A fast-talking mercenary with a morbid sense of humor is subjected to a rogue experiment that leaves him with accelerated healing powers and a quest for revenge.
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Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Fearing that the actions of Superman are left unchecked, Batman takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
Earth's mightiest heroes must come together and learn to fight as a team if they are to stop the mischievous Loki and his alien army from enslaving humanity.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Scarlett Johansson
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Directors:
Anthony Russo,
Joe Russo
Stars:
Chris Evans,
Samuel L. Jackson,
Scarlett Johansson
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Director:
Joe Johnston
Stars:
Chris Evans,
Hugo Weaving,
Samuel L. Jackson
This is the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life. Written by
20th Century Fox
Counting the opening credits, there are a total of 23 fourth wall breaks in the film. See more »
Goofs
In the freeze frame scene at the beginning of the film, the drawing is of Deadpool cutting off Francis' head with a speech balloon saying "Hi I'm Deadpool". In the actual drawing Deadpool is making before jumping onto the SUV's, he is drawing Francis speaking, and not himself. See more »
Quotes
[first lines]
Deadpool:
Kinda lonesome back here.
[wedges himself through the Plexiglas opening between the back seat and the front]
Deadpool:
Yeah, little help.
See more »
Crazy Credits
Several people are credited as "Special Thanks (with tongue)". See more »
Mister Sandman
Written by Pat Ballard
Performed by The Chordettes
Courtesy of Barnaby Records, Inc.
By arrangement with Nola Leone/Ace Music Services, LLC See more »
Deadpool is a triumph of artistic vision over studio interference. Little credit should be given to 20th Century Fox, as they had zero faith in the success of a Deadpool movie. To put things into perspective, Ryan Reynolds fought for this film back in 2004 when Blade: Trinity was released. Reynolds and co. went to shoot test footage that was then leaked online by Reynolds because Fox had no intentions to release it to the public. Finally, after years and years of BEGGING to the studio and the overwhelming positive responses of the test footage from the public, Fox didn't even tell Reynolds and co. that the film was greenlit. They had to find out online like the rest of us plebeians. If that sounds bad, Fox even cut their budget by $7 million AT THE LAST MINUTE, which caused the writers to scratch some action sequences that I'm sure would've been great to see.
Deadpool now has the biggest opening weekend in the month of February (surpassing Fifty Shades of Grey), the biggest opening weekend for 20th Century Fox (surpassing all the X-Men films), and the biggest opening weekend for an R rated film EVER (surpassing The Matrix: Reloaded). With all that being said, Deadpool is a hilariously entertaining film that works mainly because of Reynolds himself. His comedic skills pay off gloriously as the titular character, who gives so many quips in one instance that some jokes will be missed. Of course, credit should be given to the writers too (AKA: The Real Heroes Here), and it's impressive that this is Tim Miller's directorial debut. The action sequences and pacing are so good that you'd think this came from a veteran director.
From the ingenious opening credits to the subversive ending, Deadpool constantly upends clichés and tropes you're used to seeing in superhero flicks in the past few years. What's great here is the filmmakers had something weird and perverse and just went with it. Jokes about pedophilia, pegging, and sex run rampant, but it's never really dark, despite the mature subject matter. On top of that, it's also very refreshing to see a pansexual superhero in such a big studio film. It's unheard of these days. Fox and other studios, learn from this success. It's not the fact that a hard R-rated film can do well, it's that Deadpool also happens to be very good, most likely because you, Fox, actually gave the filmmakers the creative freedom to do whatever the hell they wanted.
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Deadpool is a triumph of artistic vision over studio interference. Little credit should be given to 20th Century Fox, as they had zero faith in the success of a Deadpool movie. To put things into perspective, Ryan Reynolds fought for this film back in 2004 when Blade: Trinity was released. Reynolds and co. went to shoot test footage that was then leaked online by Reynolds because Fox had no intentions to release it to the public. Finally, after years and years of BEGGING to the studio and the overwhelming positive responses of the test footage from the public, Fox didn't even tell Reynolds and co. that the film was greenlit. They had to find out online like the rest of us plebeians. If that sounds bad, Fox even cut their budget by $7 million AT THE LAST MINUTE, which caused the writers to scratch some action sequences that I'm sure would've been great to see.
Deadpool now has the biggest opening weekend in the month of February (surpassing Fifty Shades of Grey), the biggest opening weekend for 20th Century Fox (surpassing all the X-Men films), and the biggest opening weekend for an R rated film EVER (surpassing The Matrix: Reloaded). With all that being said, Deadpool is a hilariously entertaining film that works mainly because of Reynolds himself. His comedic skills pay off gloriously as the titular character, who gives so many quips in one instance that some jokes will be missed. Of course, credit should be given to the writers too (AKA: The Real Heroes Here), and it's impressive that this is Tim Miller's directorial debut. The action sequences and pacing are so good that you'd think this came from a veteran director.
From the ingenious opening credits to the subversive ending, Deadpool constantly upends clichés and tropes you're used to seeing in superhero flicks in the past few years. What's great here is the filmmakers had something weird and perverse and just went with it. Jokes about pedophilia, pegging, and sex run rampant, but it's never really dark, despite the mature subject matter. On top of that, it's also very refreshing to see a pansexual superhero in such a big studio film. It's unheard of these days. Fox and other studios, learn from this success. It's not the fact that a hard R-rated film can do well, it's that Deadpool also happens to be very good, most likely because you, Fox, actually gave the filmmakers the creative freedom to do whatever the hell they wanted.