Critic's Notebook
Andrew Norman’s ‘Play,’ a Symphony That Levels Up
The work has taken on an otherworldly reputation, and has been acclaimed by critics as among the finest compositions of the century.
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The work has taken on an otherworldly reputation, and has been acclaimed by critics as among the finest compositions of the century.
By DAVID ALLEN
After years of delays, the hall in Hamburg opens with a concert spanning 400 years of classical music history.
By CORINNA da FONSECA-WOLLHEIM
The rock band, which co-produced much of Miley Cyrus’s latest album, has a new one of its own, “Oczy Mlody.”
By ROB TANNENBAUM
The new songs that caught our pop critics' attention this week, from FKA twigs to Diet Cig.
By JON PARELES and NATE CHINEN
Maria Agresta, who will sing Micaëla, will have a role elsewhere on opening night: Her family’s recipes will be featured in the Grand Tier Restaurant.
By FLORENCE FABRICANT
The Met said to save money it was canceling Verdi’s “La Forza del Destino” by the director Calixto Bieito, and would have concerts of Verdi’s Requiem instead.
By MICHAEL COOPER
Two concerts, two extremes: Stephanie Chase and Sara Davis Buechner offered pieces seldom heard; the New York Philharmonic trod beloved but well-worn paths.
By ANTHONY TOMMASINI
The conductor Daniel Barenboim prepares a cycle of Bruckner’s symphonies for Carnegie Hall.
By DAVID ALLEN
Our guide to the city’s best classical music and opera.
By DAVID ALLEN