Cast overview, first billed only: | |||
Brad Pitt | ... | ||
Mary-Louise Parker | ... | ||
Brooklynn Proulx | ... | ||
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Dustin Bollinger | ... | |
Casey Affleck | ... | ||
Sam Rockwell | ... | ||
Jeremy Renner | ... | ||
Sam Shepard | ... | ||
Garret Dillahunt | ... | ||
Paul Schneider | ... | ||
Joel McNichol | ... |
Express Messenger
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James Defelice | ... |
Baggagemaster
(as James DeFelice)
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J.C. Roberts | ... |
Engineer
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Darrell Orydzuk | ... |
Ukranian Train Passenger
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Jonathan Erich Drachenberg | ... |
Young Train Passenger
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Taking place in the American Northwest in the early 1880s, the film dramatizes the last seven months in the life of famed outlaw Jesse James, beginning with the Blue Cut train robbery of 1881 and culminating in his assassination at the hands of Robert Ford the following April. In the time between these two fateful events, the young and jealous Ford befriends the increasingly mistrustful outlaw, even as he plots his demise. Written by Cole Matthews
This almost defines the oft-used term "elegiac Western". It has some of the well-worn themes of Westerns, such as the creation of Western myth vs. the cold, harsh realities. But for some reason, it never feels like anything else I've ever seen. It has a style more reminiscent of Michelangelo Antonioni than any of the great Western filmmakers. It's slow and likes to surround its characters with enormous landscapes that almost swallow them whole. But it's also not averse to close-ups. Director Dominik, who has only made one other film, Chopper, and it's been seven years since then, loves to concentrate on facial expressions, as well as body language (don't know if I've ever seen a film with this level of attention to body language, or maybe it's just not something to which I've ever been lead to pay much attention). The cast is uniformly brilliant. Brad Pitt and Casey Affleck are the titular leads, and neither has done as well. Affleck is a revelation. The supporting cast includes Sam Rockwell, Mary-Louise Parker, Jeremy Renner, Garrett Dillahunt and Paul Schneider. Andrew Dominik is the star, though. There have been plenty of successful Westerns over the past couple of decades, but I'd be hard-pressed to name a single one out that so beautifully and completely re-invents the genre. 3:10 to Yuma may well be the big money-making Western of the year, but I think history will recall it as being the year that The Assassination of Jesse James by the Coward Robert Ford was released. It is the best film of the year so far, and will be hard to top.