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The Broadway Melody (1929)

Passed | | Drama, Musical, Romance | 6 June 1929 (USA)
A pair of sisters from the vaudeville circuit try to make it big time on Broadway, but matters of the heart complicate the attempt.

Director:

Writers:

(story), (continuity) | 2 more credits »
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Won 1 Oscar. Another 2 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...

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Storyline

Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet, but when he meets Queenie, he falls in love to her, but she is courted by Jock Warriner, a member of the New Yorker high society. It takes a while till Queenie recognizes, that she is for Jock nothing more than a toy, and it also takes a while till Harriet recognizes, that Eddie is in love with Queenie. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

ALL TALKING ALL SINGING ALL DANCING See more »

Genres:

Drama | Musical | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 June 1929 (USA)  »

Also Known As:

The Broadway Melody of 1929  »

Box Office

Budget:

$379,000 (estimated)

Gross:

$2,808,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

(Western Electric Sound System)|

Color:

| (2-Strip Technicolor) (one sequence)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The first film to win the Academy Award for Best Picture. The category of Best Picture was introduced in the second annual Academy Awards in 1930, whereas the first in 1929 had two similar categories, "Best Picture, Production" (awarded to Wings (1927)) and "Best Picture, Unique and Artistic Production" (awarded to Sunrise (1927)). See more »

Quotes

Uncle Jed: [Last lines] It's better to star in P-P-Pe-or, P-P-Pe - or, Osh Kosh than st-starve on Broadway.
Moe: That's a bunk!
Hank Mahoney: Now, you listen to me, Stupid, I'll handle things. Yes, and I'll have you back on Broadway and in The Palace! In less than six months.
Moe: No foolin'?
Hank Mahoney: Why, it's cream in the can, baby.
Uncle Jed: Su-Su-Sure it is. Cre-Cre-Cre. It's, it's in the can!
See more »

Connections

Referenced in This Happy Breed (1944) See more »

Soundtracks

The Wedding of the Painted Doll
(1929) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Sung offscreen by James Burrows and danced by chorus girls
See more »

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User Reviews

 
A "Talkie" In Transition
17 May 2005 | by (Riverside, California) – See all my reviews

To say the least, watching this movie was an interesting experience. For one thing, "The Broadway Melody" predates the Hayes Code, which placed strong restrictions on what could and could not be seen (or heard) in movies. For example, we see numerous shots of Hank and Queenie in various states of undress, including shots of them in their undergarments as they change clothes, and even one of Queenie in the bathtub(!). No, nothing is revealed, but in 1929, it must have been scandalous to see this.

Another interesting aspect of this film is that, despite the fact that it is a "talkie," title cards like those seen in silent films appear throughout. Apparently, MGM wasn't quite sure how to progress the story of the movie as it switched to different sets.

Another thing I noticed was the similarities between some of the characters' names to those of real people. Specifically, "Jock Warriner" sounds like "Jack Warner" (who was head of Warner Bros. Studios) and "Francis Zanfield" is similar to "Florenz Ziegfeld" (of Ziegfeld Follies fame). It would seem the writers didn't have far to go to create some of these characters.

As for the acting, Bessie Love is the best performer in the film. Her character, Hank (yes, a man's name!), is intelligent, strong-willed, determined, and tough-minded, and she deservedly received an Oscar nomination for her performance in this film.

"The Broadway Melody" is a somewhat dated movie (to echo the sentiment of TV Guide), but it is still worthwhile to watch. The script is a little hokey, but the performances (especially from the women) shine through.


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