Credited cast: | |||
Frances O'Connor | ... |
Elaine Walker
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Simon Baker | ... | ||
Gregory Smith | ... |
Chet Becker
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Bryce Dallas Howard | ... |
Heather
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Joanna Adler | ... |
Melissa
(as Joanna P. Adler)
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Sabrina Grdevich | ... |
Lilian
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Ari Graynor | ... |
Naomi
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Beth MacDonald | ... |
Yoga Instructor
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Brett Tabor | ... |
Coach
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Van Hughes | ... |
Swimmer #1
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C.J. Aker | ... |
Swimmer #2
(as CJ Aker)
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Rest of cast listed alphabetically: | |||
Sherie Melby | ... |
Swim Team Supporter
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EJ Scalzi | ... |
Bartender /
Waiter
|
A young couple, Elaine Walker and David Walker, meet a lonely 15-year-old named Chet Becker in an ice-cream shop, and they become friends. Chet has a crush on Elaine and they have a one-night stand. Elaine tells about her infidelity to David, and their life is affected by the affair. Written by Claudio Carvalho, Rio de Janeiro, Brazil
A young married couple befriends a lonely teenage boy in an ice cream shop. As the friendship blossoms, romantic feelings develop between the wife and the boy. It's a provocative story with contemporary relevance. Withy a backdrop of New Age philosophy "Book Of Love" explores the impact of this unsettling romance on the three individuals.
The acting of the three leads is fine. But the screenplay is thin. Even with a runtime of just 83 minutes, there's just not that much substance. Director Alan Brown tries to draw a parallel between the wife's mistakes in judgment and the mistakes of the Khmer Rouge in Cambodia, a parallel that seems contrived at best. Further, the wife's involvement with the boy lacks a motivational basis, given her current marriage. And her behavior seems way too casual to be credible.
Nominated for an award at the Sundance Film Festival, "Book Of Love" at least tries to do something daring. It is low-key, and not at all exploitative. The background music is interesting. And, as a low budget film, the production values are credible. On the other hand, the script probably does not have enough conflict or plot complication to engage most viewers. The story seems too direct and too linear to be compelling.