After the death of his wife and daughter in a car crash, a music professor staying at an old mansion is dragged into a decades-old murder of a child by an inexplicable presence in the mansion's attic.
Hill House has stood for about 90 years and appears haunted: its inhabitants have always met strange, tragic ends. Now Dr. John Markway has assembled a team of people who he thinks will prove whether or not the house is haunted.
Director:
Robert Wise
Stars:
Julie Harris,
Claire Bloom,
Richard Johnson
After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue.
Director:
Stuart Gordon
Stars:
Jeffrey Combs,
Bruce Abbott,
Barbara Crampton
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A former summer camp caretaker, horribly burned from a prank gone wrong, lurks around an upstate New York summer camp bent on killing the teenagers responsible for his disfigurement.
A police Lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward.
Angela Baker, a shy, traumatized young girl, is sent to summer camp with her cousin. Shortly after her arrival, anyone with sinister or less than honorable intentions gets their comeuppance.
Director:
Robert Hiltzik
Stars:
Felissa Rose,
Jonathan Tiersten,
Karen Fields
Newlyweds and their three kids move into a large house where a mass murder was committed. They start to experience strange, inexplicable manifestations which have strong effects on everyone living or visiting the house.
After a bizarre and near deadly encounter with a serial killer, a television newswoman is sent to a remote mountain resort whose residents may not be what they seem.
It was the perfect family vacation for composer John Russell and his family when a freak automobile accident claims the lives of his wife and daughter. Consumed by grief, John, at the request of friends, rents an old turn of the century house. Mammoth in size, the house seems all the room that John needs to write music and reflect. He does not realize that he is not alone in the house. He shares it with the spirit of a child who has homed in on John's despair and uses him to uncover decades of silence and deceit. With the help of Claire Norman, the one who aided John in procuring the house, they race to find the answers and soon learn that a devious and very powerful man guards them.Written by
Vampire-Sharpshooter
The same year, co-star Trish Van Devere was the main star in another haunted house movie, The Hearse. See more »
Goofs
(at around 32 mins) When John discovers the door hidden by shelving, when he is removing the shelving and items from in front of the door, after he removes the second shelf suddenly the door is completely uncovered despite there being many more things he would've first had to remove. See more »
Quotes
John Russell:
You goddamn son of a bitch. What is it you want?
[shouting]
John Russell:
What do you want from me? I've done everything I can do!
[pause]
John Russell:
There's nothing more to do.
See more »
Alternate Versions
The Japanese theatrical version contains the alternative ending theme, titled "Pike", sung by Makigami Koichi, a pseudo-kabuki vocalist who led the rock band called "HIKASHU", replacing the original "Music Box" theme song conducted by Howard Blake. The local Japanese TV (dubbed) version also contains the similar "Pike" theme from "HIKASHU", but while the original theatrical version was in Japanese as supposed to be, the song in the TV version was remarkably sung in English. See more »
A man, recovering from the recent deaths of his wife and child in an automobile accident in New York state, moves across the country to Washington. There he tries to move on with his life as a musical composer by moving into a large Victorian style house in the country. Strange things begin to happen, however, water taps turned on, a window smashing on its own, his daughter's rubber ball inexplicably bouncing down a towering staircase and, above all, thunderous bangs periodically echoing throughout the house for no apparent reason.
The man realizes that something is trying to communicate with him in this house, and he begins an investigation of the building's history. And there's something, something going on in that tiny dusty cob web strewn room at the very top of the house, the one with a music box and a small wheelchair.
George C. Scott is a solid presence in this film as the man bewildered by this huge old home, with Scott's wife, the elegant Trish Van Devere, cast as a member of the local historical society instrumental in having secured him this house. Melvyn Douglas appears as a U.S. senator who is somehow related to the house.
Director Peter Medak lets the suspense build slowly in this intelligent Canadian made ghost story. Rather than going for terror, this film goes for subtle chills. There's a seance scene that is genuinely eerie, as Medak's camera returns to that small room and then starts to glide down the stairs towards the seance participants trying to communicate with the spirit.
Some ghost films are all special effects and over-the-top performances of terror. Like the best of the classy, more mature films that explore the supernatural, The Changeling never goes for cheap thrills. This thriller's eeriness is analogous to a tap on the shoulder by a cold finger, only to turn around and find there is nobody there.
It may be a cliché to say it, but, in this case, it's true: if you watch this film, be sure to do so with the lights turned low.
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A man, recovering from the recent deaths of his wife and child in an automobile accident in New York state, moves across the country to Washington. There he tries to move on with his life as a musical composer by moving into a large Victorian style house in the country. Strange things begin to happen, however, water taps turned on, a window smashing on its own, his daughter's rubber ball inexplicably bouncing down a towering staircase and, above all, thunderous bangs periodically echoing throughout the house for no apparent reason.
The man realizes that something is trying to communicate with him in this house, and he begins an investigation of the building's history. And there's something, something going on in that tiny dusty cob web strewn room at the very top of the house, the one with a music box and a small wheelchair.
George C. Scott is a solid presence in this film as the man bewildered by this huge old home, with Scott's wife, the elegant Trish Van Devere, cast as a member of the local historical society instrumental in having secured him this house. Melvyn Douglas appears as a U.S. senator who is somehow related to the house.
Director Peter Medak lets the suspense build slowly in this intelligent Canadian made ghost story. Rather than going for terror, this film goes for subtle chills. There's a seance scene that is genuinely eerie, as Medak's camera returns to that small room and then starts to glide down the stairs towards the seance participants trying to communicate with the spirit.
Some ghost films are all special effects and over-the-top performances of terror. Like the best of the classy, more mature films that explore the supernatural, The Changeling never goes for cheap thrills. This thriller's eeriness is analogous to a tap on the shoulder by a cold finger, only to turn around and find there is nobody there.
It may be a cliché to say it, but, in this case, it's true: if you watch this film, be sure to do so with the lights turned low.