godzilla in 2020). It may all
seem familiar, but that doesn't mean it isn't fun or thrilling, so
really just grab your popcorn, sit back and enjoy the ride.
Movies used to be fun. Genuinely fun. Kong: Skull Island is a throwback to the era when movies were fun - like, Stars Wars fun. Like Jaws fun. That kind of fun. The leads embody characters that are all understandable and genuinely likable. The plot isn't stuffed with technical geek references and "easter eggs" that weigh down other universe-building films. From the fire- singed Kong fur to the slick skull crawler tongues, the special effects are brilliantly detailed and animated. And it's genuinely refreshing to watch an action/monster film in which native peoples are depicted with dignity and respect, and where black and Asian characters aren't used as props or fodder for violence (admittedly, the film could have gone further with this, but I sensed some progress being made). Kong: Skull Island isn't Life is Beautiful. It isn't Casablanca. But it is genuinely, thrillingly, rigorously fun. It has heart, scales, teeth and a ferocious roar. Monster movies are back. Get in line. Hail to the King.
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